View allAll Photos Tagged Management.
30-yard Roll-Off Container
Waste Management
Kennewick, WA
August 2017
©Bryn Erdman. All Rights Reserved.
64-gallon Toter EVR Refuse Cart
Waste Management
Kennewick, WA
June 2017
©Bryn Erdman. All Rights Reserved.
Steptoe Valley Wildlife Management Area, Nevada
www.allaboutbirds.org/guide/Yellow-headed_Blackbird/overview
“Our stores have closed due to management restructuring. We hope to re-open soon and bring the great taste of Taco Bell back to our fans
”
Operated by: Waste Management, Blaine, MN
Unit Number: 214924
Body: McNeilus Contender
Chassis: Peterbilt 520
Notes: ex-?
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Seen on W. 7th Street in Saint Paul. From the number I'm assuming it's a WM unit, however if someone knows differently drop a comment. I find it a tad odd they didn't even put a decal or DOT number on the door. Perhaps there's something on the driver side, or this is a new addition.
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Please do not use this image without first asking for permission. Thank you.
Seen in Middle Creek Wildlife Management Area.
www.pgc.pa.gov/InformationResources/AboutUs/ContactInform...
Waste Management
Sun Valley, CA
10/29/16
Recently WMmaster626 and I went filming in the Sun Valley area and afterwards went to Waste Management Sun Valley for a tour.
Big thank you to everyone at Sun Valley for the great tour. And thank you WMmaster626 for arranging it.
64-gallon Toter trash cart
Waste Management
Kennewick, WA
March 2015
©Bryn Erdman. All Rights Reserved.
This Mack RD originally worked out of Waste Management's Elgin hauling operation that is now closed. It isn't uncommon for former Elgin units to still have "Elgin, IL" printed on the door, or have an "E" next to its number, as seen here. This truck, as well as other former Elgin units, now operates out of Batavia.
This unit was one of many Waste Management roll offs hauling leaves in Elgin this year.
Bernardo Bellotto, llamado Canaletto
Palacio de Schönbrunn, Ehrenhofseite (lado del patio de honor), 1759-1761
Bellotto representa el castillo 1693-1694 de Fischer von Erlach por el emperador José I. planeado después de la reconstrucción por Pacassi 1744-1749. En ese momento se construyó la escalera sobre el paso y los edificios anexos del patio de honor fueron conectados al edificio principal. La imagen a la vez plasma un momento histórico: el 16 de Agosto 1759, durante la Guerra de Siete Años, María Teresa recibe la noticia de la victoria del ejército de Austria contra los prusianos en Kunersdorf.
Bernardo Bellotto, appelé Canaletto
Le château de Schönbrunn, Ehrenhofseite (côté sur la cour d'honneur), 1759-1761
Bellotto représente le château 1693-1694 par Fischer von Erlach pour l'empereur Joseph I. prévu après la reconstruction par Pacassi 1744-1749. A cette époque, l'escalier a été construit sur le passage et les annexes de la cour d'honneur reliée au bâtiment principal. L'image en même temps fixe un moment historique: le 16 Août 1759, pendant la guerre de Sept ans, Marie-Thérèse reçoit les nouvelles de la victoire de l'armée autrichienne contre les Prussiens à Kunersdorf.
Bernardo Bellotto, genannt Canaletto
Schloss Schönbrunn, Ehrenhofseite, 1759/61
Bellotto stellt das 1693/94 von Fischer von Erlach für Kaiser Josef I. geplante Schloss nach dem Umbau durch Pacassi 1744-49 dar. Damals wurden die Freitreppe über der Durchfahrt errichtet und die Nebengebäude des Ehrenhofs mit dem Hauptgebäude verbunden. Das Bild hält zugleich einen historischen Augenblick fest: Am 16. August 1759, während des Siebenjähriges Krieges, erhält Maria Theresia die Nachricht vom Sieg der österreichischen Armee gegen die Preußen bei Kunersdorf.
Austria Kunsthistorisches Museum
Federal Museum
Logo KHM
Regulatory authority (ies)/organs to the Federal Ministry for Education, Science and Culture
Founded 17 October 1891
Headquartered Castle Ring (Burgring), Vienna 1, Austria
Management Sabine Haag
www.khm.at website
Main building of the Kunsthistorisches Museum at Maria-Theresa-Square
The Kunsthistorisches Museum (KHM abbreviated) is an art museum in Vienna. It is one of the largest and most important museums in the world. It was opened in 1891 and 2012 visited of 1.351.940 million people.
The museum
The Kunsthistorisches Museum is with its opposite sister building, the Natural History Museum (Naturhistorisches Museum), the most important historicist large buildings of the Ringstrasse time. Together they stand around the Maria Theresa square, on which also the Maria Theresa monument stands. This course spans the former glacis between today's ring road and 2-line, and is forming a historical landmark that also belongs to World Heritage Site Historic Centre of Vienna.
History
Archduke Leopold Wilhelm in his Gallery
The Museum came from the collections of the Habsburgs, especially from the portrait and armor collections of Ferdinand of Tyrol, the collection of Emperor Rudolf II (most of which, however scattered) and the art collection of Archduke Leopold Wilhelm into existence. Already In 1833 asked Joseph Arneth, curator (and later director) of the Imperial Coins and Antiquities Cabinet, bringing together all the imperial collections in a single building .
Architectural History
The contract to build the museum in the city had been given in 1858 by Emperor Franz Joseph. Subsequently, many designs were submitted for the ring road zone. Plans by August Sicard von Sicardsburg and Eduard van der Null planned to build two museum buildings in the immediate aftermath of the Imperial Palace on the left and right of the Heroes' Square (Heldenplatz). The architect Ludwig Förster planned museum buildings between the Schwarzenberg Square and the City Park, Martin Ritter von Kink favored buildings at the corner Währingerstraße/ Scots ring (Schottenring), Peter Joseph, the area Bellariastraße, Moritz von Loehr the south side of the opera ring, and Ludwig Zettl the southeast side of the grain market (Getreidemarkt).
From 1867, a competition was announced for the museums, and thereby set their current position - at the request of the Emperor, the museum should not be too close to the Imperial Palace, but arise beyond the ring road. The architect Carl von Hasenauer participated in this competition and was able the at that time in Zürich operating Gottfried Semper to encourage to work together. The two museum buildings should be built here in the sense of the style of the Italian Renaissance. The plans got the benevolence of the imperial family. In April 1869, there was an audience with of Joseph Semper at the Emperor Franz Joseph and an oral contract was concluded, in July 1870 was issued the written order to Semper and Hasenauer.
Crucial for the success of Semper and Hasenauer against the projects of other architects were among others Semper's vision of a large building complex called "Imperial Forum", in which the museums would have been a part of. Not least by the death of Semper in 1879 came the Imperial Forum not as planned for execution, the two museums were built, however.
Construction of the two museums began without ceremony on 27 November 1871 instead. Semper moved to Vienna in the sequence. From the beginning, there were considerable personal differences between him and Hasenauer, who finally in 1877 took over sole construction management. 1874, the scaffolds were placed up to the attic and the first floor completed, built in 1878, the first windows installed in 1879, the Attica and the balustrade from 1880 to 1881 and built the dome and the Tabernacle. The dome is topped with a bronze statue of Pallas Athena by Johannes Benk.
The lighting and air conditioning concept with double glazing of the ceilings made the renunciation of artificial light (especially at that time, as gas light) possible, but this resulted due to seasonal variations depending on daylight to different opening times .
Kuppelhalle
Entrance (by clicking the link at the end of the side you can see all the pictures here indicated!)
Grand staircase
Hall
Empire
The Kunsthistorisches Museum was on 17 October 1891 officially opened by Emperor Franz Joseph I. Since 22 October 1891 , the museum is accessible to the public. Two years earlier, on 3 November 1889, the collection of arms, Arms and Armour today, had their doors open. On 1 January 1890 the library service resumed its operations. The merger and listing of other collections of the Highest Imperial Family from the Upper and Lower Belvedere, the Hofburg Palace and Ambras in Tyrol will need another two years.
189, the farm museum was organized in seven collections with three directorates:
Directorate of coins, medals and antiquities collection
The Egyptian Collection
The Antique Collection
The coins and medals collection
Management of the collection of weapons, art and industrial objects
Weapons collection
Collection of industrial art objects
Directorate of Art Gallery and Restaurieranstalt (Restoration Office)
Collection of watercolors, drawings, sketches, etc.
Restoration Office
Library
Very soon the room the Court Museum (Hofmuseum) for the imperial collections was offering became too narrow. To provide temporary help, an exhibition of ancient artifacts from Ephesus in the Theseus Temple was designed. However, additional space had to be rented in the Lower Belvedere.
1914, after the assassination of Franz Ferdinand, heir to the throne, his " Estonian Forensic Collection " passed to the administration of the Court Museum. This collection, which emerged from the art collection of the house of d' Este and world travel collection of Franz Ferdinand, was placed in the New Imperial Palace since 1908. For these stocks, the present collection of old musical instruments and the Museum of Ethnology emerged.
The First World War went by, apart from the oppressive economic situation without loss. The farm museum remained during the five years of war regularly open to the public.
Until 1919 the K.K. Art Historical Court Museum was under the authority of the Oberstkämmereramt (head chamberlain office) and belonged to the House of Habsburg-Lorraine. The officials and employees were part of the royal household.
First Republic
The transition from monarchy to republic, in the museum took place in complete tranquility. On 19 November 1918 the two imperial museums on Maria Theresa Square were placed under the state protection of the young Republic of German Austria. Threatening to the stocks of the museum were the claims raised in the following weeks and months of the "successor states" of the monarchy as well as Italy and Belgium on Austrian art collection. In fact, it came on 12th February 1919 to the violent removal of 62 paintings by armed Italian units. This "art theft" left a long time trauma among curators and art historians.
It was not until the Treaty of Saint-Germain of 10 September 1919, providing in Article 195 and 196 the settlement of rights in the cultural field by negotiations. The claims of Belgium, Czechoslovakia, and Italy again could mostly being averted in this way. Only Hungary, which presented the greatest demands by far, was met by more than ten years of negotiation in 147 cases.
On 3 April 1919 was the expropriation of the House of Habsburg-Lorraine by law and the acquisition of its property, including the "Collections of the Imperial House" , by the Republic. Of 18 June 1920 the then provisional administration of the former imperial museums and collections of Este and the secular and clergy treasury passed to the State Office of Internal Affairs and Education, since 10 November 1920, the Federal Ministry of the Interior and Education. A few days later it was renamed the Art History Court Museum in the "Kunsthistorisches Museum, Vienna State", 1921 "Kunsthistorisches Museum" . Of 1st January 1921 the employees of the museum staff passed to the state of the Republic.
Through the acquisition of the former imperial collections owned by the state, the museum found itself in a complete new situation. In order to meet the changed circumstances in the museum area, designed Hans Tietze in 1919 the "Vienna Museum program". It provided a close cooperation between the individual museums to focus at different houses on main collections. So dominated exchange, sales and equalizing the acquisition policy in the interwar period. Thus resulting until today still valid collection trends. Also pointing the way was the relocation of the weapons collection from 1934 in its present premises in the New Castle, where since 1916 the collection of ancient musical instruments was placed.
With the change of the imperial collections in the ownership of the Republic the reorganization of the internal organization went hand in hand, too. Thus the museum was divided in 1919 into the
Egyptian and Near Eastern Collection (with the Oriental coins)
Collection of Classical Antiquities
Collection of ancient coins
Collection of modern coins and medals
Weapons collection
Collection of sculptures and crafts with the Collection of Ancient Musical Instruments
Picture Gallery
The Museum 1938-1945
Count Philipp Ludwig Wenzel Sinzendorf according to Rigaud. Clarisse 1948 by Baroness de Rothschildt "dedicated" to the memory of Baron Alphonse de Rothschildt; restituted to the Rothschilds in 1999, and in 1999 donated by Bettina Looram Rothschild, the last Austrian heiress.
With the "Anschluss" of Austria to the German Reich all Jewish art collections such as the Rothschilds were forcibly "Aryanised". Collections were either "paid" or simply distributed by the Gestapo at the museums. This resulted in a significant increase in stocks. But the KHM was not the only museum that benefited from the linearization. Systematically looted Jewish property was sold to museums, collections or in pawnshops throughout the empire.
After the war, the museum struggled to reimburse the "Aryanised" art to the owners or their heirs. They forced the Rothschild family to leave the most important part of their own collection to the museum and called this "dedications", or "donations". As a reason, was the export law stated, which does not allow owners to perform certain works of art out of the country. Similar methods were used with other former owners. Only on the basis of international diplomatic and media pressure, to a large extent from the United States, the Austrian government decided to make a change in the law (Art Restitution Act of 1998, the so-called Lex Rothschild). The art objects were the Rothschild family refunded only in the 1990s.
The Kunsthistorisches Museum operates on the basis of the federal law on the restitution of art objects from the 4th December 1998 (Federal Law Gazette I, 181 /1998) extensive provenance research. Even before this decree was carried out in-house provenance research at the initiative of the then archive director Herbert Haupt. This was submitted in 1998 by him in collaboration with Lydia Grobl a comprehensive presentation of the facts about the changes in the inventory levels of the Kunsthistorisches Museum during the Nazi era and in the years leading up to the State Treaty of 1955, an important basis for further research provenance.
The two historians Susanne Hehenberger and Monika Löscher are since 1st April 2009 as provenance researchers at the Kunsthistorisches Museum on behalf of the Commission for Provenance Research operating and they deal with the investigation period from 1933 to the recent past.
The museum today
Today the museum is as a federal museum, with 1st January 1999 released to the full legal capacity - it was thus the first of the state museums of Austria, implementing the far-reaching self-financing. It is by far the most visited museum in Austria with 1.3 million visitors (2007).
The Kunsthistorisches Museum is under the name Kunsthistorisches Museum and Museum of Ethnology and the Austrian Theatre Museum with company number 182081t since 11 June 1999 as a research institution under public law of the Federal virtue of the Federal Museums Act, Federal Law Gazette I/115/1998 and the Museum of Procedure of the Kunsthistorisches Museum and Museum of Ethnology and the Austrian Theatre Museum, 3 January 2001, BGBl II 2/ 2001, in force since 1 January 2001, registered.
In fiscal 2008, the turnover was 37.185 million EUR and total assets amounted to EUR 22.204 million. In 2008 an average of 410 workers were employed.
Management
1919-1923: Gustav Glück as the first chairman of the College of science officials
1924-1933: Hermann Julius Hermann 1924-1925 as the first chairman of the College of the scientific officers in 1925 as first director
1933: Arpad Weixlgärtner first director
1934-1938: Alfred Stix first director
1938-1945: Fritz Dworschak 1938 as acting head, from 1938 as a chief in 1941 as first director
1945-1949: August von Loehr 1945-1948 as executive director of the State Art Collections in 1949 as general director of the historical collections of the Federation
1945-1949: Alfred Stix 1945-1948 as executive director of the State Art Collections in 1949 as general director of art historical collections of the Federation
1949-1950: Hans Demel as administrative director
1950: Karl Wisoko-Meytsky as general director of art and historical collections of the Federation
1951-1952: Fritz Eichler as administrative director
1953-1954: Ernst H. Buschbeck as administrative director
1955-1966: Vincent Oberhammer 1955-1959 as administrative director, from 1959 as first director
1967: Edward Holzmair as managing director
1968-1972: Erwin Auer first director
1973-1981: Friderike Klauner first director
1982-1990: Hermann Fillitz first director
1990: George Kugler as interim first director
1990-2008: Wilfried Seipel as general director
Since 2009: Sabine Haag as general director
Collections
To the Kunsthistorisches Museum are also belonging the collections of the New Castle, the Austrian Theatre Museum in Palais Lobkowitz, the Museum of Ethnology and the Wagenburg (wagon fortress) in an outbuilding of Schönbrunn Palace. A branch office is also Ambras in Innsbruck.
Kunsthistorisches Museum (main building)
Picture Gallery
Egyptian and Near Eastern Collection
Collection of Classical Antiquities
Vienna Chamber of Art
Numismatic Collection
Library
New Castle
Ephesus Museum
Collection of Ancient Musical Instruments
Arms and Armour
Archive
Hofburg
The imperial crown in the Treasury
Imperial Treasury of Vienna
Insignia of the Austrian Hereditary Homage
Insignia of imperial Austria
Insignia of the Holy Roman Empire
Burgundian Inheritance and the Order of the Golden Fleece
Habsburg-Lorraine Household Treasure
Ecclesiastical Treasury
Schönbrunn Palace
Imperial Carriage Museum Vienna
Armory in Ambras Castle
Ambras Castle
Collections of Ambras Castle
Major exhibits
Among the most important exhibits of the Art Gallery rank inter alia:
Jan van Eyck: Cardinal Niccolò Albergati, 1438
Martin Schongauer: Holy Family, 1475-80
Albrecht Dürer : Trinity Altar, 1509-16
Portrait Johann Kleeberger, 1526
Parmigianino: Self Portrait in Convex Mirror, 1523/24
Giuseppe Arcimboldo: Summer 1563
Michelangelo Merisi da Caravaggio: Madonna of the Rosary 1606/ 07
Caravaggio: Madonna of the Rosary (1606-1607)
Titian: Nymph and Shepherd to 1570-75
Portrait of Jacopo de Strada, 1567/68
Raffaello Santi: Madonna of the Meadow, 1505 /06
Lorenzo Lotto: Portrait of a young man against white curtain, 1508
Peter Paul Rubens: The altar of St. Ildefonso, 1630-32
The Little Fur, about 1638
Jan Vermeer: The Art of Painting, 1665/66
Pieter Bruegel the Elder: Fight between Carnival and Lent, 1559
Kids, 1560
Tower of Babel, 1563
Christ Carrying the Cross, 1564
Gloomy Day (Early Spring), 1565
Return of the Herd (Autumn), 1565
Hunters in the Snow (Winter) 1565
Bauer and bird thief, 1568
Peasant Wedding, 1568/69
Peasant Dance, 1568/69
Paul's conversion (Conversion of St Paul), 1567
Cabinet of Curiosities:
Saliera from Benvenuto Cellini 1539-1543
Egyptian-Oriental Collection:
Mastaba of Ka Ni Nisut
Collection of Classical Antiquities:
Gemma Augustea
Treasure of Nagyszentmiklós
Gallery: Major exhibits
Plant Water Management - nom de code : PWM. C’est une nouvelle façon d’utiliser l'hydroponie pour faire pousser des plantes dans l’espace, avec le très pédagogue Marc et moi-même – qui apparemment manquais de sommeil [emoji blague]. Cette technique n’utilise pas de terre ; il faut donc apporter à la plante les sels minéraux, les éléments essentiels à sa croissance et une bonne aération pour que la plante germe et se développe correctement. On utilise pour ça le phénomène de capillarité, qui fonctionne encore mieux en impesanteur que sur Terre. Pour s’en assurer, les chercheurs comparent avec des expériences similaires dans leurs laboratoires. À terme, ces systèmes nous aideront à faire pousser nos aliments pour des voyages spatiaux au long cours.
PWM stands for Plant Water Management. A novel way to use hydroponics to grow plants in space – no earth (lower case 😉) required! As demonstrated here by Mark (who has great pedagogical skills), and me (who was not very awake apparently 😜). Growing plants and food in space is important as fresh food has the most vitamins and is healthiest. We have made great progress growing crops in weightlessness where nothing is easy. How do you get food into the plant roots in an environment where their is no soil, no rain and even if there was it would float all around! Hydroponics is the answer in this experiment where everything a plant needs is "injected" straight to the roots, the red fluids you can see. Researchers compare results with control studies on Earth to prepare for longer voyages farther into our Solar System. www.nasa.gov/feature/glenn/2021/project-examines-how-to-w...
Credits: ESA/NASA
423F1182 Thomas with PWM
Operated by: Waste Management, Dayton, OH
Unit Number: 211555
Body: McNeilus
Chassis: Peterbilt 320 CNG
Notes:
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WM 211555 seen making the morning rounds.
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Please do not use this photo or any part of this photo without first asking for permission, thank you.
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This Deffenbaugh Industries Heil Half/Pack Front Loader was seen servicing a Waste Management container in Council Bluffs, Iowa. The truck originally came from Kansas City, Kansas. What I found most interesting about this truck is that it had Kansas license plates, a sticker on the door that read "Waste Management of Nebraska", and was collecting garbage in Iowa.
Atascadero, CA
My favorite truck of theirs. Must be a real nice beast to drive. Hope to film this one next time I'm in the area! Also one of two ASLs AWA has kept over the years. The rest are from HSS.
Plant Water Management - nom de code : PWM. C’est une nouvelle façon d’utiliser l'hydroponie pour faire pousser des plantes dans l’espace, avec le très pédagogue Marc et moi-même – qui apparemment manquais de sommeil [emoji blague]. Cette technique n’utilise pas de terre ; il faut donc apporter à la plante les sels minéraux, les éléments essentiels à sa croissance et une bonne aération pour que la plante germe et se développe correctement. On utilise pour ça le phénomène de capillarité, qui fonctionne encore mieux en impesanteur que sur Terre. Pour s’en assurer, les chercheurs comparent avec des expériences similaires dans leurs laboratoires. À terme, ces systèmes nous aideront à faire pousser nos aliments pour des voyages spatiaux au long cours.
PWM stands for Plant Water Management. A novel way to use hydroponics to grow plants in space – no earth (lower case 😉) required! As demonstrated here by Mark (who has great pedagogical skills), and me (who was not very awake apparently 😜). Growing plants and food in space is important as fresh food has the most vitamins and is healthiest. We have made great progress growing crops in weightlessness where nothing is easy. How do you get food into the plant roots in an environment where their is no soil, no rain and even if there was it would float all around! Hydroponics is the answer in this experiment where everything a plant needs is "injected" straight to the roots, the red fluids you can see. Researchers compare results with control studies on Earth to prepare for longer voyages farther into our Solar System. www.nasa.gov/feature/glenn/2021/project-examines-how-to-w...
Credits: ESA/NASA
527C3651
Historic Hillcrest Apartments, 1601-1621 Madison Avenue, Toledo, Ohio. The Hillcrest Hotel, also known as the Hillcrest Arms Apartment Hotel, was built in 1929. Authors, artists, and business people stayed in the hotel, including Amelia Earhart in 1933. She had an arrow painted on the roof to assist pilots in locating the local airfield. The hotel closed in 1990. The building was then used as an interdenominational Christian center to help homeless people and substance abusers before a 1994 fire closed it. A $12 million remodel in 1999 converted the building to use as a residential apartment building with 106 apartments, however the building was sold in foreclosure in 2009. Ownership then passed hands a few times before the current owners, Millennia Housing Management, purchased it in 2012. The building is listed on the National Register of Historic Places.
Left: 96-gallon Toter EVR trash cart
Right: Two 64-gallon Toter EVR trash carts
Waste Management
Kennewick, WA
July 2015
©Bryn Erdman. All Rights Reserved.
For a time, Peterbilts were the standard units being used by Waste Management in the District of Columbia for the collection of commercial waste and recycling. Some Peterbilt front loaders still work in the District on a daily basis, but are in the of process being replaced by CNG units.
This truck was collecting recyclables in a service alley off of Connecticut Avenue near DuPont Circle.
Operated by: Waste Management, Des Moines, IA
Unit Number: 311851
Body: McNeilus
Chassis: Peterbilt 320 CNG
Vehicle Type: Rear load refuse collection
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A WM trash truck seen making the rounds at the Iowa State Fair
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Please do not use this photo or any part of this photo without first asking for permission, thank you.
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One of Waste Management of Wheeling's first CNG trucks. I believe the blue flames were to show off the fact that the truck ran on natural gas.
Operated by: Waste Management Canada, Vancouver, BC
Unit Number: 210709
Body: McNeilus
Chassis: Autocar CNG
Vehicle Type: Front load refuse truck
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210709 seen in downtown Vancouver, BC making the morning rounds
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Please do not use this photo or any part of this photo without first asking for permission, thank you.
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