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Edouard Manet
French, 1832-1883
Oil on canvas
National Gallery of Art, Washington DC
It is devastatingly good, one of the finest things Manet painted; a nerve-wracking instance of poison and its antidote administered with the same silver spoon, the same soft brush. At once sensational and austere, jolting and serene, macabre and pristine, it’s as fresh and unsettling as the day it was painted.
Originally formed part of a much larger painting, "Incident in the Bull Ring," which was exhibited at the 1864 Salon. Manet, dissatisfied with it, cut it in two. One half, "Bullfight," is in the Frick Collection in New York, and the other is this Dead Toreador, which was the lower part of the original work.
I like many critics, from his time, don't like the painting.
Édouard Manet - George Moore in the Artist's Garden, 1879
at East Wing of National Gallery of Art Washington DC
Also viewed at the Legion of Honor Fine Arts Museums of San Francisco CA for Intimate Impressionism from the National Gallery of Art
My students are working with the Courtauld Gallery on a project where they will get to exhibit their work there next year.
This is from the first session studying Manet's last painting.
Gonzorama Mk9 pinhole camera
About 10 minutes exposure
A Bar at the Folies-Bergere, 1882 by Edouard Manet - one of the most well-known paintings in the Courtaud Gallery, London.
Considered to be Manet's last major work. It was painted in 1882 and exhibited at the Paris Salon of that year. It depicts a scene in the Folies Bergère nightclub in Paris.
There has been much speculation as to why the reflection in the mirror appears to be at odds with the viewpoint of the artist.
I photographed pretty much all of the impressionist paintings in the gallery a few years ago, using a Nikon Df: small and easy to carry, I still rely on this somewhat quirky camera in situations where there isn't much light but you can't use flash. It is still one of the best low light/ high ISO cameras around (the main reason I bought it!).
The gallery is currently closed for major work. I'll upload some more images in due course.
Edouard Manet - Portrait of Marguerite de Confans wearing a Mantilla, 1873 at Oskar Reinhart Art Collection Winterthur Switzerland
Édouard Manet, Paris 1832 - 1883
Das Frühstück im Grünen, Ausschnitt - Luncheon on the Grass, detail - 1853
Musée d'Orsay
Da das Werk auf dem Salon 1863 von der Jury abgelehnt wird, stellt Manet es unter dem Titel Das Bad auf dem Salon der Zurückgewiesenen, der dieses Jahr von Napoleon III. genehmigt wird, aus. Es steht im Zentrum des Interesses, ist Gegenstand allgemeinen Gespötts und löst Skandale aus.
Manet beruft sich für Das Frühstück im Grünen auf die alten Meister und greift auf zwei Werke des Louvre zurück. Das Konzert im Freienvon Tizian, das damals Giorgione zugeschrieben wird, dient ihm als Thema, während die Anordnung der Gruppe in der Mitte einem Kupferstich von Raffael nachempfunden ist: das Urteil des Paris.Die Anwesenheit einer nackten Frau inmitten bekleideter Männer ist indes weder mythologisch noch allegorisch begründet. Die modernen Figuren lassen diese nahezu irreale Szene in den Augen der Zeitgenossen obszön erscheinen. Manet belustigte dies, er nannte sein Gemälde auch Der flotte Vierer.
Der Stil und die Technik schockierten fast so sehr wie das Motiv. Manet verzichtet auf die üblichen Abstufungen und malt krasse Kontraste zwischen Schatten und Licht. Man kritisiert auch seine „Manie, zu malen, wie er die Gegenstände sieht - in großen Flecken“. Die Figuren scheinen sich nicht vollkommen in die Szenerie aus Unterholz, die mehr skizziert als gemalt ist, über keinerlei Perspektive oder Tiefe verfügt, einzufügen. Das Frühstück im Grünen hält sich an keine der herkömmlichen Konventionen, es führt ein völlig neuartiges Motiv und eine unkonventionelle Darstellungsweise ein.
Quelle: www.musee-orsay.fr/
Édouard Manet (French, 1832–1883)
Title
Madame Édouard Manet (Suzanne Leenhoff, 1830–1906)
Date
ca. 1866–69
Medium
Oil on canvas
Dimensions
39 1/2 x 30 7/8 in. (100.3 x 78.4 cm)
Suzanne Leenhoff joined the Manet household as a piano instructor to the painter's brother, Eugène. Her son, Léon, was born out of wedlock in 1852. Although she referred to him as her younger brother, both Manet and his father have been proposed as the boy's natural father. By 1860, Manet and Suzanne were living together, and the artist always showed an avuncular, if not paternal, interest in Léon. This unfinished canvas provides rare insight into Manet's painting technique. He sketched the figure and the background with broad strokes before beginning work on the facial features, and he scraped off the face at least twice, eventually abandoning the picture.
Free download under CC Attribution (CC BY 4.0). Please credit the artist and rawpixel.com.
Édouard Manet (1832–1883) was a French modernist painter and one of the first 19th century artists to paint modern life. His impressionist style is characterized by relatively small and thin brushstrokes that create emphasis on light depiction. Manet was one of the key artists in the transition from realism to impressionism, along with Claude Monet, Edgar Degas, and Pierre-Auguste Renoir. However, he resisted involvement in any one specific style of painting, and only presented his work to the Salon of Paris instead of impressionist exhibitions. His early masterworks, The Luncheon on the Grass and Olympia, created great controversy and served as a rallying point for other young painters. We have digitally enhanced some of his paintings and they are free to download under the CC0 license.
Higher resolutions with no attribution required can be downloaded: https://www.rawpixel.com/board/1327738/edouard-manet-paintings-i-premium-artworks-public-domain?sort=curated&mode=shop&page=1
Huile sur toile, 62 x 103 cm, 1874, Courtauld Institute of Art, Londres.
Merci Peter pour la photo :
www.flickr.com/photos/28433765@N07/4716022341/in/set-7215...
1864. Oli sobre tela 75,9 x 153,3 cm. National Gallery of Art, Washington, DC. 1942.9.40. Obra exposada: Gallery 90.
Free download under CC Attribution (CC BY 4.0). Please credit the artist and rawpixel.com.
Édouard Manet (1832–1883) was a French modernist painter and one of the first 19th century artists to paint modern life. His impressionist style is characterized by relatively small and thin brushstrokes that create emphasis on light depiction. Manet was one of the key artists in the transition from realism to impressionism, along with Claude Monet, Edgar Degas, and Pierre-Auguste Renoir. However, he resisted involvement in any one specific style of painting, and only presented his work to the Salon of Paris instead of impressionist exhibitions. His early masterworks, The Luncheon on the Grass and Olympia, created great controversy and served as a rallying point for other young painters. We have digitally enhanced some of his paintings and they are free to download under the CC0 license.
Higher resolutions with no attribution required can be downloaded: https://www.rawpixel.com/board/1327738/edouard-manet-paintings-i-premium-artworks-public-domain?sort=curated&mode=shop&page=1
Spectacle de la compagnie Raghunath Manet à l'institut du monde arabe
La compagnie présente un spectacle destiné au grand public où la virtuosité de Raghunath Manet, de sa danseuse partenaire et de ses musiciens s'exprime avec brio.
Très différent de son spectacle de 2006 au musée Guimet, plus réservé à un public averti
www.flickr.com/photos/dalbera/318401859/
ce show très scénographié, allie une chorégraphie enlevée, respectueuse du style Bharata Nâtyam, et des prouesses musicales, en particulier lors du final très réussi où R. Manet dialogue avec ses percussionnistes en utilisant son corps et sa voix.
Certaines innovations choquent les amateurs de classicisme : des compositions musicales simplistes faites pour séduire un public occidental peu connaisseur, l'utilisation d'un synthétiseur et d'un saxophone aux sonorités décalées, et surtout la très mauvaise qualité du son amplifié dans l'auditorium de l'IMA.
Raghunath Manet sauve heureusement le spectacle par son talent exceptionnel de danseur et de musicien mais pourrait l'améliorer en étant plus exigeant sur la qualité sonore.
Dejeuner Déjà Vu a, a lifescale bronze sculptural tableau based on Edouard Manet's 1863 masterpiece "Dejeuner sur l'herbe" (Luncheon on the Grass) (original at Musée d'Orsay), was cast by Seward Johnson in 1994. Manet's original borrowed its subject from the Concert champêtre, a painting by Titian attributed at the time to Giorgione and took its inspiration for the composition of the central group from the Marcantonio Raimondi engraving after Raphael's Judgement of Paris. Johnson's sculptural take includes a full-scale woman and rowboat set at the edge of the pend in the background and details such as a frog, a bird suspended in flight, shelled oysters, and a baguette.
Seward Johnson: The Retrospective was scheduled to be on exhibition at the Grounds For Sculpture from May 4 to September 21, 2014 but due to overwhelming popularity, was extended through July 2015. The exhibit presents an overview of the New Jersey sculptor's 50-year career through a lifetime collection of over 150 of his works. In its first month on exhibit, the park attracted 30,000 visitors—nearly 20 percent of its normal annual attendance.
Grounds For Sculpture is a 42-acre sculpture park and museum located on the former site of the New Jersey State Fairgrounds in Hamilton Township. The grounds, which feature over 270 large scale contemporary sculptures, were founded in 1992 by John Seward Johnson II.
This work is one of Édouard Manet’s most vivid experiments in painting outdoors, inspired by the younger Impressionists’ approach. It was created during a summer stay with Claude Monet in the town of Argenteuil, outside Paris. Monet’s wife, Camille, and son, Jean, posed for the figures. Lining the other side of the river are barges for washing laundry. The bright colours and swift brushstrokes creating the ripples on the water show Monet’s influence. However, Manet maintained his distinctive use of thick oil paint and rich blacks to give weight to the painting.
Model: Manet. Fountain
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© 2011 Lloyd Thrap Photography for Halo Media Group
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Free download under CC Attribution (CC BY 4.0). Please credit the artist and rawpixel.com.
Édouard Manet (1832–1883) was a French modernist painter and one of the first 19th century artists to paint modern life. His impressionist style is characterized by relatively small and thin brushstrokes that create emphasis on light depiction. Manet was one of the key artists in the transition from realism to impressionism, along with Claude Monet, Edgar Degas, and Pierre-Auguste Renoir. However, he resisted involvement in any one specific style of painting, and only presented his work to the Salon of Paris instead of impressionist exhibitions. His early masterworks, The Luncheon on the Grass and Olympia, created great controversy and served as a rallying point for other young painters. We have digitally enhanced some of his paintings and they are free to download under the CC0 license.
Higher resolutions with no attribution required can be downloaded: https://www.rawpixel.com/board/1327738/edouard-manet-paintings-i-premium-artworks-public-domain?sort=curated&mode=shop&page=1