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I was given access to the factory in Dursley in November 2008 and took this selection, showing the various stages of the assembly of the renowned Lister Diesel engines.
Grade I listed
History
Elizabethan
The original building on this site was a manor house built in the 1570s for banker Sir Thomas Gresham, who purchased the manor of Osterley in 1562.[ The "faire and stately brick house" was completed in 1576. It is known that Queen Elizabeth visited. The stable block from this period remains at Osterley Park. Gresham was so wealthy he also bought the neighbouring Manor of Boston in 1572.
Child and Adam[
Two hundred years later the manor house was falling into disrepair, when, as the result of a mortgage default, it came into the ownership of Sir Francis Child, the head of Child's Bank. In 1761 he employed Scottish architect Robert Adam, who was just emerging as one of the most fashionable architects in Britain, to remodel the house. When Sir Francis died in 1763, the project was taken up by his brother and heir Robert Child, for whom the interiors were created.
The house is of red brick with white stone details and is approximately square, with turrets in the four corners. Adam's design, which incorporates some of the earlier structure, is highly unusual, and differs greatly in style from the original construction. One side is left almost open and is spanned by an Ionic pedimented screen which is approached by a broad flight of steps and leads to a central courtyard, which is at piano nobile level.
Adam's neoclassical interiors are among his most notable sequences of rooms. Horace Walpole described the drawing room as "worthy of Eve before the fall."[citation needed] The rooms are characterised by elaborate but restrained plasterwork, rich, highly varied colour schemes, and a degree of coordination between decor and furnishings unusual in English neoclassical interiors. Notable rooms include the entrance hall, which has large semi-circular alcoves at each end, and the Etruscan dressing room, which Adam said was inspired by the Etruscan vases in Sir William Hamilton's collection, illustrations of which had recently been published. Adam also designed some of the furniture, including the opulent domed state bed, still in the house.
After Child
Robert Child's only daughter, Sarah Anne Child, married John Fane, 10th Earl of Westmorland in 1782. When Child died two months later, his will placed his vast holdings, including Osterley, in trust for his eldest granddaughter, Lady Sarah Sophia Fane, who was born in 1785. She married George Child-Villiers, 5th Earl of Jersey, and thus Osterley passed into the Jersey family.
Postwar history
George Child Villiers, 9th Earl of Jersey opened Osterley to the public in 1939 after having received many requests to see its historic interior. The Earl justified his decision by saying that it was "sufficient answer that he did not live in it and that many others wished to see it"; some 12,000 people subsequently visited the house in its first month of opening.[A series of exhibitions of artworks by living artists were staged by the Earl in the top-floor rooms of Osterley to contrast the 18th-century interiors on the ground floor on its 1939 opening. Though it never came to fruition, the Earl planned to create an arboretum in the grounds of Osterley.
After the Second World War the Earl approached Middlesex County Council who had shown interest in purchasing the house before the war, but eventually decided to give the house and its park to the National Trust. The furniture at Osterley was sold to the Victoria & Albert Museum. The 9th Earl moved to the island of Jersey in 1949, taking many pictures from Osterley's collection with him, although some were destroyed in a warehouse fire on the island soon after. The Earl assisted the Ministry of Works and V&A in their restoration of the house to its present late 18th-century state.[
The National Trust took charge of Osterley in 1991, and received many loans and gifts from Lord Jersey including items of silver, porcelain, furniture and miniatures. The trust commissioned portraits of Lord Jersey and his wife by Howard Morgan, which are hung upstairs. In 2014 a ten-year loan to Osterley of portraits of the Child family was arranged by William Villiers, 10th Earl of Jersey, the present Earl.[Portraits included in 2014 loan include Allan Ramsay's portrait of Francis Child (1758), and George Romney's portrait of Francis's brother, Robert.
The house and gardens are open to the public and receive around 30,000 of the 350,000 visitors to the surrounding park. The park is the site of a weekly 5k Parkrun.[8]
Excerpt from Wikipedia
I was given access to the factory in Dursley in November 2008 and took this selection, showing the various stages of the assembly of the renowned Lister Diesel engines.
I was given access to the factory in Dursley in November 2008 and took this selection, showing the various stages of the assembly of the renowned Lister Diesel engines.
i just got back from a trip to see my family in cincinnati and chicago (we also managed to spend three days in ann arbor, michigan -- nice town!). lots of new photos to come soon! :)
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List: 333mm x 205mm.
Typed on unruled paper also pencil, blue biro and blue texta text.
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" La juventud es un disparate; la madurez, una lucha; la vejez, un remordimiento"
Disraeli, Benjamin
www.goear.com/listen/b18bb2a/pastillas-para-no-sonar-joaq...
Victoria Baths is a Grade II* listed building, situated in the Chorlton-upon-Medlock area of Manchester, in Northwest England. The Baths opened to the public in 1906 and cost £59,144 to build. Manchester City Council closed the baths in 1993 and the building was left derelict. A multi-million pound restoration project began in 2007.
The baths were designed by the City Surveyor, T. de Courcy Meade, and his assistant, Arthur Davies. The work was supervised by Henry Price, the newly appointed city architect. The baths were opened in September 1906 by the Lord Mayor of Manchester who described the building as a "water palace". For 86 years the Baths provided essential leisure facilities. Private baths and a laundry were housed there along with three swimming pools and a Turkish bath. The main swimming pool was floored over in the winter months to hold dances. In 1952 the Victoria Baths installed the first public Aeratone (jacuzzi) in the country.
In the design and construction of the Baths, a great deal of money was expended, Manchester having at that time one of the world's wealthiest municipal coffers. The façade has multi-coloured brickwork and terracotta decoration, the main interior public spaces are clad in glazed tiles from floor to ceiling and most of the many windows have decorative stained glass.
The Baths were closed by Manchester City Council in 1993. The Friends of Victoria Baths was formed and began to investigate the possibility of running the Victoria Baths independently.
Various fund-raising attempts failed to bring about a restoration of the Baths, although work to prevent further deterioration of the building started in 1998
n September 2003, the Baths won the first series of the BBC's Restoration programme. The building was chosen by a public phone-vote from a short-list of ten buildings in danger of dereliction in the UK. It was awarded £3.4 million from the Heritage Lottery Fund and the money raised through the phone-voting process. The Prince of Wales visited the baths a month later to help celebrate the win.
It was intended that the money would be spent on re-opening the Turkish bath by around 2006, with other parts following later at a cost of around £15–20m. However, the redevelopment plans were dealt a blow one year later when quantity surveyors delivered a much larger estimate of £6.3m to restore the Turkish baths. The Heritage Lottery Fund requested further details about the full redevelopment before they would hand over any money for the first phase. Final planning approval to begin a restoration process was not received until September 2005.
In September 2006, as part of a number of events to mark the centenary of the building's opening, the gala pool was filled for the first time in 13 years.
The first phase of restoration work consisting of structural work and repairs began on Monday 19 March 2007, and was completed in September 2008. In 2011 the Baths were used as a filming location, a concert venue, and an exhibition centre.
Overall, a disappointing year for docs: Alex Gibney’s exposé of Silicon Valley’s psychopath du jour Elizabeth Holmes (The Inventor: Out for Blood in Silicon Valley) was underwhelming, ditto for Errol Morris’ portrait of Steve Bannon (American Dharma). On the other hand, Alison Klayman’s The Brink is a powerful portrait of the man who is accelerating the ascent of neo-fascism in Italy: Matteo Salvini’s consigliere Steve Bannon is a catalyst of the dissolution of neoliberal technocratic Europe, or at least that’s how he loves to present himself. One can only hope for both ideologies – neo fascism and neoliberalism – to implode. Unfortunately, living in dystopia is the new normal, in Italy as well as in the US. Hao Wu’s investigation of Chinese live streaming superstars had enormous potential but the delivery was ultimately shallow. I haven’t watched most of Michael Apted’s series, so 63up was never going to be on this list. Claire Simon’s The Competition was my favorite movie of 2017: most of 2019 docs pale in comparison. Brett Story’s The Hottest August is the most illuminating meditation about New Yorkers since Wiseman’s In Jackson Heights. Story’s previous effort, The Prison in Twelve Landscapes is a masterpiece. Recorder is a media scholar wet dream: VHS porn like you’ve never seen it before. Maria Stokes is the Vivian Meier of lo-fi visual hoarding: the ultimate Archivist.
For cinephiles (fanboys?) only: Alexandre O. Philippe’s illuminating discussion on the connections between Alien and the socio-cultural and artistic context in which it was made, celebrates both the ecstasy of influence at a narrative level and the stunning visionary style of H.R. Giger (but also Francis Bacon), through the lenses of Dan O’Bannon, the catalyst. I could watch ten, twelve hours of Memory: The Origins of Aliens.
Best bit: “You need some skills to handle Americans. […] There is a culture in the US, where children are showered with encouragement. So everyone who grows up in the US is overconfident. They are super confident. Americans love being flattered to death. ‘Donkeys like being touched the way their hair grows’. You should touch donkeys the way their hair grows. Otherwise they will kick you. We need to use our wisdom to guide and help them. Because we are better than them,” says the Chinese boss of a Chinese glass company in Dayton, Ohio. “We need to make America great again”, he adds, at a different meeting." (Steven Bognar and Julia Reichert, American Factory)
www.youtube.com/watch?v=qUmRhwNGzS8
Christmas Special: The Naughty List with Derpy Hooves & Snowcatcher
Derpy discovers she is on Santa’s naughty list! A normal pony would clean up her act, but fortunately Derpy is definitely not normal. Such “slander” requires a chaotic trip to the North Pole.
I was given access to the factory in Dursley in November 2008 and took this selection, showing the various stages of the assembly of the renowned Lister Diesel engines.
Official list entry
Heritage Category: Listed Building
Grade: I
List Entry Number: 1107157
Date first listed:
25-Feb-1965
Location
Statutory Address: St Michael and All Angels Church, Marwood, Barnstaple, EX31 4EB
County: Devon
District: North Devon (District Authority)
Parish: Marwood
National Grid Reference: SS 54401 37561
Details
Parish Church, C13 fabric to chancel with two lancets to north side (recent) and pointed south doorway. South transept with single lancet in east wall and unmoulded pointed arch into nave. Battered plinth in north aisle indicates former north transept and original cruciform plan. Nave, rest of north aisle and upper stages of tower principally C15. Late C19 refenestration and reroofing. Slate roof of late C19 slates with ridge resting on nave chancel. West tower of 3 stages with pentagonal stairturret on north side with 6 small square openings. Embattled parapet set-back buttresses to first stage only with elongated gravestone apparently designed to be fixed onto eastern buttress of south wall. Small square- headed opening on south and east side of second stage and four 2-light cusped bell- openings with quatrefoil tracery in the heads, pierced in east and south wall but blocked to north and west. All have pointed labels with returned ends. Slate louvres below tracery. Mostly recut Perpendicular window at west end and C15 west door with Pevsner 'B-type' moulding and flat-pointed arch. Embattled south porch with flat-pointed arch supported on Pevsner 'A-type' moulded piers. Small unceiled waggon roof of porch with some re-used timber. C14 south doorway with small foliated corbels. International timed sundial dated 1762 by one John Berry. Two square-headed perpendicular style windows of 3-lights with carved leaves in the spandrels to each side of porch. North arcade of 5 bays with 'B-type' piers. Capitals from western respond have 'Green man' foliage and berries then 3 fluerons between plain shields then two piers with interlaced fern and leaf decoration then one with continuous fern pattern and interlaced leaves in eastern respond. Unceiled waggon roofs to chancel, nave, north aisle and south transept. Some inserted timber to nave and chancel roof, but substantially intact. North aisle more complete with carved bosses in the intersections of the ribs. North aisle has 6 bays of straightheaded Perpendicular windows of 3 lights each with slightly curved arches. North door between second and third window from west end with hollow chamfered flat pointed arch with small round-headed niche above. C14 3- light window reset probably in C17, at east end of north aisle has pointed-arch heads under gentle ogee arches. South transept has raised plain wooden pointed arch door opening to blocked rood loft. Section of very fine early C16 rood screen spanning north aisle only. Pevsner 'A type' tracery and complete ribbed coving of 3 bays, now missing its gallery front but its gallery back remains. Richly carved panels recording the name of 'Sir John Beaupul', Parson of Marwood holding office in 1520. Renaissance influence in carving. Similar to work by the carver of Atherington screen. Large plasterwork Royal Arms at west end of north aisle 1763 datestone on its outside wall may indicate date of its erection. Early rectangular font bowl lies at west end of next to replacement front with cover carved by John Robinson. Some medieval floor tiles remain principally rear of new C17 pulpit. 13 C16 pews in nave 2.5 metres wide, with ornamental carved bench ends and moulded backs. 3 choir stalls on north side with misercords. Monuments. East wall of north aisle. Marble wall tablet with loric colonettes flanking inscription to Anne Chichester of Westcote (died 1664). On north wall of north aisle a monument by J Berry with urn and pedestal over Doric columns and frieze with inscription to an owner of Ley (died 1765). Medallion below has palmettes with hour-glass above north aisle north wall has marble wall monument to William Parminter (died in Panama - 1737). Inquisitor General for the South Sea Company and other members of his family. Inscription "This monument having lost its hold on the wall where it had been fixed-fell on the floor and was much mutilated. A grateful recollection of a respectable Ancestry imposed the necessity of its re-erection on a Surviving Descendant C1821'. Corinthian pillars surmounted by seated figures to each side of armorial shield and urn. Marble wall tablet on south wall of nave dated 1633. Ionic colonnettes to each side of tablet with hour glass in pendant. At west end on south wall nave a wall monument to William and Anthony Beard died 1652 aged 16 and 19. Two busts in high relief leaning on table with skull and hour glass. Shields above with plaque below and painted medallions with biblical inscriptions in surround to each side. Some Old Devon Churches by John Stabb 1908. Bells and bell frame not inspected; said to contain 6 bells cast in 1771.
© Historic England 2022
Visualization of an email list. Each picture reprensents one Month. A Sediment is an author, the height
Visualization of an email list. Each picture reprensents one Month. A Sediment is an author, the height represents the length of teh body, each hair is a word. Answers are red lines.
Visualization of an email list. Each picture reprensents one Month. A Sediment is an author, the height represents the length of teh body, each hair is a word. Answers are red lines.
Happy To Announce A Remarkable New Listing: Property Details For: 414 LAKEFRONT DRIVE Panama City Beach, FL 32413Type: ResidentialPrice: $599,000Bedrooms: 3Baths: 3.0Here is some additional information about 414 LAKEFRONT DRIVE Panama City Beach FL 32413: See full detail for Listing: 418836Address: 414 LAKEFRONT DRIVE Panama City Beach FL 32413Here is what Trulia.com has to say about the area: Panama City Beach Market Stats: There are 4 seven bedroom properties available with an average listing price of $1,280,729. Overall the average listing price in Panama City Beach is $314,629. Lotac: Paved Road Lotac: Private Road Lotac: Comm/Own/Maint Lotfe: Sidewalk Lotfe: 1/2 Mile Of Water Lotfe: Covenants/Restrictions Lotfe: Survey Available Zon: Deed Restrictions Zon: Res Single-Family Watvw: Gulf Watvw: Lake Prkft: Oversized Prkft: Garage Facil: Beach Facil: Dock Facil: Gated Community Facil: Pets Allowed Facil: Picnic Area Facil: Tennis Facil: Security-24 Hour Facil: Security-Gate Facil: Security-Gate Rov Const: Foundation-Off Grade Const: Frame Const: Roof-Metal Const: Siding-Stucco Const: Trim-Vinyl Ext: Balcony Ext: Columns Ext: Patio-Covered Ext: Porch-Covered Ext: Renovated Ext: Sprinkler System Int: Built-In Bookcase Int: Ceiling-Raised Int: Fireplace Int: Fireplace-Gas Int: Floor-Hardwood Int: Floor-Tile Int: Floor-W/W Carpet Int: Floor-W/W New Carpet Int: Light-Recessed Int: Newly Painted Int: Renovated Int: Split Bedroom Int: Washer/Dryer Hookup Int: Wet Bar Int: Woodwork-Paint Int: Stairs-Curved Int: Inside Storage Appl: Garage Door Opener Appl: Cooktop Appl: Dishwasher Appl: Disposal Appl: Oven-Self-Cleaning Appl: Refrigerator/Ice Maker Appl: Stove/Oven-Electric Appl: Microwave/Range Hood Util: Electric Util: Water-Public Util: Cable Tv Util: Sewer-Public Energ: A/C-Central Electric Energ: Ceiling Fan(s) Energ: Double Paned Window(s) Energ: Heat-Central Electric Mbdbt: Mbath-Cult Marble Mbdbt: Mbath-Double Vanity Mbdbt: Mbath-Dress Area Mbdbt: Mbath-Garden Tub Mbdbt: Mbath-Sep Shower Mbdbt: Mbath-Tile Mbdbt: Mbath-Walk-In Closet Mbdbt: Mbed-Carpet Mbdbt: Mbed-Cathedral Ceiling Fin: Conventional Fin: Fha Fin: Owner Fin: Va Fin: Cash Show: Appointment Only Inter: All
List of painters in compilation: Nikolay Dubovskoy, Ivan Endogurov, Igor Grabar, Lev Kamenev, Valerian Kamenev, Vladimir Kazantsev, Alexander Kiselev, Yuliy Klever, Mikhail Clodt, Gavriil Kondratenko, Konstantin Kryzhickiiy, Arhip Kuindzhi, Isaac Levitan, Arseniy Mesherskiy, Grigoriy Myasoyedov, Volodymyr Orlovsky, Ilya Ostroukhov, Oksana Pavlova, Vasily Polenov, Vilgelm Purvit, Arkady Rylov, Alexei Savrasov, Andreiy Shilder, Ivan Shishkin & Rufin Sudkovsky.
The Memorial Hall at Sheffield City Hall is situated at the rear of the building behind the Oval Hall. This semicircular hall seats 522 and is popular for stand-up comedy. Opened in 1932 and designed by E Vincent Harris, a municipal architect, and some interior decoration by George Kruger Gray. The City Hall consists of a 2,346 seat Oval Concert Hall, and 522 seat Memorial Hall as the main performance spaces, with the North Hall, South Hall and Ballroom used for functions. The complex is grade 2* listed.
City of Sheffield, South Yorkshire, England - City Hall, Barkers Pool
November 2007, image reworked 2021
Mini Quiet Book with Squeaker .. Quiet book in handmade.Busy book. Babybook page, toddler quiet book .activity book, quiet book toddler, toddler busy book, sensory book, Baby quilt.Felt book page
www.etsy.com/listing/268557886/quiet-book-mini-frigate-wi...
New listing up on my Etsy shop. This listing can be found if you follow this link: www.etsy.com/listing/258117048/princess-tulle-dress-for-p...
Jim Powers has just listed 5 Chapel Way, Red Lion, PA! Photographed by Lindsey Steiner for Real Estate Exposures realestateexposures.com/ realestateexposures.com/ www.facebook.com/realestateexposures/photos/a.13135623119...
Listed Building Grade II
List Entry Number : 1218889
Date First Listed : 13 January 1971
Dating from 1825, a pair of houses in a terrace, in red brick with sandstone dressings and slate roofs. Both houses have symmetrical three-bay fronts and are in two storeys, with No. 7 also having an attic. No. 7 has a doorcase with Tuscan semi-columns and a fanlight which is flanked by bow windows. Above there are sash windows, including one in the pedimented attic. No. 5 has a central porch, and this is flanked by two-storey canted bay windows.
a little update to the pagan outfit my thought prosses is its symbolic eyes in the wings on the "he knows what you are sleeping he knows when you are awake" "he knows if you been bad or good." "you better watch out you better not cry." playing around that there some seasonal justice but i try to make the character look sad