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Amedeo Modigliani, Madame Amédée (Woman with Cigarette), Italian, 1884 - 1920, 1918, oil on canvas, Chester Dale Collection
Portrait of Beatrice Hastings
Amedeo Modigliani
Italian, 1884–1920
Portrait of Beatrice Hastings, 1914
The thick application of paint in short, choppy strokes in this work betrays Amedeo Modigliani’s early association with the art of the Macchiaioli, a group of Italian artists who, like the French Impressionists, painted in colorful patches. The portrait is of the English writer, poet, and literary critic Beatrice Hastings, Modigliani’s partner between 1914 and 1916. The stylization of her features—elongated nose, almond shaped eyes, long neck, and sensual orange-red coloring—is characteristic of Modigliani’s distinctive style. Hastings and Modigliani met in Paris through friends. Modigliani painted Hastings fourteen times during their two-year relationship.
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Shaheen Collection of French Works
high.org/exhibition/permanent-collection-installation-sha...
Through the generosity of numerous collectors, benefactors, and supporters, the High Museum has assembled a distinguished collection of European art ranging in date from the fourteenth through twentieth centuries. The collection of paintings displayed in this installation represent the accomplishment of Doris and Shouky Shaheen. Collected over a span of four decades, these works were presented as a gift to the High Museum in 2019.
The Doris and Shouky Shaheen Collection focuses on French art of the late nineteenth and early twentieth centuries. Within this timeframe, the paintings represent an array of styles, including the pre-Impressionist realism of Eugène Boudin’s harbor views, the shimmering Impressionism of Claude Monet’s and Camille Pissarro’s landscapes, and the expressive modernism of Amedeo Modigliani’s and Henri Matisse’s figure studies.
Atlantans long have benefited from the Shaheens’ strong philanthropic spirit in the form of important gifts to numerous institutions across the city. The gift of their remarkable collection of French masterworks will forever enrich the lives of all those who visit the High Museum.
These works by French masters are must-sees for lovers of Impressionism and French painting traditions.
At the end of November, 24 French artworks went on view for the first time at the High Museum of Art. The Shaheen collection was recently gifted to the High by philanthropists Doris and Shouky Shaheen.
For the past 50 years, the Shaheens have been collecting art. “It’s been a great blessing of our life together to build this collection and live with these incredible works,” said the Shaheens.
“Given our love for this collection, and our love for this city, we knew the High was the best home for these paintings. We’re thrilled that Atlantans will enjoy them for generations to come.”
The Doris and Shouky Shaheen Collection focuses on French art of the late nineteenth and early twentieth centuries. Within this timeframe, the paintings represent an array of styles, including the pre-Impressionist realism of Eugène Boudin’s harbor views, the shimmering Impressionism of Claude Monet’s and Camille Pissarro’s landscapes, and the expressive modernism of Amedeo Modigliani’s and Henri Matisse’s figure studies.
Ligabue
Mondovisione Tour
Ligabuevoce, chitarra
Federico Poggipollini,
Niccolò Bossini,
Max Cottafavi,
Michael Urbano,
Davide Pezzin,
Luciano Luisi
26 marzo 2015 - Modigliani Forum - Livorno
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© 2015 sebastiano bongi toma - Ramingo-
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Please don't use photos without my permission
At our Modigliani Family Day, families celebrated the striking work of iconic Italian-Jewish artist Amedeo Modigliani with collage portraits, face painting, and the swinging sounds of Jo-Jo and the Pinecones. Photo by: Matthew Carasella.
At our Modigliani Family Day, families celebrated the striking work of iconic Italian-Jewish artist Amedeo Modigliani with collage portraits, face painting, and the swinging sounds of Jo-Jo and the Pinecones. Photo by: Matthew Carasella.
At our Modigliani Family Day, families celebrated the striking work of iconic Italian-Jewish artist Amedeo Modigliani with collage portraits, face painting, and the swinging sounds of Jo-Jo and the Pinecones. Photo by: Matthew Carasella.
Installation view of the exhibition “Modigliani Unmasked.” September 15, 2017 – February 4, 2018. The Jewish Museum, NY.
Photo by: Jason Mandella
Italian-Jewish artist Amadeo Modigliani died on 24th Jan. 1920 (aged 34) of tubercular meningitis, exacerbated by the effects of alcohol and drugs. His epitaph reads: "Struck down by death at the moment of glory".
His then partner Jeanne Hebiterne (aged 22) was so distraught that two days later she took her own life and that of their unborn second child.
Her epitaph reads: "Of Amadeo Modigliani devoted companion to the extreme sacrifice".
Their first child Jeanne (1918-1984)survived to write the biography of her father "Modigliani, man and Myth".
Ligabue
Mondovisione Tour
Ligabuevoce, chitarra
Federico Poggipollini,
Niccolò Bossini,
Max Cottafavi,
Michael Urbano,
Davide Pezzin,
Luciano Luisi
26 marzo 2015 - Modigliani Forum - Livorno
follow me on
© 2015 sebastiano bongi toma - Ramingo-
All rights reserved
Please don't use photos without my permission
Modigliani - Donna con capelli neri - cod. 000203 - Bicchiere.
Bicchiere in ceramica lavorato e decorato a mano, per acqua, vino, thè, bibite, etc.
I decori, su fondo bianco, si ispirano o riprendono i particolari di famosi dipinti di Amedeo Modigliani.
Le irregolarità, nelle forme e nei colori, sono un segno distintivo del lavoro manuale.
Misure: h 11 x 7,5 cm.
Decoro: Donna con capelli neri.
Modigliani - Woman with hair blacks - cod. 000203 - Glass for water.
Glass ceramic crafted and decorated by hand, for water, wine, tea, soft drinks, etc.
The decorations, white background, are inspired by or take the details of famous paintings by Amedeo Modigliani.
Irregularities, shapes and colors, are a hallmark of manual labor.
Measurements: h 11 x 7,5 cm.
Decoration: Woman with hair blacks.
At our Modigliani Family Day, families celebrated the striking work of iconic Italian-Jewish artist Amedeo Modigliani with collage portraits, face painting, and the swinging sounds of Jo-Jo and the Pinecones. Photo by: Matthew Carasella.
The Postcard
A postally unused postcard that was published by the Estorick Collection of Modern Italian Art, London. On the back of the card is printed:
'Amedeo Modigliani (1884 - 1920)
Nude with cup (1918).
Watercolour, black wash and pencil
on paper, 65 x 50 cm.'
Amedeo Modigliani
Born in Livorno, Amedeo Modigliani moved to Paris in 1906 after studying in Florence and Venice. His early work was influenced by Cézanne and the Symbolists, and later by African and Oceanic art.
The sinuous lines of early Renaissance painters such as Simone Martini and Botticelli were also important reference points.
From these sources he drew a highly distinctive repertoire of ‘primitive’ forms which he used in creating a series of elegant portraits, characterized by elongated heads and simplified features.
Undoubtedly one of the most famous Italian artists of the twentieth century, Modigliani was deeply immersed in the contemporary Parisian art world. Yet he followed a singular path, rejecting Cubism’s fragmentation of form, and rebuffing Gino Severini’s invitation to join the Futurist movement.