View allAll Photos Tagged Lettering

Say it loud, say it proud! With many swirls and squiggles. More IS more, right?.......right????

Chisel tip sketch with vector cleanup.

Letraset Magnificat

colours and type

This is a sandstone obelisk designed by Francis Greenway and built by stonemason Edward Cureton between 1816-18 to furnish Sydney's first public square and to mark the place from which all public roads in the colony were to be measured. It is literally the 'hub' of NSW, the datum point from which all distances in NSW were measured from Sydney. Its inscriptions record the extent of the road network in 1818.

 

The obelisk is designed in the Georgian period and detailed in the Greek revival style. The obelisk's form seems to be directly influenced by Georgian examples rather than Egyptian: Greenway is reputed to have based his design on that of Nash in Bath. It is also possible the source of the Macquaries' fancy may have been the pair of obelisks in the Passeio Publico overlooking the harbour in Rio de Janeiro, which they visited in August 1809. It is an elongated pyramid on a narrow square pedestal decorated by projecting cornice and base. The pedestal contains the original inscription and is surrounded by a low stone wall with a later simple curved wrought iron balustrade. Building materials are sandstone and a wrought iron balustrade. The sandstone would have been quarried locally near Sydney Cove, however the exact location of the quarry is not known. There are no other structures in Sydney that are built from this particular fine grained white sandstone.

 

The lettering on the Obelisk is incised blackened lettering of a Roman type face in a style that is recognisably Georgian in style, and is one of only four remaining examples of this style and period of lettering in the inner City. This records the distances to the major outer settlements at the time of 1818 - namely Bathurst, Windsor, Parramatta, Liverpool, South Head and the North Head of Botany Bay.

 

See where this picture was taken. [?]

Brush lettering practice.

Alexandra Snowdon

Joanne Sharpe's Letter Love Class - Lucy Edson

Geburtsanzeige für meine Tochter. Mit Spitzpinsel geschrieben, geprägt und Innen mit Siebdruck vervielfältigt. / Birth announcement for my daughter. Written with pointed brush, embossed and reproduced inside with screen printing.

Joanne Sharpe's Letter Love Class - Lucy Edson

Lettering in tiles on the facade of a former butcher shop.

Amersfoort, The Netherlands

ABS Plastic Lettering

Peeling lettering turns helvetica into a creepy font on Carleton University campus

but even in the contrived self aware clumsiness it is sort of cute.

lettering for a band in Stuttgart

workshop con Pierre Tardif, esercizi a matita

When I went to Europe for the first time, I flew into Luxembourg. I stayed in a cheap hotel in the middle of Luxembourg City. My room had wood paneling, a single bed with a thick duvet on it, enormous windows, a soaking tub (no shower) that you had to get into by climbing a small set of steps, and no TV. This hanger was hanging in the wardrobe. I took it with me and have had it ever since.

 

I’m not sure if this process would be considered hot-stamping or wood branding.

adornbodyart.com/

Custom Tattoos by Tomma Mueller | Adorn West and East | Portland, Or

You may have noticed by now that I'm not one for the standard inspirational quotes!

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