View allAll Photos Tagged Modigliani,
Cagnes-sur-Mer French Riviera
is a common presenting the form of a well-wooded and park-covered urban settlement in the Alpes-Maritimes department in the Provence-Alpes-Côte d'Azur Region in southeastern France. Economically it forms a suburb to the city of Nice.
Geography
It is the Largest suburb of the city of Nice and lies to the west-southwest of it, about 15 km (9.3 mi) from the center. It is a town with no high rise buildings with PARTICULARLY Many woods and parks, as to MOST icts of urban homes, in the Alpes-Maritimes department in the Provence-Alpes-Côte d'Azur
History
It was the retreat and final address of the painter Pierre-Auguste Renoir, Who Moved there in 1907 in an Attempt to Improve His arthritis, and Remained up to His death in 1919. In the late 1920s, Cagnes-sur-Mer est devenu a residence for Many renowned American literary and art figures, Such as Kay Boyle, George Antheil and Harry and Caresse Crosby. Author Georges Simenon (1903-1989), creator of the fictional detective Commissioner Jules Maigret Lived at 98, mounted of the Village in the 1950s with His third wife and Their three children; initial his "S" may still be seen in the wrought iron on the stairs.
Belarusian-French artist Chaim Soutine created Powerful, fanciful landscapes of southern France. A friend of Amedeo Modigliani, Soutine left colorful landscapes from Cagnes from 1924 on. Fauvist painter Francisco Iturrino aussi resided in the town Where he deceased.
Blue Eyes Lady
青い瞳の女新作で僕の大好きなモディリアーニの画風を取り入れて、現代によみがえったモディリアーニの作品の様にお絵描きしました、僕が中学生の頃勉強の為有名画家の模写していて、セザンヌの青い花瓶の静物画やモディリアーニのネクタイの女を油絵で模写しました、その頃を思い出しながらお絵描きしました、この絵は贋作とも模写ともパロディー風とも言えませんが、モディリアーニの現代によみがえった幻の作品の様にお絵かきしました、ちなみに中学時代に模写したモディリアーニのネクタイをした女は、姉の家グランドピアノの上の壁に飾られていて、来客からこの絵は本物ですかと聞かれているそうです。(笑)
アメデオ・クレメンテ・モディリアーニ/Amedeo Clemente Modigliani
Beautiful Amazing
以前にお絵描きした作品の中から、お気に入りを色編集加工してアップしております。
#DigitalArt #painting #Illustration #Beautiful #Amazing #Cat #Art #youtu.be #Happy #Heartfull #Song #Dog #Healing #Love #BestFriend #TiAmo #ToiPoodle #Moonlight #College #Football #Soccer #Lovely #Star #BayemMunchen #ArjenRobben #Gool #France #Amedeo Clemente Modigliani #模写 #贋作 #油絵 #印象派絵画
YouTube動画
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Blue Eyes Full Video Song Yo Yo Honey Singh | Blockbuster Song Of 2013 youtu.be/NbyHNASFi6U
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デビット・ソウ Singer & Com edian
ウィ・ア．ザ・ワールド
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シャーリー・バッシー
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@nodasanta #nodasanta
This was done using one line. The line starts at the top of the hair and ends at the curve of the neck. The line doesn't touch or cross at any point, tho I did get kinda close! lol...
ALL PHOTOS WERE TAKEN BY ME/TODAS AS FOTOGRAFIAS FORAM TIRADAS POR MIM
PORTRAITS OF PAINTERS AND PATRONS OF ART PHOTOS IN MY DATABASE/RETRATOS DE PINTORES E PATRONOS DE ARTE NA MINHA BASE DE DADOS: Nº 19/32
AUTHOR/AUTOR: MODIGLIANI, AMEDEO (1884-1920)
NAME OF WORK/NOME DO TRABALHO: PORTRAIT OF PAINTER JENNAE HÉBUTERNE (1898-1920) SEATED/RETRATO DE JENNAE HÉBUTERNE (PINTORA)(1898-1920) SENTADA
TECNIQUES/TÉCNICAS: OIL ON CANVAS/ÓLEO SOBRE TELA
YEAR/ANO: 1918
DIMENSIONS/DIMENSÕES: 92X60,3CM
COUNTRY/PAÍS: SWITZERLAND/SUÍÇA
CITY/CIDADE: ZURICH/ZURIQUE
WHERE I TOOK THE PHOTO/ONDE TIREI A FOTO: KUNSTHAUS/MUSEU DE BELAS ARTES
THE YEAR WHEN I TOOK THE PHOTO/ANO QUE TIREI A FOTO: 2024
LINK INFO OF THE AUTHOR/LIGAÇÃO PARA O AUTOR:
pt.wikipedia.org/wiki/Amedeo_Modigliani
LINK THE WORK/LIGAÇÃO PARA O TRABALHO:
collection.kunsthaus.ch/en/collection/item/763966/
LINK TO THE MUSEUM OR OTHER PLACE/LIGAÇÃO PARA O MUSEU OU OUTRO LUGAR:
LINK INFO ABOUT THE PHOTOGRAPHED/INFORMAÇÃO SOBRE O FOTOGRAFADO:
pt.wikipedia.org/wiki/Jeanne_H%C3%A9buterne
ALREADY WORKED IN / JÁ TRABALHEI EM:
1 - PHOTOS OF RELIGIOUS ART OR MOTIFS/FOTOS DE ARTE OU MOTIVOS RELIGIOSOS: 1133 WORKS/TRABALHOS.
2 – SELF-PORTRAIT PHOTOGRAPHS OF PAINTERS/FOTOS DE AUTORRETRATOS DE PINTORES: 38 WORKS/TRABALHOS.
Sketching from the masters Modigliani's Jeanne Hebuteme 1917-1918 # 28 mechanical pencil and colored pencils. I've always loved her strong face and expression. I have a hard time doing yellow in faces which are seen a lot in Modigliani's paintings. So I am trying more subtle coloring for skin. Learning as I go. I am trying to sketch the master but make it more my own and I think I'm getting that as she's more like my style but using Modigliani's graceful swan neck. I think I'm falling in love. I love the colors he frames his subjects with often the most luscious purple/violet and green with hints of other colors. Who knows what those circular shapes are bottom? They do draw the eye upward and the red has the color of the hair in it which the scan didn't capture. His eyes are so interesting. I am thinking I will continue this even after the week is over as I want to fill my sketchbook with these and also I am challenged and learning so much from Modigliani and Chagall as well as the others.
Lab #22...from the book "Drawing Lab for Mixed-Media Artist. There are 52 creative exercises in this book. I used a picture of my Mom from 1956, when she was 18 years old. If my Mom could see this piece of art, she would smile.
From the museum label: Amedeo Modigliani arrived in France from Italy in 1906 and became an important figure in the Parisian bohemian art community. This portrait perfectly illustrates his pared- down painting style, showing a woman with an oblong face, head slightly tilted. The neck is exaggeratedly long and the drooping shoulders accentuate the expressive elongation of the figure. The unseeing eyes with no pupils have the same greyish-blue tone as the background, leaving the impression of a mask with an empty gaze. The silent immobility of the model reinforces this impression of absence, whilst giving her a certain melancholic grace.
The sitter for this painting was a young working class woman from Montparnasse, the neighbor of Modigliani’s Parisian studio. Following principles of pictorial construction pioneered by Cézanne and Picasso, Modigliani manipulated and distorted her form and spacial relationships. Framed within a modest interior, Elvira faces the viewer, leaning on a sharply sloping table seen from above.
The artist’s signature device of leaving the sitter’s eyes blank denies the viewer access to the woman’s inner self and emphasizes formal concerns. The viewer focuses on the continual line that defines the woman’s face, and the contrast between her austere black dress and the actively brushed pale blue background.