View allAll Photos Tagged Macodirect
Lyon (Rhône, France) manège place Lyautey.
L'appareil photo est un Pentax P30.
L'objectif est un germano japonais de légende produit par Tokina et suivant les montures commercialisé par Rollei ou Porst. Dans le cas présent, c'est un Porst Unizoom 3,5 constant de 35-105 en monture Pentax K.
Habituellement, je ne suis pas fan de zoom et encore moins de cette amplitude mais je fais ici une exception.
Optiquement c'est une tuerie. La construction est tout métal et luxueuse, en revanche il faut reconnaitre qu'il est quand même (un peu) lourd.
Film Ilford FP4+ acheté au mètre en mis en canister "maison". Développement LC29 à 20°c?
Scanner Epson V600.
J'en ai fait un tirage sur papier Kentmere baryté Warmtone acheté chez Macodirect en Allemagne. C'est la première fois que j'utilise ce papier, je suis habituellement utilisateur du Ilford Multigrade IV FB .
Cette photo a été obtenu d'après scan du négatif.
Manche Beschränkungen lassen sich einfach nicht so leicht in ihre Schranken weisen 🚧😉
Aufgenommen mit der Yashica FR I und dem Yashica 1.4/50mm auf einem Paul.
Graflex Crown Graphic on Kodak Plus-X, expired in 1980. It is severely affected by mould, but fortunately I like the effect.
Darkroom print on Rollei Vintage RC 332 with some dodging. Selenium toned to get rid of some of the green hues.
This is my last batch of this paper, it is not available anymore at Macodirect
If you look at the light fixture above the door, it's a dragon.
Mamiya m645 - Mamiya-Sekor C 1:2.8 f=80mm - Rollei Superpan 200 @ ASA-160
Adox Silvermax Developer (1+29) 15:30 @ 20C
Meter: Gossen Lunasix F
Scanner: Epson V700
Editor: Adobe Photoshop CC
Ist auch wohlgemut? 😉
Aufgenommen mit der Yashica FR I und dem Yashica 1.4/50mm auf einem Paul.
Das ist ein SW-Film, der von Maco anlässlich des 100jährigen Bestehens von Rollei zu Ehren der Gründer Paul Franke und Reinhold Heidecke herausgegeben wurde:
1920 gründeten Paul Franke und Reinhold Heidecke ihr Unternehmen Rollei. 100 Jahre später, im Jahre 2020, feiern wir das Jubiläum der Marke. Paul & Reinhold ist dieser limitierte Twin Pack gewidmet. Beide tragen den gleichen Film in sich; ebenso wie die beiden Gründer eine gemeinsame Vision in sich trugen.
The "Let the Oppressed Go Free" sculpture by Timothy Schmalz, a bronze sculpture depicting 100 figures representing victims of human trafficking, is located on the University of Toronto's St. Michael's College campus, specifically on the Christie Mansion lawn.
Nikon F65 - AF Nikkor 28mm 1:2.8 - Ilford HP5+ @ ASA-400
Rollei Supergrain (1+15) 7:00 @ 20C
Scanner: Epson V700 + Silverfast 9 SE
Editor: Adobe Photoshop CC
Nikon F65 - AF Nikkor 28mm 1:2.8 - Ilford HP5+ @ ASA-400
Rollei Supergrain (1+15) 7:00 @ 20C
Scanner: Epson V700 + Silverfast 9 SE
Editor: Adobe Photoshop CC
the film is a bit spotty, but i like the photo.
i am not sure about the white dots/spots...i am open for suggestions as to what caused it.
update: according to macodirect in germany, (www.macodirect.de/en) the manufacturer, the cause for the spots are: "presumably the cause of the stains is the backing paper."
bronica etr
40mm zenzanon mc f4
rollei rpx 400 120mm film
Rolleiflex 2.8F - Carl Zeiss Planar 80mm 1:2.8 (Pale Yellow) - Rollei RPX 400 @ ASA-320
Rollei Supergrain (1+12) 7:00 @ 20C
Scanner: Epson V700 + Silverfast 9 SE
Editor: Adobe Photoshop CC
A quick walk through Downtown Oakville to film the video review for the Miranda Sensorex. While the weather had been nasty the previous two days it dried up briefly so that I got the chance to head out. I should have delayed a day as the first of April ended up being far nicer.
Miranda Sensorex - Auto Miranda 1:2.8 f=25mm (Yellow-12) - Rollei RPX 100 @ ASA-100
Adox FX-39 II (1+9) 7:30 @ 20C
Scanner: Epson V700 + Silverfast 9 SE
Editor: Adobe Photoshop CC
And we have another winning combination here and it probably has a lot to do with the compensating nature of TMax developer. Not to mention, you see a drop in noticeable grain while maintaining a level of sharpness and some awesome tonality!
You can read the reviews online at:
www.alexluyckx.com/blog/index.php/2018/10/15/ccrfrb-revie...
Nikon F90 - AF Nikkor 28-105mm 1:3.5-4.5D - Rollei Superpan 200 @ ASA-200
Kodak TMax Developer (1+4) 8:00 @ 20C
Scanner: Epson V700
Editor: Adobe Photoshop CC (2018)
Honestly, I didn't have much hope for this film, with limited information online and not seeing any examples, I was expecting a grain fest, don't ask me why it's what my gut said. However, I was instead treated with a rich film with amazing tonality decent grain sharpness. An excellent first showing.
The full review drops in December 2021!
Nikon F5 - AF-S Nikkor 28-70mm 1:2.8D (Yellow-12) - Rollei Paul & Reinhold @ ASA-640
Rollei Supergrain (1+12) 9:30 @ 20C
Scanner: Epson V700
Editor: Adobe Photoshop CC
Homemade Pinhole
Homemade pinhole shutter
F=30mm
f 136
pinhole : 0,26mm from sténocaméra
Homemade dev :
Fuji Pro160S dev in Rollei C41 Digibase kit
13min @ 25°C
Explication du process en français.
Long exposure of about 3 and a half hours on Fuji Acros 100 film developed in DD-X at 20 ° for 9 minutes.
Taken with Pentax MX and 24mm SMC F / 2.8
The streaks of light on the lower left side are due to a group of night astronomical hikers equipped with a helmet with a flashlight: when I saw them emerge in the middle of the night from the back of the mountain they literally scared the hell out of me😅
The rock in the background is called Perda e 'Liana and is one of the most evocative Sardinian natural monuments.
Scanned IR lith print.
Rolleiflex T w/ Tessar 75 mm/f3.5 + Rollei IR filter.
July 1, 2023.
Rollei IR 400 in Rodinal 1+100, semistand 1 h.
Lith printed on Rollei Vintage 332 RC and developed in Moersch SE5 (20A+20B+100OB+H2Oqs700) + Moersch Lith Omega 1+100, 90 sec.
Untoned.
PS borders.
Now when the last in present day produced lithable paper (Fomatone) is gone (forever?), I'm glad I bought some Rollei Vintage 16x20" a couple of years ago when macodirect.de had a sale. That lithable paper is of course also gone now. Spent the early morning hours cutting down the sheets to 8x10" (80 pcs per 20-pack :-)).
BTW, this is a Rollei hattrick, in case you didn't notice ;-D
Rolleiflex 2.8F - Carl Zeiss Planar 80mm 1:2.8 (Pale Yellow) - Rollei RPX 400 @ ASA-320
Rollei Supergrain (1+12) 7:00 @ 20C
Scanner: Epson V700 + Silverfast 9 SE
Editor: Adobe Photoshop CC
I wouldn't wander here solo but in a smallish group, for sure.
Nikon F65 - AF Nikkor 28mm 1:2.8 - Ilford HP5+ @ ASA-400
Rollei Supergrain (1+15) 7:00 @ 20C
Scanner: Epson V700 + Silverfast 9 SE
Editor: Adobe Photoshop CC
One of those iconic houses deep in old Oakville, set back from the street and flying the Union Flag.
Minolta Maxxum 9 - Minolta Maxxum AF 50mm 1:1.7 - Rollei RPX 100 @ ASA-100
Blazinal (1+25) 6:00 @ 20C
Scanner: Nikon Coolscan V ED
Editor: Adobe Photoshop CC
... ist nicht der Grundriss dieser einsamen Hütte, sondern das Negativformat in cm der Cima 44 'S', in welcher ein HP 400 Rollfilm 127 eingelegt war.
A quick walk through Downtown Oakville to film the video review for the Miranda Sensorex. While the weather had been nasty the previous two days it dried up briefly so that I got the chance to head out. I should have delayed a day as the first of April ended up being far nicer.
Miranda Sensorex - Auto Miranda 1:2.8 f=25mm (Yellow-12) - Rollei RPX 100 @ ASA-100
Adox FX-39 II (1+9) 7:30 @ 20C
Scanner: Epson V700 + Silverfast 9 SE
Editor: Adobe Photoshop CC
I was digging through my film collection and came across this roll of Rollei Pan 25 that expired back in 2016. With a bit of digging I realised that it was respooled Efke 25. Now I had shot this film way back but only posted a handful of rolls. So with my surprised I got some amazing images out of this last roll.
Nikon F5 - AF Nikkor 24mm 1:2.8 - Rollei Pan 25 @ ASA-16
Zone Imaging 510-Pyro (1+100) 5:15 @ 20C
Scanner: Epson V700 + Silverfast 9 SE
Editor: Adobe Photoshop CC
Leipzig-Leutzsch / July 2017
Yashica Mat 124G + Rollei Retro 80S
(developed in Rodinal 1+50)
more images: coffeepyros.wordpress.com/2017/08/19/roll-56-rollei-retro...
A quick walk through Downtown Oakville to film the video review for the Miranda Sensorex. While the weather had been nasty the previous two days it dried up briefly so that I got the chance to head out. I should have delayed a day as the first of April ended up being far nicer.
Miranda Sensorex - Auto Miranda 1:2.8 f=25mm (Yellow-12) - Rollei RPX 100 @ ASA-100
Adox FX-39 II (1+9) 7:30 @ 20C
Scanner: Epson V700 + Silverfast 9 SE
Editor: Adobe Photoshop CC
Honestly, I didn't have much hope for this film, with limited information online and not seeing any examples, I was expecting a grain fest, don't ask me why it's what my gut said. However, I was instead treated with a rich film with amazing tonality decent grain sharpness. An excellent first showing.
The full review drops in December 2021!
Nikon F5 - AF-S Nikkor 28-70mm 1:2.8D (Yellow-12) - Rollei Paul & Reinhold @ ASA-640
Rollei Supergrain (1+12) 9:30 @ 20C
Scanner: Epson V700
Editor: Adobe Photoshop CC
New55 PN instant postive-negative sheet film 4x5"
for more information got to
shop.new55.net/collections/frontpage/products/new55-pn?va...
or
www.macodirect.de/en/rarities/5502/new55-pn-instant-posti...
check the video section
Goodman Camera Co Scura 6x6 - Goodman Pinhole 50mm f:168 - Rollei Retro 80s @ ASA-80
Ilford Ilfotec LC29 (1+29) 10:30 @ 20C
Scanner: Epson V700 + Silverfast 9 SE
Editor: Adobe Photoshop CC
Muss ja nicht immer so ausladend sein wie z. B. hier.
Aufgenommen mit der Rolleimatic auf einem Rollei "Reinhold".
Zum Film:
1920 gründeten Paul Franke und Reinhold Heidecke ihr Unternehmen Rollei. 100 Jahre später, im Jahre 2020, feiern wir das Jubiläum der Marke. Paul & Reinhold ist dieser limitierte Twin Pack gewidmet. Beide tragen den gleichen Film in sich; ebenso wie die beiden Gründer eine gemeinsame Vision in sich trugen.
Das Besondere an diesem Foto ist sowohl das historische Aufnahmegerät als auch der Film mit historischem Bezug, ein Rollei CN 200. Das ist ein sogenannter unmaskierter Farbnegativfilm. Farbfilme dieser Art wurden zuletzt in den 60er Jahren angeboten (Agfacolor CN), aber jetzt wieder für besondere Zwecke produziert. Er hatte damals den Nachteil, dass die verschiedenen Farbschichten die Farben bei der Belichtung nicht sauber genug trennten. Das führte u. a. zu einer eingeschränkten Farbsättigung. Der Vorteil war, dass ohne Probleme Schwarzweißbilder hergestellt werden konnten.
Das Farbproblem wurde behoben, indem man rote und gelbe Filterschichten einfügte ("maskierte"), die dann die Negative orange erscheinen lassen. Und so kennen wir unsere Farbnegative noch heute.
Zurück zum Rollei CN 200. Auf der Filmdose kann man lesen: Exclusively made for Rollei-Film by Agfa-Gaevert in Belgium. Es soll der AVIPAN Luftbildfilm sein. Vertrieben wird er von Maco, die Filme verschiedener Provenienz unter dem Markennamen "Rollei" auf den Markt bringen.
Ich finde, dieser Film hat schon eine gewisse Retro-Anmutung; und die Farben kommen deutlich kräftiger als beim historischen Vorgänger. Vorsicht ist geboten beim Laden der Kamera: Der transparente Polyesterträger wirkt wie ein Lichtleiter – beim Einlegen des Films soll man möglichst wenig Licht dranlassen. Mir ist das nicht ganz gelungen, die ersten beiden Negative meines Rollfilms leiden stark unter Fremdlicht.
… kommt nicht gerade häufig vor.
(Obwohl ein drittes Schloss die Kette
noch sicherer verschlossen hätte.) 😉
War mal wieder Zeit für ein Torgedicht.
Aufgenommen mit der Yashica FR I und dem Carl Zeiss Distagon T* 2,8/28 mm auf einem Paul.
Außerdem hab ich vergessen, die FR I abzukleben, deshalb gelegentlich ein Lichtfleck auf dem Foto.
leica m7 summicron-apo 50mm
Spur Ultra R 800 film
Spur Nanotech UR develop
6/9° 1 + 24 20° C 7,5min
www.macodirect.de/en/film/black-white-films/6241/spur-ult...
www.macodirect.de/en/chemistry/black-white-chemistry/film...
s3-eu-central-1.amazonaws.com/ni-sw-mahn/media/pdf/90/07/...
One of two cannon from the French Warship Le Prudent that was captured and burned in 1758 during the siege of Louisbourg. These were raised in 1899 and now are displayed outside the Whitney Block.
Nikon F65 - AF Nikkor 28mm 1:2.8 - Ilford HP5+ @ ASA-400
Rollei Supergrain (1+15) 7:00 @ 20C
Scanner: Epson V700 + Silverfast 9 SE
Editor: Adobe Photoshop CC
Rolleiflex 2.8F - Carl Zeiss Planar 80mm 1:2.8 (Pale Yellow) - Rollei RPX 400 @ ASA-320
Rollei Supergrain (1+12) 7:00 @ 20C
Scanner: Epson V700 + Silverfast 9 SE
Editor: Adobe Photoshop CC
I was digging through my film collection and came across this roll of Rollei Pan 25 that expired back in 2016. With a bit of digging I realised that it was respooled Efke 25. Now I had shot this film way back but only posted a handful of rolls. So with my surprised I got some amazing images out of this last roll.
Nikon F5 - AF Nikkor 24mm 1:2.8 - Rollei Pan 25 @ ASA-16
Zone Imaging 510-Pyro (1+100) 5:15 @ 20C
Scanner: Epson V700 + Silverfast 9 SE
Editor: Adobe Photoshop CC
Honestly, I didn't have much hope for this film, with limited information online and not seeing any examples, I was expecting a grain fest, don't ask me why it's what my gut said. However, I was instead treated with a rich film with amazing tonality decent grain sharpness. An excellent first showing.
The full review drops in December 2021!
Nikon F5 - AF-S Nikkor 28-70mm 1:2.8D (Yellow-12) - Rollei Paul & Reinhold @ ASA-640
Rollei Supergrain (1+12) 9:30 @ 20C
Scanner: Epson V700
Editor: Adobe Photoshop CC
Rolleiflex 2.8F - Carl Zeiss Planar 80mm 1:2.8 (Pale Yellow) - Rollei RPX 400 @ ASA-320
Rollei Supergrain (1+12) 7:00 @ 20C
Scanner: Epson V700 + Silverfast 9 SE
Editor: Adobe Photoshop CC
For an upcoming episode John provided the gang with some fourth-party M42 lenses to test out to see how well they actually worked. I'm rather impressed at how well the lens I ended up with, the Sun Auto 85-210mm f/4.8 turned out. I'm sure it would do better in a camera that could actually stop it down and I ended up shooting this wide open the whole time because Zenit E. Over all there's little to no fall off on the corners, a bit of flare if I wasn't careful. But lovely sharp lens.
Vilejka Zenit E - Sun Auto Zoom 1:4.8 85-210mm - Rollei RPX 100 @ ASA-50
FA-1027 (1+14) 8:30 @ 20C
Meter: ReveniLabs LM-1.5
Scanner: Epson V700
Editor: Adobe Photoshop CC
For an upcoming episode John provided the gang with some fourth-party M42 lenses to test out to see how well they actually worked. I'm rather impressed at how well the lens I ended up with, the Sun Auto 85-210mm f/4.8 turned out. I'm sure it would do better in a camera that could actually stop it down and I ended up shooting this wide open the whole time because Zenit E. Over all there's little to no fall off on the corners, a bit of flare if I wasn't careful. But lovely sharp lens.
Vilejka Zenit E - Sun Auto Zoom 1:4.8 85-210mm - Rollei RPX 100 @ ASA-50
FA-1027 (1+14) 8:30 @ 20C
Meter: ReveniLabs LM-1.5
Scanner: Epson V700
Editor: Adobe Photoshop CC
Rolleiflex 2.8F - Carl Zeiss Planar 80mm 1:2.8 (Pale Yellow) - Rollei RPX 400 @ ASA-320
Rollei Supergrain (1+12) 7:00 @ 20C
Scanner: Epson V700 + Silverfast 9 SE
Editor: Adobe Photoshop CC
Mamiya m645 - Mamiya-Sekor C 1:2.8 f=80mm - Rollei Superpan 200 @ ASA-160
Adox Silvermax Developer (1+29) 15:30 @ 20C
Meter: Gossen Lunasix F
Scanner: Epson V700
Editor: Adobe Photoshop CC
Nikon rocks down to electric avenue with their first dive into a semi-automatic electronic SLR with the Nikkormat EL. First released in 1972 as a direct response to the rise of semi-automatic SLRs being released elsewhere. The camera would eventually evolve into the Nikon FE later in the decade. A solid well built and familiar SLR that begs to be used.
The Full Review drops in July 2021!
Nikon Nikkormat EL - AI-S Nikkor 35mm 1:2.8 - Rollei Superpan 200 @ ASA-200 - Adox Atomal 49 (Stock) 10:30 @ 20C
Scanner: Epson V700
Editor: Adobe Photoshop CC
The beautiful Whitney Block, built 1925 and it looks as if things are happening here.
Nikon F65 - AF Nikkor 28mm 1:2.8 - Ilford HP5+ @ ASA-400
Rollei Supergrain (1+15) 7:00 @ 20C
Scanner: Epson V700 + Silverfast 9 SE
Editor: Adobe Photoshop CC
Minolta Maxxum 9 - Konica-Minolta Zoom AF 17-35mm 1:2.8-4D - Rollei Ortho 25 Plus @ ASA-25
Rollei RLS (1+4) 12:00 @ 24C
Scanner: Epson V700
Editor: Adobe Photoshop CC
Vor ein paar Jahren hat maco einen steil arbeitenden Dokumentenfilm (SW) als Rollei Blackbird konfektioniert und ihn außer in eine Kleinbildpatrone auch in diese Einwegkamera gepackt. Beide sind nicht mehr lieferbar. Es scheint aber einen neuen Film zu geben, der in seinen Spezifikationen ziemlich genau dem Blackbird entspricht: der Rollei Ortho 25 135-36 (new design).
Beim Blackbird konnte man mit entsprechender Entwicklung entweder wie ISO 25 oder wie ISO 100 belichten. Beim neuen Ortho 25 ist die Rede von einer Empfindlichkeitsreserve von bis zu zwei Blenden, was ja der Steigerung auf ISO 100 entsprechen würde. Auch der Filmträger ist bei beiden Filmen aus Polyester (PE).
Das in China hergestellte Gehäuse kann man übrigens öffnen, ohne es zu zerstören. Das heißt, man kann den belichteten Film entnehmen und extra verarbeiten, Das Wiederbefüllen ist etwas umständlicher: Da der Film ja von einer offenen Spule in die Kleinbildpatrone zurückgewickelt wird, muss man im Dunkeln den neuen Film zuerst auf die interne Spule aufwickeln. Beim Belichten kehrt er dann Stück für Stück wieder in die Patrone zurück.
Der eingebaute Blitz wird übrigens von einer Mignon-Batterie versorgt, die man zur Not (etwas Gewalt ist dann von Nöten) ersetzen kann. Das spielt aber für mich mit meinem sparsamen Blitzeinsatz keine Rolle.
Goodman Camera Co Scura 6x6 - Goodman Pinhole 50mm f:168 - Rollei Retro 80s @ ASA-80
Ilford Ilfotec LC29 (1+29) 10:30 @ 20C
Scanner: Epson V700 + Silverfast 9 SE
Editor: Adobe Photoshop CC
Nikon rocks down to electric avenue with their first dive into a semi-automatic electronic SLR with the Nikkormat EL. First released in 1972 as a direct response to the rise of semi-automatic SLRs being released elsewhere. The camera would eventually evolve into the Nikon FE later in the decade. A solid well built and familiar SLR that begs to be used.
The Full Review drops in July 2021!
Nikon Nikkormat EL - AI-S Nikkor 35mm 1:2.8 - Rollei Superpan 200 @ ASA-200 - Adox Atomal 49 (Stock) 10:30 @ 20C
Scanner: Epson V700
Editor: Adobe Photoshop CC
Leipzig, Germany / July 2017
Praktica LTL2 + Helios 58mm/f2+ Ferrania P30 (Alpha) developed in R09 (1+50)
more images: coffeepyros.wordpress.com/2017/07/13/roll-55-ferrania-p30/