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1.Heavy Aluminum Die Cast Body
2.80~90LM/W
3.Guarantee 1 year
4.Protection Level:IP65
5.CE & ROHS
More information,kindly contact with us or ref. our shop :http://www.aliexpress.com/fm-store/601076
Rouda Power-saving Technology Co. Ltd
Email/MSN:rouda03@126.com
Skype:davidlee022 or walita.min
White Light LED Flashlight Torch
UltraFire L2 5-Mode 1300LM CREE SST-50 White Light LED Flashlight Torch
led lighting,150 watt led flood light,high power led tunnel light,industrial led lighting,led stadium lights,led tunnel lighting,led work lamp,led lighting products,led lighting manufacturers,waterproof led light,led warehouse lights
Slipping the LED pins into the board. I also learned today that the print on the board shows which way to put the LEDs in - one pin is positive and one is negative - you can tell because one is longer than the other.
You may already know all of this - but I didn't, so it's been cool to find out.
Işıklandırma ve aydınlatma alanında hızla büyüyen ve gelişen led sistemi ülkemizde de oldukça yaygın. Led aydınlatma sistemleri ekonomi açısından diğer aydınlatma sistemlerine göre oldukça ekonomiktir. Dükkân, ofis, büro ve bir takım geniş mekânların ışıklandırma işlemleri gelişen ve oldukça gösterişli LED sistemleri ile son derece ihtişamlı bir hal almaktadır.
Herkes mekân açısından ışıklandırma boyutuna önem verir. Çünkü çoğu durumlarda mekânların başarılı ışıklandırma çalışmaları, Dışarıdaki kişilerin ilk dikkat ettiği faktörler. Bir vitrin camının ileriden bakıldığında içeride ne olduğunu asla göremez. Ama onu o vitrine çeken ışıklandırmadaki profösyönelliktir. İç dizaynlarda da başarılı olan LED aydınlatma sistemleri, Led armatürlerce iç dizayna ayrı bir hava katar. Müşterilerin hoşuna giden aydınlatma onları size yönelteceğini aklımızdan çıkarmamamız gerek. Bu sistem sadece mekânların iç ve dış dizaynlarını gösterişli yapmakla görevli değildir elbet.
Bahsettiğimiz gibi ekonomi açısından da makul olan led sokak aydınlatmada da en rağbet gören sistemlerden biridir. Sokak aydınlatmaların yanı sıra büyük binaların, eğlence merkezlerinin ve birçok ışığa muhtaç durumlarında wallwasher adı verilen sistemle adeta büyüleyici bir hale getirir. Adından da anlaşıldığı gibi duvar ve dış cepheleri ışık görselliği ile yıkarcasına onlara büyülü bir atmosfer verir. LED sistemlerindeki renk ihtişamı ve aydınlatma ile ilgili sizlere önerebileceğim www.cedalight.com adresi geniş seçenek ve yaygın kadrosu ile sizlere en güzel ışıklandırma ve renk cümbüşü yaratacağına eminim.
www.sunnyxiao.com/hydrargyrum-medium-arc-lodide-lamp/
SUNNYXIAO Sunlite's full-spectrum sunlight simulation system, hydrargyrum medium arc iodide lamp, can perfectly mimic natural sunlight, providing uniform and reliable sunlight radiation simulation, and is widely used in environmental simulation tests of aerospace equipment, automobiles and rail transit vehicles.
SUNNYXIAO FILMLITE series lighting for high-speed video, which is of high power, high brightness, high CRI, and long irradiation distance, is catered for scenarios such as high-speed imaging lighting for a collision of large vehicles and aerobats.
Filmlite HMI4000 High-speed Flim Light
HMI 4000 High-speed Flim Light is one of Sunnyxiao’s high-power, ultra-bright, compact, and convenient dysprosium iodide lamps in the ''Filmlite'' series. This Flim Light is perfectly integrated with the best part of traditional Fresnel and PAR lamps and replaced the lens with a high-efficiency reflector at the same time. This unique design not only reduced its dimensions and weight but also effectively enhanced the optical performance of the lamp.
APPLICATIONS OF HMI 4000 HIGH-SPEED FLIM LIGHT
Automobile - Lighting for high-speed video (e. g. crush tests)
Railway vehicles - Lighting for high-speed video (e. g. crush tests)
Military - Lighting for high-speed video (e. g. crush tests)
Film & television - Lighting for on-location shooting
PRODUCT FEATURES OF HMI 4000 HIGH-SPEED FLIM LIGHT
High luminous efficiency: 380000 lm/220000lm for the hydrargyrum medium arc iodide lamp
Steady Output: Even, steady, and Flicker-less output within the adjustable focal length
Adjustable focal length: Adaptable to various test distance conditions
Patented timing-control ignitor: Fast startup, short setting time
Patented polyhedral mirror reflector: Brilliant enhancement of uniformity and optical performance
Modular design plus ergonomics: Facilitates the O&M by users
Robust & endurable: High-strength alloy housing, fit for harsh environment
Sunlite HQI2000 Solar Simulation
The HQI 2000 Solar Simulation is a high-performance, full solar spectral radiation simulator as well as a powerful and robust dysprosium iodide lamp.
APPLICATIONS OF HQI 2000 SOLAR SIMULATION
Automobile - weathering & collision testing
Railway vehicles - weathering & collision testing
Aerospace - weathering testing
Military - environmental testing
Film & television - lighting in various scenes
Agriculture - plant & animal cultivation
Clothing - UV protection testing, etc.
HQI 2000 SOLAR SIMULATION FEATURES
Full spectral solar simulation: Fully comply with CIE85 solar spectral irradiance requirement
High irradiation intensity: the hydrargyrum medium arc iodide lamp provides 500w/m²~1120w/m² irradiation coverage
High uniformity: Irradiation uniformity < 10%
Optimized light distribution curve: Uniformity and comfort meet CCT and Kruithof curve requirements
Adjustable focal length: Adaptable to various test distance conditions
Patented timing-control ignitor: Fast startup, short setting time
Patented polyhedral mirror reflector: Brilliant enhancement of uniformity and optical performance
Modular design plus ergonomics: Facilitates the O&M by users
Robust & endurable: High strength alloy housing, fit for harsh environment
G9 sokliga väikseid 220V halogeene asendavad tünjad 48 elemendiga LED-pirnid. Eelmise korra LEDidega võrreldes on elemente rohkem, aga vähema võimsusega. Muud andmed:
48 tk 3528 SMD LEDi
Sokkel: G9
Värvus. soe valge
Toide: 170 - 255V
Võimsus: 3,5W
Värvitemperatuur: 2800K- 3000K
Pikkus: 65 mm
Diameeter: ca 30 mm
Eluiga: 40 000 tundi
Valgustugevus: 210 Lm
Lühtrisse sobib, s.t kus on palju pirne.
Get five years of Manufacturer warranty on getting led Downlights The lights we have a tendency to install at the business or residential places should have the power to deliver superb lighting results for an eternal long amount of your time yet.
Artist: Françoise Schein
Title: The Phoenix Initiative Millennium Time Zone Clock
Material: cast in aluminium and inlaid with LEDs, the clock depicts international time zones which are embedded into the paving. Stainless steel discs locate the capital cities of the world as well as Coventry's 26 twin cities
Millennium Place
Coventry, Warwickshire, England, UK
Компания ''Жизнь Цвета'' предлагает светодиодную интерьерную и архитектурную декоративную подсветку. Возможность смены цвета свечения в пределах 16 млн. оттенков. Информация для клиентов на сайте компании (www.life-color.ru) и по телефону: +7 (4722) 506-700.
LED Light Box With Metal Base
Size: A0,A1 and 70x100cm
Material: Aluminum and plastic rubber
Battery material: LiFePO4
Light type: LED
Base: metal base
1.Aluminum lamp body by CNC
2.Bridgelux chips
3.Guarantee 1 year
4.CE & ROHS
More information,kindly ref. our shop:http://www.aliexpress.com/fm-store/601076
Rouda Power-saving Technology Co. Ltd
Email/MSN:rouda03@126.com
Skype:davidlee022 or walita.min
As a great Led street lamp manufacturer, we provide newly-made LED Street Light which is much more environmentally friendly, long lasting and durable.
Različne LED diode. Od leve proti desni približna učinkovitost svetilnosti pri 330mA (izjema traku).
Taken Date: 2011:02:23 16:31:21
Make: NIKON CORPORATION
Model: NIKON D200
FocalLength: 105.0 mm
F-Number: F 16
Exposure Time: 1/60 secs
ISO Speed: 100
Gilbert Stuart - American, 1755 - 1828
Sir Joshua Reynolds, 1784
West Building, Main Floor — Gallery 59
Gilbert Stuart was the preeminent portraitist in Federal America. He combined a talent for recording likeness with an ability to interpret a sitter's personality or character in the choice of pose, color and style of clothing, and setting. He introduced to America the loose, brushy style used by many of the leading artists of late eighteenth century London. He recorded likenesses of lawyers, politicians, diplomats, native Americans, their wives and children. His sitters included many prominent Americans, among them the first five presidents, their advisors, families, and admirers. He is known especially for his numerous portraits of George Washington.
Born in 1755 in North Kingston, Rhode Island, Stuart was baptized with his name spelled "Stewart". His father, an immigrant Scot, built and operated a snuff mill that may have led to the artist's addiction to snuff. He grew up in the trading city of Newport, where itinerant Scottish portraitist Cosmo Alexander (1724-1772) gave him his earliest training in painting. He accompanied Alexander to Scotland in 1771, returning home at the older artist's death. Three years later in 1775, on the eve of the American Revolution, he went to London, where he worked for five years (1777-1782) as assistant to the Anglo-American painter Benjamin West. He exhibited at the Royal Academy from 1777 to 1785, using the name Gilbert Charles Stuart the first year. The success of The Skater (NGA 1950.18.1), painted in 1782, enabled him to establish his own business as a portrait painter. In 1786 Stuart married Charlotte Coates, and the following year they went to Dublin, where Stuart painted portraits of the Protestant ruling minority for over five years.
Stuart returned to the United States in 1793, planning to paint a portrait of George Washington that would establish his reputation in America. After about a year in New York City, he went to Philadelphia, the capital of the United States, with a letter of introduction to Washington from John Jay. He painted the president in the winter or early spring of 1795. He was not satisfied with his first life portrait of Washington, but others were. Martha Washington commissioned a second and Mrs. William Bingham commissioned two full-lengths. His success led immediately to many other commissions. His sitters were politically prominent and wealthy, from the merchant and landed classes. After Washington, D.C. became the new national capital, Stuart moved there in December of 1803, and this group continued as his patrons. There he painted the Madisons, Jefferson, the Thorntons, and others from Jefferson's administration.
In the summer of 1805 Stuart settled in Boston. In his Roxbury studio he continued to paint politically and socially prominent sitters and, on request, to make replicas of his second "Athenaeum" portrait of George Washington. Throughout his life younger artists, including John Trumbull, Thomas Sully, Rembrandt Peale, and John Vanderlyn, sought his advice and imitated his work. Among his students were his children Charles Gilbert (1787-1813) and Jane (1812-1888). One indication of Stuart's popularity is the number of portraits he painted, over a thousand during his long career, excluding copies of the portraits of Washington. Another indication is the number of copies of his work that other artists made. His sitters indicated their fascination for his talent and personality by recording lengthy anecdotes and descriptions of their sittings, producing an unusally rich written record about an American portraitist. Stuart died in Boston in 1828. [This is an edited version of the artist's biography published in the NGA Systematic Catalogue]
Information on this painting can be found in the Gallery publication American Paintings of the Eighteenth Century, pages 172-177, which is available as a free PDF www.nga.gov/content/dam/ngaweb/research/publications/pdfs...
________________________________
The National Gallery of Art in Washington, DC is a world-class art museum that displays one of the largest collections of masterpieces in the world including paintings, drawings, prints, photographs, sculpture, and decorative arts from the 13th century to the present. The National Gallery of Art collection includes an extensive survey of works of American, British, Italian, Flemish, Spanish, Dutch, French and German art. With its prime location on the National Mall, surrounded by the Smithsonian Institution, visitors often think that the museum is a part of the Smithsonian. It is a separate entity and is supported by a combination of private and public funds. Admission is free. The museum offers a wide range of educational programs, lectures, guided tours, films, and concerts.
The original neoclassical building, the West Building includes European (13th-early 20th century) and American (18th-early 20th century) paintings, sculptures, decorative arts, and temporary exhibitions. The National Gallery of Art was opened to the public in 1941 with funds provided by the Andrew W. Mellon Foundation. The original collection of masterpieces was provided by Mellon, who was the U. S. Secretary of the Treasury and ambassador to Britain in the 1930s. Mellon collected European masterpieces and many of the Gallery’s original works were once owned by Catherine II of Russia and purchased in the early 1930s by Mellon from the Hermitage Museum in Leningrad.
The core collection includes major works of art donated by Paul Mellon, Ailsa Mellon Bruce, Lessing J. Rosenwald, Samuel Henry Kress, Rush Harrison Kress, Peter Arrell Browne Widener, Joseph E. Widener, and Chester Dale. The Gallery's collection of paintings, drawings, prints, photographs, sculpture, medals, and decorative arts traces the development of Western art from the Middle Ages to the present, including the only painting by Leonardo da Vinci in the Americas and the largest mobile created by Alexander Calder.
The NGA's collection galleries and Sculpture Garden display European and American paintings, sculpture, works on paper, photographs, and decorative arts. Paintings in the permanent collection date from the Middle Ages to the present. The Italian Renaissance collection includes two panels from Duccio's Maesta, the tondo of the Adoration of the Magi by Fra Angelico and Filippo Lippi, a Botticelli work on the same subject, Giorgione's Allendale Nativity, Giovanni Bellini's The Feast of the Gods, Ginevra de' Benci (the only painting by Leonardo da Vinci in the Americas) and groups of works by Titian and Raphael.
The collections include paintings by many European masters, including a version of Saint Martin and the Beggar, by El Greco, and works by Matthias Grünewald, Cranach the Elder, Rogier van der Weyden, Albrecht Dürer, Frans Hals, Rembrandt, Johannes Vermeer, Francisco Goya, Jean Auguste Dominique Ingres, and Eugène Delacroix, among others. The collection of sculpture and decorative arts includes such works as the Chalice of Abbot Suger of St-Denis and a collection of work by Auguste Rodin and Edgar Degas. Other highlights of the permanent collection include the second of the two original sets of Thomas Cole's series of paintings titled The Voyage of Life, (the first set is at the Munson-Williams-Proctor Arts Institute in Utica, New York) and the original version of Watson and the Shark by John Singleton Copley (two other versions are in the Museum of Fine Arts, Boston and the Detroit Institute of Arts).
en.wikipedia.org/wiki/National_Gallery_of_Art
Andrew W. Mellon, who pledged both the resources to construct the National Gallery of Art as well as his high-quality art collection, is rightly known as the founder of the gallery. But his bequest numbered less than two hundred paintings and sculptures—not nearly enough to fill the gallery’s massive rooms. This, however, was a feature, not a failure of Mellon’s vision; he anticipated that the gallery eventually would be filled not only by his own collection, but also by additional donations from other private collectors. By design, then, it was both Andrew Mellon and those who followed his lead—among them, eight men and women known as the Founding Benefactors—to whom the gallery owes its premier reputation as a national art museum. At the gallery’s opening in 1941, President Roosevelt stated, “the dedication of this Gallery to a living past, and to a greater and more richly living future, is the measure of the earnestness of our intention that the freedom of the human spirit shall go on.”
www.doaks.org/resources/cultural-philanthropy/national-ga...
..
________________________________
The National Gallery of Art in Washington, DC is a world-class art museum that displays one of the largest collections of masterpieces in the world including paintings, drawings, prints, photographs, sculpture, and decorative arts from the 13th century to the present. The National Gallery of Art collection includes an extensive survey of works of American, British, Italian, Flemish, Spanish, Dutch, French and German art. With its prime location on the National Mall, surrounded by the Smithsonian Institution, visitors often think that the museum is a part of the Smithsonian. It is a separate entity and is supported by a combination of private and public funds. Admission is free. The museum offers a wide range of educational programs, lectures, guided tours, films, and concerts.
The original neoclassical building, the West Building includes European (13th-early 20th century) and American (18th-early 20th century) paintings, sculptures, decorative arts, and temporary exhibitions. The National Gallery of Art was opened to the public in 1941 with funds provided by the Andrew W. Mellon Foundation. The original collection of masterpieces was provided by Mellon, who was the U. S. Secretary of the Treasury and ambassador to Britain in the 1930s. Mellon collected European masterpieces and many of the Gallery’s original works were once owned by Catherine II of Russia and purchased in the early 1930s by Mellon from the Hermitage Museum in Leningrad.
The core collection includes major works of art donated by Paul Mellon, Ailsa Mellon Bruce, Lessing J. Rosenwald, Samuel Henry Kress, Rush Harrison Kress, Peter Arrell Browne Widener, Joseph E. Widener, and Chester Dale. The Gallery's collection of paintings, drawings, prints, photographs, sculpture, medals, and decorative arts traces the development of Western art from the Middle Ages to the present, including the only painting by Leonardo da Vinci in the Americas and the largest mobile created by Alexander Calder.
The NGA's collection galleries and Sculpture Garden display European and American paintings, sculpture, works on paper, photographs, and decorative arts. Paintings in the permanent collection date from the Middle Ages to the present. The Italian Renaissance collection includes two panels from Duccio's Maesta, the tondo of the Adoration of the Magi by Fra Angelico and Filippo Lippi, a Botticelli work on the same subject, Giorgione's Allendale Nativity, Giovanni Bellini's The Feast of the Gods, Ginevra de' Benci (the only painting by Leonardo da Vinci in the Americas) and groups of works by Titian and Raphael.
The collections include paintings by many European masters, including a version of Saint Martin and the Beggar, by El Greco, and works by Matthias Grünewald, Cranach the Elder, Rogier van der Weyden, Albrecht Dürer, Frans Hals, Rembrandt, Johannes Vermeer, Francisco Goya, Jean Auguste Dominique Ingres, and Eugène Delacroix, among others. The collection of sculpture and decorative arts includes such works as the Chalice of Abbot Suger of St-Denis and a collection of work by Auguste Rodin and Edgar Degas. Other highlights of the permanent collection include the second of the two original sets of Thomas Cole's series of paintings titled The Voyage of Life, (the first set is at the Munson-Williams-Proctor Arts Institute in Utica, New York) and the original version of Watson and the Shark by John Singleton Copley (two other versions are in the Museum of Fine Arts, Boston and the Detroit Institute of Arts).
en.wikipedia.org/wiki/National_Gallery_of_Art
Andrew W. Mellon, who pledged both the resources to construct the National Gallery of Art as well as his high-quality art collection, is rightly known as the founder of the gallery. But his bequest numbered less than two hundred paintings and sculptures—not nearly enough to fill the gallery’s massive rooms. This, however, was a feature, not a failure of Mellon’s vision; he anticipated that the gallery eventually would be filled not only by his own collection, but also by additional donations from other private collectors. By design, then, it was both Andrew Mellon and those who followed his lead—among them, eight men and women known as the Founding Benefactors—to whom the gallery owes its premier reputation as a national art museum. At the gallery’s opening in 1941, President Roosevelt stated, “the dedication of this Gallery to a living past, and to a greater and more richly living future, is the measure of the earnestness of our intention that the freedom of the human spirit shall go on.”
www.doaks.org/resources/cultural-philanthropy/national-ga...
.
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aman dipakai di area ekstrim
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Spesifikasi produk
- IP rating: IP68
- Working Temperature(℃): -45 °C~ 65 °C
- LED Light Source: Brigelux/Cree Chip
- Lamp Luminous Flux(lm): 54000lm
- Certification: ce, C-tick, EMC, ETL, FCC, LVD, RoHS, Saa, SASO
- Input Voltage(V): 12V/24V/48V DC, 90-295V AC
Keunggulan produk:
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PT. TRISSAN
Ruko Metland Tambun
Blok A2 No. 24
RT 003 RW 004
Tambun Selatan
Kab. Bekasi
Jawa Barat
17510
10 menit dari stasiun tambun
marketing@trissan.co.id
www.toptrafficsafety.com/department/traffic-safety/led-wa.... Referring to the led warning light, the first impression of most people must be environmentally friendly and energy-saving.
The Parbold Bottle, originally known as the Reform Pillar, was erected in 1832 on Parbold Hill to celebrate the Great Reform Act, which marked the birth of modern democracy in the UK. Built by the quarry workers and owners of Parbold, it was designed to resemble a Georgian port bottle and became a symbol of hope for a fairer voting system. Over time, it fell into disrepair but was restored in 1958 and now sits lower down Parbold Hill, offering a picturesque view of the Douglas Valley. The monument serves as a reminder of the struggle for democratic reform and the ongoing campaign for a more inclusive voting system.
Bronica SQ-Ai | Zenza Bronica 40mm PS | Ilford HP5+ 400
Digitized with Nikon Z7 / 60mm Micro Nikkor | Raleno LED Light Panel | Nikon ES-2
Home developed in 510 Pyro 1:100 | 7m 30s at 20c | AGO Film Processor
Negative Lab Pro v2.4.2 | Color Model: None | Pre-Sat: 3 | Tone Profile: LAB - Standard | WB: None | LUT: None