View allAll Photos Tagged Lith_Print,
Lith print (8x12cm) using Moersch Easy Lith 20+20+960 on expired Kodabrome II. The paper is old, but new for me.
Notes: generous overexposure of 3-4 stops at least, followed by relatively short development time, however I didn't clock it precisely.
Camera: Nikon F (1971) with Micro Nikkor 55mm/f3.5
Scanned lith print.
Mamiya 645 ProTL w/ M-S 120 mm/f4 macro.
Fomapan 100 in Rodinal 1+100, semistand 1 h.
Lith printed on Fomatone MG 131 and developed in Moersch Easy Lith + Omega.
Bleached in ordinary "sepia bleach" and refixed.
This Kodak Polycontrast paper is strange, it develops these snowflakes on most prints. Actually, I like them here.
Lith print developed in Moersch Easylith 15+15+970
Scanned lith print.
Semi-preserved gas station from the 80s, incl an old Telephone Booth (Superman used to stand inside it, but for some reason he's gone now...).
Printed on Foma Retrobrom 151 Sp and developed in Moersch Easy Lith (25A+25B+150OB+H2Oqs700).
A quick dip in Se 1+9 (15 sec).
Swedish ESSO 1934-1986.
Volvo 145 1966-1974.
Hammarö, Sweden.
July 31, 2025.
lith print on Slavich Unibrom 24x30 cm, Easylith 1:25,
Image of tree taken in 2004 in the Central Park, NYC,.Lith printed yesterday
Film camera Minolta 507si, Minolta 24-50/4, film Svema 100, dark room, enlarger Meopta Magnifax 2, author's hand lith print, Fotospeed lith developer LD20, paper Bromekspress-1, scanner Epson 3200
Film camera Minolta 507si, Minolta 24-50/4, film Svema 100, dark room, enlarger Meopta Magnifax 2, author's hand lith print, Fotospeed lith developer LD20, paper Bromekspress-1, scanner Epson 3200
Scanned IR lith print.
Mamiya 645 ProTL w/ M-S 45 mm/f2.8 + Hoya R72 IR filter.
March 2015.
Rollei IR 400 Infrared film in Fx 39 1+9, 5 min.
Printed on Foma Retrobrom 151 Sp and developed in two baths (Nov 2024):
1. Moersch Easy Lith (20A+20B+H2Oqs800).
2. Moersch Lith Omega (1+100).
Untoned.
Kummelön Nature Reserve, close to Kristinehamn in Värmland (see map).
Sometimes the rich colous of Lith Omega can be a bit overwhelming. First print in fresh soup. Hot enough.
Hasselblad
80mm
Ilford FP4
ID-11
An image made in my darkroom using the lith printing technique. Printed on FOMATONE warm tone.
Film camera Minolta 507si, Minolta 24-50/4, film Svema 100, dark room, enlarger Meopta Opemus 5, author's hand lith print, Fotospeed lith developer LD20, paper Bromekspress-1, scanner Epson 3200
March 3, 2022
Nikon FM, 35mm Nikkor
Ilford Delta 100, Rodinal 1:50 9:00
Inkjet print 5 x 7 inches on Inkpress Warmtone Baryta
This was an experimental attempt to make a lith print look-alike using Photoshop Elements with Silver Efex Pro software. The tones were as close a match as I could make to a lith print from 2017. I made a sort of pretzel out of the film curve to simulate some infectious development, added a dollop of hard edged graininess and printed this result which turned out better than I'd anticipated. It's not darkroom work, but at least it originated on film.
▲ ☆▲ ☆▲ ☆ Silver gelatine lith print on ORWO Baryte paper /February 2019. Photo taken with Hasselblad 500 c/m + 150mm Sonnar on RPX 100, stand developed in Adonal / July 2018.
Scanned IR lith print.
Holga 120 CFN (with the 6x4,5 mask) w/ IR filter (720). March 7, 2025.
Rollei IR 400 in HC-110 (15 ml + 485 ml H2O), semistand 1 h (estimated pushing to around iso 1600-2000 making it possible to shoot Holga IR handheld. Thanks Neal.).
Lith printed on Foma Retrobrom 151 Sp and developed in Moersch Easy Lith (no Omega this time).
Untoned.
Minolta X-700, 58mm
Ilford Surveillance film, f5.6 1/60
Lith print on Agfa Brovira grade 2 double-weight paper. (Good old Brovira...) Kelley Point Park, New Year's Day.
Lith print on Rollei Vintage 322 RC.
Christina Z. Anderson's Mordançage recipe.
Veil preserving technique.
General redevelopment in old diluted Adox Adotol and selective toning in Thiourea (brown setting) and Moersch MT7 Iron Blue toner.
PS borders.
Film camera Mamiya RZ67 ProII (6x6 back), lens Mamiya Sekor Z 110mm f2/8, film Foma 100.
Dark room: enlarger Meopta Opemus 5, author's hand lith print, Fotospeed lith developer LD20, paper Bromekspress-1. Scanner Epson 3200.
"All the hype, all the dreams, all is not what it seems!" Nikolai Gogol
Film camera 6х6 HOLGA 120N, film Foma 200, author's hand print (Lith-print). Enlarger Meopta Opemus 5. Developer Fotospeed LD20. Photo paper Bromekspress-1
Camera: Pentax K-1000
Lens: SMC Pentax-M 1.4/50
Filter: None
Film: HP5 plus 400 @ 200 ISO
Pyrocat HD 1+1+100 9 min. @ 68°
Scanned from lith print on Forte Polygrade V RC Semi-Matt
Arista Liquid Lith Developer at 90°
SEE THE CAMERA AT THE LINK BELOW:
Scanned Lith Print.
Mamiya 645 ProTL w/ M-S 45 mm/f2.8.
Late April, 2025.
Fomapan 100 in Rodinal 1+100, semistand 1 h.
Lith printed on Kodak Medalist F-3 single-weight FB.
Moersch Easy Lith (15A+15B+100Old Brown+H2Oqs700).
Untoned.
Not as sexy as old petrol pumps from the 40's - 70's, but nevertheless a document for the future :-)
Minolta SRT 201
Vivitar 70-210/4.5-5.6 Macro
Film: Kodak Direct Positive Pan, ISO 80 (daylight) Shot at ISO 32 DP 402, 5246, Exp. Feb. 1965
Caffenol-C-L Stand Development 45 min. 68°
Scanned from lith print (bleached) on
Kodabrome II RC F1 Glossy
Arista Liquid Lith
SEE THE CAMERA AT THE LINK BELOW:
www.flickr.com/photos/vikingphotos/5344240525/in/album-72...
Scanned lith print.
Rolleiflex T w/ Tessar 75 mm/f.3,5.
Aug 10, 2025.
Fomapan 100 in Rodinal 1+100, swmistand 1 h.
Lith printed on Foma Retrobrom 151 Sp and developed in Moersch Easy Lith.
Untoned.
Lith print on Bromesko. I pulled these from the developer a bit earlier than I have been recently and also gave them quite a lot more light under the enlarger, about 4 minutes wide open aperture i seem to recall...
After the climbing the Dragonwall. (Drachenwand, Mondsee)
Pentacon Six, Carl Zeiss Jena Biometar 2.8, 80mm, Fomapan 100. Lithprint Moersch SE5 onto Agfa Brovira
Abandoned Farm house on Newbiggin Common, Teesdale Ensign 820 customised with 65mm Schneider Angulon lens. The film was Fomapan 400 developed semi-stand for 16 mins in Pyrocat HD 1+1+100. Then Lith printed on expired Agfa Portriga Rapid paper.
Camera: Canon AE-1 Program
Lens: Canon FD 50mm 1.8
Filter: Hoya Infrared R72
Film: Rollei Infrared 400
D-76 1:1 8 Min. 73 F.
Scanned from lith print
Slavich Unibrom 160 BP Grade 3
Arista Liquid Lith
SEE THE CAMERA AT THE LINK BELOW:
www.flickr.com/photos/vikingphotos/5344848758/in/set-7215...