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Where Do We Come From? What Are We? Where Are We Going? (detail)
1897–98
Paul Gauguin, French, 1848–1903
Oil on canvas
*portrait, Henriette von Hausinger, 1992, privately owned, from a collection of one hundred watercolors on arches paper to be self-published in a limited edition in book form next month in Las Vegas, Nevada
This is a long-dead tree trunk that is losing its bark slowly but surely. Somehow most of the bark never makes it to the ground....or at least not yet.
Personally, I'd like to ship it off to the Museum of Modern Art in NYC.
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Where Do We Come From? What Are We? Where Are We Going? (detail)
1897–98
Paul Gauguin, French, 1848–1903
Oil on canvas
* this painting after several attempts could finally work and could have been finished to-day had I not run out of cobalt blue /right corner/ the color of choice for this powerfully loaded painting! So far, best seen on black.
"4 doubles trames, traits minces, 0° - 22°5 - 45° - 67°5"
Oil on canvas, 1958
Centre Pompidou, Paris
More people having a go at drawing on an iPad. One's best entry could be entered into a competition for a trip for 2 to Paris!
Untitled (Virgin Islands Green Abstraction)
1933, oil on canvas
de Young Museum, San Francisco
20241231_145154
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Where Do We Come From? What Are We? Where Are We Going? (detail)
1897–98
Paul Gauguin, French, 1848–1903
Oil on canvas
Temis de Paris 'Complicity' (Cumplicidade) Museum of Art Sculpture Garden, Parliament of Sao Paulo, Brazil
*Oswaldo Vigas, "Waldo" One of Latin America's greatest "arte macanudo" painters and innovators. Waldo, like so many of his contemporaries, painted many of his famous paintings on spread out newspapers for he could not afford canvas. "Woman" as it appeared published in a newspaper in 1950, causing a sensation for it was the first time that any Latin American artist painted woman in a different light as it was done before, opening the door to other artists to paint with different viewpoints.
This painting as the ones painted by Barbaro Rivas, Alirio Oramas and Isaac Benitez were the artists who's work I admired the most and were the inspiration for most of my paintings of the 60's.
p.s. I had the honor to show two of my selected works at the Tivoli Gallery with Benitez in Panama city in 1953.
The above is best seen on black.
p.s. artist's collection of vintage art prints.
Un perfetto tronco rifatto, La mano ben curata regge il mio drink preferito. Sono sparsa di una crema lucida. Non devo allattare nessuno, non ho tavole da apparecchiare. Nella mia casa c'è solo assordante silenzio, nessuno mi aspetta. In passato qualcuno c'è stato, non solo questo vuoto, questo nulla. Anche allora ho subito. Silenzi e parole affilate come lame di coltello. Ora sono una statua del presente. Sono il presente e tu lo sai. Adesso domino voglie e piaceri. Tengo al guinzaglio la bava dei miei spettatori sudati e vogliosi.
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Where Do We Come From? What Are We? Where Are We Going? (detail)
1897–98
Paul Gauguin, French, 1848–1903
Oil on canvas