View allAll Photos Tagged Lith_Print,
The Victorian lifeboat house stands defiant against all the Atlantic Ocean can throw at it. Winter storm February 2025. Lith print on Bromesko, Ilford hp5, expired and pushed a stop or two and developed in neat paper developer.
Lith print (8x12cm) using Moersch Easy Lith 20+20+960 on expired Kodabrome II.
Notes: generous overexposure of 3-4 stops at least, followed by relatively short development time (for Lith).
Camera: Nikon F2 (1976) with Nikkor 50mm/f1.8 AI
Lith print on expired Agfa Brovira 112 Grade 1, developed in Rollei Superlith 1+1+8.
I've been testing with different papers, and this one came out different from expectation. It looks almost like a charcoal drawing, not unpleasant, just unexpected.
Lith print on Rollei Vintage RC 332.
Moersch Easy Lith.
Fixed in Moersch ATS alkaline fixer 1+19, 2 min.
Untoned.
PS borders.
Darkness is easy to depict with analog photography. The problems start when the bridge is just as dark as the water. Hello, is there anybody out there?
Scanned lith print.
Mamiya 645 ProTL w/ Mamiya-Sekor 120 mm/f4 macro.
May 2022.
Fomapan 100 in Rodinal (1+100), semistand 1 h.
Slightly cropped neg lith printed on Forte Fortezo Museum Weight FH 14 FB and developed in Moersch Easy Lith (30A+30B+140OB+600H2O) @ 35°C.
Oct 2024.
Untoned.
Scanned IR lith print.
Holga 120 CFN (with the 6x4,5 mask) w/ IR filter (720). March 7, 2025.
Rollei IR 400 in HC-110 (15 ml + 485 ml H2O), semistand 1 h (estimated pushing to around iso 1600-2000 making it possible to shoot Holga IR handheld. Thanks Neal.).
Lith printed on Foma Retrobrom 151 Sp and developed in Moersch Easy Lith (no Omega this time).
Untoned.
Some honking above made me quickly turn the flimsy focusing ring to infinity and pushed the trigger while panning right up in the sky without actually seeing anything. Of course I didn't expect much from this. But it turned out three geese were caught on the neg, and the one closest to the rounded object (which probably is the moon (the sun is shining from the lower right corner)) became pretty sharp, too! Some snowballs here.
Another cropped neg variant in b&w will follow.
Lith prints on Kodak Bromesko. Using up the last dregs of my Moersch kit I mixed 20 ml of part A and the remains of part b which was about 30ml, 200ml of old brown and 300ml of water. As you can see this combination has killed the colour of the paper which is normally quite warm. Here it's dark and menacing, just like the waves on that stormy afternoon back in December!
Scanned lith print.
Rolleiflex 3.5C w/ Xenotar 75 mm/f3.5.
Maj 30, 2025.
Washi F in Adonal 1+100, semistand 1h.
Lith printed on Foma Retrobrom 151 Sp and developed in Moersch Easy Lith (25A+25B+15D+H2Oqs800).
Untoned.
Camera: Honeywell Pentax Spotmatic
Lens: Asahi Super Takumar 1.4/50
Film: HP5 plus 400 @ 200 ISO
D-76 1+1 68° 10 min.
Scanned from lith print bleached, then MT2 carbon toned.
Kodabrome II RC N3
Arista Liquid Lith
Microtek ScanMaker 6100
SEE THE CAMERA AT THE LINK BELOW:
www.flickr.com/photos/vikingphotos/6899409531/in/photolis...
Scanned lith print.
Mamiya 645 ProTL w/ M-S 120 mm/f4 macro. April 2, 2021.
Fomapan 200 in Adox Rodinal 1+100, semistand 1 h.
Lith printed on Fomatone MG 132 and developed in Moersch Easy Lith (30+30+OB+900H2O).
Untoned.
PS borders.
lith print on kodak bromesko. moersch easy lith kit. 15ml part a, 15ml bart b, 400ml water, no old brown, heated to about 35C. Quite a rapid developement, maybe 5 or 6 minutes in the tray. The tones are pretty accurate to whats on the print, truly beautiful paper this :)
Holga 120 CFN.
July 2024.
Fomapan 100 in Rodinal 1+100, semistand 1 h.
Lith printed on Foma Retrobrom and developed in Moersch Easy Lith.
Fixed in Moersch ATS alkaline fixer.
Untoned.
Old decommissioned crane in Karlstad outer harbour.
I'm back again after an unwanted thunderstorm 3 weeks ago with flashes/power surges striking out my computer, scanner and broadband router... Digital mayhem. Endless hours of support calls, having to buy new hardware and installing everything again...
Lith print version of the negative previously known as "DOF in a box". Agfa Brovira 112 in Rollei Superlith 1+1+8
Leica M6 135mm Elmarit
Ilford FP4+ In ID11
Print on Fomatone 132
Lith Moersch SE5 1+20 +2.5 stops 6 min
6x9 contact lith print on the last sheet of expired Tura Brom N paper, 4:00 minutes exposure and developed in Moersch Easy Lith 20+20+960
Playing around with Agfa paper (Brovira 118) with Lith Printing.
A different ball game: much more granular output compared to many others. A look and feel closer to what a Lith Print often looks like.
Rollei 35SE 35mm
Scan from the print itself 8x10
Scanned lith print.
Hasselblad 500CM w/ Zeiss Planar 80 mm/f2.8.
April 19, 2025.
Fomapan 400 @ iso 800, developed in HC-110 (15 ml + 485 H2O), semistand 1 h.
Lith printed on Foma Retrobrom 151 Sp and developed in two baths:
1. Moersch Easy Lith (25A+25B+650H2O @ 30°C).
2. Moersch Lith Omega (1+100).
Untoned.
Medieval Wooden Church, oldest parts from the 14th Century.
Scanned IR lith print.
Rolleiflex T w/ Tessar 75mm/3.5 + Rollei Infrarot filter. July 9, 2020.
Rollei IR 400 developed in Adox Rodinal 1+100, semistand 1 h.
Printed on Fomatone MG 131 (24x30 cm) and developed in Moersch Polychrome Kit (two bath lith: Moersch Easy Lith + Siena incl. Additives).
Toned in selenium 1+9, 1 min.
Lith and polychrome prints on Fomatone are very responsive to selenium toning.
Scanned LF lith print.
Graflex Crown Graphic w/ Optar 135 mm/f4.7.
Kodak Tmax 100, developed in Rodinal 1+100.
Lith printed on Foma Retrobrom 8x10" and developed in:
1. Moersch Easy Lith (20A+20B+100OB+H20qs600).
2. Lith Omega.
Untoned.
An attempt to depict this plant's intriguing nerve canals. On 2nd thoughts I probably should have used MF film with the M645 ProTL and M-S 120 macro. But anyway, here it is...
Scanned lith print.
Canon EOS 30 w/ Sigma 150-500 mm.
June 14, 2025.
Fomapan 400 (35 mm) @ iso 800, developed in HC-110 20 ml+480 ml, semistand 1 h.
Lith printed on Fomatone MG 332 RC and developed in Moersch Easy Lith (20A+20B+100OB+H20qs800).
Untoned.
Ending the lith printing batch from last weekend with some pretty dark ones.
Mystery mood.
Film camera Minolta 507si, Minolta 24-50/4, film Svema 100, double exposure, dark room, enlarger Meopta Magnifax 2, author's hand lith print, Fotospeed lith developer LD20, paper Bromekspress-1
Scanned lith print.
Hasselblad 501CM w/ Zeiss Sonnar 250 mm/f5.6.
July 22, 2023.
Fomapan 100 in Rodinal 1+100, semistand 1 h.
Lith printed on Rollei Vintage 332 RC and developed in two baths:
1. Moersch SE5 (20A+20B+960H20 @ 35°C).
2. Moersch Catechol+NH4Cl
Bleached in Moersch Copper Bleach for Lith Redevelopment 1+4.
Redeveloped/toned in Moersch MT7 Iron Blue + selective Se 1+4-toning of the wall.
PS borders.
Scanned lith prints.
Mamiya 645 ProTL w/ M-S 120 mm/f4 macro.
Fomapan 100 in Rodinal 1+100, semistand 1 h.
Lith printed on Foma Retrobrom 151 Sp and developed in two baths:
1. Moersch Easy Lith (20A+20B+H2Oqs700)
2. Moersch Lith Omega 1+100.
Untoned.
PS bordered triptych.
Seaside walk: Ogunquit, Maine
Spectacular views and fresh ocean air,
the abundance of wildflowers,
the sounds of the surf,
the cry of the gull,
the song of my heart.
Kodak Retinette 1b
Hp5 in Rodinal
Lith print on Polycontrast
Scanned lith print.
Canon EOS 5 w/ Sigma 150-500 HSM IS. Handheld @ 1/50 sec.
July 15, 2023. 5 am.
Fomapan 100 pushed to iso 800. Developed in Rodinal 1+25.
In a 2nd go lith printed on Rollei Vintage 332 RC and developed in Moersch Easy Lith. No Omega.
Untoned.
April 3, 2025.
If we could we would export this lifesaver to the US, but unfortunately the tariffs are too high.
Scanned IR lith print.
Rolleiflex T w/ Tessar 75 mm/f3.5 and Rollei IR filter. July 25, 2021.
Rollei IR 400 in HC-110 B (1+31), 6 min.
Cropped neg 2-bath lith printed on heavily fogged Kodak Polyfiber F D (18x24 cm). Moersch Polychrome kit (Easy Lith + Siena/additives). Untoned. Aug 29, 2021.
Rollei 128, easylith, 60+40+1500, tirage env.11x33cm, coupé sur les bords au scan, avec perte de netteté sur les bords...
Lith print using Moersch Easy Lith 20+20+960 on expired Kodak Royal Bromesko grade 1, 13x18cm.
This paper is extremely warm, as you can see. It also is scarce, so I'm lucky to have found a couple of boxes.
Negative: Fompan 400, developed in R09 1:50 for 11:00 minutes
Camera: Nikon F2 with Nikkor 35mm/2.0 pre-AI
It was Cold, it was hard, it was beautiful!
Agfa Clack,Fomapan Prof. SE5 Lith 600:40:40 onto Agfa PRK118 - 4
Scanned Polychrome IR Llith print.
Rolleiflex T w/ Tessar 75 mm/f3.5 + Rollei original IR filter.
Rollei IR 400 in Rodinal 1+100, semistand 1 h.
Lith printed on Foma Retrobrom 151 Sp and developed in two baths:
1. Moersch Easy Lith (25A+25B+650H2O @ 30°C).
2. Moersch Polychrome Kit.
Toned in Se 1+9, 30-45 sec.
A bit too long Se toning kills the colour.
Picture taken in November 2008, Made a B&W print of this before. Wanted to give it a go in Lith developer
Bronica SQAi 80mm
Fuji Acros film dev'd in Rodinal
Fomatone 131 MG Classic Paper, Fotospeed Lith LD20 developer
PLEASE DO NOT ADD ANY PICTURES OR GROUP GRAPHICS TO COMMENTS AS I ENJOY DELETING THEM:-)
lith printed yesterday on Fomatone 132 8x10"
Easy Lith 1+25
From 2003 to 2012 I printed this image classic b&w from 2 different negatives on one sheet of paper under enlarger-as I was planning from very beginning.In 2012 I started to learn how to make digital negatives on Pictorico OHP. So,I used the last one now
Seasons end.
Fall decay, ground cover and dying leaves.
8"x10" Lith Print on expired Kodak paper.
Delta 100.
Shen Hao 4x5.
Scanned lith print.
Canon EOS 30 w/ Sigma 150-500 mm.
June 14, 2025.
Fomapan 400 (35 mm) @ iso 800, developed in HC-110 20 ml+480 ml, semistand 1 h.
Lith printed on Fomatone MG 332 RC and developed in Moersch Easy Lith (20A+20B+100OB+H20qs800).
Untoned.
Ending the lith printing batch from last weekend with some pretty dark ones.
Scanned and Mordançaged lith print.
Hasselblad 501CM w/ Zeiss 350 mm/f5,6. April, 2024.
Fomapan 100 in Adox Adonal (=Rodinal), semistand 1 h.
Lith printed on Rollei Vintage 332 RC
and developed in Moersch Easy Lith (17A+25B +H2Oqs600).
Mordançage, "split" redeveloped in Adox Adotol and Moersch MT7.
Untoned.
PS borders.
Zoom in and enjoy the microcosmos of the Mordançage technique :-)