View allAll Photos Tagged Modeling

First ever attempt at shooting a model, at the Olympus event at Gifford's circus in Oxford. The circus show has an early 70s theme so the model was dressed as a hippie in keeping with the period.

My recent work w Model Justin

Model: Almagris Resident

Miss Virtual Latina Colombia

Model: Sharon, Miss beauty of Groningen 2016

Place: Worldhotel Wings, Rotterdam, NL

Date: 24-06-2016

 

Strobist Info:

Left: Elinchrom BRX 250 in 60cm softbox around 4m from model at face hight

Right: Elinchrom BRX 250 in 60cm softbox around 4m from model at hip hight

Front: Elinchrom D-lite RX One in 60cm softbox around 3m from model on the floor

Trigger: Elinchrom EL-Skyport Transmitter Plus HS

Some more of my work w/ Brandon

Instagram: @AHProdvction

Shawna and Mariel

LSS Studio Shoot 18.3.2012

Alternative and Fetisch

Model: Amie Conradie

MUA: Herself

Photo: Monika Schaible

Instagram: @AHProdvction

Instagram: @AHProdvction

Models in the Park

Instagram: @AHProdvction

Model: Josie Lee

Photographer: Mehosh Dziadzio

Location: Santa Barbara

MUA:

Model: Nanoe

Date: 13-07-2014

Place: Sahara, Lommel, BE

Instagram: @AHProdvction

My recent shoot w/ Model Julian

Model: Lott Kalee

Photographer: Bram van Dal

 

1/60 F4.0 1250 Canon 5DmkII 70-200 75mm

 

Cloudy weather, soft light and a nice open space in a park. A location does not necessarily have to be difficult to take beautiful atmospheric photos.

Instagram: @AHProdvction

Model: Sharon, Miss beauty of Groningen 2016

Place: Worldhotel Wings, Rotterdam, NL

Date: 24-06-2016

 

Strobist Info:

Left: Elinchrom BRX 250 in 60cm softbox around 4m from model at face hight

Right: Elinchrom BRX 250 in 60cm softbox around 4m from model at hip hight

Front: Elinchrom D-lite RX One in 60cm softbox around 3m from model on the floor

Trigger: Elinchrom EL-Skyport Transmitter Plus HS

Model: Bethany West

Photographer: Stephen Gwaltney

I shoot many genres under “Black & White” I think portraiture has to be one of the most challenging and rewarding. I hope you enjoy.

A male model.

 

As a reminder, keep in mind that this picture is available only for non-commercial use and that visible attribution is required. If you'd like to use this photo outside these terms, please contact me ahead of time to arrange for a paid license.

Instagram: @AHProdvction

 

I have been wanting to do something with images I shot of this old hotel a month ago as well as peel the rust off some techniques I learned at the Joel Grimes workshop ( www.flickr.com/photos/29210138@N04/ ) . Since I have a lovely summer cold today seemed like a good and besides its 116 degrees today. Thanks to Burn Fetish ( www.flickr.com/photos/58911047@N05/ ) I've been tuned on to new underground hip hop tunenage ( www.youtube.com/watch?v=hAe4vNmzjm4 ).

 

The Georgian

 

The Georgian Hotel first opened in the spring of 1933. Built during the peak of California’s coastal expansion of the late ’20s and early ’30s, The Georgian Hotel was the vision of Mrs. Rosamond Borde. Mrs. Borde was a pioneer in an industry dominated by men and was regarded as a progressive marketer. By hiring a classically trained architect, Mrs. Borde assured that The Georgian’s design showcased both the Romanesque Revival and Art Deco architectural styles. Originally, The Georgian was one of the first “skyscrapers” along a then sparsely populated Ocean Ave.

 

HDR Background

5-bracketed exposures

f/8

ISO 100

Focal:14mm

 

Processing

Tonemapping in Photomatix

Raw adjustments in Adobe Camera Raw

Import/export, selective sharpening, straightening: Aperture 3

Sat, curves, levels, etc: CS5

Denoise, detail and color enhancements: Topaz Adjust

Tonal contrast layer: Nick Color Efx

 

Subject Layer

Model: Jessica Mion mm#414652

 

Strobist:

1 7ft October

Whit lightening mono light

Triggered via pocket wizard

 

Camera

f/9

1/160

focal 30mm

 

Strobist info:

 

1x Canon 430 EX II + Long Exposure

The Museum of Flight, Seattle.

 

Manufacturer: Boeing

First flight: July 27, 1928

Introduction: September 20, 1928 with Boeing Air Transport

Retired: 1934

Primary user: Boeing Air Transport

Number built: 16

Model 80A - improved aerodynamics and Pratt & Whitney Hornet engines (10 built)

Unit cost: $75,000 (Model 80A

 

Crew: Three

Capacity: 18 passengers

 

Payload: 898 lb cargo (408 kg)

 

Length: 56 ft 6 in (17.22 m)

Wingspan: 80 ft 0 in (24.39 m)

Height: 15 ft 3 in (4.65 m)

Wing area: 1,220 sq ft (113.4 m²)

Airfoil: Boeing N-22

 

Empty weight: 10,582 lb (4,810 kg)

Max. takeoff weight: 17,500 lb (7,940 kg)

 

Powerplant: 3 × Pratt & Whitney R-1690 Hornet air-cooled radials, 525 hp (392 kW) each

 

Maximum speed: 138 mph (120 knots, 222 km/h)

Cruise speed: 125 mph (109 knots, 201 km/h)

Stall speed: 55 mph [16] (48 knots, 89 km/h)

Range: 460 mi (400 nmi, 741 km)

 

Service ceiling: 14,000 ft (4,270 m)

Rate of climb: 900 ft/min (4.6 m/s)

en.wikipedia.org/wiki/Boeing_80

 

"Pioneer Pullman of the Air"

 

Until the mid-1920s, American commercial airplanes were built for mail, not people.

 

Boeing's Model 80, along with the Ford and Fokker tri-Motors, were a new breed of passenger aircraft.

 

The 80 first flew in August 1928 and was working along Boeing Air Transport's route two weeks later.

 

The 12-passenger Model 80 and the more-powerful 18-passenger 80A (re-designated 80A-1s when the tail surfaces were modified in 1930) stayed in service until 1933, when replaced by the all-metal Boeing Model 247.

 

The Museum's Model 80A-1, equipped with three Pratt & Whitney 525-horsepower "Hornet" engines, was retired from service with United in 1934.

 

In 1941, it became a cargo aircraft with a construction firm in Alaska. To carry large equipment, including a massive 11,000-pound (4,950 kg) boiler, a cargo door was cut into the plane's side. After the war, the 80 was stored and then discarded.

 

It was recovered from a dump in 1960 and eventually brought to Seattle for restoration. It is the only surviving example of the Boeing Model 80 series.

 

Stewardesses

 

In 1930, Miss Ellen Church, a student pilot and registered nurse, convinced Boeing management to hire female cabin attendants for their Model 80 flights.

 

Until then, it had been the co-pilot's duty to pass out box lunches, serve coffee, and tend to the passenger's needs.

 

Church reasoned that the sight of women working aboard the Boeing 80s would alleviate the passenger's fear of air travel. She and seven others, all nurses, became America's first stewardesses. Serving on a trial basis, they were very popular and became a permanent part of American commercial aviation.

 

The Luxury

 

A passenger flying in Boeing's earlier Model 40 was in for an uncomfortable trip. The 40 was designed for mail -- people were secondary, packed like sardines into the cold and noisy fuselage.

 

The advent of the Model 80 brought some comfort to travel.

 

The 80A had room for 18, a heated cabin, and leather seats. There was individual reading lights and the lavatory featured hot and cold running water.

 

Although the 80 had a luxurious interior, flying was tough by today's standards: the cabin wasn't pressurized, engine noise made conversation difficult, and despite heaters, the cabin was sometimes very cold.

www.museumofflight.org/aircraft/boeing-80a-1

Model: Liz Henry

Make up: Bridget Edmonde

Hair: Highlights by Lisa

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