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One of the homeless people who roam Metro Manila. Some of them, like this woman, live along the island in the middle of the road, finding shelter from the sun and the rain ( heavy rain in the background).
António Dacosta (1914-1990) - Serenata Açoreana [Azorean Serenade] (1940). In the collection of the Centro de Arte Moderna (CAM). Fundação Calouste Gulbenkian, Lisbon.
Solomon Islanders in traditional Canoe.
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An album with many photos from SSCS OP REQUIEM
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C-GIHF
Britten Norman BN-2A-27 Islander
South Nahanni Airways
Built 1975
C/N 475
Not a common type in these parts, but this one seems to come down from it's Fort Simpson NWT base at the end of every summer and is missing a couple of bits
The annual Mount Hagen Sing Sing brings out a mind-boggling array of unique tribal dance troupes.
For the story, please visit: www.ursulasweeklywanders.com/travel/tribal-expressions-pr...
A glimpse of BC's resident orcas always evokes a sense of wonder. Since 1984, VIB has crafted premium beer that captures the feeling our coastal region inspires. As Vancouver Island's classic lager, this laid-back and refreshing beer lets you drink in all our island has to offer.
Finally was able to break from the grind to get some outdoor drone shots done for once. Bit in wander mode, but always a good subject matter - the Grand Island southern bridges.
Janelle against an empty New York City street, with sunset playing against buildings in the background.
Janelle had some rare free time, so we used the opportunity to have a photo shoot. Despite the fact that she was "rusty" from passing through six months without a single photo shoot, and despite the fact that the original location I had wanted to shoot at was inaccessible, we were pleased with how things came out.
I wanted to try a new concept with lighting and backgrounds, and had to wait until sunset for it. The tall buildings largely blocked the setting sun's rays at this location, which was a bit of a mixed blessing: while it probably removed some of the "magic" of shooting at this hour, it kept the heat down and gave me greater freedom of shooting angles.
The last time we did a shoot, I tried using two cameras with two prime lenses: the Leica D Summilux 25mm f/1.4 (my preferred portraiture lens) and the Zuiko Digital 50mm f/2.0 macro. At that time I concluded that the difference between both fields of view wasn't great enough for them to be useful; taking three to five steps backward or forward would give me a similar enough framing between the two that I might as well have just used one camera. This time, inspired by Justin Bonaparte's photos taken with a Zuiko Digital 150mm f/2.0, I decided to go with another two-camera setup, pairing the 25mm f/1.4 with my Sigma 150mm f/2.8 macro. This combination was seemingly more useful. I'll include more usage notes on it with an upload from the 150mm.