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Listed Building Grade II
List Entry Number : 1350338
Date First Listed : 26 March 2003
The Radar Training Station was built 1961–62 to a design by the Lancashire County Council Architect's Department. The project architect was Eric Morris Hart. It is constructed of reinforced concrete.
Lifetime Dream # 52 of my list of 155: I will collect over 100,000 music tracks, having a wide range of music to enjoy and be inspired by. I will constantly reach out in search of new artists, never focusing on just one type of music.
It’s no surprise that I love and adore music, but in addition to that I have a very wide range of music in my library. As of now I am just over 22,000 songs ranging from rock to pop, classical to even country. I may have issues with certain genres, but I can still be inspired by some artists. Being a musician is a blessing and a curse with appreciating music. You are a lover of music, but picky about true artists and so on.
My MP3 player is filled with playlists- random things. I’ll listen to Nirvana and then it’ll be Clint Black, followed by a song from Mulan. I love randomness as much as I love order so go figure… and I am always looking for music with power and emotion- those songs are the absolute best to journal to!
I was given access to the factory in Dursley in November 2008 and took this selection, showing the various stages of the assembly of the renowned Lister Diesel engines.
Списак ученица и ученика Српске школе у Риму. Списак садржи име и презиме, место и дан рођења ученика, мајчино име, име и занимање оца.
Међу 28 ученика, деце трговаца, официра и др., налази се и Милена Барили , ћерка Данице и Бруна Барилија, композитора.
ИАБ, ЗМГ, К-3/ II, 15, 4
List of Serbian Pupils in Rome 1918
IAB, ZMG, K-3/ II, 15, 4
Renishaw Hall is a Grade I listed building and has been the home of the Sitwell family for over 350 years.
The current owner of Renishaw is Alexandra Sitwell, daughter of the late Sir Reresby and Lady Sitwell.
The house was built in 1625 by George Sitwell (1601–67) who, in 1653, was High Sheriff of Derbyshire. The Sitwell fortune was made as colliery owners and ironmasters from the 17th to the 20th centuries. Substantial alterations and the addition of the west and east ranges were made to the building for Sir Sitwell Sitwell by Joseph Badger of Sheffield between 1793 and 1808 and further alterations were made in 1908 by Sir Edwin Lutyens.
The owner until 2009 was Sir Reresby Sitwell, 7th Baronet Sitwell of Renishaw the eldest son of Sir Sacheverell Sitwell brother of Edith and Osbert.
The gardens, including an Italianate garden laid out by Sir George Sitwell (1860–1943), are open to the public. The hall is open for groups by private arrangement. The park is listed in the Register of Parks and Gardens of Special Historic Interest in England as Grade II*.
The 1980 BBC adaptation of Pride and Prejudice used footage shot at Renishaw Hall. D. H. Lawrence is said to have used the local village of Eckington and Renishaw Hall as inspiration for his novel Lady Chatterley's Lover.
The Sitwells have always been avid collectors and patrons of the arts and the history of the family is filled with writers, innovators and eccentrics.
Dame Edith Sitwell (1887 - 1964) was a grandly eccentric poet and novelist, described by one observer as “an altar on the move.”
Sir Osbert Sitwell (1892-1969) wrote prose, poetry and also many short stories and novels, including Before the Bombardment (1926)
Sir Sacheverell Sitwell (1897-1988) His first volume of poetry, The People’s Palace, was published in 1918. He is also well known for his writing on art, architecture and ballet.
Information from Wikipedia and the Hall website.
1st Lt. Jon Chandler, left, executive officer of Company D, 1st Battalion, 63rd Armor Regiment, 2nd Advise and Assist Brigade, 1st Infantry Division, United States Division – Center and a Christmas Valley, Ore., native, and Iraqi Army Col. Hussein, second from right, the 17th Iraqi Army Division supply officer, go over a property list while conducting an inventory Sept. 22, 2011 at Joint Security Station Deason. Company D Soldiers lived and worked at JSS Deason for ten months of their deployment in support of Operation New Dawn, advising, training and assisting the 17th IA Div. in its operations. (U.S. Army photo by Staff Sgt. Brett Miller, 2nd AAB, 1st Inf. Div., USD-C)
I am very unmotivated to do my real work so I am working on lists for my sewathon weekend. And practicing my hanwriting to make it nice.
-mobile-
I have no plan with the Kent Church Project, as I call it.
The plan, as it is, is to visit each of the Kent parish churches, and if possible, photograph inside and out.
I could have a list for each area, names and adresses of each church, and details of opening times or points of contact. But I don't.
Mostly its a spur of the moment thing, we're going to a town for something, and we do some churches in the area, and if we're lucky, they're open.
If I would have done my research properly, I would have realised that the largest village between Faversham and Sittingbourne, would have a parish church, and I would have ticked it off over Heritage Weekend.
As it was, I didn't know.
So, late one Friday afternoon, I arrive at the church to find the door open, though the wardens clearing up after the weekend, were not too receptive for a visit, but agreed to stay a "few minutes" to allow me to get some shots.
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An enormous building in an isolated position overlooking farmland. The church is entered under a tower built in the fourteenth century, which completed a westward rebuilding of a thirteenth-century church that boasted very large transepts. The Victorian east window (for which there is a design hanging on the wall) was destroyed in the Second World War and replaced by the present glass to the designs of Hugh Easton. In the north transept are some fragments of fifteenth-century glass. The pulpit is Jacobean. In the south transept are some excellent brasses including one to John Frogenhall (d. 1444), showing him wearing the SS-pattern collar of the Lancastrian cause.
www.kentchurches.info/church.asp?p=Teynham
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TENHAM.
TENHAM, called in Saxon, Teynham, and now frequently written so, is the next parish south-eastward from Bapchild, and gives name to the hundred in which it is situated.
THE MANOR, which comprehends the hundred of Tenham, was given by Cenulph, king of Mercia, at the request of archbishop Athelard, by the description of twelve ploughlands, lying at Tenham, to the metropolitan church of our Saviour at Canterbury; and he made this gift chiefly on account of the archbishop's having given to him in recompence, twelve ploughlands lying at Cregesemeline, which king Offa formerly gave to one of his earls, named Uffa; and the king granted this land to the church of Christ, free from all secular service, except the repairing of bridges and the building of castles.
The above place, called Creges Emeline, has been understood to mean the fleet, or pool of water between the islands of Emley and Harty, in Shepey, now and long since called Crogs-depe, which water parts the royalty of the Swale between Tenham and Faversham, and is likewise the bounds of the hundreds of Middleton and Faversham. (fn. 1)
This manor continued part of the possessions of the church of Canterbury when archbishop Lansranc came to the see in the year 1070, being the 5th of the Conqueror's reign: and on the division which he soon afterwards made of the revenues of his church, between himself and his convent, Tenham was allotted to the archbishop and his successors, for their provision and maintenance.
After which the succeeding archbishops so far improved the buildings of this manor-house, as to make it fit for their frequent residence.
Archbishop Hubert Walter, a most magnificent prelate; the expence of whose housekeeping was esteemed nearly equal to that of the king, resided much at Tenham, where he died in the year 1205, and was carried from thence and buried in his own cathedral at Canterbury.
¶Archbishop Boniface, anno 44 Henry III. 1259, obtained both a market and fair for his manor of Tenham, the former on a Tuesday weekly, and the latter to continue for three days yearly at the Assumption of the Virgin Mary. Archbishop Walter Reynolds was resident here in the beginning of the winter of the year 1325, one of his instruments being dated from hence. Archbishop John Stratford, who filled the see in the reign of Edward III. entertained that prince here in the month of February, anno 1345, being the 19th of his reign, several of his letters patent bearing date from Tenham in that time.
The manor of Tenham remained part of the see of Canterbury, so far as I have learned, till the reign of queen Elizabeth, (fn. 2) when it was exchanged with the crown for other premises, where it lay till James I. in his 5th year, granted it to John Roper, esq. of the adjoining parish of Linsted, whom he afterwards, in the 14th year of his reign, knighted and created lord Teynham, in whose successors, lords Teynham, the property of this manor has continued down to the Right Hon. Henry Roper, the twelsth lord Teynham, who is the present possessor of it. A court baron is held for this manor.
There are several different customs of the tenants of this manor, principally in the Weald, mentioned in Somner's Gavelkind.
TENHAM is within the ECCLESIASTICAL JURISDICTION of the diocese of Canterbury, and deanry of Ospringe,
The church, which is large, is dedicated to St. Mary. It is built in the form of a cross, and consists of three isles, a high chancel, and a north and south chancel, having a square tower at the west end, in which are four bells. In the south cross or chancel, called the Frognal chancel, from its belonging to that manor, lie buried several of that family; over John Frogenhall, who died in 1444, there still remains a brass on his gravestone, with his figure habited in armour; several of the Clerks, owners of this manor, lie buried likewise in it. The north chancel is called the Hinkley chancel, from a family of that name, one of whom, John Hencliff, of Tenham, died in 1463, possessed of an estate in this parish, called Jonathan's garden, which he devised to his two sons, on condition that they should glaze a long window on the north head of this church. In this chancel is a stone, with an inscription and figure of a man in brass, for William Wreke, obt. 1533; a memorial for John Sutton, vicar, 1468, and Robert Heyward, in 1509. Weever says, there was a memorial in this church for William Mareys, and Joan his wife, but it has been long since obliterated. There are remains of good painted glass in the windows. Several of them have rich gothic canopies of beautiful coloured glass remaining in them, which had no doubt formerly figures of equal beauty, underneath. In the south window of the high chancel, is the portrait of a girl in blue, kneeling and pointing to a book, which is held by a man, who likewise points with his hand to it; at the bottom was an inscription, of which only remains, Sedis aplce pthonotarii. In the north chancel, in two windows near the vestry, is a figure in an episcopal habit, mitred, &c. with these arms, Ermine, three bars wavy, azure. In the window of the vestry room, a mitre and these arms, Per pale and fess, counterchanged, azure, and argent.
¶Archbishop Stephen Langton, in 1227, on account of the slender income of the archdeacontry of Canterbury, and the affection he bore towards his brother Simon Langton, then archdeacon, united to it the churches of Hackington, alias St. Stephen's, and Tenham, with the chapelries of Doddington, Linsted, Stone, and Iwade, then belonging to it, which churches were then of the archbishop's patronage; and this was confirmed by the chapter of the priory of Christchurch directly afterwards; at which time this church was let to farm for one hundred marcs. (fn. 5) In which situation this church has continued to this time, the archdeacon of Canterbury being the present patron and appropriator of it.
The chapels above-mentioned, which are all belonging to the archdeaconry, have long since, excepting the chapel of Stone, become independent parish churches, and as such not subject to any jurisdiction of the church of Tenham.
In the 8th year of Richard II. anno 1384, this church was valued at 133l. 6s. 8d. It is now of the annual value of about two hundred pounds, the yearly rent to the archdeacon is thirty-five pounds.
It is a vicarage, and valued in the king's books at ten pounds, and the yearly tenths at one pound, and is now of the yearly certified value of 63l. 13s. 4d. In 1640 it was valued at sixty pounds. Communicants one hundred.
This vicarage was augmented ten pounds per annum, by lease in 1672, between archdeacon Parker and Sir William Hugessen, of Linsted, lessee of the parsonage.
The family of Furnese were afterwards lessees of the parsonage; Henry Furnese, esq. sold it to Henry, late lord Teynham, who, in 1754, alienated his interest in it to Mr. Kempe, the occupier of it, in whose family it still continues.
There was a chantry in this church, which was suppressed, among other such endowments, by the acts of 37 Henry VIII. and 1 Edward VI. In the 2d year of the latter reign a survey was returned of it, by which it appears, that the land belonging to it lay in Frogenhall manor, then the property of Thomas Green, and that the total yearly value of it was only 18s. 8d.
Stop Looking! I Have A New Beautiful Home Listing Fresh On The Market! Take A Peek: Here is what Trulia.com has to say about the area: Sorry, there are no new market stats for: Minneapolis, Mn e1 Property Details For: 3655 Washburn Avenue N Minneapolis, MN 55412Type: ResidentialPrice: $179,900Bedrooms: 3Baths: 1.0Sq Feet: 1,370 Here is some additional information about 3655 Washburn Avenue N Minneapolis Mn 55412: See full detail for Listing: 4770265Address: 3655 Washburn Avenue N Minneapolis Mn 55412 Beautiful 1940 Tudor, Just Steps From The Parkway! Classic Details, With Fireplace, Gleaming Hardwood Floors, Corner Hutches And Beautiful Original Kitchen. Huge Main Floor Master Bedroom, And Adorable 3 Season Porch Off The 2nd Bedroom. Huge Open Basement, Extra High Ceiling With Great Potential To Finish And Add More Space And Equity. Solid Home- Beautiful Maintenance-Free Exterior, Newer Mechanicals, Newer Windows. Well Maintained Classic Home With Room To Grow Doesn'T Get Better Than This!
The Philip Johnson-designed List Art Building at Brown University.
Providence, Rhode Island.
All rights reserved. No use & distribution without express written permission. Strictly enforced.
My supermarket trolley this morning came supplied with a suggested shopping list. However, I decided to not take advantage of this service and instead just bought the things on my own list.
I don't even know what "Dylan beans" are.
Police Transit, Astra, Prison Van
Sir Percy Edward Thomas OBE (13 September 1883 – 19 August 1969), was an award-winning British architect, based in Wales for the majority of his life. He was twice RIBA president (1935-37 & 1943-46).
Percy Edward Thomas was born on 13 September 1883 in South Shields, the son of a sea captain from Narberth in Pembrokeshire, with whom the family often travelled. The family moved to Cardiff during the 1890s, and Captain Thomas died at sea in 1897.
Percy Thomas began work in a shipping office, but changed to a career in architecture on advice from a phrenologist. In 1903 he won the architecture competition at the National Eisteddfod of Wales in Llanelli. After several years working in England, he began collaborating with Ivor Jones of Cardiff, and they went into partnership in 1913
Wikipedia
ACCRINGTON MANCHESTER ROAD
SD 72 NE
Magistrates Courts and Police Station
7/19
-
GV II
Magistrates Courts and Police Station, 1933, by Sir Percy Thomas in simplified and streamlined classical style. Ashlar, flat roof on 2 levels. One and two storeys. Court house is single storey of 2 different heights; centre of facade dominated by monumental porch projected from centre of courtroom hall which is set back; porch (covering deeply recessed pedimented doorway) has giant rounded arch
with voussoirs, and a panelled frieze which carries round the court hall. Lower ranges flanking porch, and flush with it, both have 4 windows with plain reveals, voussoirs and glazing bars; left has a simple doorway, right has some basement windows and is linked by a quadrant to Police Station which is 2 storeys (to falling slope of Spring Gardens) in same style. Companion to the Fire Station (q.v.).
Listing NGR: SD7631228223
Source: English Heritage
List 14 proves weekends rock.
To see my previous Lists 1 to 6 all in one place, visit my blog:
amandaroseblog.typepad.com/my_blog/2013/09/30-days-of-lis...
You can read about my approach this time around and see photos of the cover and intro/outro pages here: amandaroseblog.typepad.com/my_blog/2013/08/my-sept-2013-b...
To follow along daily with my lists, follow me on instagram: @amanda_r0se
VIDEO PLAYLIST www.youtube.com/watch?v=5ReHTgQLmr4&list=PLC87jK6_9w7...
COMPRE CD AQUI www.amazon.com/s/?ie=UTF8&keywords=hermanos+lebron&am...
FACEBOOK www.facebook.com/HERMANOSLEBRON?ref=ts&fref=ts
En el mundo de la salsa una agrupación logró el éxito porque pudo fusionar el soul y el rythm & blues con el sonido afroantillano y de esta forma conquistar el público caribeño y el afroamericano. Se trata de Los Hermanos Lebrón, diestros creadores del funky blues a finales de la década de 1960. Fueron los que insertaron las líricas en inglés y le agregaron cierto sabor de gospel al movimiento de la salsa.
Los Hermanos Lebrón
La familia Lebrón se inició en el pueblo de Aguadilla, Puerto Rico y continuó creciendo en el sector negro de Brooklyn, Nueva York, ciudad a la que llegaron sus padres en 1952. Pablo, María, José, Ángel, Carlos y Franky se educaron en un ambiente netamente musical y con sabor a su tierra natal… el padre escribía décimas y en la familia la mayoría eran músicos y tocaban cuatro y guitarra, además de cantar.
Pablo Lebrón, quien se destacó por su voz, nació el 30 de junio de 1937, el único que vivió su infancia y adolescencia en el pueblo de Aguadilla, en Puerto Rico. En 1954 organizó el grupo Las Tres Monedas, el cual sirvió de inspiración para sus hermanos, y en 1965 fundó la Orquesta Arecibeña.
Por su parte, sus hermanos Ángel y José Lebrón, en 1962 organizaron su primera agrupación, en la que también integraron a su primo José Manuel. La llamaron Los Eltones. En una ocasión Pablo, que estaba con su Orquesta Arecibeña en el club Las Vegas de Brooklyn, logró que el dueño del local les diera una oportunidad. De esa manera, la agrupación, que desde entonces se nombró Ángel Lebrón y su Combo, comenzó a trabajar de lunes a viernes en el club interpretando los éxitos del cancionero popular afroamericano.
La oportunidad para grabar les llegó de la mano del empresario George Goldner, jefe del sello Cotique, gracias a que había aceptado escucharlos en vivo. Como ese encuentro era importante, Ángel y José le pidieron a su hermano Pablo que los acompañara en las interpretaciones, para aprovechar su veteranía y maravilloso estilo interpretativo. Los hermanos Ángel, José, Pablo y Carlos interpretaron, a su manera y estilo, dos boogaloos. Fue Goldner quien les sugirió que se llamaran Los Hermanos Lebrón y les solicitó la preparación de un álbum completo.
El album apareció en 1967 con el título de Psychodelic goes latin: The Lebrón Brothers Orchestra, el cual incluyó los temas Summertime blues, Tall tale, Mary, Mary y My cool boogaloo. También cantaron en español Suena, Mi mambo, Mala suerte y Descarga Lebrón.
Gracias al éxito arrollador del primer trabajo, en 1968 presentaron su segundo disco, The Brooklyn Bums, nombre de un famoso equipo de béisbol. Publicaron nueve temas con interpretaciones en inglés y español, entre otros You've lost that lovin' feeling, The village Chant, Boogaloo pa mi San Juan, Vacilón, Son sabrosón y El cantante.
En 1969 apareció I Believe y Brother, que impuso éxitos como Pancho, el Loco, Daddy's home, Nona, Dance, dance, dance, Boogaloo Lebrón, Díganle, Don't be afraid, Fe, Couldn't give you up y Since you've been gone.
La década del 70
En los 70 el boogalo empezó a perder terreno y Los Hermanos Lebrón reflejaron este cambio produciendo un disco totalmente en español. Apareció en 1970 con el título de Llegamos y con temas como Mi fracaso, Tus recuerdos, Orgullo, riqueza y lujo, No le diga, Sin ti, Equivocada, El balcón aquel y Todo lo echas a perder.
En 1970 apareció Salsa y control uno de los éxitos más importantes de la salsa. En este álbum también publicaron temas como Tú llegaste a mi vida, Qué pena, Piénsalo bien, Estoy loco, Bongó loco, Regresa a mí y Sabor típico. Es en este álbum que se hizo evidente la influencia americana con el soul y el rythm & blues, los toques de jazz y los innovadores seis coros, que le brindaron un verdadero sello de distinción. En los boleros, buscaron el sonido tradicional de los tríos puertorriqueños.
Para muchos, Los Hermanos Lebrón, una verdadera institución dentro de la música del Caribe, son de los primeros en utilizar la palabra Salsa. A partir de Salsa y control, todo lo que se conocía como son, mambo, guaracha o guaguancó, se renombró como salsa.
En 1971 los hermanos Ángel, José, Pablo, Carlos y Frank Lebrón publicaron con el sello Fania Picadillo a la criolla, álbum del que se destacaron temas como Temperatura, Te lo imaginas, Vagabundo y La agonía, entre otros.
En 1972 publicaron En la unión está la fuerza que incluyó hits como Dulzura, Solamente tú, La envidia y la tumba, Como son las cosas y Moros y cristianos. Estuvieron con Fania hasta 1984, tiempo en el que aparecieron los discos Asunto de familia (1973), 4+1 (1975), Distinto y diferente (1976), The new horizont (1978), La ley (1980), Hot stuff (1981) y Criollo (1982).
En enero de 1981, Pablo sufrió una trombosis cerebral. Esto marcó su retiro de la agrupación y en solidaridad los Lebrón tuvieron un receso de cuatro años. En 1985 volvieron a los estudios de grabación con el vocalista Frankie Morales y produjeron Salsa Lebrón (1986). Luego apareció El boso (1988), cantando Pablo Lebrón, y poco después Loco por ti, vocalizado por Ángel y José.
A partir de entonces, llegó al grupo el cantante Luisito Ayala, quien permaneció por más de una década. Lo místico fue publicado en 1998 y le siguió el álbum 35 Aniversario" en el 2002, además de varias compilaciones.
El 28 de diciembre de 2006 Los Hermanos Lebrón se presentaron en el teatro Jorge Isaacs de Cali, Colombia, para rendirle un merecido homenaje en vida a su hermano Pedro. De este homenaje surgió un espectacular DVD, con testimonios y mucha música, que titularon Asunto de familia, retomando el mismo nombre que ya la habían dado a una de sus producciones. Este documento histórico junto con un disco compacto que ofrece 10 de sus clásicos en honor a sus 40 años de vida artística, en el 2009 se sumaron al catálogo del naciente sello Global Entertaiment Music, para beneplácito de todos sus seguidores.
Los hermanos Lebrón llegaron a ser cinco, aunque Pablo ya no está en la orquesta desde hace varios años por su enfermedad, Por su música y sus grabaciones la obra de Pablo Lebrón, Ángel Lebrón, José Lebrón, Frankie Lebrón y Carlos Lebrón sigue vigente.
1969-the 3 NZST houses in down town Qui Nhon had Honda 2000 stand-by generators - all were buggered, too small for the workload so I replace them with these Lister Diesels ordered from Singapore. The neighbours were not happy with thumbing away after 10pm in the evening, Although I fitted exhaust silences the consist speed was torture.
How many of these have YOU read? See the list here: www.guardian.co.uk/news/datablog/2011/mar/14/information-...
Listed Building Grade II
List Entry Number : 1291870
Date First Listed :13 January 1971
Built in 1838, a pair of houses in simple Georgian style. They are in brown brick with sandstone dressings and a slate roof. They have two storeys, No. 12 has three bays, No. 12A has two, and both have extensions at the rear. Most of the windows are sashes. The entrances are on the sides, through round-headed doorways. Also on the side of No. 12 is a bay window and two triangular oriel windows.
The Grade II Listed 9-11 Watergate Street in Chester, Cheshire.
Constructed in the late 12th Century as a four-story town house with an undercroft. Was largely rebuilt in 1862 by James Harrison, adding concrete steps and a rail to Row on arch-braced posts in Jacobean style with iron dogbars. The facade was loosely based on that of 1652, but showier and taller.
The Row fascia is inscribed 'God's Providence is mine Inheritance', said to be in thanks for deliverance from the plague of 1647-8.
Information Source:
britishlistedbuildings.co.uk/101376422-number-9-streetnum...
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