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La coupole originale de Marcel Jambon, à laquelle le peintre argentin Casimiro Mella a collaboré, a été abîmée par des infiltrations d'humidité après une danse de carnaval dans les années 1930 et repeinte en 1966 par Raul Soldi
À 28 mètres de hauteur, la salle est couronnée par la coupole de 318 m² réalisée en 1966 par le peintre argentin Raúl Soldi.(Le lustre mesure 7m de diamètre) Les personnages représentés sur l'œuvre illustrent aussi bien le ballet que les danses antiques d'Ottorino Respighi, qui a donné une représentation dans la salle le jour de l'inauguration de la nouvelle peinture de la coupole, le 25 mai 1966.
*[la vue globale n' est pas satisfaisante pour être mise en ligne]
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The original dome by Marcel Jambon, in which the Argentinean painter Casimiro Mella collaborated, was damaged by humidity after a carnival dance in the 1930s and was repainted in 1966 by Raul Soldi
At a height of 28 metres, the hall is crowned by the 318 square metre dome created in 1966 by the Argentinian painter Raúl Soldi (the chandelier measures 7 metres in diameter). The figures depicted in the work illustrate both the ballet and the ancient dances of Ottorino Respighi, who gave a performance in the hall on the day of the inauguration of the new painting of the dome, on 25 May 1966.
*[the overall view is not satisfactory to be put online]
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La cúpula original de Marcel Jambon, en la que colaboró el pintor argentino Casimiro Mella, resultó dañada por la humedad tras un baile de carnaval en los años 30 y fue repintada en 1966 por Raúl Soldi
Con una altura de 28 metros, la sala está coronada por la cúpula de 318 metros cuadrados creada en 1966 por el pintor argentino Raúl Soldi (la araña mide 7 metros de diámetro). Las figuras representadas en la obra ilustran tanto el ballet como las danzas antiguas de Ottorino Respighi, que ofreció una actuación en la sala el día de la inauguración de la nueva pintura de la cúpula, el 25 de mayo de 1966.
*[la vista general no es satisfactoria para ponerla en línea]
LEICA M2 SUMMICRON 40
PAPIER BARYTE AGFA BROVIRA GRD 5 /VIRAGE SELENIUM
TIRAGE DE LECTURE
HP5/RODINAL 3200 ASA
LEICA M2 ZEISS SONNAR 50
tirage de lecture
papier foma mat /virage SELENIUM
ilford hp5 /3200 RODINAL 1/50
Trying my hand at film. Purchased this beautiful camera from a very good friend. This M2 was built in 1958, making it 67 years old and it works amazingly well. All mechanical with no light meter making me learn how to read light.
I like how film slows you down, making you more deliberate and intentional, no spray and pray. I also love the tactile feeling of loading, advancing and rewinding the film, pure joy!
Some of what I love is also what I don’t like. It is indeed very slow with long elapsed time to view your results. It also has limitations as you are stuck with the film stock you loaded. I tried film two years ago and gave up after a few month as I was missing the Immediacy of digital. This time I’m giving myself a year to fully immerse myself in the analog world to see if it’s for me before making a final decision.
My mother (on the right wearing the tacky flowery dress) and other stoned party goers captured by my father with his Leica M2 camera and 35mm Summicron lens with Kodachrome slide film in 1961. My mother was worn out by then from carrying and giving birth to five children and was also suffering from post-partum depression, so the booze intake was approprate medicine, I think, because she also suffered all her life from a personality disorder involving shyness and intermittent partial obliteration of her ability to interact with reality. She got this disorder from her Swedish mother or her Norwegian father. This is middle class America before marijuana, LSD, and mescaline invaded the Bay Area around San Francisco.