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Barnett, L. The World We Live In: Part XIII. The Starry Universe (Dec 20, 1954) Life, Vol. 37, No. 25
archive.org/details/Life-1954-12-20-Vol-37-No-25/mode/1up
For more information about the articles, please visit:
en.wikipedia.org/wiki/The_World_We_Live_In_(Life_magazine)
(In cricketing terms, could have been a signal to Basil D’Oliveira: "Out!")
1966.
Photo: Terence Spencer
Magazine illustration in the Home Life in America, Beer Belongs series (number 115). This one painted by Haddon Sundblom. It appeared in Life magazine on Dec 12, 1955.
Published in the magazine "Life" in the edition of January 29, 1940. My grandfather who instilled me in the world of photography. Scanned from the magazine page. Umax PowerLook III.
... from all parts of South Africa who have gathered near hill, topped by the Voortrekker monument, which honours the 19th century Dutchman who settled Cape Town, during celebration of the country's pioneers.
December 1949
Photo: Margaret Bourke-White
At the time, Errol Flynn was starring in “Against All Flags” (Universal-International, 1952), a film he co-produced. Flynn played a British naval officer who poses as a deserter to trick a pirate (Maureen O’Hara) and her cohort (Anthony Quinn) in 1700 Madagascar.
Movie trailer: www.youtube.com/watch?v=V5UoQ-M4Kr4
In honor of the Discovery Shuttle landing safely back on earth today, March 9, 2011, at the Kennedy Space Center in Cape Canaveral, Fla., completing its 39th and final flight. Since 1984, Discovery flew 39 missions, spent 365 days in space, orbited Earth 5,830 times and traveled 148,221,675 miles.
Different museums are beginning the fight for Discovery.
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Duane found a bunch of VW ads for me in old Life magazines that he had in his closet! Wheeeeeeeeeeeeeee! This ad is from the August 8, 1969 copy of LIfe Magazine. The cover was "On the Moon" Most of the ads were about the moon landing. Pretty dang cool.
pictionid68117659 - catalog--black and white photo of a life magazine cover from august 31 1942 featuring ensign georrge gay pointing to a map of the pacific ensign gay was the sole survivor of torpedo squadron 8 after the battle of midway photo is signed by george gay - titlearray - filename201822001cropped.jpg -Image from the SDASM Curatorial Collection.Note: This material may be protected by Copyright Law (Title 17 U.S.C.)--Repository: San Diego Air and Space Museum
Representing hope and freedom, a 25 foot, 6,000 pound statue named, UNCONDITIONAL SURRENDER, by world-renowned artist, J. Seward Johnson, is a three-dimensional interpretation of a photo taken by Alfred Eisenstaedt of a Sailor, Carl Muscarello, kissing a nurse, Edith Shain, in Times Square, New York City on Aug. 14, 1945, following the announcement of V-J Day.
Edith Shain, the nurse memorialized in Eisenstaedt’s photo, states, "There is so much romance in the statue; it gives such a feeling of hope to all who look at it."
“This statue brings back so many memories of peace, love and happiness. During the moment of the kiss I don’t remember much, it happened so fast and it happened at the perfect time. I didn’t even look at the Sailor who was kissing me,” Shain continued. “I closed my eyes and enjoyed the moment like any woman would have done.”
For the next year, the sculpture will stand next to the USS Midway Museum on the San Diego Bay. It was previously displayed in New York City in 2005 and Sarasota, Florida in 2006.
NY Times - Edith Shain, Who Said Famous Kiss Came Her Way, Dies at 91
LA Times - Edith Shain dies at 91; WWII nurse in iconic Times Square kissing photo
Repository: Duke University Archives. Durham, North Carolina, USA. library.duke.edu/uarchives
Trying to locate this photo at the Duke University Archives? You’ll find it in the University Archives Photograph Collection, Box 100 (UAPC-100-001-001).
Page 86
"Life Goes to a Party with the Tombstone Hounds" An article in the August 2, 1943 issue of "Life Magazine" about a group of people dedicated to documenting and preserving cemeteries in New Jersey.
Got to be honest here, when I visit old cemeteries, I don't wear a suit and tie.
Representing hope and freedom, a 25 foot, 6,000 pound statue named, UNCONDITIONAL SURRENDER, by world-renowned artist, J. Seward Johnson, is a three-dimensional interpretation of a photo taken by Alfred Eisenstaedt of a Sailor, Carl Muscarello, kissing a nurse, Edith Shain, in Times Square, New York City on Aug. 14, 1945, following the announcement of V-J Day.
Edith Shain, the nurse memorialized in Eisenstaedt’s photo, states, "There is so much romance in the statue; it gives such a feeling of hope to all who look at it."
“This statue brings back so many memories of peace, love and happiness. During the moment of the kiss I don’t remember much, it happened so fast and it happened at the perfect time. I didn’t even look at the Sailor who was kissing me,” Shain continued. “I closed my eyes and enjoyed the moment like any woman would have done.”
For the next year, the sculpture will stand next to the USS Midway Museum on the San Diego Bay. It was previously displayed in New York City in 2005 and Sarasota, Florida in 2006.
NY Times - Edith Shain, Who Said Famous Kiss Came Her Way, Dies at 91
LA Times - Edith Shain dies at 91; WWII nurse in iconic Times Square kissing photo
Page 87
"Life Goes to a Party with the Tombstone Hounds" An article in the August 2, 1943 issue of "Life Magazine" about a group of people dedicated to documenting and preserving cemeteries in New Jersey.
She has him trained like a pavlovian dog, just keep the beer out of reach, and he'll sit there for hours while she knits.
Over a thousand Chicagoans, from all walks of life and all parts of the city, came together at Millennium Park to perform "Crowd Out" by Davind Lang.
Although a bit chaotic in the beginning, once the leaders of each of the small groups that formed the whole got things in sync, it became a beautiful performance and a moving experience.
I came upon this event purely by accident and it took me a while to figure out what was going on.
Once surrounded by all these people, I was pretty much stuck, so you see some of the same faces over and over again.
October 6, 1952 Life Magazine when women committed suicide over their hair apparently. What were they thinking???
by Andy Warhol
Acrylic paint and screenprint on canvas
Warhol often asked other people for ideas of what he should paint or film. For his return to painting, his art dealer suggested he depict the most ‘important’ person of the 20th century, such as scientist Albert Einstein. Instead, Warhol decided it should be Mao Zedong, because Life magazine suggested that he was the most famous person in the world and US president Richard Nixon had just visited him. Warhol transformed the official portrait of Mao, the leader of communist China, into a mass-produced product. In this series, Warhol allowed the paint to escape the limits of the photographic image. He developed this idea further in his commissioned portraits.
[Tate Modern]
Andy Warhol
(March – November 2020)
A new look at the extraordinary life and work of the pop art superstar
Andy Warhol was the son of immigrants who became an American icon. A shy gay man who became the hub of New York’s social scene. An artist who embraced consumerism, celebrity and the counter culture – and changed modern art in the process.
He was born in 1928 as Andrew Warhola to working-class parents from present day Slovakia. In 1949 he moved from Pittsburgh to New York. Initially working as a commercial illustrator, his skill at transforming the imagery of American culture soon found its realisation in his ground-breaking pop art.
This major retrospective is the first Warhol exhibition at Tate Modern for almost 20 years. As well as his iconic pop images of Marilyn Monroe, Coca-Cola and Campbell’s soup cans, it includes works never seen before in the UK. Twenty-five works from his Ladies and Gentlemen series – portraits of black and Latinx drag queens and trans women – are shown for the first time in 30 years.
Popularly radical and radically popular, Warhol was an artist who reimagined what art could be in an age of immense social, political and technological change.
[Tate Modern]