View allAll Photos Tagged MixedReality
Team Waterbears wins the Artistry Award at the 2019 HP Virtual and Augmented Reality Hackathon, October 20, 2019
Teams work on VR projects through the weekend at the 2019 HP Virtual and Augmented Reality Hackathon, October 20, 2019
MaryKate Mahoney, Global Head of VR for Healthcare at HP Inc. speaks at the 2019 Mixed Reality (XR) Symposium, October 18, 2019
Team Epic Gamers wins the Technical/Land Grant Award at the 2019 HP Virtual and Augmented Reality Hackathon, October 20, 2019
..:://DIRTY BEATS & DIRTY COUTURE::..
Proudly Present Their Presence In Secondlife!
We Cordially Invite You To Check Out Our New Sim!
slurl.com/secondlife/Dirty City/133/73/22
The party runs through the week:
MON 8/10 Dane Koba - 1pm-3pm
TUES 8/11 GW Raymaker - 1pm-3pm
WED 8/12 Victoryan Bailey 1pm-3pm
THURS 8/13 Jimi Cheng - 1pm-3pm
FRI 8/14 Init Hubble 1pm-3pm
AND All day, Saturday, August 15, 2009:
SAT Rocco Silverstar 11am-1pm
SAT Bridgitte Boucher 1pm-3pm
SAT Kromus Korobase 3pm-5pm
SAT Jaycee Kass 5pm-7pm
SAT Digital Francis 7pm-9pm
SAT - ALL-DAY Party TBA Followed by REAL LIVE STREAM From Brooklyn, NY At The Filthy Warehouse Party! ***FIRST-TIME SL APPEARANCE FROM DIRTY BEATS & DIRTY COUTURE, Real Life House Label and Clothing Brand! RL/SL Mixed Reality Event!!
Filthy Warehouse Info:
A Little Old Warehouse in Brooklyn...
Starring DJ's Aluv Joe Lodi & Dave Rosario
The Place...A Little Old Warehouse in Brooklyn is an event that is being thrown in a Warehouse in Williamsburg Brooklyn which is 5 Mins from NYC. The event is Starring RL DJs Aluv and Joe Lodi aka Luv & Lodi along with up and coming Dj Producer Dave Rosario. Dirty Beats is taking it back to basics with this event. Aluv and Joe Lodi are no new comers to the scene. Together over the last 12 years they both have either promotionally directed djed or have installed sound in every club in NYC Miami or Vegas. They are most known for running the Soundfactory from 1997 to 2000 and were the first promoters who helped Jonathan Peters boost his career to where he is now. These guys are very well respected in the business and are trying to create something new and fresh in NYC.
The Office of the Vice President for Research hosts the 2019 Mixed Reality (XR) Symposium, October 18, 2019
Gallery Director Robert Fleming of the Huret & Spector Gallery meets with JC Fremont (aka John Craig Freeman) at the Imaging Beijing project.
Teams work on VR projects through the weekend at the 2019 HP Virtual and Augmented Reality Hackathon, October 19, 2019
Teams work on VR projects through the weekend at the 2019 HP Virtual and Augmented Reality Hackathon, October 19, 2019
Teams work on VR projects through the weekend at the 2019 HP Virtual and Augmented Reality Hackathon, October 19, 2019
Projection of Invisible Threads' Double Happiness Jeans factory in Second Life in real time with documentary of Invisible Threads playing in the foreground.
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Synthetic Times: Media Art China 2008, a Cultural Olympics project that will open at the National Art Museum of China in Beijing in June 2008, launches in NYC with programming co-organized by the exhibition’s curator, Zhang Ga, the MoMA, Parsons School of Design and Eyebeam. www.mediartchina.org/events/newyorkmoma
On April 15, following a day-long symposium at Parsons, Eyebeam featured a performance of Invisible Threads by Eyebeam artists Jeff Crouse and Stephanie Rothenberg, as well as performances by Taeyoon Choi and Friedrich Kirchner. www.eyebeam.org/engage/engage.php?page=unique&id=168
Invisible Threads documentary by Annie Ok, Jeff Crouse & Stephanie Rothenberg:
www.annieok.com/OtherProjects/InvisibleThreads
About Invisible Threads:
Invisible Threads is a mixed reality performance installation created by Eyebeam artists Jeff Crouse and Stephanie Rothenberg. The project explores the growing intersection between labor, emerging virtual economies and real life commodities through the creation of a designer jeans sweatshop in the metaverse Second Life. Simulating a real life manufacturing facility that includes hiring Second Life “workers” to produce real world jeans sold for profit, the project provides an insider’s view into current modes of global, telematic production.
The Office of the Vice President for Research hosts the 2019 Mixed Reality (XR) Symposium, October 18, 2019
dead daddy
av•a•tar/ˈavəˌtär/
Noun:
A manifestation of a deity in bodily form on earth
An incarnation, embodiment, or manifestation of a person
In computing, an avatar is the graphical representation of the user
In exploring digital identity and desire, I began thinking about Second Life and the people who utilise the technology as being in some kind of perpetual movement away from death: a denial as such. In Second Life, there is no ageing, no rotting of the flesh. Secondarily there exists an eternal life in these new technologies – from forever live Facebook memorials frozen in time, the gravesites and dead celebrity avatars that still walk this virtual land and the pun of the program name itself. Despite this, every time I log out of Second Life my avatar dies – dissolution of pixels disappearing into the black – only to be reborn, unchanged, at the click of a button. When I die, or kill my Second Life, she will remain a cyber-ghost, forever condemned to the black. Thirdly, when using digital identities we are somehow detached, separated by the false sense of security the safety of the screen gives us.
After working with a number of deceased doppelganger avatars roaming Second Life, dead daddy brings the idea of resurrecting the dead into a more personal space. Commencing with an intimate 3D rebuild of my own dead father, I used my self-portrait avatar to recreate lived or dreamed experiences from my childhood alongside him. Like the avatars themselves though, these experiences were hollow – it was always me operating my father’s avatar, making him speak and move like some sad puppet. Humorous and horrific at once.
Merging rephotographed real life images and Second Life footage of my father’s avatar in a 21st Century ‘exquisite corpse’, this work plays on death, desire, memory, loss and the materiality of the body.
The Office of the Vice President for Research hosts the 2019 Mixed Reality (XR) Symposium, October 18, 2019
MRR Hope InfoTech Pvt ltd is skilled in Augmented Reality / Virtual Reality /Mixed Reality/ Mobile Apps / Data Conversion advancements that are satisfying and outperforming in terms of making compelling user experiences.
Info on this piece of geek heaven, here: npirl.blogspot.com/2008/06/geek-heaven-wiz-bang-geo-coded...
Jerry Paffendorf watching Andrew Mahon finishing Jerry's virtual jeans order.
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Synthetic Times: Media Art China 2008, a Cultural Olympics project that will open at the National Art Museum of China in Beijing in June 2008, launches in NYC with programming co-organized by the exhibition’s curator, Zhang Ga, the MoMA, Parsons School of Design and Eyebeam. www.mediartchina.org/events/newyorkmoma
On April 15, following a day-long symposium at Parsons, Eyebeam featured a performance of Invisible Threads by Eyebeam artists Jeff Crouse and Stephanie Rothenberg, as well as performances by Taeyoon Choi and Friedrich Kirchner. www.eyebeam.org/engage/engage.php?page=unique&id=168
Invisible Threads documentary by Annie Ok, Jeff Crouse & Stephanie Rothenberg:
www.annieok.com/OtherProjects/InvisibleThreads
About Invisible Threads:
Invisible Threads is a mixed reality performance installation created by Eyebeam artists Jeff Crouse and Stephanie Rothenberg. The project explores the growing intersection between labor, emerging virtual economies and real life commodities through the creation of a designer jeans sweatshop in the metaverse Second Life. Simulating a real life manufacturing facility that includes hiring Second Life “workers” to produce real world jeans sold for profit, the project provides an insider’s view into current modes of global, telematic production.
The Office of the Vice President for Research hosts the 2019 Mixed Reality (XR) Symposium, October 18, 2019
The Office of the Vice President for Research hosts the 2019 Mixed Reality (XR) Symposium, October 18, 2019
OSU administration as well as Dr. Panchanathan and Rep. Frank Lucas visit a mixed reality lab on campus.
The Office of the Vice President for Research hosts the 2019 Mixed Reality (XR) Symposium, October 18, 2019
Teams work on VR projects through the weekend at the 2019 HP Virtual and Augmented Reality Hackathon, October 19, 2019
Teams work on VR projects through the weekend at the 2019 HP Virtual and Augmented Reality Hackathon, October 19, 2019
dead daddy
av•a•tar/ˈavəˌtär/
Noun:
A manifestation of a deity in bodily form on earth
An incarnation, embodiment, or manifestation of a person
In computing, an avatar is the graphical representation of the user
In exploring digital identity and desire, I began thinking about Second Life and the people who utilise the technology as being in some kind of perpetual movement away from death: a denial as such. In Second Life, there is no ageing, no rotting of the flesh. Secondarily there exists an eternal life in these new technologies – from forever live Facebook memorials frozen in time, the gravesites and dead celebrity avatars that still walk this virtual land and the pun of the program name itself. Despite this, every time I log out of Second Life my avatar dies – dissolution of pixels disappearing into the black – only to be reborn, unchanged, at the click of a button. When I die, or kill my Second Life, she will remain a cyber-ghost, forever condemned to the black. Thirdly, when using digital identities we are somehow detached, separated by the false sense of security the safety of the screen gives us.
After working with a number of deceased doppelganger avatars roaming Second Life, dead daddy brings the idea of resurrecting the dead into a more personal space. Commencing with an intimate 3D rebuild of my own dead father, I used my self-portrait avatar to recreate lived or dreamed experiences from my childhood alongside him. Like the avatars themselves though, these experiences were hollow – it was always me operating my father’s avatar, making him speak and move like some sad puppet. Humorous and horrific at once.
Merging rephotographed real life images and Second Life footage of my father’s avatar in a 21st Century ‘exquisite corpse’, this work plays on death, desire, memory, loss and the materiality of the body.
The Office of the Vice President for Research hosts the 2019 Mixed Reality (XR) Symposium, October 18, 2019
Mixed Reality Learning Lab at NCVS
Participants attend virtually at the Nonprofit Commons in Second Life, while the live video stream displays conference activities at the Mixed Reality Learning Lab onsite.
Teams work on VR projects through the weekend at the 2019 HP Virtual and Augmented Reality Hackathon, October 19, 2019
Andrew Mahon
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Synthetic Times: Media Art China 2008, a Cultural Olympics project that will open at the National Art Museum of China in Beijing in June 2008, launches in NYC with programming co-organized by the exhibition’s curator, Zhang Ga, the MoMA, Parsons School of Design and Eyebeam. www.mediartchina.org/events/newyorkmoma
On April 15, following a day-long symposium at Parsons, Eyebeam featured a performance of Invisible Threads by Eyebeam artists Jeff Crouse and Stephanie Rothenberg, as well as performances by Taeyoon Choi and Friedrich Kirchner. www.eyebeam.org/engage/engage.php?page=unique&id=168
Invisible Threads documentary by Annie Ok, Jeff Crouse & Stephanie Rothenberg:
www.annieok.com/OtherProjects/InvisibleThreads
About Invisible Threads:
Invisible Threads is a mixed reality performance installation created by Eyebeam artists Jeff Crouse and Stephanie Rothenberg. The project explores the growing intersection between labor, emerging virtual economies and real life commodities through the creation of a designer jeans sweatshop in the metaverse Second Life. Simulating a real life manufacturing facility that includes hiring Second Life “workers” to produce real world jeans sold for profit, the project provides an insider’s view into current modes of global, telematic production.
Teams work on VR projects through the weekend at the 2019 HP Virtual and Augmented Reality Hackathon, October 19, 2019
The Office of the Vice President for Research hosts the 2019 Mixed Reality (XR) Symposium, October 18, 2019
Teams work on VR projects through the weekend at the 2019 HP Virtual and Augmented Reality Hackathon, October 19, 2019
Invisible Threads artist Jeff Crouse
_______
Synthetic Times: Media Art China 2008, a Cultural Olympics project that will open at the National Art Museum of China in Beijing in June 2008, launches in NYC with programming co-organized by the exhibition’s curator, Zhang Ga, the MoMA, Parsons School of Design and Eyebeam. www.mediartchina.org/events/newyorkmoma
On April 15, following a day-long symposium at Parsons, Eyebeam featured a performance of Invisible Threads by Eyebeam artists Jeff Crouse and Stephanie Rothenberg, as well as performances by Taeyoon Choi and Friedrich Kirchner. www.eyebeam.org/engage/engage.php?page=unique&id=168
Invisible Threads documentary by Annie Ok, Jeff Crouse & Stephanie Rothenberg:
www.annieok.com/OtherProjects/InvisibleThreads
About Invisible Threads:
Invisible Threads is a mixed reality performance installation created by Eyebeam artists Jeff Crouse and Stephanie Rothenberg. The project explores the growing intersection between labor, emerging virtual economies and real life commodities through the creation of a designer jeans sweatshop in the metaverse Second Life. Simulating a real life manufacturing facility that includes hiring Second Life “workers” to produce real world jeans sold for profit, the project provides an insider’s view into current modes of global, telematic production.