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"Marke Bahnwärter - bei jedem Zuge raus", 1916. Unfortunately, the pun is untranslatable. An early work by A. Paul Weber, who later became a well-known artist.
Thanks to the popularity of the Amphawa floating marke among the local residents, particularly from nearby super congested Bangkok, the market has expanded way beyond the boats on the canal and now surrounds much of the surrounding streets as well. I have just come down from the pedestrian bridge you saw in the previous picture, but rather than turn left along the river, I am now walking into the market. It has rained overnight, and the weather is still a bit cloudy and soggy, and although this market opens much later in the day, it is showing signs of life even at that hour: 08:30, with many vendors just opening up or setting up shop. There are many market stalls which sell a variety of goods like souvenirs and teneral tourist kitsch, small cafes or food stalls, ice-cream shops, and many more. I found many stalls selling salted fish packed on styrofoam trays (pictures later on in this album) and what appeared to be fish shaped stress balls. Most souvenir stores usually sell clothes, toys and accessories for ladies. (Amphawa Floating Market, Thailand, Oct. 2018)
AUDI erzielt mit der Marke PATRICK HELLMANN COLLECTION Spitzenverkaufszahlen / Maßgeschneiderte Anzüge verkaufen Autos
AUDI & PATRICK HELLMANN COLLECTION
Successful collaboration
Press release February 02, 2010
www.presseportal.de/pm/78782/1555305/patrick_hellmann_col...
This is a picture from Saturday night. The photoclub held its annual exhibition, with a digital photo show.
A window display for the Sweet Barbarians art show by artist Marke Newton going on at And A in Shibuya, Tokyo. There are cigarette boxes all over the walls of the store near the entrance.
Sauciere aus Frankreich in 950er Silber Premiére Titre Minerva Kopf Marke Sauce Boat Silver Argent Massiv www.kabelitz-porzellan.de Louis XVI Klassizismus
Marke: Galison
Jahr: n.ang., ca. 2024
Artikelnummer: M121724R
Barcode: 9780735385962
Anzahl Teile: 500 (25x20)
Grösse: 51x51 cm (20" x 20")
Künstlerin: Maria Kee
Kauf: Oktober 2025. (Galaxus.ch)
Legedatum: 22.-23. Dezember 2025.
Zeit: 161 Min.
A Marke Lehmann wind up toy from the turn of the century. Of course I mean the previous century. Amazingly, it still works! Wind it up and it goes around, in a circle, throwing the cowboy off the horse. If anyone knows anything about these old toys, please drop me a line.
Sixteen GR9 Harrier aircraft are pictured flying in a diamond formation to marke the retirement of the famous aircraft after 41 years of service.
A formation of 16 Harriers took off from RAF Cottesmore and took to the skies of Lincolnshire.
Brought into service in 1969 and based at RAF Wittering, this British aircraft was designed to take off and land both vertically and on a short runway.
Well known for its role in the Falklands War, the Harrier went on to serve in many other conflicts including in Bosnia and Iraq in the 1990s.
The RAF and Royal Navy Harrier squadrons joined forces in 2000 to form Joint Force Harrier, based at RAF Cottesmore. These combined Harrier squadrons served in Sierra Leone, the second Gulf War and most recently Afghanistan.
This image is available for non-commercial, high resolution download at www.defenceimages.mod.uk subject to terms and conditions. Search for image number 45152158.jpg
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Photographer: Cpl Al Crowe
Image 45152158.jpg from www.defenceimages.mod.uk
William Markely Gilbert residence in 1885. E. Sago St. (now E. Forest Ave.) intersecting with 9th St., looking northwest.
A wrap-around front porch was added after this photo was taken. The house originally was built by flour miller Alexander Syme for his wife Mary Hewitt, daughter of Menasha banker Henry Hewitt, Sr.
I had the coolest rejection today - a very smartly dressed gentleman that kept walking for about 20 yards until I sparked his interest enough for him to stop but alas no ... but boy did he smile the best smile throughout ;).
Ten minutes later though I walked past Marke and instantly impressed by his style also I turned on my heels no more than a couple of metres past him and asked if I could take his photo. Marke looked really taken aback but asked why so I explained and no sooner had I mentioned the word "project" and he was holding his hand out gesturing for me to carry on. I took a handful of shots and explained a bit more about the purpose behind the project. When I asked Marke what he was up to there was no stopping him and he talked quite enthusiastically about what he was doing today and moreover why Newcastle was special to him.
Marke is from York originally but lived in London for 37 years. He has taken the day off work (Bank Manager) today to come shopping in Newcastle - a city he has frequented many times as a child as both his grandparents are from Newcastle. His Grandfather used to run a business in the 1920s quite close to where we were stood and whilst I'm not 100% certain I think that he said it was a Chandlery.
Whilst Marke was talking I became aware of a lady off to the side that was watching quite intently and when I glanced back a bit later and she was still looking I asked Marke if that was his wife that I was keeping him away from at which point he replied that it was and held his hand out so I shook it and thanked him for his time. Marke walked off to be with his wife and I could just make out her asking "what was that all about?". I have no idea what Marke's reply was.
I went and sat down immediately after he had gone and reviewed the photographs on my camera. As I was sat there I saw Mr Stylish Rejection walking down the street in my general direction - he politely turned down one of the many charity workers (not my #65 Matt although he was only a stone's throw away) and walked on. As he passed close by he spotted me and broke into that smile again and waved - I waved back and couldn't help but smile from ear to ear as well. I had a good "100 Strangers" day today!
Marke, thank you very much for taking some time out to talk to me today - I hope that you had a good day as well and that you like the photograph.
_____________________________
Please feel free to provide constructive critique on the technical aspects of this photograph.
This picture is #73 in my 100 strangers project. Find out more about the project and see pictures taken by other photographers at the 100 Strangers Flickr Group page
Florida Law Professor Killed in Murder-for-Hire, Police Say t.co/Qwjss55TOe Florida investigators believe law professor Dan Marke… (via Twitter twitter.com/LawsuitInfoCent/status/738419370620260352)
Perşembe günü markete gitiğimde gördüm bu yeni ürünleri. Paketi çok sevimli geldi almak istedim.Hem tadını merak ettiğimden, hem de fikir olsun diye. Ama sonra para ma kıyamadım:))
Dün babamla gittiğimizde tabi ki hemen sepete attım:D
Tavsiye ederim,akşam çayın yanına,kahvenin yanına küçük atıştırmalıklar..
Detta huset användes som fårhus runt år 1900. Vid södra gaveln finns rester efter ett avträde. Lägg märke till hur väggarna är uppbyggda av stora stenhällar.
Bilderna 35-39 hör ihop och är på samma hus.
Text som finns till alla bilder från Björsjöås:
Björsjöås eller Åsen som den ofta kallas är en av de gamla gårdarna i Vättlefjäll. Namnet kommer från att gården låg på en ås nära Björsjön. Alla gårdarna här uppe är så kallade ensamgårdar som ligger var och en för sig och inte bildar en by. Gårdarna i Vättlefjäll är kända sedan 1500-talet. Troligen fanns de tidigare.
Bönderna som slog sig ner här uppe i bergsområdet hägnade in ett mindre område omkring gården. Innanför denna stengärdesgård låg åkrar och ängar, de så kallade inägorna. Utanför gick djuren och betade på den så kallade utmarken. Denna var gemensam för alla gårdarna i Vättlefjäll och även för byarna nere på Bergumslätten.
Här i Björsjöås finns bara bostadshuset kvar. Det byggdes i slutet av 1800-talet och byggdes om på 1930-talet. Den gamla gården låg uppe på höjden bakom huset. Där finns ruiner kvar efter flera hus.
Bilden är tagen från en stig på en dryg kilometer runt den gamla gårdens ägor. Längs stigen finns skyltar som berättar om de spår man fortfarande kan se efter verksamheter i området.
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This house was used as a sheep house around the year 1900. At the southern end are remnants of a privy. Notice how the walls are constructed of large stone slabs.
Picture 35 to 39 belongs together and is the same house.
Text available to all images from Björsjöås:
Björsjöås or Åsen as it is often called, is one of the old farms in Vättlefjäll. The name comes from the farm location on a ridge near lake Björsjön. All the farms up here is the so-called isolated farms which are each separately and do not form a village. The farms in Vättlefjäll is known since the 1500s. Probably they were there before.
The farmers who settled here in the mountain area farmed in a small area around the farm. Inside this stone fence low fields and meadows, the so-called infields. Outside were the animals grazing on the so-called outfields. This was common for all the farms in Vättlefjäll and also for villages down at Bergum plain.
Here in Björsjöås only the residential building remains. It was built in the late 1800s and was rebuilt in the 1930s. The old farm was located on the hill behind the house. There are ruins left after several houses.
The picture was taken from a 1 km path around the old farm estate. Along the trail there are signs telling about the tracks can still be seen by businesses in the area.
Gruppe Musizierender Kavalier mit Dame
Wien, 1744-1749
Ohne Marke
Group (Music-Playing Cavalier with Lady)
Vienna, 1744-1749
Unmarked
EXHIBITION
300 YEARS VIENNA PORCELAIN MANUFACTURE
Wed, 16.05.2018-Sun, 23.09.2018
MAK EXHIBITION HALL
With the comprehensive anniversary exhibition 300 years of VIENNA PORCELAIN MANUFACTURE, the MAK sheds light on the history and significance of Europe's second oldest porcelain manufactory. Founded in May 1718 by awarding an imperial privilege to porcelain production to Claudius Innocentius Du Paquier, the Viennese porcelain manufactory set aesthetic standards in the following decades. Around 1,000 objects from the collections of the MAK and from national and international collections offer an impressive overview of Viennese developments in the context of Asian precursors and European competitors.
Since its founding years, the MAK preserves the estate of the imperial led from 1744, 1864 closed Vienna porcelain manufactory and is dedicated to the study of porcelain. With examples from all epochs of production, the estate gives an overview of around 150 years porcelain production in Vienna. The Viennese porcelain production covered a broad ceramic spectrum: from dinner service and vases to clocks, high-quality porcelain sculptures, scenic and floral miniatures, porcelain paintings with relief gold decoration and cobalt blue to large-scale porcelain paintings with floral still lifes.
For major works of the Viennese porcelain manufactory, such as the porcelain room from the Brno Palais Dubsky (c. 1740) or the centerpiece from the Abbey Zwettl (Vienna, 1767/68), the exhibition 300 Years of WIENER PORZELLANMANUFAKTUR provides the latest scientific findings with previously unpublished documents. Both the "Dubsky Room", one of the first rooms with European porcelain, and the centerpiece from Zwettl Abbey are permanently exhibited in the Baroque Rococo Classicism MAK Collection designed by Donald Judd.
Catalog
The exhibition will be accompanied by the publication of the 300 Years of the Vienna Porcelain Manufactory, edited by Christoph Thun-Hohenstein and Rainald Franz, with texts by Rainald Franz, Andreas Gamerith, Michael Macek, Errol Manners, Waltraud Neuwirth, Kathrin Pokorny-Nagel, A. Philipp Revertera and Elisabeth Schmuttermeier, Ulrike Scholda, Christoph Thun-Hohenstein, Leonhard Weidinger and Johannes Wieninger. German/English, approx. 208 pages with numerous color illustrations. MAK, Vienna/Arnoldsche Art Publishers, Stuttgart 2018. Available for € 44 at the MAK Design Shop and at MAKdesignshop.at.
Curator
Rainald Franz, Custode MAK Collection Glass and Ceramics
scientific collaboration
Michael Macek, MAK Glass and Ceramics Collection
AUSSTELLUNG
300 JAHRE WIENER PORZELLANMANUFAKTUR
MI, 16.05.2018–SO, 23.09.2018
MAK-AUSSTELLUNGSHALLE
Mit der umfassenden Jubiläumsausstellung 300 JAHRE WIENER PORZELLANMANUFAKTUR beleuchtet das MAK die Geschichte und Bedeutung der zweitältesten europäischen Porzellanmanufaktur. Gegründet im Mai 1718 durch Vergabe eines kaiserlichen Privilegiums zur Porzellanerzeugung an Claudius Innocentius Du Paquier, setzte die Wiener Porzellanmanufaktur in den folgenden Jahrzehnten ästhetische Maßstäbe. Rund 1 000 Objekte aus den Beständen des MAK sowie aus nationalen wie internationalen Sammlungen bieten einen eindrucksvollen Überblick über Wiener Entwicklungen im Kontext asiatischer Vorläufer und europäischer Konkurrenten.
Seit seinen Gründungsjahren bewahrt das MAK den Nachlass der ab 1744 kaiserlich geführten, 1864 geschlossenen Wiener Porzellanmanufaktur und widmet sich der Erforschung des Porzellans. Mit Beispielen aus allen Epochen der Produktion gibt der Nachlass einen Überblick über rund 150 Jahre Porzellanherstellung in Wien. Die Wiener Porzellanproduktion deckte ein breites keramisches Spektrum ab: von Tafelservice und Vasen über Uhren, qualitätsvolle Porzellanskulpturen, szenische und florale Miniaturen, Porzellanmalereien mit Reliefgolddekor und Kobaltblau bis hin zu großformatigen Porzellanbildern mit Blumenstillleben.
Zu Hauptwerken der Wiener Porzellanmanufaktur, wie dem Porzellanzimmer aus dem Brünner Palais Dubsky (um 1740) oder dem Tafelaufsatz aus dem Stift Zwettl (Wien, 1767/68), liefert die Ausstellung 300 JAHRE WIENER PORZELLANMANUFAKTUR mit bis dato unveröffentlichten Dokumenten neueste wissenschaftliche Erkenntnisse. Sowohl das „Dubsky-Zimmer“, eine der ersten Zimmerausstattungen mit europäischem Porzellan, als auch der Tafelaufsatz aus dem Stift Zwettl sind permanent in der von Donald Judd gestalteten MAK-Schausammlung Barock Rokoko Klassizismus ausgestellt.
Katalog
Zur Ausstellung erscheint die Publikation 300 Jahre Wiener Porzellanmanufaktur, herausgegeben von Christoph Thun-Hohenstein und Rainald Franz, mit Texten von Rainald Franz, Andreas Gamerith, Michael Macek, Errol Manners, Waltraud Neuwirth, Kathrin Pokorny-Nagel, A. Philipp Revertera, Elisabeth Schmuttermeier, Ulrike Scholda, Christoph Thun-Hohenstein, Leonhard Weidinger und Johannes Wieninger. Deutsch/Englisch, ca. 208 Seiten mit zahlreichen Farbabbildungen. MAK, Wien/Arnoldsche Art Publishers, Stuttgart 2018. Erhältlich um € 44 im MAK Design Shop und unter MAKdesignshop.at.
Kurator
Rainald Franz, Kustode MAK-Sammlung Glas und Keramik
Wissenschaftliche Mitarbeit
Michael Macek, MAK-Sammlung Glas und Keramik