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Transformers Generations Arcee in her car mode.
After decades of waiting for an official G1 Arcee, we finally got a great representation of the female Autobot with this toy.
Her design and features are a step above most of the recent Generations releases. She can pose quite well with all her accessories.
To me, this probably will be my defacto Classics Arcee over other third-party releases I have.
I have the Takara-Tomy version of pre-order, and it remains to be seen which one I will prefer.
Starscream returns in Revenge of the Fallen with a new toy. Here he is tattooed up in his voyager class robot mode.
Minerva was the BotCon 2011 customizing class figure. Based off the Masterforce character, she is a redeco of Transformers Animated Arcee. Pictured in robot mode.
Built and painted by myself at the convention, the one extra piece of equipment she has are her new thin and fragile antennae. I was unable to obtain the alternate, thicker G1 antennae, but the ones she currently has are accurate to the model. The odd side effect of the antennae are that her eyes are sunken in.
This particular figure is pseudo internet famous in that it was the first completed figure seen, photographed, and tweeted by her co-designer, Derrick J. Wyatt (source). And she was also filmed by Internet Personality Vangelus in one of his vlogs (source).
An interesting note about how this figure came about was that the character used in the class could not have existed in any prior TFA fiction, limiting who it could have been. Furthermore, the character is more "official" than previous years figures in that she was co-created by DJW and showed up in the official comic.
I feel very fortunate to have this very rare figure, regardless of how much it seems to go for on the secondary market.
AutoZubak sales representative on his Nokia dual mode mobile phone, using the wireless network
- Croatian Automobile Dealership Improves Service and Sales With Cisco Technology
Depeche Mode.
15th January.
The Delta Machine Tour,
Palau Sant Jordi,
Barcelona.
***
Full gallery here: Rosario Lopez Photography Blog
Follow me on Facebook: Rosario Lopez Photography
18th Puchon International Fantastic Film Festival (Pifan)
Actress Shim Eun-kyung arrives at the red carpet event of the Puchon International Fantastic Film Festival in Bucheon on July 17.
July 17, 2014
Bucheon, Gyeonggi-do
-Related Article-
-Cheong Wa Dae-
Film festival kicks off in Bucheon
english1.president.go.kr/korea/korea.php?srh%5Bboard_no%5...
-Korea.net-
-English-
Film festival kicks off in Bucheon
www.korea.net/NewsFocus/Culture/view?articleId=120658
-日本語-
自主映画の祭典「第18回富川国際ファンタスティック映画祭」が開幕
japanese.korea.net/NewsFocus/Culture/view?articleId=120661
Ministry of Culture, Sports and Tourism
Korean Culture and Information Service
Korea.net (www.korea.net)
Official Photographer: Jeon Han
This official Republic of Korea photograph is being made available only for publication by news organizations and/or for personal printing by the subject(s) of the photograph. The photograph may not be manipulated in any way. Also, it may not be used in any type of commercial, advertisement, product or promotion that in any way suggests approval or endorsement from the government of the Republic of Korea. If you require a photograph without a watermark, please contact us via Flickr e-mail.
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제18회 부천국제판타스틱영화제(Pifan)
제18회 부천국제판타스틱영화제(Pifan) 개막식이 열린 17일 배우 심은경이 레드카펫을 밟으며 입장하고 있다. 심은경은 이번 영화제 홍보대사인 ‘Pifan 레이디’로 활약하고 있다.
2014-07-17
부천체육관(경기도 부천시 원미구 중동)
문화체육관광부
해외문화홍보원
코리아넷
전한
Travelling by train is cheap in Luxembourg. From Luxembourg City to Clervaux and back to see Steichen's Family of Man: €4
Expo Azzedine Alaïa, Thierry Mugler - 1980-1990 deux décennies de connivences artistiques | Fondation Azzedine Alaïa, Paris
Robe patineuse en maille jacquard motif géométrique beige sur fond brun
Dress in jacquard knit with beige geometric pattern on brown background
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Installé à Paris dès 1956, Azzedine Alaïa doit sa formation aux femmes, amies et clientes plus qu’à aucune école d’apprentissage. Dans leurs vœux d’une garde-robe exigeante et discrète, il les accompagne (...et) a acquis la réputation de grand coupeur héritier d’une tradition académique qui le situe en ligne directe de Cristóbal Balenciaga ou Madeleine Vionnet.
Son expertise et sa virtuosité technique ne sont pas seulement convoitées par les élégantes du moment. Des couturiers et des créateurs de mode savent qu’ils peuvent éventuellement compter sur lui pour préciser certains modèles complexes ou prêter main forte sur une collection à terminer. C’est le cas ponctuel de Yves Saint Laurent. Ce fut aussi celui de Thierry Mugler, qu’Alaïa rencontre en 1979 et avec lequel il noue de véritables liens d’amitiés.
Pour sa collection automne-hiver 1979-80, Mugler invite Alaïa à réaliser la série de smokings de son défilé. (...) Cette collaboration incite Alaïa à devenir créateur lui-même. Thierry Mugler l’encourage vivement et témoigne envers lui d’un soutien qui se révèlera capital autant qu’indéfectible. (...) En 1982, à la demande du grand magasin américain Bergdorf Goodman, Alaïa présente un défilé à New York. C’est Mugler qui l’en persuade. (...)
Compagnons de route d’une décennie qu’ils ont préemptée stylistiquement, Alaïa et Mugler ont librement laissé les influences agir sur leurs créations mutuelles. Dans les années 1980, tous deux ont divinisé la femme, proclamant le retour du glamour en gloire et Hollywood pour inspiration à mille lieux des modes folkloriques des années 1970. Ils partagent une silhouette commune où les épaules en majesté contrastent avec les tailles étranglées et les hanches épanouies, souvenirs et fantasmes des modes des années 1930 et 1950 et des couturiers Adrian, Jacques Fath, Christian Dior et Cristóbal Balenciaga en tête.
Si Mugler a le sens du show (...) , Alaïa a le goût de l’intime et de la perfection. Mais c’est avec communauté d’esprit que leurs collections se répondent. (...)
Contemporains, amis (...), les deux créateurs ont tout au long de leur vie manifesté un profond respect pour leurs carrières respectives. Leurs vêtements, du jour comme ceux du soir se répondent dictant une mode à quatre mains, paraphe des modes contemporaines.
Couturier et collectionneur à l’origine d’un patrimoine de mode immense et reconnu, Azzedine Alaïa a préservé plus de 200 créations griffées Thierry Mugler dont une quarantaine sont ici exposées en dialogue avec ses propres archives.
Source: fondationazzedinealaia.org/expositions/30826/
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Having settled in Paris since 1956, Azzedine Alaïa owes his training to women, friends, and clients more than to any school of apprenticeship. In their desire for a sophisticated and discreet wardrobe, he supported them (...and) earned a reputation as a master tailor, heir to an academic tradition that places him in direct lineage to Cristóbal Balenciaga and Madeleine Vionnet.
His expertise and technical virtuosity are not only coveted by the elegant women of the moment. Couturiers and fashion designers know they can count on him to refine certain complex designs or lend a hand with a collection that needs to be completed. This was the case for Yves Saint Laurent. It was also the case for Thierry Mugler, whom Alaïa met in 1979 and with whom he formed a close friendship.
For his fall-winter 1979-80 collection, Mugler invited Alaïa to create the series of tuxedos for his show. (...) This collaboration encouraged Alaïa to become a designer himself. Thierry Mugler strongly encouraged him and showed him support that would prove to be both crucial and unwavering. (...) In 1982, at the request of the American department store Bergdorf Goodman, Alaïa presented a show in New York. It was Mugler who persuaded him to do so. (...)
Fellow travelers for a decade they stylistically preempted, Alaïa and Mugler freely allowed their influences to influence each other's creations. In the 1980s, both deified women, proclaiming the return of glamour, with Hollywood as their inspiration, a world away from the folkloric fashions of the 1970s. They share a common silhouette where majestic shoulders contrast with narrowed waists and full hips, memories and fantasies of the fashions of the 1930s and 1950s, and of couturiers Adrian, Jacques Fath, Christian Dior, and Cristóbal Balenciaga at the forefront.
If Mugler has a sense of showmanship (...), Alaïa has a taste for intimacy and perfection. But it is with a shared spirit that their collections echo one another. (...)
Contemporaries, friends (...), the two designers have throughout their lives demonstrated a profound respect for each other's careers. Their daytime and evening wear echo each other, dictating a four-handed fashion, a hallmark of contemporary fashion.
A couturier and collector with a vast and renowned fashion heritage, Azzedine Alaïa has preserved more than 200 Thierry Mugler creations, some forty of which are exhibited here in dialogue with his own archives.
Inferno is reborn into the Universe/Classics line with this voyager class mold. Here he is in robot mode.
A very intricate and well designed mold, he is an homage to the G2 release with a water cannon replacing his standard ladder attachment.
A great figure overall.
The new character Sideways from Transformers Revenge of the Fallen is here in his deluxe class robot mode.
He looks very bug-like which is interesting, but his tiny feet make him hard to pose.
Since this build's nature incurred the following issue:
。Death, killing, blood, terrorism, horror/violence or torture
。First-person shooter video games
Therefore, LEGO Ideas doesn't allow this submission to be approved.
This is so regretful that the public can't have such MGS series product built by bricks. If MEGA BLOKS is willing to go for this project, I am more than happy to provide the design without any reward.