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Detail of Sony Center's roof, electrified for Sliders Sunday.
Sony Center, a 132,500 m² building complex at Potsdamer Platz (located across the Berliner Philharmonie), consists of several buildings of which the main complex was designed by Chicago-based architect Helmut Jahn. It was opened in 2000.
Sony Center's impressive 3,500 m² roof spans the entire patio, the so-called Forum. The spectacular roof construction consists of safety glass and translucent fabric panels which are attached by tie rods to a steel ring that rests on the surrounding buildings. The roof's shape represents Japan's Mount Fuji. In Japanese mythology, the Kami – holy powers or spirits that are worshipped in Shinto religion – live in the mountains. Since Berlin lies in a mostly flat region and has no real mountains to speak of, the roof's design was supposed to ensure the Kami's protection for Sony's European headquarters (today, Sony's German branch is located at Sony Center) by building them an artificial mountain to live in.
Happy Sliders Sunday, Everyone!
Detail des Daches des Berliner Sony Centers am Potsdamer Platz (und gegenüber der Berliner Philharmonie). Eines der bekanntesten Merkmale des 132.000 m² großen Gebäudekomplexes ist das auffällig geformte, 3.500 m² große Dach, das den gesamten Innenhof, das sogenannte Forum, des Sony Centers überspannt. Die bemerkenswerte Stahlkonstruktion, die aus Sicherheitsglas sowie lichtdurchlässigen Stoffbahnen besteht, die mit Zug-Ankern an einem Stahlring befestigt sind, der auf den umliegenden Gebäuden aufliegt, wurde vom österreichischen Stahlbau-Unternehmen Waagner-Biro realisiert.
Die markante äußere Form des Daches symbolisiert Japans heiligen Berg Fujisan. Nach japanischem Glauben werden die Berge von den Kami bewohnt, gottähnlichen Geistern. Um auch für das Sony Center, das ursprünglich Sonys Europäischer Hauptsitz war (heute residiert dort Sonys deutsche Zweigniederlassung) den Schutz der Kami sicherzustellen – und da Berlin bekanntermaßen in flachem Gelände liegt und über keine echten Berge verfügt –, wurde das Dach der Form des Fujisan nachempfunden, um den Kami einen "Berliner Wohnsitz" zu schaffen.
Ich wünsche Euch einen guten Wochenstart, liebe Flickr-Freunde, passt gut auf Euch auf!
Even I bought this new cellular phone five months ago, I never catch photos with it, I used Nikon D850,D810, Z6,,,
LEICA M2 SUMMICRON 40
PAPIER BARYTE AGFA BROVIRA GRD 5 /VIRAGE SELENIUM
TIRAGE DE LECTURE
HP5/RODINAL 3200 ASA
LEICA M2 ZEISS SONNAR 50
tirage de lecture
papier foma mat /virage SELENIUM
ilford hp5 /3200 RODINAL 1/50
La goletta (o meglio bergantina) Palinuro della Marina Militare italiana è una nave scuola per gli allievi sottufficiali, di qualsiasi categoria e specialità, frequentanti il corso normale marescialli presso la Scuola sottufficiali di Taranto.
Costruita nei cantieri di Nantes in Francia e varata nel 1934, con il nome Commandant Louis Richard, per una società privata, venne adibita alla pesca e al trasporto del merluzzo nei banchi di Terranova. Nel 1951 venne acquistata dall'Italia per affiancarla all'Amerigo Vespucci nel ruolo di nave scuola, in sostituzione del Cristoforo Colombo, ceduto all'Unione Sovietica in conto riparazioni danni di guerra.
Il motto della nave è Faventibus ventis (col favore dei venti).
Dati Tecnici:
Scafo: in acciaio chiodato a ponte unico; lunghezza: 59 m (69 m fuori tutto), larghezza: 10 m, pescaggio: 4,8 m
Alberatura: Tre alberi in acciaio più il bompresso; altezza degli alberi sul livello del mare, trinchetto: 35 m; maestro: 34,5 m; mezzana: 30 m.
Superficie velica: circa 1000 m² divisi in 15 vele, vele quadre sul trinchetto, vele di taglio sui restanti alberi
Apparato motore: un Motore Diesel GMT D MAN G8V da 331 KW (443,88 HP)
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Dedicata a Marino
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All rights reserved - Copyright © fotomie2009 - Nora Caracci
LEICA M2 ZEISS SONNAR 50
tirage de lecture
papier foma mat /virage SELENIUM
ilford hp5 /3200 RODINAL 1/50
Testing a New Batch of MK35 'Beutler-Type' film Developer this time in my 1965 LEICA M2 + 1989 50mm f2 Summicron rated 50 ASA, 125th @ f9 Outdated EFKE KB40 film - I gave it 9.5 Mins @ 1+5 dilution - neg was SOFT but all the shadow detail was there in a very CONTRASTY SUBJECT the metal bench in Ingrave Road, BRENTWOOD M2 now loaded with EFKE KB14 METERING was with a 1960's British 'Weston Master V' using Incident Light.