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Kafka, Hinkai Star Rail Photographer: A.Z.Production Cosplay Photography (instagram.com/azproductioncosp) Cosplayer: Christina (www.instagram.com/likeassassin/)
Kafka or maybe Rimbaud or somebody else . This poster appeared on a wall and was gone the next day . Something is afoot in the Kingdom of East vancouver
I pretzel infilati nel portapretzel sono rigorosamente censiti e a fine pasto si svolge la conta degli assenti.
Quella sera, in via Nerudova, il fantasma di Franz Kafka dimenticò di dirmelo.
Kafka, Honkai: Star Rail Photographer: A.Z.Production Cosplay Photography (instagram.com/azproductioncosp) Cosplayer: Crunchy (instagram.com/crunchycupcake/)
La metamorfosis de Kafka dentro de la XXXI Feria Internacional del libro en Guadalajara, México, viernes 1 de Diciembre 2017. ( © FIL/Susana Rodríguez Cruz)
Ein weiteres Bild aus dem Shooting mit Gina und Vinzent.
Franz Kafka lässt grüßen.
Another shot from the set with Gina and Parce.
Kafka's Monkey
THE 2009 SELL-OUT PRODUCTION FEATURING OLIVIER AWARD WINNER KATHRYN HUNTER RETURNS AFTER A SMASH-HIT WORLD TOUR
www.youngvic.org/whats-on/kafkas-monkey
based on A Report to an Academy by Franz Kafka
adaptation by Colin Teevan
★★★★★ 'Superb... Kathryn Hunter is extraordinary.'
Time Out
Photo(c) Keith Pattison
Beginregels van een lezing die S. Vestdijk op 19 juni 1942 hield voor zijn medegijzelaars in seminarie Beekvliet, St. Michielsgestel. (Document gevonden in het archief van Hans Visser.)
Hmm... very simple.
Journaling:
If you don't get a good night kiss, you get Kafka dreams.
This is a line from one of our favorite Calvin and Hobbes comics, the one with the bedbug. We first read it back in Berlin, probably around 1988, and I remember my dad having to try to explain it to us - who Kafka was, and why the joke was funny. (Franz Kafka was a German writer in the early 20th century, who wrote The Metamorphosis among other things; his works were very surreal and strange, as we learned to a greater degree later.) I just sort of accepted it at the time, thought it was funny because Dad did - it wasn't till several years later, in Ottawa, that I learned more about Kafka…
One weekend afternoon a show came on TV - Kafka's The Castle. Hey, look - Kafka! we said. (I hadn't yet been assigned to read the Metamorphosis in school, and so my entire frame of Kafka reference was the Calvin and Hobbes comic.) Let's watch it! So we did.
And boy, it starts out weird and just gets weirder. A man trying to get to the castle on the hill. A drear and snowy landscape. Villagers and officials obstructing his way. A mysterious girl. Two idiot twins throwing papers around in a chaotic file room, while an old man is earnestly explaining something. It was remarkably dream-like, really; the kind of dream you try to recount after waking but realize that none of it made any sense, though it felt like it did at the time. At one point my mom was washing the dishes in the kitchen and kept calling, You have to fill me in on what I'm missing! To which we could really only reply, We would if we could, but we can't really figure out what's happening, and we're watching it! I think we kept watching in hopes that things would begin to come clear.
Then, to top it all off, as the main character finally started trudging up the hill to the castle... words started to roll up the screen, explaining that Kafka had never finished the book, that it ended in mid-sentence. WHAT? All that and there's not even an ending?
We would've been outraged, but it was really mostly just funny. It became one of those family stories - remember the time we watched that crazy Kafka movie?! - and really lent a whole new meaning to that old comic.
Now where's my goodnight kiss??
Statue to do with Kafka in Praha, not sure exactly what to do with Kafka as I'm not exactly well read but a nice statue.
At a young age Kafka fortunately found music as an escape from the constant difficult realities of his environment, instead of following the troubled paths of so many of his peers. “People look for a way out, get into drink or drugs,” the singer explains. “But in our house there were always records around. Actually, they were probably the only thing of real value.” After taking up guitar at age 12, Kafka played with a couple of short-lived high school bands before funding himself through university, but he knew early on he didn’t want to waste time learning the songs of others. “I did my first solo gigs at 17, but I never bothered with covers,” he says. “I wanted every song to be my own—pop songs, but with a left-field bent.”
After taking some time to finish university Kafka started the five-year process of composing the songs for Mysterious Skin, which was co-produced by Mark Jones (Peter Gabriel, Blue Nile, Black Grape). “Kafka draws from a very diverse palette of influences that create a quite unique style,” says Jones. “He’s very clear about how he wants his message to come over—a very talented chap.”
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Kafka's Monkey
THE 2009 SELL-OUT PRODUCTION FEATURING OLIVIER AWARD WINNER KATHRYN HUNTER RETURNS AFTER A SMASH-HIT WORLD TOUR
www.youngvic.org/whats-on/kafkas-monkey
based on A Report to an Academy by Franz Kafka
adaptation by Colin Teevan
★★★★★ 'Superb... Kathryn Hunter is extraordinary.'
Time Out
Photo(c) Keith Pattison
Second picture I've taken of this sticker at the Westminster Mall. I think I'm gonna take a picture of it everytime I walk by.
The garden installation EXOTE shapes a spatial environment for the characters of Kris Verdonck’s Kafka-esque world. This end-of-the-world landscape houses a selection of the most invasive alien species (plants and animals) in Belgium, which constitute a genuine threat to biodiversity, the economy and public health. Due to man’s interference, the species have been brought out of their natural environment and now form a threat for other, native species. EXOTE stands as a metaphor for a world in which man is increasingly forced to protect himself from an environment that he himself has created.
As certain non-native species in the installation present a potential threat to biodiversity in Hasselt and the surrounding areas, visitors need to be aware that even the smallest seed or animal cannot be allowed to escape. The evolution of the garden, the protective clothing and the safety provisions involved in the installation form an essential and necessary part of the artwork.
Opening night 30.04.2011
credits:
EXOTE (2011), by Kris Verdonck
Produced for the exhibition Kris Verdonck - EXHIBITION at #1
photo: Kristof Vrancken / Z33