View allAll Photos Tagged Lith_Print,
Scanned IR lith print.
Rolleiflex T w/ Tessar 75 mm/f3.5 + Rollei IR filter. Summer of 2021.
Rollei IR 400 in Rodinal 1+100, semistand 1 h.
Lith printed on Agfa Record Rapid and developed in Moersch Easy Lith (50A+50B+750 H2O). Or actually part A from SE5 and part B from Easy Lith.
Toned in Se 1+9, 60 sec.
2022-11-13.
PS borders.
Stadsparken, Karlstad, Värmland, Sweden.
Lith recipe by request from Wolfgang. Thanks.
Fuencaliente
La Palma 2008
Hasselblad 503 CW, Makro Planar 4/120 mm, Kodak TMY 400
SE5 Lith-Print onto Fotospeed Lith
Siena mix
Selen MT1
An array of shadows
Morning walk in a North Carolina woodland.
Lith print on Polycontrast
Olympus Om1 35mm film camera
Zuiko 50mm f/1.4
Hp5 in Rodinal
La Palma 2008
Hasselblad 503 CW, Makro Planar 4/120 mm, Kodak TMY 400
SE5 Lith-Print onto Oriental F-2
Siena mix
MT10 Gold
Lith print on expired Agfa Record Rapid, using Moersch Easy Lith 20+20+960. The image took more than an hour to develop!
Oceanfront on OBX
Lith print on Polycontrast
Kentmere Pan 100 in Rodinal
Spotmatic 35mm camera
The Outer Banks, North Carolina
Scanned lith print.
Canon EOS 5 w/ Sigma 150-500 HSM IS.
July 15, 2023. 5 am.
Fomapan 100 pushed to iso 800 and developed in Rodinal 1+25, 12 min.
Lith printed on Rollei Vintage 332 RC and developed in Moersch SE5 (20A+20B+100OB+H2Oqs600).
Toned in Se 1+4 for 30 sec. to darken the blacks.
Scanned lith print.
Lith print on Fomatone MG 132, fooling around with the medium format neg (Mamiya 645 ProTL, FP 100) in the enlarger making a multiprint :-)
Moersch Easy Lith.
Untoned.
PS borders.
Lith print on Maco Ultrabrom Script 90 FB paper 30x30 / executed September 2020. Showing installation 'Totems' by Agustín Ibarrola. Located on top of Halde Haniel / North Rhine-Westphalia / Germany.
Photo taken with flipped lens Kodak Brownie Hawkeye in September 2013
San Marco Colonnade [Lith Print on glossy double weight Ilford llfobrom 1.1K, Moersch Easy Lith / August 2020 / photo taken with modified Agfa Clack July 2020]
Ground cover
Shen Hao 4x5
Delta 100 in Rodinal
Lith print on Art 300
Listening to:
Mozart - Symphony No. 25
During a clearing out I found an unopened box of this paper and decided, to use it now for an experiment with lith developer. The result is not a lith print, but it looks quite nice.
Ilfomar, now between 40 and 50 years old, SE5 Lith & Lith G
Woodland life cycles
New growth near an old forgotten tree stump.
Lith print on Polycontrast.
Tx 400 in Rodinal
Rolleicord
My first lith print and i'm addicted !!
A Polypan-f negative
Emaks P888 paper
Rollei superlith developer
Ebensee, Oberösterreich
Mamiya 7II, 4/80 mm
Kodak CN 400
Lith-Print auf Forte PWT
SE5 1+12, +2 f-stops, 3:40 min
MT 1 Selentoner 1+10, 45 sec
“And softness came from the starlight and filled me full to the bone.”
W.B. Yeats.
Film capture, 35mm, sunlight on water
North Carolina 2022
Lith print on Polycontrast
Om1
Hp5 in Rodinal
Lith print , Moersch SE5 on expired Kodak Royal paper.
(internegative from digital image, final print shot with iphone)
YYYYYY growth scenario -
lith print on chamois Agfa Brovira brilliant. Photo taken with modified Agfa Clack on Rolla RX4 panchromatique film.
Die frühen Chargen des Adox MCC sind lithfähig, die Chargen mit einem späteren Herstellungsdatum enthalten, wie auch schon zu den späten Agfa-Zeiten größere Mengen Phenidon und sind damit für Lithprints unbrauchbar. Die letzten Ziffern der Emulsionsnummer zeigen das Herstellungsdatum (hier 07-10).
SE5 Lith A+B+E+Wasser 30+30+5+900 ml 9 Minuten.
The early batches of Adox MCC are suitable for lith, while the later batches contain larger amounts of phenidone, as was also the case with Agfa, and are therefore unsuitable for lith prints. The last digits of the emulsion number indicate the date of manufacture (here 07-10).
Korona Grundlach, 5x7 inch with Hermagis lens
Foma 200 in rodinal
Contact printed on Paper Dalbroma
Moersch SE5 25-25-1000
Lith print using Moersch Easy Lith 20+20+960 on expired Agfa Brovira.
Same 35mm negative as a previously uploaded liquid emulsion print.
Handcrafted Gelatin Silver Lith Print
Contact Print onto Fomabrom 123BO
SE5 Lith | Lith Omega + Lith B
Kodak Polytoner
variable edition of 5 / II
Toyo 810M | Nikon M9/300
HP5 | Tanol
Scanned lith print.
Mamiya 645 Pro TL w/ M-S 45 mm/f2.8.
Kodak Tmax 400 in Rodinal.
Forte Polywarmtone FB in Moersch SE 5 + homemade Lith Omega.
Toned in Se 1+4, 30 sec.
PS borders.
Lockdown is ending soon. We'll be able to travel again and see the world!
Contact Lith print from 6x9 negative, using Moersch Easy Lith 20+20+960 on expired Agfa Brovira.
submerged [Lith Print on Agfa Lupex / Moersch Easy Lith // Hasselblad 500c/m + 80mm Planar / Ilford FP4+ / Adonal stand dev. / 2019]
Pale spring spirits
[Lith print on Maco Ultrabrom Script 90 FB paper 30x30cm / photo taken with Hasselblad 500 c/m + 80mm Carl Zeiss Planar T*/ Ilford HP4+ / Adonal stand dev. / April 2021]
From my first test film with the Seagull 4A TLR.
I used this negative to try out a few new-to-me papers. None of them responded satisfactory so I ended up going with Fomaspeed again because I know what it looks like ;)
I recently ordered some new chemistry I'm excited to try out, I just thought that this negative wasn't so well suited for that. Matter of fact, I think this negative might work really well as a "boring regular" print on contrasty paper. I might have a try at that too.
Fomaspeed Variant 313 in Moersch Easy Lith 1+10
Briefly toned in selenium: Moersch MT 1 1+10
Seagull 4A + Ilford HP5+ (expired '09; EI 200 untested)
Rodinal 1+50; 11:00 @ 20 °C (untested)
Print scanned on a Heidelberg/Linotype-Hell Saphir Ultra II using Vuescan.
Picture taken last week.
Nikon FM2 with 50mm. Foma 100 devd in Rodinal 1+50 for 9 mins. Paper is Foma 131 old stock devd in Rollei Vintage Lith 10+10+500+100OB. Moersch Omega 1+100, Moersch Selenium 1+30 for 2 mins
Nikon FM2, 50mm Yellow filter, Fomapan 100 devd in R09, Foma131 (old stock paper from 2012) Paper devd in Moersch SE5 20+20+1000+200ob. Moersch Omega 1+100
Scanned lith/polychrome print.
Rolleiflex 3.5C w/ Xenotar 75 mm/f3.5. Oct 2018.
Fomapan 100 in Rodinal 1+100, semistand 1 h.
Lith printed on Fomatone MG 131 and developed in two baths:
1. Moersch SE5 (25A+25B+H2Oqs600 ml).
2. Siena+Potassium Carbonate+Ammonium Chloride.
Toned in Se 1+4, 45 sec.
PS borders.
Feb 2023.
Karlstad's old stone bridge from another view. Harsh contrast due to intense morning sun.