View allAll Photos Tagged Isometric
The Evening News (James Watkins) not hdr
Catalytic confrontations
Calculated crawl,
Embryonic isolations,
Future free-for-all.
Energetic exhortation,
Apoplexied brawl,
Catatonic saturation,
Isometric ball.
Egocentric salutation,
Fatalistic fall,
Megalithic mumbo jumbo,
Paganistic pall.
Pugilistic palpitation,
Excavated sprawl,
Perspiration aggravation,
Aspirated wall.
Ammunition malnutrition,
Superstition stall,
California concentrated,
Captivated thrall.
Bound and ground,
Then taken down,
By the very best-
With one more show
Worth watching,
And then we’re headed west.
Recreation generation,
By the book denomination,
Families filled with hesitation,
RVs racked for roaming.
Picking up the pieces,
Layed down on the land,
With wasted wealth and watersheds,
And regions raped by man.
Calibration castigations,
Asymmetric aberrations,
Guided tours with revelations,
Ratted out and ruined.
Catastrophic congregations,
Commutated castings,
Calvinistic computations,
Debonair and prancing.
Altruistic aspirations,
Stoned, bemoaned abbreviations,
Terrified with trepidations,
Gnomes long gone and gassed!
Honed and cloned then overthrown,
Granted one last wish-
Celebrated, then negated-
Dangling near the dish!
Partisan unprinciples,
In petrifying packs-
With news and views
And loop-de-loos,
And stab-‘em-in-the-backs.
Ready for the ruckus,
Sitting at the shrine,
Thought they really
Had the goods,
Now listen to the whine.
Thought they had it marketed,
Cornered and refined,
Around the town
The teaching wound,
Until they lost their mind.
Settling to the bottom,
They slid to lower ground,
Between the lines and valentines,
Some lost their Royal Crowns.
Terroristic tinkering,
Tumbling and tinkling,
Fundamental farkles,
Helpful and home grown.
Patriotic particles,
Hidden in the articles,
Compact and post partial,
Buried to the bone.
Vacuumed packed
And gunny-sacked,
Pre-segmented squalls,
Appalachian apparitions,
Headed to the malls.
Fevered and fantastic men,
Marching to the moon,
With masticating matriarchs,
In subcutaneous swoon.
Breasts blown up beautiful,
Complicated castings,
Fallen faces on the floor,
Mesmerized for masking.
Sacrificial sublimations,
Surrogates sublime,
Tetrahedral, analgesic,
Sentimental crimes.
Pawing, pungent prisoners,
Soothing, sexy swine-
Sows and cows and sinning sons,
Tasting tempting wines.
Navigation nuances,
Nuptials by Nair,
Feudalistic fragrances,
Held up with heavy hair.
Practical imbalances,
Factory unrepairs,
New wave cold and chemical friends,
Facts blown up with air.
Salivating swindlers,
Solo Simon says,
High-falutin prostitution,
Fixed up with the Feds.
Sports and courts and teasing torts,
Women going wild-
Dow Jones Average hemorrhage,
Help the homeless child.
Down the daunting highway,
Less than overnight,
Covering ground without a sound,
Filtered by first light.
Lazy lit up lethargy,
Loosed by lying lips,
Bought the farm in triplicate,
Then sailed a sinking ship.
Galvanizing garrisons,
Gathering at the line,
Pushed ahead though nearly dead,
They won it one more time.
Tested in the tumult,
On solid ground they stand,
Groping with the changer,
Positioned close at hand.
Nightly, brightly flickering,
Turn the clicker off-
Before you go,
Don’t miss the show,
An evening totally lost!
James Watkins (03-06)
Baryl/Fluorit/Quarz Berbes
Fluorite (also called fluorspar) is the mineral form of calcium fluoride, CaF2. It belongs to the halide minerals. It crystallizes in isometric cubic habit, although octahedral and more complex isometric forms are not uncommon.
The Mohs scale of mineral hardness, based on scratch hardness comparison, defines value 4 as fluorite.[5]
Pure fluorite is colourless and transparent, both in visible and ultraviolet light, but impurities usually make it a colorful mineral and the stone has ornamental and lapidary uses. Industrially, fluorite is used as a flux for smelting, and in the production of certain glasses and enamels. The purest grades of fluorite are a source of fluoride for hydrofluoric acid manufacture, which is the intermediate source of most fluorine-containing fine chemicals. Optically clear transparent fluorite lenses have low dispersion, so lenses made from it exhibit less chromatic aberration, making them valuable in microscopes and telescopes. Fluorite optics are also usable in the far-ultraviolet and mid-infrared ranges, where conventional glasses are too opaque for use.
"Blue John"
Main article: Blue John (mineral)
One of the most famous of the older-known localities of fluorite is Castleton in Derbyshire, England, where, under the name of "Derbyshire Blue John", purple-blue fluorite was extracted from several mines or caves. During the 19th century, this attractive fluorite was mined for its ornamental value. The mineral Blue John is now scarce, and only a few hundred kilograms are mined each year for ornamental and lapidary use. Mining still takes place in Blue John Cavern and Treak Cliff Cavern.[25]
Recently discovered deposits in China have produced fluorite with coloring and banding similar to the classic Blue John stone. wikipedia
a frustrating foray into English characters.
drawn in real life, colored and cleaned up in illustrator.
Care home isometric building illustration, layered eps file for download - only $8 click below to buy:
Care Home Vector Isometric Illustration
For more isometric vector illustrations or if you need a commercial illustrator go to www.dougillustration.com
Precinct Police Station in Bedford Styvestant Brooklyn
By Barie Fez-Barringten:AIA/NCARB/Yale M.Arch68’
The below are most of my original drawings as presented to the Yale theseis jury in 1967. These all drawn by hand by me with out the use of computers. Lieutenant Goodale of New York City's Police Headquarters spent his time to teach me about the policies and operations of precinct stations and then assigned me to spend a week at the precinct where I observed the works of the stations and rode in patrol cars.
On day we rode to street where the was a gun fight from one side to the canyon-like streets six storied tenements to the other.
I was told to get down and call for backup on the car phone which they handed me as the two officers darted off to deal with the situation.
After I complied I slithered along the pavement to a close phone booth to call my wife to five her may parting farewells and inform her what was going on.
So was my indoctrination to this design.
The whole reason I selected this project was at the encouragement of my former teacher and mentor Forrest Wilson who had traced my life from my earliest years growing up on the streets of the Bronx.
These episodes were daily occurrences when we lived on th East Bronx Simpson Street. I have put these and other such stories into a manuscript called :"Bronx Stardust".
All approximate 50 drawings filled the Yale University jury area and complicate the jury consisting of Vincent Scully, Sir James Stirling, Paul Rudolf, Charles Moore, Peter Millard, King Lui Wuu and Phillip Johnson.
It was Dr. Johnson who championed my project calling the jury's attention to the complete, comprehensive and coordinated documentation of my thesis as well as the above-excellent drawing and draftsmanship.
Unlike any of the jury members before coming to Yale I had designed skyscrapers, public works, multi family housing and High -end commercial interiors in Manhattan's competitive real estate market.
I had already designed a university under Edward D. Stone, office building under Khan and Jacobs and holy shrines under Frederick Kiesler.
Other pointed to the way one drawing spoke to the other and confirmed my then emerging theory that architecture was the making of metaphors.
As much as educators spoke of conceptual metaphors they did little to teach about the technical metaphor.It was both the technical and conceptual metaphor I choose to bring together in this micro project.
From site selection, site planning to the knitting together of program input from the community planning boards
and police the metaphor bridged, carried over and represented a new paradigm. None of this was lost to Phillip Johnson ,Vincent Scully and Paul Weiss.
The drawings are a study of the muti-dimensional characteristics of a work of architecture leaving no view or aspect to chance but all made part of the metaphor. In this description I shall leave you to read the drawings and learn the metaphor and its workings.
I can only hope it to be as much an aesthetic experience for you as it was for me, Lieutenant Goodale, and the jury.
Keep in mind this was all before computer aided design was even an embryo and when draftsmanship was appreciated for the art it actually was.
In fact my works was so well appreciated that when he published his book on the work of his office, Morris Lapidus included several of my drawings as examples.
Precinct Police Station in Bedford Styvestant Brooklyn
By Barie Fez-Barringten:AIA/NCARB/Yale M.Arch68’
The below are most of my original drawings as presented to the Yale theseis jury in 1967. These all drawn by hand by me with out the use of computers. Lieutenant Goodale of New York City's Police Headquarters spent his time to teach me about the policies and operations of precinct stations and then assigned me to spend a week at the precinct where I observed the works of the stations and rode in patrol cars.
On day we rode to street where the was a gun fight from one side to the canyon-like streets six storied tenements to the other.
I was told to get down and call for backup on the car phone which they handed me as the two officers darted off to deal with the situation.
After I complied I slithered along the pavement to a close phone booth to call my wife to five her may parting farewells and inform her what was going on.
So was my indoctrination to this design.
The whole reason I selected this project was at the encouragement of my former teacher and mentor Forrest Wilson who had traced my life from my earliest years growing up on the streets of the Bronx.
These episodes were daily occurrences when we lived on th East Bronx Simpson Street. I have put these and other such stories into a manuscript called :"Bronx Stardust".
All approximate 50 drawings filled the Yale University jury area and complicate the jury consisting of Vincent Scully, Sir James Stirling, Paul Rudolf, Charles Moore, Peter Millard, King Lui Wuu and Phillip Johnson.
It was Dr. Johnson who championed my project calling the jury's attention to the complete, comprehensive and coordinated documentation of my thesis as well as the above-excellent drawing and draftsmanship.
Unlike any of the jury members before coming to Yale I had designed skyscrapers, public works, multi family housing and High -end commercial interiors in Manhattan's competitive real estate market.
I had already designed a university under Edward D. Stone, office building under Khan and Jacobs and holy shrines under Frederick Kiesler.
Other pointed to the way one drawing spoke to the other and confirmed my then emerging theory that architecture was the making of metaphors.
As much as educators spoke of conceptual metaphors they did little to teach about the technical metaphor.It was both the technical and conceptual metaphor I choose to bring together in this micro project.
From site selection, site planning to the knitting together of program input from the community planning boards
and police the metaphor bridged, carried over and represented a new paradigm. None of this was lost to Phillip Johnson ,Vincent Scully and Paul Weiss.
The drawings are a study of the muti-dimensional characteristics of a work of architecture leaving no view or aspect to chance but all made part of the metaphor. In this description I shall leave you to read the drawings and learn the metaphor and its workings.
I can only hope it to be as much an aesthetic experience for you as it was for me, Lieutenant Goodale, and the jury.
Keep in mind this was all before computer aided design was even an embryo and when draftsmanship was appreciated for the art it actually was.
In fact my works was so well appreciated that when he published his book on the work of his office, Morris Lapidus included several of my drawings as examples.
Taken from a National Capital Development Commission (NCDC) brochure produced for the first exhibition of display homes in Swinger Hill, Stage 1 in 1972.
Swinger Hill Stage 1 and 2 is listed on the ACT Chapter of the Royal Australian Institute of Architects (RAIA) Register of Significant Twentieth Century Architecture.
Isometric of exploded view of the how the mini tire fits onto a base. It really rolls! This is part of a Cuusoo idea as seen at lego.cuusoo.com/ideas/view/9495.
Toboggan Carsten Höller, Isometric slides
en direct des espaces supérieurs de la Tour LUMA
Arles, Fondation Maja Hoffmann
LUMA (contraction du prénom des deux enfants de Maja Hoffman, Lucas et Marina)
"Selon Carsten Höller un toboggan est une sculpture dans laquelle on peut voyager et faire l’expérience d’un état émotionnel unique situé entre le plaisir et la folie. Cependant l’artiste souligne qu’il n’est pas nécessaire de glisser dans le slide pour lui donner du sens, le regarder et observer les visiteurs glisser est une expérience tout aussi intéressante."
www.luma.org/live/watch/carsten-holler-isometric-slides-5...
Le passager doit se glisser dans une sorte de sac de glissade en tissu, les pieds bien maintenus en place par une sangle du même tissu que l'on doit tenir à pleines mains; je vous assure que ce petit dispositif a suffi pour me tranquilliser et me concentrer pendant la descente vertigineuse. Il évite aussi que les bras ne fassent des gestes désordonnés et peut-être préjudiciables.
Erwan
fr.wikipedia.org/wiki/Carsten_H%c3%b6ller
www.bestarchidesign.com/carnet-adresses/luma-arles-tour-f...
Precinct Police Station in Bedford Styvestant Brooklyn
By Barie Fez-Barringten:AIA/NCARB/Yale M.Arch68’
The below are most of my original drawings as presented to the Yale theseis jury in 1967. These all drawn by hand by me with out the use of computers. Lieutenant Goodale of New York City's Police Headquarters spent his time to teach me about the policies and operations of precinct stations and then assigned me to spend a week at the precinct where I observed the works of the stations and rode in patrol cars.
On day we rode to street where the was a gun fight from one side to the canyon-like streets six storied tenements to the other.
I was told to get down and call for backup on the car phone which they handed me as the two officers darted off to deal with the situation.
After I complied I slithered along the pavement to a close phone booth to call my wife to five her may parting farewells and inform her what was going on.
So was my indoctrination to this design.
The whole reason I selected this project was at the encouragement of my former teacher and mentor Forrest Wilson who had traced my life from my earliest years growing up on the streets of the Bronx.
These episodes were daily occurrences when we lived on th East Bronx Simpson Street. I have put these and other such stories into a manuscript called :"Bronx Stardust".
All approximate 50 drawings filled the Yale University jury area and complicate the jury consisting of Vincent Scully, Sir James Stirling, Paul Rudolf, Charles Moore, Peter Millard, King Lui Wuu and Phillip Johnson.
It was Dr. Johnson who championed my project calling the jury's attention to the complete, comprehensive and coordinated documentation of my thesis as well as the above-excellent drawing and draftsmanship.
Unlike any of the jury members before coming to Yale I had designed skyscrapers, public works, multi family housing and High -end commercial interiors in Manhattan's competitive real estate market.
I had already designed a university under Edward D. Stone, office building under Khan and Jacobs and holy shrines under Frederick Kiesler.
Other pointed to the way one drawing spoke to the other and confirmed my then emerging theory that architecture was the making of metaphors.
As much as educators spoke of conceptual metaphors they did little to teach about the technical metaphor.It was both the technical and conceptual metaphor I choose to bring together in this micro project.
From site selection, site planning to the knitting together of program input from the community planning boards
and police the metaphor bridged, carried over and represented a new paradigm. None of this was lost to Phillip Johnson ,Vincent Scully and Paul Weiss.
The drawings are a study of the muti-dimensional characteristics of a work of architecture leaving no view or aspect to chance but all made part of the metaphor. In this description I shall leave you to read the drawings and learn the metaphor and its workings.
I can only hope it to be as much an aesthetic experience for you as it was for me, Lieutenant Goodale, and the jury.
Keep in mind this was all before computer aided design was even an embryo and when draftsmanship was appreciated for the art it actually was.
In fact my works was so well appreciated that when he published his book on the work of his office, Morris Lapidus included several of my drawings as examples.
Toboggan de Carsten Holler
la Tour, Fondation Maja Hoffmann
Arles
"Selon Carsten Höller un toboggan est une sculpture dans laquelle on peut voyager et faire l’expérience d’un état émotionnel unique situé entre le plaisir et la folie. Cependant l’artiste souligne qu’il n’est pas nécessaire de glisser dans le slide pour lui donner du sens, le regarder et observer les visiteurs glisser est une expérience tout aussi intéressante."
www.luma.org/live/watch/carsten-holler-isometric-slides-5...
Baryl/Fluorit/Quarz Berbes
Fluorite (also called fluorspar) is the mineral form of calcium fluoride, CaF2. It belongs to the halide minerals. It crystallizes in isometric cubic habit, although octahedral and more complex isometric forms are not uncommon.
The Mohs scale of mineral hardness, based on scratch hardness comparison, defines value 4 as fluorite.[5]
Pure fluorite is colourless and transparent, both in visible and ultraviolet light, but impurities usually make it a colorful mineral and the stone has ornamental and lapidary uses. Industrially, fluorite is used as a flux for smelting, and in the production of certain glasses and enamels. The purest grades of fluorite are a source of fluoride for hydrofluoric acid manufacture, which is the intermediate source of most fluorine-containing fine chemicals. Optically clear transparent fluorite lenses have low dispersion, so lenses made from it exhibit less chromatic aberration, making them valuable in microscopes and telescopes. Fluorite optics are also usable in the far-ultraviolet and mid-infrared ranges, where conventional glasses are too opaque for use.
"Blue John"
Main article: Blue John (mineral)
One of the most famous of the older-known localities of fluorite is Castleton in Derbyshire, England, where, under the name of "Derbyshire Blue John", purple-blue fluorite was extracted from several mines or caves. During the 19th century, this attractive fluorite was mined for its ornamental value. The mineral Blue John is now scarce, and only a few hundred kilograms are mined each year for ornamental and lapidary use. Mining still takes place in Blue John Cavern and Treak Cliff Cavern.[25]
Recently discovered deposits in China have produced fluorite with coloring and banding similar to the classic Blue John stone. wikipedia
Best Large-
THE EVENING NEWS 2010
Catalytic confrontations
Calculated crawl,
Embryonic isolations,
Future free-for-all.
Energetic exhortations,
Apoplexied brawl,
Catatonic saturation,
Isometric balls.
Egocentric salutation,
Fatalistic fall,
Megalithic mumbo jumbo,
Paganistic pall.
Pugilistic palpitation,
Excavated sprawl,
Perspiration aggravation,
Aspirated wall.
Ammunition malnutrition,
Superstition stall,
California concentrated,
Captivated thrall.
Bound and ground,
Then taken down,
By the very best-
With one more show
Worth watching,
And then we’re headed west.
Recreation generation,
By the book denomination,
Families filled with hesitation,
RVs racked for roaming.
Picking up the pieces,
Layed down on the land,
With wasted wealth and watersheds,
And regions raped by man.
Calibration castigations,
Asymmetric aberrations,
Guided tours with revelations,
Ratted out and ruined.
Catastrophic congregations,
Commutated castings,
Calvinistic computations,
Debonair and prancing.
Altruistic aspirations,
Stoned, bemoaned abbreviations,
Terrified with trepidations,
Gnomes long gone and gassed!
Honed and cloned then overthrown,
Granted one last wish-
Celebrated, then negated-
Dangling near the dish!
Partisan unprinciples,
In petrifying packs-
With news and views
And loop-de-loops,
And stab-‘em-in-the-backs.
Ready for the ruckus,
Sitting at the shrine,
Thought they really
Had the goods,
Now listen to the whine.
Thought they had it marketed,
Cornered and refined,
Around the town
The lie unwound
And then they lost their mind.
Settling to the bottom,
They slid to lower ground,
Between the lines and valentines,
some lost their royal crowns.
Terroristic tinkering,
Tumbling and tinkling,
Fundamental farkles,
Helpful and home grown.
Patriotic particles,
Hidden in the articles,
Compact and post partial,
Buried to the bone.
Vacuumed packed
And gunny-sacked,
Pre-segmented squalls,
Appalachian apparitions,
Headed to the malls.
Fevered and fantastic men,
Marching to the moon,
With masticating matriarchs,
In subcutaneous swoon.
Breasts blown up beautiful,
Complicated castings,
Fallen faces on the floor,
Mesmerized for masking.
Sacrificial sublimations,
Surrogates sublime,
Tetrahedral analgesic,
Sentimental crimes.
Pawing, pungent prisoners,
Soothing, sexy swine-
Sows and cows and sinning sons,
Tasting tempting wines.
Navigation nuances,
Nuptials by Nair,
Feudalistic fragrances,
Held up with heavy hair.
Practical imbalances,
Factory unrepairs,
New wave cold and chemical friends,
Facts blown up with air.
Salivating swindlers,
Solo Simon says,
High-falutin prostitution,
Fixed up with the Feds.
Sports and courts and teasing torts,
Women going wild-
Dow Jones Average hemorrhage,
Help the homeless child.
Down the daunting highway,
Less than overnight,
Covering ground without a sound,
Filtered by first light.
Lazy lit up lethargy,
Loosed by lying lips,
Bought the farm in triplicate,
Then sailed a sinking ship.
Galvanizing garrisons,
Gathering at the line,
Pushed ahead though nearly dead,
They won it one more time.
Tested in the tumult,
On solid ground they stand,
Groping with the changer,
Positioned close at hand.
Nightly, brightly flickering,
Turn the clicker off-
Before you go,
Don’t miss the show,
An evening totally lost!
James Watkins
Best Large-
THE EVENING NEWS
Catalytic confrontations
Calculated crawl,
Embryonic isolations,
Future free-for-all.
Energetic exhortations,
Apoplexied brawl,
Catatonic saturation,
Isometric balls.
Egocentric salutation,
Fatalistic fall,
Megalithic mumbo jumbo,
Paganistic pall.
Pugilistic palpitation,
Excavated sprawl,
Perspiration aggravation,
Aspirated wall.
Ammunition malnutrition,
Superstition stall,
California concentrated,
Captivated thrall.
Bound and ground,
Then taken down,
By the very best-
With one more show
Worth watching,
And then we’re headed west.
Recreation generation,
By the book denomination,
Families filled with hesitation,
RVs racked for roaming.
Picking up the pieces,
Layed down on the land,
With wasted wealth and watersheds,
And regions raped by man.
Calibration castigations,
Asymmetric aberrations,
Guided tours with revelations,
Ratted out and ruined.
Catastrophic congregations,
Commutated castings,
Calvinistic computations,
Debonair and prancing.
Altruistic aspirations,
Stoned, bemoaned abbreviations,
Terrified with trepidations,
Gnomes long gone and gassed!
Honed and cloned then overthrown,
Granted one last wish-
Celebrated, then negated-
Dangling near the dish!
Partisan unprinciples,
In petrifying packs-
With news and views
And loop-de-loops,
And stab-‘em-in-the-backs.
Ready for the ruckus,
Sitting at the shrine,
Thought they really
Had the goods,
Now listen to the whine.
Thought they had it marketed,
Cornered and refined,
Around the town
The lie unwound
And then they lost their mind.
Settling to the bottom,
They slid to lower ground,
Between the lines and valentines,
some lost their royal crowns.
Terroristic tinkering,
Tumbling and tinkling,
Fundamental farkles,
Helpful and home grown.
Patriotic particles,
Hidden in the articles,
Compact and post partial,
Buried to the bone.
Vacuumed packed
And gunny-sacked,
Pre-segmented squalls,
Appalachian apparitions,
Headed to the malls.
Fevered and fantastic men,
Marching to the moon,
With masticating matriarchs,
In subcutaneous swoon.
Breasts blown up beautiful,
Complicated castings,
Fallen faces on the floor,
Mesmerized for masking.
Sacrificial sublimations,
Surrogates sublime,
Tetrahedral analgesic,
Sentimental crimes.
Pawing, pungent prisoners,
Soothing, sexy swine-
Sows and cows and sinning sons,
Tasting tempting wines.
Navigation nuances,
Nuptials by Nair,
Feudalistic fragrances,
Held up with heavy hair.
Practical imbalances,
Factory unrepairs,
New wave cold and chemical friends,
Facts blown up with air.
Salivating swindlers,
Solo Simon says,
High-falutin prostitution,
Fixed up with the Feds.
Sports and courts and teasing torts,
Women going wild-
Dow Jones Average hemorrhage,
Help the homeless child.
Down the daunting highway,
Less than overnight,
Covering ground without a sound,
Filtered by first light.
Lazy lit up lethargy,
Loosed by lying lips,
Bought the farm in triplicate,
Then sailed a sinking ship.
Galvanizing garrisons,
Gathering at the line,
Pushed ahead though nearly dead,
They won it one more time.
Tested in the tumult,
On solid ground they stand,
Groping with the changer,
Positioned close at hand.
Nightly, brightly flickering,
Turn the clicker off-
Before you go,
Don’t miss the show,
An evening totally lost!
James Watkins
made using the "Fill Color"
Excel file: www.deviantart.com/download/59940718/Pixel_Art_in_MS_Exce...
The Memorial to the Murdered Jews of Europe (Denkmal fr die ermordeten Juden Europas), also known as the Holocaust Memorial, is a memorial in Berlin to the Jewish victims of the Holocaust, designed by architect Peter Eisenman and engineer Buro Happold. It consists of a 19,000 square meter (4.7 acre) site covered with 2,711 concrete slabs or "stelae", arranged in a grid pattern on a sloping field. The stelae are 2.38m (7.8') long, 0.95m (3' 1.5") wide and vary in height from 0.2 m to 4.8m (8" to 15'9"). According to Eisenman's project text, the stelae are designed to produce an uneasy, confusing atmosphere, and the whole sculpture aims to represent a supposedly ordered system that has lost touch with human reason. A 2005 copy of the Foundation for the Memorial's official English tourist pamphlet, however, states that the design represents a radical approach to the traditional concept of a memorial, partly because Eisenman did not use any symbolism. An attached underground "Place of Information" holds the names of all known Jewish Holocaust victims, obtained from the Israeli museum Yad Vashem [Wikipedia.org]