View allAll Photos Tagged Lith_Print,
Scanned lith/polychrome print.
Rolleiflex 3.5C w/ Xenotar 75 mm/f3.5. Oct 2018.
Fomapan 100 in Rodinal 1+100, semistand 1 h.
Lith printed on Fomatone MG 131 and developed in two baths:
1. Moersch SE5 (25A+25B+H2Oqs600 ml).
2. Siena+Potassium Carbonate+Ammonium Chloride.
Toned in Se 1+4, 45 sec.
PS borders.
Feb 2023.
Karlstad's old stone bridge from another view. Harsh contrast due to intense morning sun.
Scanned lith print.
Rolleiflex 3.5C with Xenotar 75 mm/f3.5. Dec 28, 2019. Åmål, Dalsland, Sweden.
Fomapan 400 @ 250, developed in Fomadon R09 1:100, semistand 1 hour.
Lith printed on Fomabrom Variant IV 123 BO (24x30 cm), Moersch SE5. Jan 5, 2020.
Untoned.
This harbour crane looks like a robot from Star Wars (perhaps a variant of AT-AT Walker? :-))
Minolta X-700, 58mm
Foma 400, f1.4 1/30
Lith print on Agra Brovira grade 6 paper
Inside my father's tool shop.
A lith print ode to my Oregon friend Travis Doane.
Dear Travis,
It's now been 4 years since you sent me this treasure of old lithable papers from big USA to small Sweden. This kind act of yours sends a message to all the world - we belong together and should not fight. And for me it's a treasure of old lithable papers I would never get hold of otherwise. This day I have gone through the remaining papers and - as to my ability - have made prints that are supposed to be as streamlined as possible from a given negative. But of course there's always the influence of "human variability" when it comes to snatch point and so forth...
Anyways, I hope you understand my gratitude for this possibility. Have a great rest of the year 2023, Travis and may we have lith contact for many years to come.
Best/Johan
Scanned lith print.
Mamiya 645 ProTL w/ M-S 45 mm/f2,8. Early morning of April 22, 2023.
Fomapan 200 @ iso 100, dev in Rodinal 1+100, semistand 1 h.
Lith printed and developed in Moersch SE5 (25A+25B+some OB+700H2O).
Untoned.
One of my last sheets of Plus-X, expired in 1981. Moersch easy lith on very expired Kodak Royal Bromesko.
crossing rubycon [Lith Print on Turaphot paper executed in January 2021 / photo taken with Ricoh Super 44 on 127 ORWO NP22 exp. 1968]
Schweizer Ried, Vorarlberg
2011
Mamiya 7II, 4/80 mm, Konica Infrared, Filter IR 715
Lith print on the first sheet of a freshly opened package of Fomatone 131 (2024), Em.Nr. 079348-07
SE5 1+25, 14 min
some Omega Lith
marvellous architecture by brilliant Gottfried Böhm [lith print on Foton fotobrom paper executed April 2020. Photo taken with modified Agfa Clack in 2014]
Scanned lith print.
Rolleiflex T w/ Tessar 75 mm/f3.5 + yellow filter. Jan 8, 2022.
Fomapan 100 in Rodinal 1+100, semistand 1 h.
Lith printed on Fomatone MG 132 (24x30 cm), Moersch Easy Lith + OB.
Toned in Selenium 1+4, 45 sec.
Livsfarlig ledning =
Danger! High Voltage!
but can also be translated into meaning "Lethal Management"...
lith print executed in January 2020. On ORWO paper using Moersch EasyLith. Photo taken with Nikon F60.
Hasselblad 501CM, Delta 100 in Tanol Speed.
Wephota Baryt Brillant BBN111
Lith print 25x25cm
SE5 Lith A+B+D+water 65+75+75+2000ml 7 mins followed by a mix of Lith B 20ml and Omega 4ml in 1400ml water - 4 mins.
Picture taken and printed a few years ago. Was too big for the scanner so I think i never posted it. A photo of the print here.
Taken on the Hasselblad xPan and printed onto Kentmere FP Warmtone. A super paper, unfortunately it is no more.
Tried some Fomaspeed Variant 313 with lith developer yesterday evening. The results really excited me: a nice slight sepia tone, lots of heavy grain and strong blacks. The paper has a nice finish too. It's fairly cheap and looks great in regular developer as well. Over all, very happy with it!
Fomaspeed Variant 313 with Moersch Easy Lith 1+20
Selenium toned in Moersch MT 1 1+20
10s @ f22
Intrepid 4x5 Mk5 + Schneider-Kreuznach Super Angulon 90mm f8 + Fomapan 100
Adox Rodinal (1+25; 4:00) at 20 °C
Expiry date: 2023-06
Exposure index: 64
Print scanned on a Heidelberg/Linotype-Hell Saphir Ultra II using Vuescan.
from a wintry morning photo walk last year
all stillness and fresh air
it was perfectly peaceful
just me and the coyote that followed
thankfully, he kept his distance.
Lith print on Polycontrast
Kodak Retina
Hp5 in Rodinal
Scanned lith print.
Rolleiflex T w/ Tessar 75 mm/f3.5 + yellow filter. Jan 8, 2022.
Fomapan 100 in Rodinal 1+100, semistand 1 h.
Lith printed on Fomatone MG 132, Moersch Easy Lith + OB.
Untoned.
PS borders.
Fomapan 100 in Moersch Tanol
Leica M6 & Zeiss Planar 35.
.
Lith print on fomatone 131
Easy Lith +D
Short toning in strong Selen and after that long toning at the under half in Se2 carbon.
.
Explored - Thank you.
Montana Wilds
Actually just outside our rented cabin...
I have this thing about bears... :-)
Lith print on Medalist, long expired.
Shen Hao 4x5 with Nikkor W 135 f5.6
Hp5 in Atomal
Scanned 2nd pass lith print.
Mamiya 645 ProTL w/ M-S 120 mm/f4 macro + yellow filter.
June 1, 2025.
Fomapan 100 in Adox Adonal (=Rodinal) 1+100, semistand 1 h.
Cropped neg lith printed on Foma Retrobrom 151 Sp (8x10") and developed in two baths;
1. Moersch Easy Lith (25A+25B+H2O qs800).
2. Moersch Lith Omega 1+100.
Bleached in Moersch Copper Sulfate Bleach For Lith Re-Development (1+4) somewhat beyond solarization and partially redeveloped in very old D-76 stock diluted 1+3 (black as tar).
Untoned.
PS borders.
Playing with chemistry and abusing analog photo papers. Again. A vintage look of Selma in her favourite habitat.
Scanned lith/polychrome print.
Rolleiflex 3.5C w/ Xenotar 75 mm/f3.5. Oct 2018.
Fomapan 100 in Rodinal 1+100, semistand 1 h.
Lith printed on Fomatone MG 131 and developed in two baths:
1. Moersch SE5 (25A+25B+H2Oqs600 ml).
2. Siena+Potassium Carbonate+Ammonium Chloride.
Toned in Se 1+4, 45 sec.
Feb 2023.
Different settings and exposure.
30x40cm Lith Print on ORWO Paper / April 2019
photo taken in January 2017 with Boumsell Longchamp on 127 Ilford FP4 film, Adonal stand dev.
Holga, Delta 400 @800ASA in Finol,
reprinted as Kallitype, based on a lith print from 2010,
COT-320, Sodium acetate developer, alkaline Copper toner 20 secs followed by MT3 Vario toner setting D, without prior bleach.
lost [lith print on Agfa Brovira Speed using Moersch Easylith / executed in December 2020 / photo taken with Boumsell Longchamp]
Scanned lith print.
Hasselblad 501CM w/ Zeiss Planar 80 mm/f2.8.
July 22, 2023.
Fomapan 100 in Rodinal 1+100, semistand 1 h.
Lith printed on Rollei Vintage 332 RC and developed in two baths:
1. Moersch SE5 (20A+20B+960H20 @ 35°C).
2. Moersch Catechol+NH4Cl
Partially bleached in Moersch Copper Bleach for Lith Redevelopment 1+4.
PS borders.
Efke IR 820 Filter R29 40ASA, in Tanol 5+5+500 14,5min at 20°C/68°F
Another Omega Lith Print on Fomatone 131 batch 079648.
A higher dosage of Lith D requires a stronger overexposure, which leads to a more intense color. If the deep shadows are not to tip over into green, only bathe briefly in Omega.
SE5 Lith A+B+D+Water 40+40+90+1200 4 minutes and only 30 seconds in Omega 1+100 to prevent greenish shadows.
Lith print - scan of the actual 8" x 10" print - No manipulation
15a + 15b + 200ob + 600H2O @ 35C - +/- 6 min. dev. time
Slowly, I left the sharp edges of the digital tools. Again, I went away from the perfect focus, exposition and exposure to a completely different way of doing things: To my first compelling way of doing this in a darkroom
In a modern world with modern tools, it is not an easy task to recreate the the look of the first photographs. This is very appealing to me: the unperfectness of different darkroom processes.
To me, Lith printing is helping me to achieve the look of the first bitumen compounds medium photographs. Maybe some will see something different emerge.
Our eyes see while our mind interprets...
To each a different story might expound
Hasselblad 501CM, Delta 3200 @ ISO 1000,
Lith print 25x25cm on (old) Oriental New Seagull G2,
SE5 Lith A+B+D+water 60+60+60+2000ml 9 minutes.
The church to Grumbach, Saxony. I'd have loved having infrared film at this place.
Lith print onto Agfa Multicontrast Premium MCP 312 RC with Moersch Easy Lith 1+10
Nikon F3 + Nikkor 20mm 1:3.5 + Ilford FP4+
Film processed in Rodinal 1+50
Print scanned on a Heidelberg/Linotype-Hell Saphir Ultra II using Vuescan.
Happiness is... watching the surf crash, over and over again.
Lith print on polycontrast
Fp4 in Atomal
Kodak Retina 1a with the Xenar 2.8