View allAll Photos Tagged LifeMagazine
Special Double Issue - The Magic of the Movies. Natalie Wood and a plethora of popular actors and actresses of the time.
Published: 1959 Author: E. M. Belknap; Publisher: New York; Crown Publishers; Hardback. Fifth printing. 338pp. Filled with over 440 b/w photographs. An almost entirely photographic guide to Milk Glass.
Boston: Houghton, Mifflin, and Company. 1882. First Edition; First Printing. Softcover. A Fine First Edition of this collection of poems including "The Difference". In flexible plain covers. Frontispiece, Aldrich portrait with tissue guard present. BAL 315 ; Illustrated by The Paint and Clay Club . Houghton Mifflin and Company US
time.com/26789/w-eugene-smith-life-magazine-1951-photo-es...
Original caption: At 6:20 A.M., her work over at last, Callen quietly took the first nourishment that she has had for more than 27 hours.
W. Eugene Smith/Life Pictures/Shutterstock
W. Eugene Smith’s Landmark Photo Essay, ‘Nurse Midwife’
“In December 1951, LIFE published one of the most extraordinary photo essays ever to appear in the magazine. Across a dozen pages and featuring more than 20 of the great W. Eugene Smith’ pictures, the story of a tireless South Carolina nurse and midwife named Maude Callen opened a window on a world that, surely, countless LIFE readers had never seen — and, perhaps, had never even imagined. Working in the rural South in the 1950s, in “an area of some 400 square miles veined with muddy roads,” as LIFE put it, Callen served as “doctor, dietician, psychologist, bail-goer and friend” to thousands of poor (most of them desperately poor) patients — only two percent of whom were white.”
“Nurse Midwife” as it appeared in the Dec. 3, 1951, issue of LIFE magazine.
archive.org/details/Life-1951-12-03-Vol-31-No-23/page/134...
At the time, Errol Flynn was starring in “Against All Flags” (Universal-International, 1952), a film he co-produced. Flynn played a British naval officer who poses as a deserter to trick a pirate (Maureen O’Hara) and her cohort (Anthony Quinn) in 1700 Madagascar.
Movie trailer: www.youtube.com/watch?v=V5UoQ-M4Kr4
Like, how? I'd like to know since Bufferin IS aspirin plus a buffering compound. Could we have a journal citation for those clinical studies?
Boston: Houghton, Mifflin, and Company. 1882. First Edition; First Printing. Softcover. A Fine First Edition of this collection of poems including "The Difference". In flexible plain covers. Frontispiece, Aldrich portrait with tissue guard present. BAL 315 ; Illustrated by The Paint and Clay Club . Houghton Mifflin and Company US
Collection:
University Archives
lib.calpoly.edu/universityarchives
Image Description:
A page from the Life magazine article, November 14, 1960 (on the football team plane crash).
Published in Cal Poly: The First Hundred Years (Page 81)
Help Special Collections identify this collection. Comments and tags are welcomed!
Format: Object
Rights Info: To use this image, we kindly ask that you submit a written request and obtain formal permission from Special Collections, Cal Poly, as the owner of the physical collection. Contact Special Collections at archives@calpoly.edu
Repository:
lib.calpoly.edu/specialcollections/
Special Collections & University Archives, Cal Poly San Luis Obispo
Explore Cal Poly Special Collections’ other digital collections
A rapt audience in a Chicago bar watches the 1952 World Series between the Dodgers and Yankees. (The Yankees won)
Representing hope and freedom, a 25 foot, 6,000 pound statue named, UNCONDITIONAL SURRENDER, by world-renowned artist, J. Seward Johnson, is a three-dimensional interpretation of a photo taken by Alfred Eisenstaedt of a Sailor, Carl Muscarello, kissing a nurse, Edith Shain, in Times Square, New York City on Aug. 14, 1945, following the announcement of V-J Day.
Edith Shain, the nurse memorialized in Eisenstaedt’s photo, states, "There is so much romance in the statue; it gives such a feeling of hope to all who look at it."
“This statue brings back so many memories of peace, love and happiness. During the moment of the kiss I don’t remember much, it happened so fast and it happened at the perfect time. I didn’t even look at the Sailor who was kissing me,” Shain continued. “I closed my eyes and enjoyed the moment like any woman would have done.”
For the next year, the sculpture will stand next to the USS Midway Museum on the San Diego Bay. It was previously displayed in New York City in 2005 and Sarasota, Florida in 2006.
Another Life Magazine Christmas Recipe. It all looks ok, until you notice the recipe calls for VINEGAR!!
time.com/26789/w-eugene-smith-life-magazine-1951-photo-es...
Original caption: Weary but watchful, Maude sat by as a mother dozed.
W. Eugene Smith/Life Pictures/Shutterstock
W. Eugene Smith’s Landmark Photo Essay, ‘Nurse Midwife’
“In December 1951, LIFE published one of the most extraordinary photo essays ever to appear in the magazine. Across a dozen pages and featuring more than 20 of the great W. Eugene Smith’ pictures, the story of a tireless South Carolina nurse and midwife named Maude Callen opened a window on a world that, surely, countless LIFE readers had never seen — and, perhaps, had never even imagined. Working in the rural South in the 1950s, in “an area of some 400 square miles veined with muddy roads,” as LIFE put it, Callen served as “doctor, dietician, psychologist, bail-goer and friend” to thousands of poor (most of them desperately poor) patients — only two percent of whom were white.”
“Nurse Midwife” as it appeared in the Dec. 3, 1951, issue of LIFE magazine.
archive.org/details/Life-1951-12-03-Vol-31-No-23/page/134...
No visit to Fort Peck Dam would be complete without including Margaret Bourke-White's historic, spectacular First Cover of LIFE Magazine (1936). These are the gate piers of the spillway structure under construction. Bourke-White (one of my heroes) masterly limned the crenelated medieval castle aspect of these colossal monoliths. Compare this with the next picture and see if you can find the same distinctive shapes.
Friday, December 26, 3:20am, snowed thru Saturday 27th. So, in 24 hours +25.8"
Imagine the work commuters, stuck buses, overflowing subways!
NewYork
NewYork
Boston: Houghton, Mifflin, and Company. 1882. First Edition; First Printing. Softcover. A Fine First Edition of this collection of poems including "The Difference". In flexible plain covers. Frontispiece, Aldrich portrait with tissue guard present. BAL 315 ; Illustrated by The Paint and Clay Club . Houghton Mifflin and Company US
British actor Alec Guinness in Under the Sycamore Tree. Taking off his make-up. London,1952.
(LIFE Magazine)
(Corner Adderley and Darling streets - known to the locals as 'Cartwrights Corner')
April 1943
Photo: Hart Preston
Lake Wales Post Office, 195(?). Postal Workers. Black & White, 6" x 5".
From Lake Wales News - Owen and LaVerne Brice Archives held at Lake Wales Public Library.
time.com/26789/w-eugene-smith-life-magazine-1951-photo-es...
Original caption: Maude at 51 had a thoughtful, weary face that reflects the fury of her life. Orphaned at 7, she was brought up by an uncle in Florida, studied at the Georgia Infirmary in Savannah, and became a nurse at 21.
W. Eugene Smith/Life Pictures/Shutterstock
W. Eugene Smith’s Landmark Photo Essay, ‘Nurse Midwife’
“In December 1951, LIFE published one of the most extraordinary photo essays ever to appear in the magazine. Across a dozen pages and featuring more than 20 of the great W. Eugene Smith’ pictures, the story of a tireless South Carolina nurse and midwife named Maude Callen opened a window on a world that, surely, countless LIFE readers had never seen — and, perhaps, had never even imagined. Working in the rural South in the 1950s, in “an area of some 400 square miles veined with muddy roads,” as LIFE put it, Callen served as “doctor, dietician, psychologist, bail-goer and friend” to thousands of poor (most of them desperately poor) patients — only two percent of whom were white.”
“Nurse Midwife” as it appeared in the Dec. 3, 1951, issue of LIFE magazine.
archive.org/details/Life-1951-12-03-Vol-31-No-23/page/134...
time.com/26789/w-eugene-smith-life-magazine-1951-photo-es...
Original caption: Maude got ready in kitchen by lamplight.
W. Eugene Smith/Life Pictures/Shutterstock
W. Eugene Smith’s Landmark Photo Essay, ‘Nurse Midwife’
“In December 1951, LIFE published one of the most extraordinary photo essays ever to appear in the magazine. Across a dozen pages and featuring more than 20 of the great W. Eugene Smith’ pictures, the story of a tireless South Carolina nurse and midwife named Maude Callen opened a window on a world that, surely, countless LIFE readers had never seen — and, perhaps, had never even imagined. Working in the rural South in the 1950s, in “an area of some 400 square miles veined with muddy roads,” as LIFE put it, Callen served as “doctor, dietician, psychologist, bail-goer and friend” to thousands of poor (most of them desperately poor) patients — only two percent of whom were white.”
“Nurse Midwife” as it appeared in the Dec. 3, 1951, issue of LIFE magazine.
archive.org/details/Life-1951-12-03-Vol-31-No-23/page/134...