View allAll Photos Tagged Modigliani
Cimetière Père Lachaise
Modigliani's grave - separated from Edith Piaf by an alley - everybody wants to see Piaf's grave, nobody knows that Modigliani is here except some rare fans (see all the flowers).
Copyright © giovdim 2007. All rights reserved.
Musée d’Art moderne de la Ville de Paris ~MODIGLIANI (Oil on canvas) * giovdim
Cagnes-sur-Mer French Riviera
is a common presenting the form of a well-wooded and park-covered urban settlement in the Alpes-Maritimes department in the Provence-Alpes-Côte d'Azur Region in southeastern France. Economically it forms a suburb to the city of Nice.
Geography
It is the Largest suburb of the city of Nice and lies to the west-southwest of it, about 15 km (9.3 mi) from the center. It is a town with no high rise buildings with PARTICULARLY Many woods and parks, as to MOST icts of urban homes, in the Alpes-Maritimes department in the Provence-Alpes-Côte d'Azur
History
It was the retreat and final address of the painter Pierre-Auguste Renoir, Who Moved there in 1907 in an Attempt to Improve His arthritis, and Remained up to His death in 1919. In the late 1920s, Cagnes-sur-Mer est devenu a residence for Many renowned American literary and art figures, Such as Kay Boyle, George Antheil and Harry and Caresse Crosby. Author Georges Simenon (1903-1989), creator of the fictional detective Commissioner Jules Maigret Lived at 98, mounted of the Village in the 1950s with His third wife and Their three children; initial his "S" may still be seen in the wrought iron on the stairs.
Belarusian-French artist Chaim Soutine created Powerful, fanciful landscapes of southern France. A friend of Amedeo Modigliani, Soutine left colorful landscapes from Cagnes from 1924 on. Fauvist painter Francisco Iturrino aussi resided in the town Where he deceased.
Amedeo Modigliani - Anna Zborowska 1917
Amedeo Clemente Modigliani (July 12, 1884 – January 24, 1920) was an Italian artist who worked mainly in France. Primarily a figurative artist, he became known for paintings and sculptures in a modern style characterized by mask-like faces and elongation of form. He died in Paris of tubercular meningitis, exacerbated by poverty, overwork, and addiction to alcohol and narcotics.
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Amedeo Clemente Modigliani (Livorno, 12 de julho de 1884 — Paris, 24 de janeiro de 1920) foi um artista plástico e escultor italiano que viveu em Paris. Um artista principalmente figurativo, ele se tornou conhecido por pinturas e esculturas em estilo moderno caracterizado por faces mascara e alongamento da forma. Morreu de meningite tuberculosa, agravada pela pobreza, excesso de trabalho, alcool e drogas (haxixe).
Oil on canvas
H. 36, W. 28-3/4 inches (91.4 x 73 cm.)
Jeanne Hébuterne - Amedeo Modigliani 1919
The Metropolitan Museum of Art
1000 Fifth Avenue. New York, New York 10028 USA
Portrait of the Painter Frank Haviland
(Ritratto del pittore Frank Haviland), 1914
Oil on cardboard, 73 x 60 cm
Gianni Mattioli Collection
Long-term loan to the Peggy Guggenheim Collection, Venice
This vivid portrait, painted in Paris in the second half of 1914, marks Amedeo Modigliani’s return to painting after a period of five years dedicated to sculpture. The sitter, Frank Burty Haviland, was a wealthy English amateur: a poet, a collector of African art, and a painter of small talent, who occupied a large studio near to Picasso’s and was known disparagingly to his friends as “Le Riche.” The red cravat and brown (velvet?) jacket, the aquiline noise, small mouth, and central parting of the hair, with curls, generate the aura of a Wildean aesthete. Standing before a window and with lowered eyes, he contemplates his pipe. Modigliani has surely elongated the curiously bell-shaped head.
Homenaje a Modigliani
1997
Exposición Retrospectiva
HERMANOS EN EL ARTE
Manuel Elías – Rolando Elías
Curaduría
Marine Velasco-Begué
Del 27 de Septiembre al 31 de octubre de 2012
MANUEL ELÍAS ROLANDO ELÍAS
AMOR FILIAL, AMOR AL ARTE
La muestra es un recorrido por un periodo de la historia del arte salvadoreño, a través de la sempiterna conversación cómplice entre los hermanos Elías, sus voces plasmadas en la obra pictórica de Manuel y en los poemas de Rolando. Una oportunidad de explorar y descubrir la obra de estos artistas y del tiempo y espacio en el cual existieron y crearon.
A través de su creación artística y de los testimonios de sus amigos, colegas, artistas contemporáneos, quienes nos cuentan anécdota, historias de la década de los 60’-70’, en la cual se departía un ambiente al estilo de los movimientos artísticos europeos, en los cafés de Paris, Viena, Praga…y en los cafés y bares del centro del viejo San Salvador: Skandia, Central, Alcázar, Bella Nápoles…un centro de actividad artístico, intelectual, delimitando entre la plaza Morazán y la Plaza Libertad.
Ambos artistas compartían la cualidad de ser observadores agudos de la realidad, en silencio y reservados, ser un observador requiere circunspección y estar fuera del protagonismo, de la luz de candilejas.
La búsqueda en Manuel de la perfección estética es patente en la ejecución de las diferentes técnicas que explora: acuarela, dibujo, pintura, escultura; experimentando con diversos materiales; piedra, madera, oleo, acrílico, tinta, y explorando el tratamiento de temas diversos: bodegones, paisajes abstractos, retaros, desnudos, flores, jardines, incluso en el diseño de muebles y artesanías.
Paralelamente a su preocupación estética en las artes plásticas, en admiración por su hermano simbióticamente, escribe y publica historias, cuentos, crítica artística, revistas y se autodenomina “escribidor”.
Consiente con su carácter reservado, retador, escribe, y a veces firma sus cuadros bajo seudónimos, con Rolando compartiendo el misterio: Juan Caminos, Genaro Rojas, Domingo Urbano y otros más…
Su compromiso y comunión con la vida de artista se manifiesta en su “activismo” por el arte y la cultura con la creación de galerías y centros culturales como la “Galería Centro” y “La Rendija”, en donde promueve y exhibe muestras de sus colegas artistas, conversatorios, lecturas de poemas, presentación de escritores, música, etc.
Además tomando parte en la formación de movimientos artísticos desde “Mancha nueva” hasta la “Real Orden de los locos de octubre”.
Los hermanos comparten trazos de carácter y temperamento: discretos, reservados, huraños. Y entretienen entre ellos una relación de simbiosis artística de complicidad creativa.
Rolando periodista en los mayores periódicos nacionales, escribe columnas, notas periodísticas, artículos y comentarios sobre arte. Pero es en la escritura de sus ensayos y poemas que excede su sensibilidad y espiritualidad: en su colección de poemas “cantata de mayo” en donde nos da testimonio de la revelación de Dios en la naturaleza. En los sonetos de “La rosa en la guerra” de su obra “La celebración de la rosa”, nos aporta otro rostro de realidad transfigurada por la emoción. En su “Homenaje a Fray Luis de León” ahonda en la atmosfera de su temperamento místico, y como varios pensadores místicos, aporta nuevos aspectos a la verdad, porque vislumbra su rostro desde diferentes ángulos. Remarcable es el hecho que escribió estos sonetos en plena guerra. Cabe citar a Octavio Paz: “la misión de la poesía es sacar a la luz lo que esta oculto en los pliegues del tiempo”.
Con esta Retrospectiva se consuma un doble objetivo, cumplir con la misión de la Sala nacional de ofrecer arte y cultura al publico salvadoreño, y apoyar el proceso de recuperar y salvaguardar la historia del arte en El Salvador.
Krishna Manuel Elías
Marlene Velasco-Begué
Curadores
Sala Nacional de Exposiciones Salarrué
Costado norte del Parque Cuscatlán, San Salvador El Salvador, Centroamérica.
Teléfono:(503) 2222-4959
Abierto de martes a domingo
9.00 a.m a 12 m - 2.00 p.m a 5.00 p.m
Lunes cerrado al público
Salanacionaldeexposiciones.sv@gmail.com
Entrada gratuita.
This is Modigliani's portrait of modernist Morgan Russell. We recently found a sketch by Russell in Taos, NM! Read about the American who traveled to Paris: d.pr/oxpr
8.5x5.5 watercolor on paper
Have you seen the blog Adorable? It is the life in art of a precious little girl named Adora. Her parents have posted photos since her birth a few years ago and invited artists to use them in their art form. I believe around a thousand artists have rendered her now. There is a wish list of subjects her parents would like to see. I chose to do Modigliani. I'm sure I will do more!
Bronze - 2008 - Zourab Tseretelli - peintre russe - Orangerie du Luxembourg
Chagall, Matisse, Modigliani, Picasso, Van Gogh
Cagnes-sur-Mer French Riviera
is a common presenting the form of a well-wooded and park-covered urban settlement in the Alpes-Maritimes department in the Provence-Alpes-Côte d'Azur Region in southeastern France. Economically it forms a suburb to the city of Nice.
Geography
It is the Largest suburb of the city of Nice and lies to the west-southwest of it, about 15 km (9.3 mi) from the center. It is a town with no high rise buildings with PARTICULARLY Many woods and parks, as to MOST icts of urban homes, in the Alpes-Maritimes department in the Provence-Alpes-Côte d'Azur
History
It was the retreat and final address of the painter Pierre-Auguste Renoir, Who Moved there in 1907 in an Attempt to Improve His arthritis, and Remained up to His death in 1919. In the late 1920s, Cagnes-sur-Mer est devenu a residence for Many renowned American literary and art figures, Such as Kay Boyle, George Antheil and Harry and Caresse Crosby. Author Georges Simenon (1903-1989), creator of the fictional detective Commissioner Jules Maigret Lived at 98, mounted of the Village in the 1950s with His third wife and Their three children; initial his "S" may still be seen in the wrought iron on the stairs.
Belarusian-French artist Chaim Soutine created Powerful, fanciful landscapes of southern France. A friend of Amedeo Modigliani, Soutine left colorful landscapes from Cagnes from 1924 on. Fauvist painter Francisco Iturrino aussi resided in the town Where he deceased.
Portrait of the Painter Frank Haviland
(Ritratto del pittore Frank Haviland), 1914
Oil on cardboard, 73 x 60 cm
Gianni Mattioli Collection
Long-term loan to the Peggy Guggenheim Collection, Venice
This vivid portrait, painted in Paris in the second half of 1914, marks Amedeo Modigliani’s return to painting after a period of five years dedicated to sculpture. The sitter, Frank Burty Haviland, was a wealthy English amateur: a poet, a collector of African art, and a painter of small talent, who occupied a large studio near to Picasso’s and was known disparagingly to his friends as “Le Riche.” The red cravat and brown (velvet?) jacket, the aquiline noise, small mouth, and central parting of the hair, with curls, generate the aura of a Wildean aesthete. Standing before a window and with lowered eyes, he contemplates his pipe. Modigliani has surely elongated the curiously bell-shaped head.
1916. Oli sobre tela. 100,4 x 81,3 cm. Princeton University Art Museum, Princeton. L.1988.62.18. Obra no exposada.
Cagnes-sur-Mer French Riviera
is a common presenting the form of a well-wooded and park-covered urban settlement in the Alpes-Maritimes department in the Provence-Alpes-Côte d'Azur Region in southeastern France. Economically it forms a suburb to the city of Nice.
Geography
It is the Largest suburb of the city of Nice and lies to the west-southwest of it, about 15 km (9.3 mi) from the center. It is a town with no high rise buildings with PARTICULARLY Many woods and parks, as to MOST icts of urban homes, in the Alpes-Maritimes department in the Provence-Alpes-Côte d'Azur
History
It was the retreat and final address of the painter Pierre-Auguste Renoir, Who Moved there in 1907 in an Attempt to Improve His arthritis, and Remained up to His death in 1919. In the late 1920s, Cagnes-sur-Mer est devenu a residence for Many renowned American literary and art figures, Such as Kay Boyle, George Antheil and Harry and Caresse Crosby. Author Georges Simenon (1903-1989), creator of the fictional detective Commissioner Jules Maigret Lived at 98, mounted of the Village in the 1950s with His third wife and Their three children; initial his "S" may still be seen in the wrought iron on the stairs.
Belarusian-French artist Chaim Soutine created Powerful, fanciful landscapes of southern France. A friend of Amedeo Modigliani, Soutine left colorful landscapes from Cagnes from 1924 on. Fauvist painter Francisco Iturrino aussi resided in the town Where he deceased.
The background is credit to Create Wings, the rest (including image) credit to Modigliani via Itkupilli.
Jacques and Berthe Lipchitz Date:
1916
Artist:
Amedeo Modigliani
Italian, 1884–1920
ABOUT THIS ARTWORK
After receiving his artistic training in Italy, the sculptor and painter Amedeo Modigliani moved to Paris in 1906. Three years later, he helped pioneer a general migration of artists to the neighborhood of Montparnasse, which remained the center of avant-gard activity in the city until World War II. Scores of artists lived there, and many of them shared a Jewish heritage—including Modigliani and his friend the Lithuanian-born sculptor Jacques Lipchitz.
Lipchitz commissioned Modigliani to paint this portrait on the occasion of his marriage to the Russian poet Berthe Kitrosser, as a way of helping his troubled friend financially. The double portrait is one of only three in the artist’s oeuvre and, according to Lipchitz, took two days to paint. Modigliani made about twenty drawings on the first day; the next day, he declared the picture finished. At the modest price of what Lipchitz remembered as “ten francs per sitting and a little alcohol,” however, he persuaded Modigliani to work on the portrait for another two weeks in an effort to provide more financial assistance to his friend. Despite Modigliani’s exceptional talent, his work found a market only after his death in 1920, which was hastened by tuberculosis and his legendary bohemian lifestyle.