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Hello everybody :)
Today I want to show you my latest creation starring the typewriter from the movie "Schindler´s List". The typewriter was a big challenge, because I never made something like that before. Moreover I also tried to include some other details like the stapler (which I found on some reference pictures), the candle (made out of 2x2 Jumper), a letter (the seal is made out of a red bucket) or the pencils.
If you you want to see more pictures of that MOC you can take a look on my Instagram account ( www.instagram.com/balbo._/ ), were I will upload some more pictures tomorrow.
I hope you like it :)
ListOars collabo
Aleva
Verkehrsdezernat Stadt Frankfurt am Main o_o
Dijus
Penisluigi
Nordend Frankfurt, Germany
June 2009
7 Days of shoorting
Week#24
Preparations
Macro Monday
I wanted to make a list to Santa.Unfortunatly I did not came prepared, I had to sharpen my pencil first.
Looking towards the Grade I Listed Gatehouse of Stokesay Castle a fortified manor house in Stokesay, near Craven Arms in Shropshire, which is managed by English Heritage.
It was built in the late 13th century by Laurence of Ludlow, then the leading wool merchant in England, who intended it to form a secure private house and generate income as a commercial estate. Laurence's descendants continued to own the castle until the 16th century, when it passed through various private owners. By the time of the outbreak of the English Civil War in 1641, Stokesay was owned by William Craven, the first Earl of Craven and a supporter of King Charles I. After the Royalist war effort collapsed in 1645, Parliamentary forces besieged the castle in June and quickly forced its garrison to surrender. Parliament ordered the property to be slighted, but only minor damage was done to the walls, allowing Stokesay to continue to be used as a house by the Baldwyn family until the end of the 17th century.
In the 18th century the Baldwyns rented the castle out for a range of agricultural and manufacturing purposes. It fell into disrepair, and the antiquarian John Britton noted during his visit in 1813 that it had been "abandoned to neglect, and rapidly advancing to ruin". Restoration work was carried out in the 1830s and 1850s by William Craven, the second Earl of Craven. In 1869 the Craven estate, now heavily in debt, was sold to the wealthy industrialist John Derby Allcroft who paid for another round of extensive restoration during the 1870s. Both of these owners attempted to limit any alterations to the existing buildings during their conservation work, which was unusual for this period. The castle became a popular location for tourists and artists, and was formally opened to paying visitors in 1908.
Allcroft's descendants fell into financial difficulties during the early 20th century, however, and it became increasingly difficult for them to cover the costs of maintaining Stokesay. In 1986 Jewell Magnus-Allcroft finally agreed to place Stokesay Castle into the guardianship of English Heritage, and the castle was left to the organisation on her death in 1992. English Heritage carried out extensive restoration of the castle in the late 1980s. In the 21st century, Stokesay Castle continues to be operated as a tourist attraction, receiving 39,218 visitors in 2010.
Architecturally, Stokesay Castle is "one of the best-preserved medieval fortified manor houses in England", according to historian Henry Summerson. The castle comprises a walled, moated enclosure, with an entrance way through a 17th-century timber and plaster gatehouse. Inside, the courtyard faces a stone hall and solar block, protected by two stone towers. The hall features a 13th-century wooden-beamed ceiling, and 17th-century carved figures ornament the gatehouse and the solar. The castle was never intended to be a serious military fortification, but its style was intended to echo the much larger castles being built by Edward I in North Wales. Originally designed as a prestigious, secure, comfortable home, the castle has changed very little since the 13th century, and is a rare, surviving example of a near complete set of medieval buildings. English Heritage has minimised the amount of interpretative material displayed at the property and kept the castle largely unfurnished.
Originally built in 1891 as Bidston Court it was moved to its current location in 1921 and renamed Hilbark
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Thanks for viewing and looking through my photos, I hope you enjoyed them...
Clear Lake is a wonderland of Grebes!
At the top of my 'bucket list' was to see a baby bird riding on it's mothers back so I booked a trip with "Eyes of the Wild" owned and operated by Faith Rigolosi who made it all happen and is also a flickr member...thank you Faith!
She gives Eyes of the Wild it's true meaning as she watched out, spotted and got the boat in position to give us our best shots while always keeping respect to her beloved grebes. This is a trip I will always remember as one of my best boating, birding experience's and can't wait to go back again!
Member of the Nature’s Spirit
Good Stewards of Nature
This small Grade II*-listed medieval parish church is notable for being dedicated to The Head of St John the Baptist. The church has a very fine medieval rood screen dating from around 1500 AD. The church is fllled with beautiful wooden carvings by the Rev. Reginald Page, who was rector in the 1920s and 1930s. Some of his work can be seen on the pulpit and on the walls, where there is a finely carved memorial to those lost in the First World War.
Listed Building Grade II
Listed Entry Number : 1164366
Date First Listed : 24 February 1986
Late 19th century animal pound which is in sandstone, and is roughly circular in plan. There is an opening on the south side.
Hamilton, Ontario Canada
The Lister Block, first built in 1886, was destroyed by fire in 1923 and the second building was erected in 1924. This classic Renaissance building is 32,000 square feet (3,000 m2) with six floors and sits on the corner of James and King William Street. It is a pivotal building in the commercial history and environment of downtown Hamilton.
When it was erected, in 1923-24, to the designs of Bernard H. Prack, architect, it demonstrated the most advanced retail marketing ideas of the time, and reflected the transition from smaller 19th Century retail establishments to the emerging 20th Century phenomenon of integrated department stores.
Its ground floor and 2nd floor L-shaped arcades, accessible from both James and King William, were remarkable innovations for their time and contributed to its success. Its key corner location, large double street frontage, six-storey height, and robust architectural design helped give it a dominant character within the James Street North urban streetscape. It originally stood in the heart of Hamilton’s civic core, directly across from City Hall (1888) and Market Square, and just south of the Federal Building (1856- 1920).
A changing retail environment of malls with free parking and the demise of downtown anchor "Eatons" brought about a huge shift of consumer spending. After thriving as a business and retail space for years, tenants eventually began to vacate. The building was closed in 1991 . The building sat empty in 1995 and was seen as a symbol of downtown decay. LiUNA bought the Lister Block back in 1999, letting it sit vacant for over a decade. In the following years, there were three failed attempts to revive the building, and after decades of vacancy, neglect, and sprawling development. a demolition permit was submitted in 2005.
In 2010, LiUNA and Hi-Rise Group began to renovate the building at the cost of $25 million, with a $7 million contribution from the province. The renovation was completed in early 2011.
I got to shoot the super handsome canoeist Matt last summer at his training ground.
Go check him out on instagram: www.instagram.com/mrmattlister/
Then come and say hi to me! www.instagram.com/cleverprimeuk/
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"The ornate ceiling and ceiling lamps of Leadenhall market in London..."
Please use the Getty Images “Request to License” link found in “Additional Info”.
(BRICK/437)
I took this photograph on the exit of Lodge Corner during the Guards Trophy GTSR Race at the Gold Cup meeting at Oulton Park in August 2008. It's Phil Bennett in his 1958 Lister Knobbly which has the 3,781cc version of the Jaguar XK6 engine. Brian Lister started producing sports cars in 1954 first with an MG engine and later with a Bristol engine, but he had the most success with the 1957 car which used the Jaguar D-type engine. The first version of this car was known at the time as a Lister-Jaguar, but after the 1959 car was given a smoother aerodynamic body designed by Frank Costin (and designed to use the Chevrolet Corvette powerplant) the more bulbous earlier car became known as the Lister Knobbly.
A list with 4000000 (four million) names of Jewish victims from the Holocaust. This list is covering only 2/3 of the victims' names - the names of two additional million Jewish victims are unknown.
How many potential scientists, intellectuals, politics, economists, medical doctors etc. are in this list!
יד-ושם Yad-VaShem
One of my neighbors many bird houses has seen better days. I don't think I've seen a bird anywhere near it in years!
Holy Trinity
Church of England
The current church building replaces a C9 wooden church which is referred to in the Domesday Book.
The chancel was built c1320. The nave, aisles and tower were added between 1390 and 1410.
The south porch was added in C15
Little has been altered in the structure since then.
Listed Building Grade II
List Entry Number : 1379746
Date First Listed : 18 August 1975
Built 1859/60, the pier, originally designed by J. W. Brunlees, was extended in 1864 and 1868, shortened in 1897, and has suffered two fires. The Southport Pier Tramway was installed in 1864, and a new pavilion was built in 2001–02 to replace an earlier pavilion destroyed by fire in 1933. The pier is 3,650 feet (1,113 m) long, it is built in cast iron with four rows of columns carrying girders, and has a wooden deck.
If you are not French, it’s likely you haven’t ever heard the word “Saintonge”, and have no clue what it means. If you are French, it’s probably the same thing. Unless, that is, you are a fan of Romanesque, in which case you know that Saintonge, that small region of France centered around the town of Saintes (hence the name), not far from the Atlantic Ocean, just North of Bordeaux... features the highest density of Romanesque churches of all the country!
I had never visited that area of France, and so in the middle of October 2021, I took that long overdue trip and stayed two weeks in Saintes, driving left and right daily to photograph all the most significant Romanesque churches... and unfortunately leaving out many others, as they are so thick on the ground!
Being by nature a human activity, even the best and purest of arts can, in time, overdo itself and teeter upon the brink of baroque, exaggeration and overabundance. Built around 1160, about ten years after its magnificent neighbor in Rétaud (which we have seen a few days ago), the Notre-Dame church in Rioux is largely regarded among specialists as having gone slightly over the top in terms of outside decoration.
I have seen the exact same thing with the enclos paroissiaux (“parish enclosures”) in Brittany: the desire to do better and grander than the neighbors, combined with the existence of generous financial means, often leads to an overdoing of things in which the spiritual appears to be drowned in a wave of refinement and superficiality.
This almost exaggerated decoration is often cited as one of the chief reasons why this church was only listed as a Historic Landmark in 1903, while its neighbor in Rétaud was listed in 1862. In the late 1950s, François Eygun, Director of Historic Antiquities, wrote: “This is no more the elegant richness, but the exaggeration of a quality pushed beyond the limits of the reasonable and into bad taste.”
We, visitors of the 21st century, may take a more lenient approach... or maybe it is our own taste that has been distorted over the years by lack of backbone, cheap and self-fulfilling enjoyment (read: selfies!) and reality TV... I will let my viewers decide.
Strangely enough, the façade is probably the most understated part of this church. The top part of the bell tower is from the 15th century, but all the rest shows a remarkable restraint, with only the Virgin in a mandorla and abstract motifs on the voussures around and over the main door.
My new eyes, exclusively awaiting you at The Guest List. For more info and location click below:
starriari.wordpress.com/2016/09/09/comet-eyes-the-guest-l...
ID
3250
Listing Date
23 September 1950
History
Conwy Castle was begun in 1283 following the successful conquest of Snowdonia by the armies of Edward I of England. It was one of a defensive ring of castles erected around the North Wales coast from Aberystwyth to Flint, and in addition protected a walled town that was the largest of the medieval boroughs of North Wales. Work began with digging the rock-cut ditches, under the direction of Richard of Chester, master engineer. The design of the castle and supervision of building was under the control of James of St George, Master of the King's Works in Wales and the foremost secular architect of his age. Other subordinate master craftsmen included Henry of Oxford and Laurence of Canterbury, both master carpenters, and John Francis who, like James of St George, was from Savoy. The castle and town wall were substantially complete by 1287.
Modifications were made to the buildings in 1346-7 by Henry de Snelleston, mason to Edward, Prince of Wales (the Black Prince). This included replacing original roof trusses and strengthening the roofs by adding masonry arches. By the end of the C15 its military importance was diminishing and the castle slowly decayed. It was described as in poor condition in 1627, and in 1631 it was sold to Charles I's secretary of state, who assumed the title Viscount Conway of Conway Castle. During the Civil War the castle was repaired and fortified for the Royalists under the leadership of John Williams, exiled archbishop of York and a native of Conwy. The castle surrendered in 1646 and in 1655 the castle was 'disabled' by blowing up a portion of the bakehouse tower, making a substantial breach. The castle was restored to the Conway family after the Restoration, when some of the buildings, and the lead roofs, were taken down. Ownership passed to the Seymour family until, in 1865, it was given to the town. During this period there was some restoration and the bakehouse tower was rebuilt by the LNWR, whose railway line passed the foot of the castle. Since 1953, when more substantial conservation work began, the castle has been a guardianship monument in the care of the state.
Exterior
A castle whose compact design is dictated by the rocky outcrop on which its stands. Roughly rectangular in plan, it has a curtain wall with 8 higher round towers enclosing an outer ward on the W side, and smaller near-square inner ward to the E overlooking the river. Additional defence was provided by barbicans at E and W entrances. Walls are coursed rubble, with freestone dressings of pink sandstone. They are embattled with saddleback copings to the merlons, which also have arrow loops on the towers. The round towers have loops and openings of 2-light mullioned windows, although few of the mullions have survived, and higher round stair turrets. Many features are consistent throughout the building, including freestone fireplaces with raked stone hoods, and window seats.
The main entrance from the town is on the W side. It retains part of a ramp on the N side from the modern Castle Square. The gap over which the drawbridge was lowered has been covered by a timber platform. The entrance arch to the W barbican has a pointed arch with portcullis slots, flanked by round turrets with corbel tables. Inside the gateway are later stone steps to a gate passage, where there is a modern breach in the wall for visitor access, and the springers and draw-bar sockets of another gateway. The W barbican has an almost straight wall with 3 turrets. The town wall is attached to the southernmost turret.
Entrance to the E barbican was from the Water Gate. The outer steps have disappeared, probably lost when Thomas Telford built the suspension bridge in 1822-6, but they are shown on the Buck brothers' 1742 engraving of the castle. Steps inside the barbican have survived, but of the doorway in the barbican wall only the draw-bar sockets have survived. The faceted E barbican wall has 3 turrets similar to the W side.
The castle has 8 towers, of which 6 enclose the outer ward, one at the corners and one half way along each of the N and S walls, and 4 enclose the inner ward, of which 2 (stockhouse and bakehouse towers) are common to both inner and outer wards. In the outer ward the S wall is faceted and the W wall is narrower than the E. Otherwise the whole castle is rectangular in plan. The W wall of the outer ward has a pointed arch, below deep corbels of former machicolations. On the N side of the outer ward, both sections of wall have 2 loops and 2 latrine shafts, including one on the W side contained within a shallow projection and low round turret. Attached to the stockhouse tower, between inner and outer wards, is the town wall. The inner ward N wall has 2 loops and 2 low-level outlets of latrine shafts. On the S side each section of the outer ward has 3 windows, 2 loops to the cellar and latrine shaft at wall-walk level. The bakehouse tower between inner and outer wards is partly rebuilt in snecked stone, with a battered plinth of rock-faced stone, repairs carried out by LNWR in the 1870s of the deliberate breach made in 1655. The inner ward S wall has a doorway at ground-floor level above a battered rubble plinth (the only section not built directly on bedrock). At 1st-floor level are 2 loops, a larger opening centre-R, and a former doorway at the R end. Above 1st-floor level are 3 latrine shafts. The E wall, from the E barbican, has a shoulder-headed doorway, 4 1st-floor windows with stepped lintels, and deep corbelled machicolations, although the embattled parapet has not survived.
In the outer ward, the gate passage has portcullis slots and draw-bar sockets, and a high-level door on the S side, to stone steps up to the wall walk. The inner side of the wall is corbelled out at parapet level. The NW and SW towers form a pair. They each have 2 superimposed newel stairs restored in concrete. Both have fireplaces to 1st and 2nd floors. In addition the SW tower has a domed bread oven at ground floor, and latrine to the 1st floor. The kitchen tower in the centre of the N side of the outer ward has a ruined newel stair. The wall walk is corbelled out around its faceted inner side. The prison tower on the corresponding S side has a dungeon, but otherwise similar details to the other towers, including restored newel stairs and ruined fireplaces, except for a 2nd-floor fireplace with flat stone arch instead of a corbelled lintel.
Remains of buildings can be seen against each of the outer ward walls. Of the guard rooms to the W, flanking the gate passage, and kitchen and stables on the N, only footings have survived. Against the S wall is a long faceted range housing lesser hall and a small chamber in the W facet, great hall in the central facet, passage and chapel in the E facet. At the W end are stone steps leading down to a pointed cellar doorway with continuous chamfer. To its L is a pointed window, its tracery missing but originally 2-light. Further L is a similar former 2-light window to the great hall that retains fragments of bar tracery. In the E facet are the passage doorway, the dressings of which are mostly missing and with modern stone steps, and 2-light chapel window, also with fragments of bar tracery. The chapel has a similar former 3-light E window. Inside, this range has one transverse arch and the springers and haunches of 7 others, all inserted in the mid C14 to support the roof. The lesser hall has a fireplace in its W end wall; the small chamber between halls has a N fireplace; the great hall has a fireplace against the prison tower. Access to the prison tower is from the embrasure of one the S windows of the great hall. The cellar has a dividing wall below the chapel with doorway.
On the E side of the outer ward is a stone-lined well, approximately 91 feet deep. Behind the well was a drawbridge to a small gatehouse at the middle gate between inner and outer wards. The gatehouse is square in plan with narrow loop in the W wall. The middle gate has a doorway with shouldered lintel to each end of its passage, and draw-bar socket.
The other entrance to the inner ward, the E gate, has draw-bar sockets, and a passage giving access to mural stairs to the king's tower and chapel tower. The stockhouse and bakehouse towers are similar to the towers in the outer wards. The bakehouse tower has a domed oven behind the ground-floor fireplace, and restored newel stairs. The stockhouse tower has ruined newel stairs. The NE chapel tower has a restored conical slate roof. From the inner ward is a C19 restored doorway with red sandstone jamb to the ground floor. It also has a passage and doorway above the water gate on the outer (E) side. A mural stair leads to the 1st-floor chapel, where there is also a separate latrine. The rib-vaulted chapel is round with an apsidal sanctuary. The sanctuary has wall shafts and cusped arcading, incorporating sedilia on the S side, below 3 pointed windows with leaded glazing. On the S side is a squint from a small cell. On the N side of the chapel is a deep window seat, which also features a squint to the sanctuary. A restored mural stair leads to the upper chamber. The SW king's tower has a restored newel stair. At 1st-floor level is a small keeled tunnel-vaulted chamber.
Buildings are ranged against the walls of the inner ward, including the king's private apartments. Against the S wall are the 1st-floor king's chamber on the E and king's hall on the W (known as presence chamber and privy chamber respectively in a survey of 1627), with a passage to the bakehouse tower at the W end. This passage has a segmental-pointed arch. Two windows to its L have dressings mostly missing, and further L is a segmental-headed ground-floor doorway and another window. Entrance to the 1st-floor hall is by a doorway above the passage, which has a 2-light cusped square-headed window immediately to its L. Further L are 2 hall windows and a 3rd to the king's chamber, all square-headed with relieving arches, bar-tracery fragments and fragments of sunk spandrels. Next L is the wall over the passage to the E gate (later used as a buttery). From inside the passage the range has a ground-floor doorway with chamfered dressings and springers of a possible cambered arch, and at the L end a 1st-floor doorway with segmental head. The W wall of the hall has 2 1st-floor doorways with segmental heads. Inside, beneath the hall is a ground-floor fireplace to the W wall, and larger former corbelled 1st-floor fireplace in the S wall. One floor-length window reveal in the S wall has a short passage to a latrine. Hall and chamber have one complete and the springers of 3 other C14 stone transverse arches supporting the former roof. In the king's chamber the 1st-floor has floor-length S and E window reveals opening to mural passages to a latrine and the king's tower.
Against the E wall of the inner ward are the passage to the E gate, and what was known in 1627 as the 1st-floor great chamber. The passage on the R has a pointed segmental arch, to the L of which the ground floor has a segmental-headed window and a small window further L. The 1st-floor great chamber was entered by a doorway at the R end over the passage, which has a cambered head. The chamber has one large square-headed W window under a relieving arch. Inside, fireplaces were built into the W walls, with tripartite lintel in the ground floor. The springers and haunches survive of 2 former transverse arches added in the mid C14 to support the roof.
Reasons for Listing
Listed grade I as one of the oustanding Edwardian medieval castles of Wales.
Scheduled Ancient Monument CN004
britishlistedbuildings.co.uk/300003250-conwy-castle-conwy...