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We Will Rock You
Brian May
Black & Gold
Rolling Stone ranked We Will Rock You number 330 of “The 500 Greatest Songs of All Time” in 2004 and in 2009 the song was inducted into the Grammy Hall of Fame.
The colours for this edition are sampled from the original single and from artwork associatted with the musical.
LIMITED EDITION OF 150
Surviving cancer and using art as a tool for healing, reflection and understanding has infused my art with a sense of energy and optimism that has a universal appeal. The process of making the art as well as the meaning of it, are both an integral part of the end result and for me there is always a battle to harmonize between the two – to evoke the emotion of the piece and to empower the viewer.
I love combining traditional and new media painting techniques where one feeds off the energy of the other. The visual collaboration of both medias often celebrates a bold expressionism and optimistic edge regardless of subject matter.
My work has evolved from a mashing of referenced pop art and iconic imagery into elaborate multilayered portraits and scenes that depict a more personal interpretation of my life experience, battles and passions. My goal is to lead the observer to dramatic action, putting them on the edge between what we know and what is unknowable. I’ve learned that something new will always come about when you push hard enough and the result is the revelation of a “new identity”.
The motivation for me to keep going is to gain an understanding of how this “new identity or rebirth or truth” actually reflects my life as well as the world we live in – or not.
We Will Rock You
Brian May
Champion Green
Rolling Stone ranked We Will Rock You number 330 of “The 500 Greatest Songs of All Time” in 2004 and in 2009 the song was inducted into the Grammy Hall of Fame.
The colours for this edition are sampled from the original single and from artwork associatted with the musical.
LIMITED EDITION OF 150
Surviving cancer and using art as a tool for healing, reflection and understanding has infused my art with a sense of energy and optimism that has a universal appeal. The process of making the art as well as the meaning of it, are both an integral part of the end result and for me there is always a battle to harmonize between the two – to evoke the emotion of the piece and to empower the viewer.
I love combining traditional and new media painting techniques where one feeds off the energy of the other. The visual collaboration of both medias often celebrates a bold expressionism and optimistic edge regardless of subject matter.
My work has evolved from a mashing of referenced pop art and iconic imagery into elaborate multilayered portraits and scenes that depict a more personal interpretation of my life experience, battles and passions. My goal is to lead the observer to dramatic action, putting them on the edge between what we know and what is unknowable. I’ve learned that something new will always come about when you push hard enough and the result is the revelation of a “new identity”.
The motivation for me to keep going is to gain an understanding of how this “new identity or rebirth or truth” actually reflects my life as well as the world we live in – or not.
Surviving cancer and using art as a tool for healing, reflection and understanding has infused my art with a sense of energy and optimism that has a universal appeal. The process of making the art as well as the meaning of it, are both an integral part of the end result and for me there is always a battle to harmonize between the two – to evoke the emotion of the piece and to empower the viewer.
I love combining traditional and new media painting techniques where one feeds off the energy of the other. The visual collaboration of both medias often celebrates a bold expressionism and optimistic edge regardless of subject matter.
My work has evolved from a mashing of referenced pop art and iconic imagery into elaborate multilayered portraits and scenes that depict a more personal interpretation of my life experience, battles and passions. My goal is to lead the observer to dramatic action, putting them on the edge between what we know and what is unknowable. I’ve learned that something new will always come about when you push hard enough and the result is the revelation of a “new identity”.
The motivation for me to keep going is to gain an understanding of how this “new identity or rebirth or truth” actually reflects my life as well as the world we live in – or not.
Photomontage juxtaposing and combining original images taken by Claire Gill from around the Coastlines of Britain.
Seascape 19 combines images from
Ramsgate, Margate and Whitstable in Kent
A series of limited edition prints about the complex relationship between my father and myself, created just after his death in 2004. Using images and symbols that represent him and/or me woven together to make one.
“It's about ideas, bro. New ideas. People with ideas. People who believe in truth. And yes, as you probably could have guessed by this moment, I have decided in 2020 to run for president,” he said.
~ Kanye West
The Anonymous Man #20
The Anonymous Man Series by Lisa Saad
Photographic Digital Art by @lisasaad
7.Mixed Art 1 Benefizkunstausstellung in Art Center Basel
Kuratorin und Organisatorin : Priska Medam
1.-4. Dezember 2016 Riehentorstrasse 31 4058 Basel / Schweiz
Die Basler Kultausstellung Mixed Art im Basel Art Center
1.bis 3. September 2016 Riehentorstrasse 31 Basel / Schweiz
We Will Rock You
Brian May
Champion Green
Rolling Stone ranked We Will Rock You number 330 of “The 500 Greatest Songs of All Time” in 2004 and in 2009 the song was inducted into the Grammy Hall of Fame.
The colours for this edition are sampled from the original single and from artwork associatted with the musical.
LIMITED EDITION OF 150
Surviving cancer and using art as a tool for healing, reflection and understanding has infused my art with a sense of energy and optimism that has a universal appeal. The process of making the art as well as the meaning of it, are both an integral part of the end result and for me there is always a battle to harmonize between the two – to evoke the emotion of the piece and to empower the viewer.
I love combining traditional and new media painting techniques where one feeds off the energy of the other. The visual collaboration of both medias often celebrates a bold expressionism and optimistic edge regardless of subject matter.
My work has evolved from a mashing of referenced pop art and iconic imagery into elaborate multilayered portraits and scenes that depict a more personal interpretation of my life experience, battles and passions. My goal is to lead the observer to dramatic action, putting them on the edge between what we know and what is unknowable. I’ve learned that something new will always come about when you push hard enough and the result is the revelation of a “new identity”.
The motivation for me to keep going is to gain an understanding of how this “new identity or rebirth or truth” actually reflects my life as well as the world we live in – or not.
We Will Rock You
Brian May
Champion Green
Rolling Stone ranked We Will Rock You number 330 of “The 500 Greatest Songs of All Time” in 2004 and in 2009 the song was inducted into the Grammy Hall of Fame.
The colours for this edition are sampled from the original single and from artwork associatted with the musical.
LIMITED EDITION OF 150
Surviving cancer and using art as a tool for healing, reflection and understanding has infused my art with a sense of energy and optimism that has a universal appeal. The process of making the art as well as the meaning of it, are both an integral part of the end result and for me there is always a battle to harmonize between the two – to evoke the emotion of the piece and to empower the viewer.
I love combining traditional and new media painting techniques where one feeds off the energy of the other. The visual collaboration of both medias often celebrates a bold expressionism and optimistic edge regardless of subject matter.
My work has evolved from a mashing of referenced pop art and iconic imagery into elaborate multilayered portraits and scenes that depict a more personal interpretation of my life experience, battles and passions. My goal is to lead the observer to dramatic action, putting them on the edge between what we know and what is unknowable. I’ve learned that something new will always come about when you push hard enough and the result is the revelation of a “new identity”.
The motivation for me to keep going is to gain an understanding of how this “new identity or rebirth or truth” actually reflects my life as well as the world we live in – or not.
Installation views of "Broke" a solo show by Penny. Presented by Hashimoto Contemporary SF at 816 Sutter Street, San Francisco. On view January 9th - January 30th, 2021.
Die Basler Kultausstellung Mixed Art im Basel Art Center
1.bis 3. September 2016 Riehentorstrasse 31 Basel / Schweiz
Installation views of "Broke" a solo show by Penny. Presented by Hashimoto Contemporary SF at 816 Sutter Street, San Francisco. On view January 9th - January 30th, 2021.
Installation views of "Broke" a solo show by Penny. Presented by Hashimoto Contemporary SF at 816 Sutter Street, San Francisco. On view January 9th - January 30th, 2021.
Photomontage juxtaposing and combining original images taken by Claire Gill from around the Coastlines of Britain.
Seascape 23 combines images from
Southwold and Orford in Suffolk and Gravesend in Kent.