View allAll Photos Tagged LightsAndShadows
Ripped a old laptop to bits today to see if anything interesting lay within. The board is a monster and I also found a sheet of something mingling amongst the screen. I don't know what it is but it seems to diffract the light in some interesting ways.
Anyway this is my original board lit gelled red from front and bare back. Lighting from the back gives a little more detail from the translucent green bits. I also had some mosaic tiles left over from when Tiling was my trade which give the effect of oil on water.
Lit the board and then rotated the tiles which were laid out in a line.
sooc and all that jazz
A great night out at Fountains Abbey with Chris and Neil this evening.
When I arrived Chris and Neil were mid shot so I took myself off to a dark place I remembered from last year. I'd brought my wellies this time as a stream runs through it. I had an idea to expose the tunnel scene and then cap the lens pack up and find a suitable and ornate door or window to fame it all. I wondered about for a while and found this 3 arched wall and blind framed it. Cap off and let the arches burn in for a couple of seconds.
When I first arrived at the tunnel I set up the camera and had to walk 20 or so meters into the tunnel. There was a recess in the ceiling where a pigeon was nesting for the night. He flew out and straight into my flash stand which I was holding. On my return home I am pleased to find that my trousers didn't need changing. I can't believe I didn't actually shit myself. I've just about calmed back down again.
Back here again in a couple of weeks and looking forward to it already.
Pentax MX
Pentax SMC-M 1/1.4 50mm
Rollei RPX 100 Asa
R09 - One Shot (Rodinal) @ 20 celcius
1/50 18 minutes - 1 Agitation every 30s
Scanned on Epson V750 Pro gray 16 bits Tiff @ 6400 dpi
Photoshop CS6 Portable to clean the dust and linear contrast
I find nothing in life more relaxing and soothing than rotating a camera at pre determined increments during a long exposure.
This is a whisk, acrylic rod, rainbow paper and a bent piece of Perspex. All sat on a black piece of fabric. The cameras shutter was opened in a darkened room and my flash popped at 1/128th power. Rotated by 30 degrees and the process repeated 17 more times.
I used the usual techniques here. But a little different as I have created the green and red outer with my diy V24 and 36 capped rotations for both colours. Laborious and time consuming, this one was 18 minutes long but I like it more than the ones exposed from the tablet screen. You can always see the pixels and it bugs me. Framed the 4 different parts then exposed the Board first, then two different focal lengths for the pentagram and sphere. Changed focus for the beams and did 36 capped rotations for the green at 10 degree increments from 0 degrees then the same again but starting at 5 degrees for the red. Straight from the camera.
The court has a tessellated glass roof designed by Buro Happold and executed by Waagner-Biro, covering the entire court and surrounds the original circular British Museum Reading Room in the centre, now a museum. It is the largest covered square in Europe. The glass and steel roof is made up of 4,878 unique steel members connected at 1,566 unique nodes and 1,656 pairs of glass windowpanes making up 6,100m2 of glazing; each of a unique shape because of the undulating nature of the roof.
Pentax MX
Pentax SMC-M 1/3.5 135mm
Pentax Yellow/Green Filter YG
Rollei RPX 100 Asa
R09 - One Shot (Rodinal) @ 20 celcius
1/50 16 minutes - 1 Agitation every 30s
Scanned on Epson V750 Pro gray 16 bits Tiff @ 6400 dpi
Photoshop CS6 Portable to clean the dust and medium contrast
Another of Riley's toys makes an appearance in this 365. A character from his favourite film "Big Hero 6". To be hones I'd probably watch it if he wasn't about, its ace. There's a bit near the end of the film where they have to fly through some time traveling portal to save a girl who's trapped inside and this is me trying to replicate that.
Tripod flipped and black fabric on the floor and Baymax directly underneath. Custom white balance and lit with a torch gelled green which equates to white to the camera.. Cap on and mounted the crt on the tripod and into the back garden. Zoom pulled the street lights "which keep giving" from 16mm to 11mm and back again at 90 degree increments then a full 360 at 11mm, 14mm and 16mm. Cropped and dehazed in post.
This is number 292 of my 365.
This the last of my 52. I have come to realise that a light painted 52 is not too much of a stretch due to my addiction to lp.
Thought I'd end it with a rotation shot as the majority of this 52 has consisted of.
This ones a bit different than before and my first foray into lens swapping mid exposure. Framed and focused for the rotation part in the middle with my Tokina 11-16. Swapped to my Tamron 17-50 for the eye part and did the same. Opened the shutter and counted to three. Cap on. Changed the image on my tablet to the beams, cap off and counted to three again. Cap on and tablet off. Changed to the Tokina which was already focused and did an 11 way rotate.
Raw conversion straight out of the kitchen.
I will do 365 one day but not for now.
Its supposed to be a weird eye with laser beams coming out of it.
I'll leave it to you to decide how well I did.
Untampered Raw conversion.
Nice 1.
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Another shot from the "Milano in Mono" series.
Got ya sir! iSpy on the roofs of Milano.
Found this mister having a talk to someone, so I just framed him with the given availabilities :-)