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A Tyrannosaurus Rex statue located at the Science Museum in St. Louis, Missouri. It's in black and white because they didn't have color film back in the Jurassic Period.
Camera: Minolta Maxxum 300si
Film: FujiFilm 200
Date: March 25th, 2013, 12.36 p.m.
Location: St. Louis, Missouri, U.S.A.
Fuji 200 St. Louis-3 09-3ff
With the whistle blowing, steam locomotive GWR No. 823 'COUNTESS' built in 1902 by Beyer Peacock at their Gorton Foundry, Manchester and its train consisting of two Austrian Salzkammergut Lokalbahn (S.K.G.L.B.) 4 wheel coaches and two Hungarian, Magyar Államvasutak (MÁV) bogie coaches approach Coppice Lane open level crossing whilst on route to Welshpool Raven Square on the Welshpool & Llanfair Light Railway, Wales.
© Anthony Haynes - All rights reserved, please do not use this image without my explicit permission.
We finally turned Ava’s car seat to face the front that day and tested Evan to see if he was tall enough to ditch the booster seat. Spoiler alert: he was not quite tall enough. He was very very close, but he couldn’t quite sit all the way back and still have his feet flat on the floor. We ended up trading the high-backed booster for the smaller one for now, so at least there was a little sense of progress made.
Level C of the Frost is the booky section of the library, a place where you can still browse. I was looking for a book on chancery hand, which I never did find, so I have reprojected the stacks into Mercator for ease of navigation. The shelving down here is both Dewey Decimal and Library of Congress, but latitude and longitude might work better.
New Freightliner Class 70 no. 70013 heads out of Tamworth on 4M87 09.20 Felixstowe - Basford Hall liner.
24th December 2011
At least the absence of boxes gives a good view of the loco on this going away shot.
Uns dels edificis més alts de la City of London. A la planta 42, tot pujant amb un ascensor exclusiu, hi ha un bar amb parets de vidre i unes vistes impressionants. El preu de les consumicions també és impressionant.
Level 42
Uno de los edificios más altos de la City of London. En la planta 42, a la cual se accede mediante un ascensor exclusivo, hay un bar con paredes de vidrio y unas vistas impresionantes. El precio de las consumiciones también es impresionante.
Level 42
One of the tallest buidings in the City of London. You can take a direct lift up to the 42th floor. There is an amazing bar with glass walls and awesome views. The prices are also awesome.
4L56 13.19 Trafford Park Euro Terminal to London Gateway (Thames Haven) started running this week. Although the northbound train this morning had a full load of boxes on board, 4L56 was all fresh air. Here it is powering across the Warwickshire Moor behind DB Schenker Class 66 no. 66001.
24th September 2013
Looks better pressing L
Thanks for your visit and comments.
Please don't use this image on websites, blogs or other media without my explicit permission.
All rights reserved © GoldenCrotalo.
DB Schenker Class 66 Co-Co 66139 on 6M11 10.00 Washwood Heath - Peak Forest empty stone hoppers.
8th July 2014
Farranfore to Valentia Railway Line - MP Farranfore Junction 2 1/4.
Level Crossing in Firies, Kerry 23rd June 2012, looking towards Farranfore.
The view from the end of the closed lower level of the 152m long Whitby West Pier extension of 1905-14, towards the West Lighthouse.
The 25.3m tall West Lighthouse, completed in 11 weeks in 1831, stands on the main West Pier rebuilt in 1814. It contained a green (starboard) harbour entrance light which was visible for more than 16km for over 80 years (until being retired from navigation use in 1914 when the pier extension light was brought into service).
A juvenile Squacco Heron which has been present on the Somerset Levels around Ham Wall RSPB Reserve/Sharpham Lane area for some weeks.
DBS Class 67 Bo-Bo 67015 David J Lloyd on 5Z54 ECS Crewe to Wembley in lieu of 1Z54 07.38 Wigan NW - Wembley Central ruggex.
27th August 2011
A Classic autumn view of Somerset Levels. It is common to find mist on the Levels after a cold, clear night during spring and autumn. As the sun rises in the morning layers of mist start fleeting across the plains towards the coast.
I decided to go with a b&w approach this time as the color version was a bit too yellow. Also b&w improved the visibility slightly making the mansion in the foreground appear clearer.
Thanks for views & comments.
taken "lying" on the pavement.... from a cat-eye level (((;
a row of houses in my village neighborhood -
This stretch of the upper-level gallery may not be one of the most photogenic spots in Hagia Sophia, but it shows the state of stone and mosaic conservation in 1976. And, more important, it's a one-frame mini-encyclopedia of this great structure's most widely used rock types.
At left, forming the row of columns overlooking the naos, are shafts of medium-green Larissa Ophicalcite, Jurassic to Cretaceous in age and quarried in Thessaly. This breccia, a favorite of sixth-century Byzantine architects, contains large angular clasts of dark-green serpentinite—chemically altered rock from the Earth's mantle—and white marble haloed with the mint-green mineral serpentine.
Inboard and to right stand two stouter columns. Both their shafts and basket capitals were fashioned from the Constantinople region's own premium building material, Proconnesian Marble extracted from the island of Marmara in the Sea of the same name. This major quarrying operation was sited a short sail from the imperial capital.
The Proconnesian began as a Precambrian to Lower Paleozoic limestone protolith that was metamorphosed in the Permian period, at the time of the assembly of Pangaea. Here it's also present in the lower rows of cladding on the pier at center. These panels are fine examples of the veined variety of this famous stone selection. Its darker zones are composed of the mineral graphite derived from organic remains; the lighter are predominantly calcite.
Above the wide plastered zone is a band of bookmatched Iasian Marble. Taken in ancient and Early Byzantine times from Iasos in the Asia-Minor province of Caria, this highly folded marble has been known to Renaissance Italian stonemasons and everyone else since as "Cipollino Rosso." This is a reference to its layered appearance, supposedly reminiscent of a cut onion.
As my previous two photos in this set demonstrate, the Iasian is often a dramatic interplay of gray graphite, white calcite, and blood-red hematite. In this spot, however, its coloration looks rather blah and not at all sanguine. Is this a sign that it needed a good cleaning? Or is it just an artifact of my old slide's own fading?
To see the other photos and descriptions of this series, visit my
The Somerset Levels are a coastal plain and wetland area of Somerset, England, running south from the Mendips to the Blackdown Hills.
The Somerset Levels have an area of about 160,000 acres and are bisected by the Polden Hills; the areas to the south are drained by the River Parrett, and the areas to the north by the rivers Axe and Brue. The Mendip Hills separate the Somerset Levels from the North Somerset Levels. The Somerset Levels consist of marine clay "levels" along the coast and inland peat-based "moors"; agriculturally, about 70 per cent is used as grassland and the rest is arable. Willow and teazel are grown commercially and peat is extracted.
The Somerset Levels are a coastal plain and wetland area of Somerset, England, running south from the Mendips to the Blackdown Hills.
The Somerset Levels have an area of about 160,000 acres and are bisected by the Polden Hills; the areas to the south are drained by the River Parrett, and the areas to the north by the rivers Axe and Brue. The Mendip Hills separate the Somerset Levels from the North Somerset Levels. The Somerset Levels consist of marine clay "levels" along the coast and inland peat-based "moors"; agriculturally, about 70 per cent is used as grassland and the rest is arable. Willow and teazel are grown commercially and peat is extracted.
DRS Class 66 no. 66426 on 4M44 08.47 Mossend - Daventry, Malcolm intermodal.
'tunnys pics' at the controls.
24th September 2013
Only thing i could say when i saw this is 'WoW'. This metal man with missing Pieces was created by a french artist called Bruno Catalano.
This was shot using a Nikon D7000
location : in a shopping mall, somewhere in Paris .
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