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One of my corvid friends in motion.
Seems that birds in flight were a bit of a theme today!
Sony DSC-W330
0.008 sec (1/125); f/16.0; 18.8 mm; ISO 80
Taken with a turning camera, with a shutter set to 1/15 and a flash synced to the rear curtain to freeze the motion. Just experimenting
I set myself the task of getting shot that conveyed motion within the confines of my hotel room. Taken with a Panasonic GH2 with 20mm lens, longish shutter speed on self timer.
My second attempt at free motion drawing with the sewing machine from a while back. My boy was 5 at the time, and this is from a photo I took of him at a local fishing pond. ; )
blogged at www.myswetprairie.blogspot.com
Luminous motion (2002) by Peter Freeman is a reactive light sculpture created for the Winchester Light Art Project. It was installed at the end of November 2002 in the grounds of Winchester Cathedral and uses mobile telephone technology and text messaging to allow passers-by to influence the display.
It is a six metre column of mirrored stainless steel, pierced by 500 fibre optic light points and the sculpture changes colour according to text messages sent by members of the public.
To change the colour and light patterns on luminous motion text one of these words to 07980 732 147: White, Blue, Indigo, Magenta, Breathe, Eyepop, Lightdancer or Radiance.
My interpretation of horror flick; Captivity.. produced in stop motion animation!
My first try at this kind of thing, but it's pretty fun so there may be more in the future. Designed for a university assigment.
For those unfamiliar with stop motion, basically no video was used, it is created entirely of photographs played quickly in sequence to make a moving image.
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Paris - Francia
Septiembre 2012
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my attempt at a stop motion animation.
flickr utterly demolished the quality of the pictures.
the background's too soft, i guess, since nobody heard it :o
my first stop-motion movie
your comment is appreciated
رمضان كريم وكل عام وأنتم بخير
القراءة بصوت هاني الرفاعي
May 14, 2019 - Milwaukee Art Museum's Quadracci Pavilion designed by Santiago Calatrava.
"The Quadracci Pavilion is the iconic sculptural addition to the Milwaukee Art Museum designed by Santiago Calatrava. The Spanish architect was inspired by the “dramatic, original building by Eero Saarinen, . . . the topography of the city,” and Frank Lloyd Wright’s Prairie-style architecture.
The 142,050-square-foot structure was completed in 2001 and houses a grand reception hall, an auditorium, a large exhibition space, a store, two cafés, and parking. Both cutting-edge technology and old-world craftsmanship went into creating the graceful building, which was made largely by pouring concrete into one-of-a-kind wooden forms.
Windhover Hall is the grand reception hall and among the pavilion’s many architectural highlights. Complete with flying buttresses, pointed arches, ribbed vaults, and a central nave topped by a 90-foot-high glass roof, it is Calatrava’s interpretation of a Gothic cathedral. An average-sized, two-story family home would fit comfortably inside it. The hall’s chancel is shaped like the prow of a ship, with floor-to-ceiling windows looking over Lake Michigan. Adjoining the central hall are two tow-arched promenades, the Baumgartner Galleria and Schroeder Galleria, with expansive views of the lake and downtown.
The Museum’s signature wings, the Burke Brise Soleil, form a moveable sunscreen with a 217-foot wingspan. The brise soleil is made up of 72 steel fins, ranging in length from 26 to 105 feet. The entire structure weighs 90 tons. It takes 3.5 minutes for the wings to open or close. Sensors on the fins continually monitor wind speed and direction, so when winds exceed 23 mph for more than 3 seconds, the wings close automatically.
According to Santiago Calatrava, the Quadracci Pavilion’s design “responds to the culture of the lake: the sailboats, the weather, the sense of motion and change.” And “in the crowning element of the brise soleil,” he stated, “the building’s form is at once formal (completing the composition), functional (controlling the level of light), symbolic (opening to welcome visitors), and iconic (creating a memorable image for the Museum and the city).”
The expansion of the Museum was made possible through the generosity of donors in a capital campaign, with major funding provided by Betty and Harry Quadracci." Previous text from the Milwaukee Art Museum's website: mam.org/info/details/quadracci.php
At the Dusk Dance 2009. A beautiful evening of motion in low light that put my little a200 through its paces.
Detail of the wing roof on Neil Armstrong Hall of Engineering at Purdue University. This building was designed by Ratio Architects. The moon is illuminating the passing clouds providing a sense of motion.
Photographed on Fuji Neopan Acros 100 film using a Canon model III rangefinder with a Canon Serenap 50mm f/1.9 lens. Metered with a Sekonic L-758DR. This is a new camera and lens for me. Here, the lens was wide open and I notice it is a bit soft near the edges compared to when stoped down.