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From the museum label: In July and August 1874 Manet vacationed at his family's house in Gennevilliers, just across the Seine from Argenteuil, where Claude Monet and his family lived. The two painters saw each other often that summer, and on a number of occasions they were joined by Auguste Renoir, who painted the Monet family alongside Manet en plein air. Monet and Renoir joined Degas in organizing the first Impressionist exhibition that year. Manet did not participate; however, he supported the group and was certainly influenced by them. Despite taking on similar subjects, such as this outdoor family portrait, and incorporating looser brushstrokes in response to their work, his scenes retain the solidity in their paint handling that was hallmark of his oeuvre.
Link to the full painting.
Link to other paintings from the exhibition “Manet/Degas".
Link to other Manet paintings.
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The Manet exhibition was wonderful today, and I saw a great modern New York exhibit too
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Manet / Degas, Metropolitan Museum of Art, September 24, 2023–January 7, 2024
This exhibition examines the close and sometimes tumultuous relationship between Édouard Manet and Edgar Degas. Born only two years apart, Manet and Degas were friends, rivals, and, at times, antagonists.
The exhibition contains more than 160 paintings and works on paper and is organized by The Metropolitan Museum of Art, New York, and the Musées d’Orsay and de l’Orangerie, Paris.
From the museum label: Following Degas's In a Café (The Absinthe Drinker), on view nearby, Manet evoked the same setting of the Nouvelle-Athènes and selected the same model, the actress Ellen Andrée, for his own café scene. Although centered on a woman alone with her drink, which in popular imagery of the time often implied moral indecency, her identity is ambiguous. Resting her head in hand, as she ignores her brandy-soaked plum and unlit cigarette, she gazes wistfully into the distance, conveying a sense of urban isolation similar to that evoked in Degas's painting.
Link to the full painting.
Link to other paintings from the exhibition “Manet/Degas".
Link to other Manet paintings.
Photographie de Laetitia Andreucci (2008).
A donné lieu à une carte postale éditée à 200 exemplaires dans le cadre des 30 ans de l'Université.
From the museum label: Manet's attention to the natural effects of light and shadow at play in this work may indicate that it was painted en plein air. The lively brushwork, especially in the background, and the subject matter both suggest that he was likely looking at the work of younger painters, such as Monet and Renoir, while the abrupt cropping of the composition takes cues from Degas. Although the identities of the sitters have been disputed, they were probably the Italian artist Giuseppe De Nittis, a mutual friend of Manet and Degas, and his wife and child, with whom Manet stayed during the summer of 1870.
Link to other Manet paintings
Manet / Degas, Metropolitan Museum of Art, September 24, 2023–January 7, 2024
This exhibition examines the close and sometimes tumultuous relationship between Édouard Manet and Edgar Degas. Born only two years apart, Manet and Degas were friends, rivals, and, at times, antagonists.
The exhibition contains more than 160 paintings and works on paper and is organized by The Metropolitan Museum of Art, New York, and the Musées d’Orsay and de l’Orangerie, Paris.
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Manet / Degas, Metropolitan Museum of Art, September 24, 2023–January 7, 2024
This exhibition examines the close and sometimes tumultuous relationship between Édouard Manet and Edgar Degas. Born only two years apart, Manet and Degas were friends, rivals, and, at times, antagonists.
The exhibition contains more than 160 paintings and works on paper and is organized by The Metropolitan Museum of Art, New York, and the Musées d’Orsay and de l’Orangerie, Paris.