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Double portrait of Jacques Lipchitz and his wife by Amedeo Modigliani (1884 - 1920) - Italian. Published: The Art Institute of Chicago - Helen Birch Barlett Memorial Collection.
Amedeo Modigliani; c.1913-14; Blue crayon on paper.
This drawing was produced by Modigliani when he and Jacob Epstein were working together in Paris between 1912 and 1914. Modigliani gave this picture to Epstein and it remained a prized possession displayed in Epstein’s living room until it was given to Walsall by Epstein’s widow Lady Kathleen Epstein, as part of the Garman Ryan Collection in 1973. A Greek ‘caryatid’ is a carved figure which acts as a support pillar for the roof of a building. Many of Modigliani’s drawings of ‘caryatids’ were intended as designs for a ‘Temple of Beauty’, an idea for a vast ‘new Parthenon’ dedicated to the glory of all human kind and held aloft by a series of stone caryatids. This vision was sadly never achieved and only one rough caryatid sculpture was finally produced by the artist. Though he did produce several more finished stone heads which revealed the influences of both African and Indo Chinese sculpture. He and other artists such as Picasso and Epstein were discovering these works in the Trocadero Museum in Paris at this time.
Title: Guiseppe Modigliani with David Dubinsky, Dorothy Bellanca, Luigi Antonini, and others at Madison Square Garden, November 28, 1934
Date: 1934
Photographer: Unknown
Photo ID: 5780PB24F18A
Collection: International Ladies Garment Workers Union Photographs (1885-1985)
Repository: The Kheel Center for Labor-Management Documentation and Archives in the ILR School at Cornell University is the Catherwood Library unit that collects, preserves, and makes accessible special collections documenting the history of the workplace and labor relations. www.ilr.cornell.edu/library/kheel
Notes: No additional information available.
Copyright: The copyright status of this image is unknown. It may also be subject to third party rights of privacy or publicity. Images are being made available for purposes of private study, scholarship, and research. The Kheel Center would like to learn more about this image and hear from any copyright owners who are not properly identified so that we may make the necessary corrections.
Tags: Kheel Center for Labor-Management Documentation and Archives,Cornell University Library,Group Photo, Labor Leaders, Public Figures
Amedeo Modigliani. Un peintre et son marchand
www.musee-orangerie.fr/fr/agenda/expositions/amedeo-modig...
Like its predecessor, the boy to the right also, because of the play of light and shadow, appears to have one eye open to the world, and the other closed in inward gazing. Zara, Eaton Centre, Toronto.
Modigliani - Sotherby's
Modigliani was also protected by Paul Guillaume (end of 14) and Léopold Zborowski (from 16).
I used a face transformer program to produce a portrait in the style of Modigliani from an image of "dogfaceboy" titled
How Not To Eat A Grape by cayusa, who had made it available for others to use via a Creative Commons License.
ICAD # 45 for July 15, 2013. This is Lady Modigliani (after one of my favorite artists - Modigliani). I've always liked his elongated faces! Acrylics, paper scraps, rubber stamps, neocolor. Happy Monday!
July 12, 1884 paintings and sculptures in a modern style, characterized by mask-like faces and elongation of form,Top 10 greates painters ever,so Modigliani's life was fictionalized in book and film takes me on a fascinating posthumous history.
Also he studied and was influenced by African sculpture,with their depiction of features such artistic developments such as Cubism with non-Western art forms.