View allAll Photos Tagged Moderate
Moderated by: Jonathan Zittrain, George Bemis Professor of Law, Harvard Law School and Harvard Kennedy School; Professor of Computer Science; Director, Berkman Center for Internet & Society
Moderated by: Jonathan Zittrain, George Bemis Professor of Law, Harvard Law School and Harvard Kennedy School; Professor of Computer Science; Director, Berkman Center for Internet & Society
June 6, 2016. Boston, MA.
Boston Pride Political Forum at Historic Faneuil Hall moderated by WCVB Ch. 5 Reporter Janet Wu.
Speakers order on stage:
Mass. State Senator Sonia Chang-Diaz
Mass. State Rep. Liz Malia
Mass. Log Cabin Republican Chapter Secretary Deborah Drew
National LGBTQ Task Force’s Sue Hyde
Mass. Log Cabin Republican Chapter Leader Dylan Kelly
Democratic leader Steve Kerrigan
1st openly transgender senior staffer to serve on Capitol Hill Diego Sanchez
Stonehill College Professor of Political Science Peter Ubertaccio
Moderated by: Nicco Mele, Adjunct Lecturer in Public Policy, Harvard Kennedy School and Author, The End of Bigy
Dolci the Nanday conure continued to stretch for a while. Her beak needs a trim again -- it's been a chronic problem with her for all the years we've had her. She hates getting her beak trimmed; perhaps the new Dremel tool I've got will make it easier.
Moderated by: Jonathan Zittrain, George Bemis Professor of Law, Harvard Law School and Harvard Kennedy School; Professor of Computer Science; Director, Berkman Center for Internet & Society
Moderated by, Daniel Butler, Head of EMEA Financial Institutions Industry, AON
On the panel:
- Hanna Sarraf, Former Chief Risk Officer, Starling Bank International
- Mark Kandborg, Group Chief Risk Officer, Nordea
- Pierpaolo Montana, Group Chief Risk Officer, Mediobanca
- Lucy Spencer, Chief Risk Officer for Private Banking and Wealth, HSBC
Moderated by Brenton Harrison, CFP, CLU, CSLP
Founder and Financial Advisor
New Money, New Problems
On the panel:
- Liang Zhao, CEO, Vansary
- Travis Walker, Business Solutions and Diversity Consultant, Allianz Life
Moderated by: Jonathan Zittrain, George Bemis Professor of Law, Harvard Law School and Harvard Kennedy School; Professor of Computer Science; Director, Berkman Center for Internet & Society
The discussion was moderated by Editorial Programs Manager, Maureen McKinney. She was joined by panelists Joel Allison, CEO of Baylor Scott and White Health; Dr. Nancy Dickey, professor at Texas A&M University; and Edward Salsberg, professor at George Washington University. The supporting sponsor for the event was Baylor Scott & White Health.
Oct. 30, 2019
"Courage Against Racism" panel with Chelsea Handler, Melina Abdullah and Dahlia Ferlito, moderated by USC Gould Prof. Jody Armour.
Photos by David Giannamore.
Moderate tension. Very comfortable and Great Elasticity.
Recommended for first time users of Nightbra.
Moderated by: Jonathan Zittrain, George Bemis Professor of Law, Harvard Law School and Harvard Kennedy School; Professor of Computer Science; Director, Berkman Center for Internet & Society
I just received recently an AF-Nikkor 1:2 f=35mm lens to complete a small kit around my Nikon F4 year 1989 (see below for details). The kit is now includes 3 very classical AF-Nikkor lenses of the same period of the Nikon F4 camera body, including the standard 1.4/50mm, the 1.8/85mm and now the 2/35mm. The choice of fixed-focal lenses instead of zooms was already in 1989 a bit old-fashioned. However many photographers preferred still the homogenous rendering of a photo series done with a single focal lens. Generally speaking, a 35mm focal is a charming moderate wide-angle, very easy to use and particularly adapted for architectural and street-photography.
The AF-Nikkor 1:2 f=35mm is not a rare lens. However, when looking on eBay there was not tens of them available. I bought a good one form a Belgian seller at a normal price (180€). The lens is in very good mechanical and optical condition and came with the rear and front caps. I sourced the dedicated Nikon HN-3 shade hood separately for 10€ but here I preferred (only for the look!) to use a rectangular Minolta D54KC designed for the MC-Rokkor 1:2.8 f=35mm.
For testing the lens, I loaded my Nikon F4 with a Rollei RPX 400 which is the former formula of the Agfa APX 400. The film cartridge is DX-coded and I did not modify the nominal DX-coded 400 ISO sensitivity.
The AF Nikkor lens 1:2 f=35mm was equipped for the whole session with a generic 52mm screw-on yellow filter. The light metering was done through tteh lens (TTL) either in the matrix or the spot metering of the Nikon F4 used in the "A" aperture-priority auto mode or the manual mode. The weather was very clear and a bit cold (-1°C outside).
La Part-Dieu***, January 12, 2024
69003 Lyon
France
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***(Wiki) La Part-Dieu (French: [la paʁdjø]) is a quarter in the 3rd arrondissement of Lyon, France. It is the second-largest tertiary district in France, after La Défense in Paris. The area also contains Lyon's primary railway station, Lyon-Part-Dieu.
This urban centre also provides major entertainment and cultural facilities, including one of the largest urban shopping malls in Europe, 800 shops, Paul Bocuse indoor food market, café terraces, the Auditorium concert hall, Bourse du Travail theatre, Municipal Library, Departmental Archives and Fort Montluc. It contains several High-rise buildings, including the Tour Incity (202 m (663 ft)), the Tour To-Lyon (171 m (561 ft)) and the Tour Part-Dieu (164 m (538 ft)).
The central business district is currently undergoing major renovation and construction works, according to a revitalization project totalling €2.5 billion between public and private investments.
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I did not use my Nikon SB-26 flashlight for any views in this session. After completion the film was rewound and processed using 350 mL of Adox Adonal (Agfa Rodinal) developer prepared at the dilution 1+25 for 12min at 20°C.
Digitizing was made using a Sony A7 camera (ILCE-7, 24MP) held on a Minolta Auto Bellows with the Minolta slide duplication accessory and Minolta Macro Bellow lens 1:3.5 f=50mm. The light source was a LED panel CineStill Cine-lite.
The RAW files obtained were inverted within the latest version available of Adobe Lightroom Classic (version 14.1.1) and edited to the final jpeg pictures without intermediate file. They are presented either as printer files with a frame or the full size JPEG's together with some documentary smartphone color pictures.
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About the camera :
Maybe it would have been better not to ask for this question: « what’s new do you have at the moment?» to my local photo store, because Christine grab underneath the counter, stating « I have that … » . What a beast ! A Nikon F4 in the exact state of the Nikon brochure year 1990, presented with the standard AF Nikkor 1:1.4 f=50mm. I was already hooked by the machine. After two days, I decided to buy it even with some little common issues found on early Nikon F4 (see below), fortunately not affecting the whole, numberous functions of this incredibly complex professional SLR of the year 1990’s.
Nikon F4 came to the market on September 1988 starting with the serial number 2.000.000. Fully manufactured in Japan (modules came from 3 different Nikon factories) the F4's were assembled in Mito, Ibaraki (North to Tokyo) Nikon plant (no more in the mother factory of Tokyo Oi like the Nikon’s F). When I lived in Tokyo in 1990-1991, Nikon F4 was the top-of-the-line of Nikon SLR camera’s. I saw it in particular in Shinjuku Bic Camera store when I bought there, in December 1990 my Nikonos V.
Nikon F4 incorporates many astonishing engineering features as the double vertical-travel curtain shutter capable of the 1/8000s. Compared to the Nikon F3, the F4 was an AF SLR operated by a CCD sensor (200 photo sites). The film is automatically loaded, advanced with to top speed of 5,7 frame/s !! With the MB-21 power grip (F4s version). The F4 is a very heavy camera (1.7kg with the AF Nikkor 1.4/50mm), incredibly tough and well constructed. This exemplary is devoid of any scratches or marks, and in a condition proving that it was not used for hard professional appliances, for those it was however intended. The camera has still it original Nikon neck strap, the original user manual in French. The lens is protected by a Cokin (Franc) Skylight 1A 52mm filter and the original Nikon front cap. The two small LCD displays (one on the F4 body, one in the DP-20 finder) are both affected by the classical syndrome of « bleeding ». Fortunately, all information could still be read. One says that 70% of the early Nikon F4 suffer from this problem but also found on other models.
According its serial number and the production rate of about 5000 units/month, this Nikon F4s was probably manufactured in Mito, Ibaraki, Japan in May 1989.
The camera was exported abroad thereafter attested by the presence of the golden oval little sticker("Passed" on the DP-20 viewfinder. In order to certify the quality production, two Japanese organizations, the Japan Camera Industry Institute (JCII) and the Japan Machinery Design Center (JMDC), joined forces to verify and mark the conformity of products for the foreign market. This is how, between the 1950s and 1980s, this famous little gold sticker was affixed, with the legendary "Passed", meaning that the device had been checked. Finally, when we say that the device had been checked, the production line had been checked because each device could not be checked individually.
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About the flash :
I received from a German seller for 50€ this Nikon Speedlight electronic flash SB-26 that was, at the time of Nikon F4, the most powerful dedicated Nikon flash (Guide Number 36 at full power and 100 ISO).
The SB-26 communicates with the Nikon F4 body (and many other Nikon camera's) and can be operated in many different modes including TTL real-time metering with automatic equilibration of the ambient light using the 5-zone matrix metering done by the DP-20 photometric viewer as well in the center-weighted mode. Other possibilities include the normal TTL mode, an Auto mode using the own sensor of the flash and a manual mode with 7 power levels.
The flash head can cover the optical field from super-wide angle lenses 18-20mm, wide-angle lenses 28mm and 35mm, normal lenses 50mm, and long-focal lenses at 70mm and 85mm. The head can be rotated according two axis for indirect lightening. In addition, the SB-26 has a special focusing aid for the Nikon F4 autofocus system, projecting in the the darkness a red focusing image. SB-23 flash can be also used as master or slave flash in a coordinated flash system.
The flash requires 4 AA alkaline cells for approximately 100 lights at full power and much more with energy recycling at lower power levels.
Moderated by Manish Dureja, Vice President, Banking Analytics, EXL Service
On the panel:
- Nidhi Agarwal, Head of Model Risk, Virgin Money
- Andy Weller, Director Model Risk, Lloyds Banking Group
- Dheeraj Awasthy, Global Head of Analytics and Innovation, HSBC
Moderated by: Jonathan Zittrain, George Bemis Professor of Law, Harvard Law School and Harvard Kennedy School; Professor of Computer Science; Director, Berkman Center for Internet & Society
Moderated by: Jonathan Zittrain, George Bemis Professor of Law, Harvard Law School and Harvard Kennedy School; Professor of Computer Science; Director, Berkman Center for Internet & Society
Black based headband with matching hair pin★
If you have a blond or light color hair, it might be not moderate ;)
Classic black color base with some Japanese flowers, suite for all age.
I wrapped headband with chirimen material, a special crepe a little heavier than normal fabric used in making Kimono.
And a little matching flower bobby pin with it.
You can use it as individually.
Moderated by Yuri Bender, Editor, FT PWM
On the panel:
- Sonja Laud, Chief Investment Officer, LGIM
- Xiao Cui, Senior Economist, Pictet Wealth Management
- Pete Cherecwich, President of Asset Servicing, Northern Trust
Moderated by Jimmy Joe Roche, featuring Anna Biller (Director of The Love Witch), Mitch Hampton (composer), Wendel Patrick (composer), Brian McComber (composer of NUTS!, Ma, and collective:unconscious), and Jeremy and Robin Ungar of Soy Cubana
Photo by Margaret Rorison
Moderated by Marguerita Cheng, CFP
Chief Executive Officer
Blue Ocean Global Wealth
On the panel:
- Luke Oliver
Head of Climate Investments and Strategy
KraneShares
- Linda Assante
CIO
Uplifting Capital
Moderated by David DeVoe
CEO and Founder
DeVoe & Company
On the panel:
- Jim Horrocks, CFP
CEO
TimeScale Financial
- Molly Bennard
CEO
Connectus Wealth Advisers
Moderated by: Jonathan Zittrain, George Bemis Professor of Law, Harvard Law School and Harvard Kennedy School; Professor of Computer Science; Director, Berkman Center for Internet & Society
Moderated by: Jonathan Zittrain, George Bemis Professor of Law, Harvard Law School and Harvard Kennedy School; Professor of Computer Science; Director, Berkman Center for Internet & Society
Moderated by: Jonathan Zittrain, George Bemis Professor of Law, Harvard Law School and Harvard Kennedy School; Professor of Computer Science; Director, Berkman Center for Internet & Society
Moderate snow on a late March morning at the e4dge of the canyon above the south Fork of the Boise river.
Moderate primary extension. Yellowish throat. Unfortunately, the only photo I got of the entirely yellow underparts was out-of-focus! 2012-08-30 update: or is this an Acadian Flycatcher? Didn't strike me as such in the field, but I removed the record from eBird. Here are my original field notes: Small, large-headed empid. Broad-based bill, mostly orange lower mandible. Obvious pale yellow eyering, broadest behind eye. Bright olive above, with pale creamy yellow wingbars. Underparts pale yellow throughout, from throat to undertail coverts, olive wash on breast. Did not call. Feeding in lower canopy, then again, few min later, in low shrubs along creek.