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I adore this bag! Jodie/jm1122 picked the perfect fabrics and the perfect bag pattern for me. Green is my favorite color, and the sign-post fabric is so great! She also added rick rack, which happens to be another favorite of mine:-)
Official list entry
Heritage Category: Listed Building
Grade: II*
List Entry Number: 1209774
Date first listed: 10-Jan-1951
Statutory Address 1: CHURCH OF ST MARY, BUCKFAST ABBEY, BUCKFAST ROAD
Location
Statutory Address: CHURCH OF ST MARY, BUCKFAST ABBEY, BUCKFAST ROAD
County: Devon
District: Teignbridge (District Authority)
Parish: Buckfastleigh
National Park: DARTMOOR
National Grid Reference: SX 74147 67411
Details
Abbey church. Built 1907-1932, on the foundations of the medieval Cistercian abbey church (except the east end). FA Walters. For the Benedictine monks who established a house here in 1882. Most of the building work was carried out by a small group of monks working under a master mason. Snecked local grey limestone with Ham Hill dressings; copper roof. Style "mixture of English Cistercian and French early Gothic" (Pevsner). 1965 east end Blessed Sacrament chapel to the designs of Paul Pearn. Plan: church with 8-bay lean-to aisles plus galleried western bay; central crossing tower; transepts with chapels; 3-bay choir with choir aisles; east end Blessed Sacrament chapel with undercroft. EXTERIOR: west end of nave with flanking projecting buttresses containing stairs to gallery, rising as pinnacles with broach spire roofs, bases and pinnacles decorated with blind arcading. Round-headed west doorway with shafts, left and right shafts with cushion capitals and carved gable. Doorway has 3 orders of zigzag, billet and chevron moulding on engaged shafts; 2-leaf door with elaborate ironwork. Above the doorway a recessed 3-centred blind moulded arch containing 2 round-headed windows with shafts and a roundel window above. Above the archway blind arcading decorates the gable. West ends of lean-to aisles have smaller versions of the buttresses flanking the nave and paired round-headed openings (one blind) with roundels above. North side of 9-bay nave has pilasters and a corbelled parapet. Round-headed triforium windows linked by string rising as continuous hoodmould. Nave with parapet and round-headed windows, the hoodmould string interrupted by the pilasters. Small gabled porch in second bay from the west with set-back buttresses, parapet and round-headed outer doorway with shafts and chevron-carved arch. Easternmost 2 bays of aisle with taller roof and blind arcading above the windows. North end of north transept with tall paired arches containing 4 tiers of glazed blind and glazed windows, either round-headed or roundels. East side of transept has one-bay chapel. The choir continues in the same style with lean-to choir aisle roofs. 1965 concrete east end chapel on 4 columns with shallow gabled roof. Tower with 3 stages above nave roof. Clasping pilasters; corner pinnacles with 2 tiers of blind arcading and broach spires, crow-stepped parapet. Lower stage has lancet windows in round-headed recesses, middle stage has small lancet windows in moulded arched recesses; 2-light plate-traceried louvred belfry windows. INTERIOR: Stone-vaulted, the aisles with transverse vaults. Arcades with piers with engaged shafts and chamfred and moulded arches. Nave rib vault with red sandstone infill. Triforium has a pair of 2-light pointed arches to each bay with super-ordinate round-headed blind arch. Aisle walls decorated with blind round-headed recesses containing triple round-headed arches on shafts with moulded bases and carved capitals. Stone-vaulted west end gallery on piers with canted bays to parapet. Tower arches on short paired shafts with moulded bases and carved capitals. Crossing has corbelled stone gallery; transepts have simple galleries on moulded corbels with cast-iron railings. Choir has similar detail to nave but carved, not moulded capitals and stone infill to the vaulting of choir and choir aisles. East end of sanctuary has 2 round-headed arches and 2 round-headed windows above the triforium with a central shaft rising to a carving of the Coronation of the Virgin. The furnishings, floors, painted decoration and stained glass are unexpectedly lavish, particularly the outstanding metalwork, which is mostly 1928-1932 by Bernhard Witte of Aachen, inspired by German Romanesque metalwork and described in some detail in Pevsner. The stained glass is a remarkable collection, mostly still in the medievalising Victorian tradition and of the highest quality. In addition the church contains a C16 ivory crucifix donated by the Clifford family of Ugbrooke, the leading Roman Catholic family in Devon. 1965 Blessed Sacrament chapel by Paul Pearn conceived as a setting for ambitious mosaic stained glass designed by Father Charles Norris, one of the Buckfast Abbey monks. Historical note: the rebuilding of the abbey church by the Buckfast monks was well-publicised in the national and local press and one of the monks with an interest in photography recorded much of the work: the archive is held by the abbey. Buckfast Abbey became an important focus for Roman Catholicism in Devon in the late C19 and C20 with the monks serving private chapels in the area, including Ugbrooke in Chudleigh for the Clifford family and Dundridge in Harberton for the wife of Sir John Harvey. (Buildings of England: Pevsner N: Devon: London: 1989-: 222-226).
© Historic England 2022
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William Stone Images - Limited Edition Fine Art Prints
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We celebrate light in our pictures. Understanding how light interacts with the camera is paramount to the work we do. The temperature, intensity and source of light can wield different photography effect on the same subject or scene; add ISO, aperture and speed, the camera, the lens type, focal length and filters…the combination is varied and multi-layered and if you know how to use them all, you will come to appreciate that all lights are useful, even those surrounded by a lot of darkness.
We are guided by three passions, simple but overwhelmingly strong, our longing to capture in print, that which is beautiful, the constant search for the one picture, and constant barrage of new equipment and style of photography. These passions, like great winds, have blown us across the globe in search of the one and we do understand the one we do look for might be this picture right here for someone else out there.
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Rydal Hall is a Grade II listed house on the outskirts of the village of Rydal, Cumbria, in the Lake District, England. It has an early nineteenth-century front facade, but includes some earlier fabric.
The house used to be owned by the Le Fleming family, but now is under the ownership of the Diocese of Carlisle. The house is now used for retreats, conferences, courses and holidays near Rydal Water.
There is of course a strong Wordsworth connection, as his own cottage, Rydal Mount, is just across the lane.
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Ehemaliges Palais Bartolotti-Partenfeld
Objekt ID: 30727 Dorotheergasse 2–4
Katastralgemeinde: Innere Stadt. Dieses bemerkenswerte barocke Stadtpalais wurde um 1720, wahrscheinlich von Johann Lucas von Hildebrandt erbaut. Die Fassade ist mehrfach geknickt und auf die Dorotheergasse ausgerichtet, während am Graben nur vier Achsen zu sehen sind. Oberhalb eines genuteten Sockels mit zwei von Hermenpilastern eingerahmten Korbbogenportalen befinden sich die durch ein Kordongesims geteilten Obergeschoße. Die Fensterdachungen sind rhythmisiert angeordnet und aufwändig gestaltet. Im ersten grabenseitigen Obergeschoß befindet sich in einer Rundnische die Steinskulptur einer Madonna mit Kind.
de.wikipedia.org/wiki/Liste_der_denkmalgesch%C3%BCtzten_O...
Aynsley Lister, The Robin 2, Bilston, 22/11/12. Get the full gallery ONLY at www.ConcertsCaptured.co.uk and get more Aynsley Lister at www.AynsleyLister.co.uk. All photos are copyright of ConcertsCaptured, please feel free to tag, share and like them but please do not copy, edit or redistribute them without permission.
I cut 2 pieces of chicken in half and stuffed them with jalapeno cream cheese and cheddar cheese,than wrapped the chicken in bacon!
A Grade II* listed building, left to rot and in serious trouble. The lovely tower was built from Kentish ragstone in the 15th Century and the body of the church was rebuilt in 1764 by the Brentford architect, Thomas Hardwicke the elder. Both he and his son Thomas Hardwick junior are both buried here. The Church has been stripped of all fittings and urgent repairs have been carried out on the tower.
The Church has been empty since the 1960's and is on the English Heritage buildings at risk register.
"Anthony Lister" is a leading Australian contemporary artist and a pioneer of the stencil and street art movement in Brisbane, Sydney, and Melbourne.
Finally, "Anthony Listrer" is celebrated for his "Adventure Painter" philosophy, merging high-culture imagery with a raw, "low-brow" street aesthetic.
Notable Major Projects and Immersive Installations:
"Untold Melbourne" @ the Nylex Clock & Silo, Melbourne (2018) - www.flickr.com/photos/colourourcity/albums/72157648692779...
"Wall to Wall Festival" @ Benalla, Victoria (2018) - www.flickr.com/photos/colourourcity/albums/72157651514322...
For more information, or to follow this artist references refer to -
INSTAGRAM: www.instagram.com/anthonylister/
anthonylister.com/
www.flickr.com/photos/12537874@N00/
#AnthonyLister #Lister #ManMan #KidAcne
See my albums list for some of my best work: www.flickr.com/photos/200044612@N04/albums/
See my main account for my photography, videos, fractal images and more here: www.flickr.com/photos/josh-rokman/
Made with Image Creator from Microsoft Designer, formerly known as the Bing Image Creator. Powered by DALL·E 3.
I think that AI image generation is similar in many ways to photography. The camera itself handles all the fine details, but the photographer is in charge of curating the types of images that will be created.
Ultimately, it is all about maximizing the probability that something good will be created.
This is very similar to AI image generation, in terms of the skills involved and what the human does vs. what the machine does.
You can't compare AI image generation to the process of actually making these images from scratch with 3D software or paint/pencils, where the human controls every detail.
However, I think the process really is very similar to that of photography, as I made the case for above. I think that DALL-E 3 is by far the most powerful AI image generation tool currently available.
- Josh