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Model is Remy @ Wallflower
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Model: Michelle Tijhuis
Photographer: Bram van Dal
1/250 F / 2.0 400 Canon 5DmkIII Sigma 85mm
A long hallway, lined with fluorescent lights, chin up to get light on her face and a reflection of a framed photograph.
model; Olaf Aarts
Photographer: Bram van Dal
1/180 F/6.7 100 Canon 5DmkIII Sigma 85mm
In this photo I have placed a small octabox above Olaf by means of a tree tripod, in such a way that his face is well lit and he has very subtly small points of light in his eyes.
Due to the position of the lamp, less light falls on his hands.
I've never seen a rig for speedlights like this thing. I would expect it to generate some seriously harsh light. They should have walked down the beach further -- there was almost no one around and they could have had very few interruptions. Of course, it would require them to walk a bit...
Two cherished locomotives owned by Dan Saban, bask in the last rays of light in Manly, IA on May 30, 2019.
© Eric T. Hendrickson 2019 All Rights Reserved
Taken by me
Modeling:Walood77
Camera: Olympus SP550UZ
Exposure: 0.004 sec (1/250)
Aperture: f/4.3
Focal Length: 24.4 mm
Exposure: 0.00
ISO Speed: 50
Exposure Bias: 0 EV
Flash: Off
The instantly recognisable pink Rolls Royce of Lady Penelope, driven by Parker. A well played with toy but the roof still slides open. Unfortunately, there are no bullets for the front firing mechanism
Model: Nico VanEs
Photographer: Bram Van Dal
1/30 F2.8 100 105
By letting go of rules, you will discover new possibilities. In this photo, both left and right are behind a studio lamp, which is equipped with a softbox, but without a cloth, which normally makes the light more diffuse.
This harsh light beautifully emphasizes the texture of his skin.
On the right front is a third studio lamp with an umbrella with a silver interior.
The hard light from the back makes this photo very strong for me.
Model: Elizabeth
www.instagram.com/model_elizabethsumpter/
Photographer: Justin Bonaparte
Model: Ilse Visser
Photographer: Bram van Dal
1/2000 F/1.8 250 Canon 5DmkIII Sigma 85mm
An old factory hall, consisting of old walls and large windows and a pallet in the foreground, as a repoussoir, to enhance the depth in this photo. This is an easy and simple setting for this photo.
At that moment Ilse was standing in front of the camera for another photographer. But from my position, I found the combination between the stylish of Ilse Visser and the urbex look of the Art for You studio a nice contrast.
Model: Karen Netscher
Photographer: Bram van Dal
1/400 F / 1.4 125 Canon 5DmkIII 85mm
For me, a photo is successful if multiple elements come together.
A good balance of light and shadow is a part that you as a photographer continue to play with. In this photo we used the outside wall of my studio and next to it a bicycle shed, which you can use to easily control light.
Using such a wall can invite the model to lean against the wall, which affects her pose.
The soft color tones in her clothes ensure that the photo looks calm.
Her calm appearance completes the photo for me, her appearance makes me look at the photo longer because it somehow arouses this photo's curiosity.
This way, several puzzle pieces come together to form a beautiful whole.
Model: Halo Haynes
Location: The Pit Studio UK
Set-up: Single Canon flash in 49 inch reflector umbrella
Model Charlotte, her first photo shoot. Used special effect in photoshop.
More technical details on my blog gtfoto.wordpress.com