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Tropea is a municipality located within the province of Vibo Valentia, in Calabria (southern Italy).The town is a famous bathing place, situated on a reef, in the gulf of St. Euphemia connected with the mainland by a narrow strip in the Tyrrhenian Sea, toward the south with respect to Vibo Valentia and northward with respect to Ricadi and Capo Vaticano.
Tropea è un comune italiano di 6.775 abitanti della provincia di Vibo Valentia in Calabria, tra i più piccoli Comuni d'Italia per superficie territoriale.Il territorio tropeano si mostra molto piccolo, infatti con soli 3,59 km² si trova al 7805º posto in Italia per superficie mentre addirittura al 195° per densità di popolazione. La sua morfologia è molto particolare, si divide infatti in due parti: la parte superiore, dove si trova la maggior parte degli abitanti e dove si svolge quindi la vita quotidiana del paese e una parte inferiore chiamata "La marina" che si trova a ridosso del mare e del porto di Tropea. La città, la parte superiore, si presenta costruita su una roccia a picco sul mare ad un'altezza di circa 50 metri, dal livello del mare, nel punto più basso e di 61 metri nel punto più alto.La storia di Tropea inizia in epoca romana quando lungo la costa Sesto Pompeo sconfisse Cesare Ottaviano. A sud di Tropea i Romani avevano costruito un porto commerciale, vicino S.Domenica, a Formicoli (cioè corruzione di Foro di Ercole), di cui parlano Plinio e Strabone.Si vuole che il fondatore sia stato Ercole che, di ritorno dalla Spagna (Colonne d'Ercole), si fermò sulla Costa degli Dei e secondo questa leggenda, Tropea divenne uno dei Porti di Ercole.Per la sua caratteristica posizione di terrazzo sul mare, Tropea ebbe un ruolo importante, sia in epoca romana sia sotto i Normanni e gli Aragonesi. Nelle zone limitrofe sono state invece rinvenute tombe di origine magno-greca.Nota località balneare sul mar Tirreno a sud-ovest di Vibo Valentia ed a nord di Capo Vaticano, ha un monastero di Francescani di notevole importanza e la Cattedrale Normanna del 1100. Di notevole interesse il centro storico, con i palazzi nobiliari del '700 e dell''800 arroccati sulla rupe a strapiombo con la spiaggia sottostante. Interessanti sono i "portali" dei palazzi che rappresentavano le famiglie nobiliari; alcuni sono dotate di grosse cisterne scavate nella roccia, che servivano per accumulare il grano proveniente dal Monte Poro, e successivamente veniva caricato tramite condotte di terracotta sulle navi che erano ormeggiate sotto la rupe di Tropea.
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This photograph is from the collection of Barry Howard, who was an Electrician at local coal mines such as Hebburn No. 2 and Northern (Rhondda) Colliery, and at Saxonvale Colliery, further up the Hunter Valley. Mr Howard has very kindly permitted us to to publish these photographs on this website for the benefit of researchers and for those who served in the mines and their families.
If you have any information about the photograph, please contact us or leave a comment. We greatly value your contribution.
Please contact us if you are the subject of the image, or know the subject of the image, and have cultural or other reservations about the image being displayed on this website and would like to discuss this with us.
This image can be used for study and personal research purposes. If you wish to reproduce the image for any other purpose you must obtain permission by contacting the University of Newcastle's Cultural Collections.
Here is the remainder of the photos of my shoe exploits from the past few months.
Acquired these sandals for the summer. Unfortunately, these should have been named "Tight Fit", as they are very tight for size 4 1/2. Also the strap is very short. But they seem to be stretching, so hopefully I'll be ble to wear them for more than an hour.
This is my version of the Porsche 911 Turbo 3.0 in the X-wide style.
Building instructions is available !
rebrickable.com/users/k_lego_r/mocs/
You find more pictures on Instagram : www.instagram.com/klara_mocs/
or:
This is the Scaliger Castle of Malcesine, on Lake Garda.
Historical Notes
Built by the Lombards towards the middle of the first millennium, the Castle was destroyed by the Franks in 590, who rebuilt it to host King Pippin in 806. Following the invasions of the Hungarians, it became part of the Veronese Bishop's fiefs.
In 1277 it fell under the rule of Alberto Della Scala and remained the property of the Della Scala family until 1387. Works performed during this period gave the Castle its current name: the "Scaliger Castle".
Over the centuries, it has been occupied by the Visconiti of Milan by the Republic of Venice, by the French and Austrian Empires; the latter performed firm works to consolidate the interior of the Castle and inhabited it until 1866.
On August 22nd, 1902 it was declared a National Monument.
(Taken from a leaflet we got from the castle)
Shots taken from the tower at the castle in Malcesine. Was quite high to go up to. Stunning views at the top.
The top of the tower, with a bell, lucky it didn't ring when I was up there!
One last look at the beach, this time from the highest point in the castle - the top of the tower.
www.nationalww2museum.org/media/media-resources/75th-anni...
Tightly packed troops crouch inside their LCVP (landing craft, vehicle, personnel) as it plows through a wave. In the distance is the coast of Normandy.
What is best beginner steroid
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Getting that desire body is not easy, you can testify to that if you have ever tried to build your body by killing yourself in a gym. Many people think that having that perfect male product body is just a matter of right genetics and then slugging out with weights. Actually, that is not true. Truth of the matter is that most of these people you see with perfect bodies, which seem like sculpted by God himself. They usually use steroids to build that kind of body. You would obviously ask is not using steroids harmful for human anatomy?
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Answer is that it relies upon upon the method of use and care you take in designing your first cycle. Can you use steroids to get that desire body? Answer is again yes. Next question will be how can I do that? There are few things, which you have to consider when designing your first steroid cycle. Usual mistake that all novice make is that they try to start with a stack of steroids. It has one major downside. Sometimes your body reacts to certain steroids, if you are using a stack or more than one steroid at at any time. You will never be able to find out exactly which steroid is causing that allergic reaction from your body.
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Therefore, it is always best that you start with something simple and basic like testosterone. There are number of reasons why this is a good choice. To begin with, male bodies do not react adversely to use of testosterone. One of the main reasons, it is a natural hormone that your body produces naturally. Therefore, most of the times, it does not get any adverse reaction from a male body and it easily assimilates into your metabolism. Another, reason is that it acts as a test, if you can easily assimilate this steroid. Most probably, you will be able to use any steroid without any problem. Important thing to remember is, it is not a magic drug, like the kinds you see on Tv or on internet. You will have to use it for several weeks before the results start to appear.
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To get the best results from use of steroids, you have to use them cyclically. If you continue using steroids for an indefinite period, your body will start undergoing degeneration. Problem is that steroids do hurt your body if you use them without a crack. To overcome this problem, you have to discontinue the use of steroids after sometime. Usually the best cycle is of about 12 weeks. However, if you stop using steroids, soon, all of the mass you have gained will disappear. It means that you have to find the right balance between the durations in which you use the steroids and you rest your body before the next cycle. It may differ from person to person, but roughly, the cycles goes like 12 weeks of use then take a crack for a few weeks and then start taking estrogen to help your body balance out any residual negative effects. www.etalaze.net/news/270/What-is-best-beginner-steroid.html
High Seas, Low Planes is pleased to present: Performing Meditation: Urban Synthetic February 18, 2012 from 4 to 6 pm Instructed by Carmen Moreno Performing meditation can be difficult with the sounds of a city. Our busy lives don’t always allow us a drive to the country or a beam out of the universe, so it is often that we come together to conjure a peaceful place. Join us for “Urban Synthetic”, a mediation that will take you into a cultivated adventure filled with laser lights, song, dance, exotic fragrances, surprises and refreshments. Ages : 12 and up
High Seas Low Planes is a multi-media installation by Kansas City based artist and Charlotte Street Visual Artist Award Fellow Ari Fish. The installation is comprised of multiple projections of computer generated color light schemes, projected from the four cardinal directions onto large swaths of poly-filament “clouds” and sewn vinyl forms suspended from the ceiling. Drawing on theories of color therapy and color psychology, the color projections will work together to induce energy, vitality, calmness, and relaxation. These effects will be furthered through white noise, subtle bell tones and low hums presented in surround sound. Visitors will be able to experience the installation from reclining positions on mobile scooters upholstered with comfort foam and fabric, or by resting on large, stationary boulder-shaped pillows.
Dunham Massey is a civil parish in the Metropolitan Borough of Trafford, Greater Manchester, England. The parish includes the villages of Sinderland Green, Dunham Woodhouse and Dunham Town, along with Dunham Massey Park, formerly the home of the last Earl of Stamford and owned by the National Trust since 1976. Dunham Massey was historically in the county of Cheshire, but since 1974 has been part of Trafford Metropolitan Borough; the nearest town is Altrincham. As of the 2001 census, the parish had a population of 475.
Dunham Massey has a long history, as reflected in its 45 listed buildings. It was a locally important area during the medieval period, and acted as the seat for the Massey barony. The Georgian hall, with the remains of a castle in its grounds, is a popular tourist attraction. There are two Sites of Special Scientific Interest in Dunham Massey: Dunham Park, located south of Dunham Town, and Brookheys Covert.
The present hall was initially built in 1616 by Sir George Booth, who was amongst the creations ofBaronets by James I in 1611, but was later remodelled by John Norris for George, Earl of Stamford and Warrington between 1732 and 1740; it was also altered by John Hope towards the end of the 18th century and by Joseph Compton Hall between 1905 and 1908. The hall itself, the stables, and the carriage house of Dunham Massey are all Grade I listed buildings, three of six such buildings in Trafford.
The site is moated and lies immediately west of the village of Dunham, with the deer park lying to the south. The hall was donated to the National Trust by the las tEarl of Stamford, in 1976. The hall was used as a military hospital during the First World War. Inside is a collection of Huguenot silver, the carving The Crucifixion by 17th century wood carver Grinling Gibbons, and a white marble bust of the Emperor Hadrian; the head is antique, but the neck and shoulders are 18th century, it was probably acquired by the 5th Earl of Stamford. The collection of paintings in the hall include Allegory with Venus, Mars, Cupid and Time by Guercino; The Cascade at Terni by Louis Ducros; and portraits by William Beechey, Francis Cotes, Michael Dahl, A. R. Mengs, Sir Joshua Reynolds, George Romney, Enoch Seeman, and Zoffany. The George Harry Grey, 7th Earl of Stamford and 3rd Earl of Warrington removed a selection of paintings to Enville Hall in the late 1850s, and it was not until the time of Roger Grey, 10th Earl of Stamford that some were returned after sales in 1929 and 1931.The deer park at Dunham Massey is the only medieval park in Trafford to survive to the present.
Mackinac Island, Michigan, is a beautiful island. Located in the Straits of Mackinac, it's about 8-9 miles in circumference.
There's the actual town of Mackinac Island, where the ships dock. Since 1898 (I think), there have been no motorized vehicles allowed on the island (for consumer use, at least) as they scared the horses.
Your modes of transportation are one of three:
1. Horse (and carriage) as a taxi, personal rental, or part of a tour (for about $30/adult). Or, just rent a horse for $50/hour/horse.
2. Bicycles. For rental all over the place in town.
3. Your two feet.
The town of Mackinac Island. Its Main Street -- the first thing you see after passing under the portico from any of the ferries -- is actually Huron Street. One parallel street behind, you have Market Street. There are a number of other streets in the town, too, all easily walkable (obviously). Since this is basically a tourist resort, you'll find about 80% of the establishments in town fall into one of the following categories: fudge shops (12 different companies have fudge shops here), bed & breakfasts, bike rentals, or restaurants (pizzeria, bar/saloon/burger joint). The only eyesore on the island is a Starbucks. It disgusts me to no end. If you intend to spend the night on the island, be prepared to have your wallet lightened substantially, especially in season (Memorial Day to Labor Day).
For overnight accommodations, the most famous place on the island is the Grand Hotel, which has the longest covered porch of any building in the world (660 ft./200 meters). It'll set you back over $400/night. There's no air conditioning. It was built in 1887 and is perfectly imperfect. They finished it in three months. Even to wander the grounds, you have to pay $10 per their signage. On a sunny summer day, it's beautiful, especially with all of the flags flying along the porch. If you aren't inclined to pay through the nose here, the B&Bs, during summer, would probably set you back around $300/night, but don't quote me on that. (The more frugal folks -- like me -- stay in Mackinaw City, slightly expensive, but reasonable, and take day trips to the island.
Speaking of "in season," Mackinac Island has less than 500 year-round residents. Yet, I think they clear 2 million tourists a year. The majority of them come from May-September.
To support that massive influx, there are 600 horses on the island in summer, but only about 200 stay on for winter.
More than the horses, they can't survive without a temporary summer workforce. On the island (and also in Mackinaw City and possibly St. Ignace), you'll find the majority of summer workers are eastern European. They stay until the end of September. This year, I bumped into Turkish, Polish, Montenegran, Serbian, Kosovan, and I'm not sure which other nationalities. Expect to meet some incredibly friendly and happy Europeans.
What's the history of this area? Recent (1600-now), is about all most people focus on. It was originally Native American land, then the French arrived, followed by Brits, and finally Americans.
As a result, there are forts around. Michilimackinac (in Mackinaw City) was the first fort, from the Brits, then Americans. Then the Brits relocated to the island (more strategic) and built Fort Mackinac. While at Fort Mackinac, they also decided to build a more rudimentary fort on the highest ground on the island: Fort George (which the Americans renamed Fort Holmes).
The forts were eventually in the Americans' hands and Fort Mackinac was garrisoned until 1895. So here's your fun trivia: Yellowstone National Park was the first national park created in the U.S. (and world) in 1872. The second national park in the U.S.? Mackinac Island, actually.
The island was a national park (as the parks were actually administered by the military prior to the creation of the Department of the Interior & National Park Service) and it was maintained as a national park until 1895 when the federal government trimmed back a bit and stopped having an active presence on the island. (At this point, the island went to the state and the entire island is now basically Mackinac State Park.)
As it's a state park, you'll find the majority of the island is actually natural -- lots of woods and beautiful walks and trails. Should you have a little wanderlust to get away from the town, you'll find the following:
1. A small airport in the middle of the island.
2. Two 9 hole golf courses (Jewel & Wawashkamo), though you could be creative and call it one where the front and back nine are a bit away from each other.
3. Cemeteries: Protestant, Catholic, and Military. (The military cemetery is one of only 5 in the nation that are permitted to fly flags at half mast year-round due to the unknown soldiers buried here.)
4. Hiking trails that lead to Fort Holmes, Skull Cave, Arch Rock, and other areas on the interior. (Skull Cave is very underwhelming in its current condition, though its history is interesting.)
Among the buildings in town that don't fall into one of the generic categories mentinoed above, you'll find at least 4 churches, the old fur trading store, a police station, a U.S. post office, a school, an old county courthouse (not current as Michilimackinac County no longer exists), an art museum, and a yacht club.
Fort Mackinac, by the way, is actually in town and the price of admission is $13.50 as of this writing. They have soldiers in period uniforms do weapons demonstrations (rifle, cannon), and have all of the buildings maintained to the time of its use (1875-95 or so). Some of the views of the town, Marquette Park, and cove with its two lighthouses are nice. Is it worth $13.50? I don't think so, but hey...if you're only here once, you ought to have a look, especially if the weather's nice and sunny.
During the summer, you'll find that June is the best time to come for flowers -- so many lilacs that the air smells more like flowers than horses. There are also the two boat regattas (Port Huron to Mackinac & Chicago to Mackinac) that end here in the straits. I believe those are in May or June.
All in all, there's a good reason that Mackinac Island is usually voted one of the ten best summer getaways in the country. It's unforgettable and, more than that, it's relaxing. Even with the excessive crowds. I know I haven't covered everything, but it's certainly enough to give you a good idea.
Mariah Carey - Bye Bye
Mariah Carey (born March 27, 1969 or 1970) is an American singer, songwriter, record producer, and actress. In 1990, she rose to fame with the release of "Vision of Love" from her eponymous debut album. The album produced four chart-topping singles in the US and began what would become a string of commercially successful albums which solidified the singer as Columbia's highest selling act. Carey and Boyz II Men spent a record sixteen weeks atop the Billboard Hot 100 in 1995–96 with "One Sweet Day," which remains the longest-running number-one song in US chart history. Following a contentious divorce from Sony Music head Tommy Mottola, Carey adopted a new image and traversed towards hip hop with the release of Butterfly (1997). In 1998, she was honored as the world's best-selling recording artist of the 1990s at the World Music Awards and subsequently named the best-selling female artist of the millennium in 2000.
Carey parted with Columbia in 2000, and signed a record-breaking $100 million recording contract with Virgin Records America. In the weeks prior to the release of her film Glitter and its accompanying soundtrack in 2001, she suffered a physical and emotional breakdown and was hospitalized for severe exhaustion. The project was poorly received and led to a general decline in the singer's career. Carey's recording contract was bought out for $50 million by Virgin and she signed a multi-million dollar deal with Island Records the following year. After a relatively unsuccessful period, she returned to the top of music charts with The Emancipation of Mimi (2005). The album became the best-selling album in the US and the second best-seller worldwide in 2005 and produced "We Belong Together," which became her most successful single of the 2000s, and was later named "Song of the Decade" by Billboard. Carey once again ventured into film with a well-received supporting role in Precious (2009), and was awarded the "Breakthrough Performance Award" at the Palm Springs International Film Festival.
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is a neo-classical building mixed with native elements that now serves as the governor's office of the West Java province in Indonesia. Located in Bandung, the building was designed by a Dutch architect J. Gerber.
Its common name, Gedung sate, is a nickname that translates literally from Indonesian to 'kebab building', which is a reference to the shape of the building's central flag pole.
This is really the most magic mountain. Its singular and rather disturbing shape, the grandiosity of its faces, and its alpinist history have made a myth of the mountain that bears the name of Witches' Sabbath. The northern peak (4,694 m) was first conquered in 1888 by John Garford Cockin together with his guide Ulrich Almer; but ten attempts were needed before the southern peak (4,710 m) could be climbed in 1930 by five of the twelve members of an expedition that included German, Swiss and Austrian mountain climbers led by V. Rickmer Rickmers. What the English called the "Matterhorn of the Caucasus" had become a sort of obsession for the Austrian alpinist. He had even gone so far as to found a Caucasus Club in Vienna, and with the membership fees collected enough money to organise a six-week expedition that got him to the top of Mt. Ushba. Today there are about fifty routes on Mt. Ushba, ten of which are rated 6A and thirteen 5B. The Zerkalo (Mirror) route on the north-eastern face of the northern peak is legendary; it was first traced by M. Kherghiani, who went up the entire overhanging part in a free climb - about one-third of the 1,200 m rock face (6A). The Kustovskiy route on the pillar of South Ushba (6B) is equally famous.
This is a photograph from the 2013 running of the Clonakilty Waterfront Marathon, Half Marathon, and 10KM which were held in the town of Clonakilty, West Cork, Ireland on Saturday 7th December 2013 from 09:00. This year the marathon events return back to their spiritual home with all events starting and finishing in Clonakilty town on the Inchydoney road. Clonakilty is a bustling picturesque town in the heart of West Cork, and lies approximately 50 km west of Cork city. This is the fourth running of the event which started in 2010. The event has grown from strength to strength and has gained a reputation of being one of Ireland's friendliest marathons. The marathon takes in some breathtaking coastal scenery along a testing course. The route descriptions are available from the official website. The marathon event has now firmly embedded itself in the Irish marathon running calendar. It marks the de-facto end of the large city/large town marathons for the year and places the event at the begining of the Christmas season in Ireland.
The race events were electronically timed by Precision Timing (see their website: http://www.precisiontiming.net/)
There is a larger set of photographs from the events on our Flickr photostream. Please use this link to go directly to the Flickr set for Clonakilty 2013: www.flickr.com/photos/peterm7/sets/72157638437661153/
Construction is now underway on the new centre for mental health and addiction on Riverview lands. The state-of-the-art, 105-bed centre will offer specialized-residential treatment to help some of the most vulnerable adults with complex needs related to severe mental health and addictions issues from across the province. The $101-million facility is slated to open in late 2019, replacing the current Burnaby Centre for Mental Health and Addiction.
Learn more about the new centre:
BC Mental Health and Substance Use Services (BCMHSUS) centre for mental health and addiction: www.bcmhsus.ca/about/developments-in-care/centre-for-ment...
This is a photograph from the second running of the Athlone Flatline Half Marathon ("The Flatline") was held at Athlone, Co. Westmeath, Ireland on Saturday 14th September 2013 at 11:00. There was beautiful weather for the event which started and finished at St. Aloysius College near the Canal Banks area of the town just slightly west of the River Shannon. This event was professionally organised and the very flat course meant that many runners both seasoned and new to the scene achieved season or personal bests. Almost 1,000 participants successfully completed the event in the beautiful September sunshine. Everyone involved must be congratulated for the flawless running of the event. This event is sure to go from strength to strength over the coming years. The "Flatline" also included an option for a full marathon which was fully supported by the Marathon Club of Ireland and the East of Ireland Marathon Series. This allowed participants to run the Flatline twice for the qualifying marathon distance. About 80 people took part.
This is a photograph which is part of a larger set of photographs taken at the start and finish of "The Flatline" 2013. The URL of the main set is www.flickr.com/photos/peterm7/sets/72157635495089498/. There are some photographs of the finishers of the marathon.
For reference the satellite navigation Coordinates to the event HQ are (Longitude: -7.948153, Latitude: 53.420575)
Event management and timing was provided by PRECISION TIMING. See their website at [www.precisiontiming.net/]
Viewing this on a smartphone device?
If you are viewing this Flickr set on a smartphone and you want to see the larger version(s) of this photograph then: scroll down to the bottom of this description under the photograph and click the "View info about this photo..." link. You will be brought to a new page and you should click the link "View All Sizes".
Overall Race Summary
Participants: Such is the popularity of the race this year that registration closed for the race in mid-August 2013. There were well over 1,000 participants who took to the start line.
Weather: The weather on the day was almost perfect for running. The runners were bathed in warm September sunshine for the duration of the race and into the early afternoon. In the sections of the race out towards Clonown and around the Bord na Mona areas there was a stiff breeze but nothing major.
Course: "The Flatline" ceratinly lived up to its name. It is as flat a course as one is likely to find. A garmin connect gps trace of the route is provided here [connect.garmin.com/activity/199678412] Geographically the course spends much of the race in County Roscommon with only the first and last kilometers actually in County Westmeath. This gives geographically inclined runners the novel opportunity to race in two Irish provinces in one race. The course had distance markers at every kilometre and mile along the way. There were official pacers provided by the race organisers.
Location Map: Start/finish area and registration etc on Google StreetView [goo.gl/maps/8qCes] - Ample parking was supplied with some over-flow car-parking options also available.
Refreshments: An Alkohol Frei bottle of Erdinger was provided to every finisher as they crossed the line. Light refreshments were served.
Some Useful Links
Precision Timing Results Page: www.precisiontiming.net/result/racetimer
Facebook Event Page for the 2013 www.facebook.com/events/495900447163378/ (Facebook logon required)
Boards.ie Athletics Discussion Thread about the 2013 race: www.boards.ie/vbulletin/showthread.php?t=2056984967
Boards.ie Athletics Discussion Thread about the 2012 race: www.boards.ie/vbulletin/showthread.php?p=80049447
GARMIN GPS Trace of the Route for 2013: connect.garmin.com/activity/199678412
Race HQ Venue in 2013: St.Aloysius College Athlone : staloysiuscollege.ie/
Race Sponsors Vision Express Athlone: www.visionexpress.ie/opticians/opticians-in-republic-of-i...
Action Physio Athlone: www.actionphysio.ie/
Race photographs from 2012's Flatline - supplied by PIXELS PROMOTIONS: pixelspromotions.zenfolio.com/p126168889 (on route) and at the Finish line pixelspromotions.zenfolio.com/p31872670 - please note these are not our photographs (see www.pixelspromotions.com/).
How can I get full resolution copies of these photographs?
All of the photographs here on this Flickr set have a visible watermark embedded in them. All of the photographs posted here on this Flickr set are available free, at no cost, at full image resolution WITHOUT watermark. We take these photographs as a hobby and as a contribution to the running community in Ireland. Our only "cost" is our request that if you are using these images: (1) on social media sites such as Facebook, Tumblr, Pinterest, Twitter,LinkedIn, Google+, etc or (2) other websites, web multimedia, commercial/promotional material that you must provide a link back to our Flickr page to attribute us. This also extends the use of these images for Facebook profile pictures. In these cases please make a separate wall or blog post with a link to our Flickr page. If you do not know how this should be done for Facebook or other social media please email us and we will be happy to help suggest how to link to us.
Please email petermooney78 AT gmail DOT com with the links to the photographs you would like to obtain a full resolution copy of. We also ask race organisers, media, etc to ask for permission before use of our images for flyers, posters, etc. We reserve the right to refuse a request.
In summary please remember when requesting photographs from us - all we ask is for you to provide a link back to our Flickr set or Flickr pages. You will find the link above clearly outlined in the description text which accompanies this photograph. Taking these photographs and preparing them for online posting does take a significant effort. We are not posting photographs to Flickr for commercial reasons. If you really like what we do please spread the link around your social media, send us an email, leave a comment beside the photographs, send us a Flickr email, etc.
If you would like to contribute something for your photograph(s)?
Many people offer payment for our photographs. As stated above we do not charge for these photographs. We take these photographs as our contribution to the running community in Ireland. If you feel that the photograph(s) you request are good enough that you would consider paying for their purchase from other photographic providers we would suggest that you can provide a donation to any of the great charities in Ireland who do work for Cancer Care or Cancer Research in Ireland.
I ran in the race - but my photograph doesn't appear here in your Flickr set! What gives?
As mentioned above we take these photographs as a hobby and as a voluntary contribution to the running community in Ireland. Very often we have actually ran in the same race and then switched to photographer mode after we finished the race. Consequently, we feel that we have no obligations to capture a photograph of every participant in the race. However, we do try our very best to capture as many participants as possible. But this is sometimes not possible for a variety of reasons:
►You were hidden behind another participant as you passed our camera
►Weather or lighting conditions meant that we had some photographs with blurry content which we did not upload to our Flickr set
►There were too many people - some races attract thousands of participants and as amateur photographs we cannot hope to capture photographs of everyone
►We simply missed you - sorry about that - we did our best!
You can email us petermooney78 AT gmail DOT com to enquire if we have a photograph of you which didn't make the final Flickr selection for the race. But we cannot promise that there will be photograph there. As alternatives we advise you to contact the race organisers to enquire if there were (1) other photographs taking photographs at the race event or if (2) there were professional commercial sports photographers taking photographs which might have some photographs of you available for purchase. You might find some links for further information above.
Don't like your photograph here?
That's OK! We understand!
If, for any reason, you are not happy or comfortable with your picture appearing here in this photoset on Flickr then please email us at petermooney78 AT gmail DOT com and we will remove it as soon as possible. We give careful consideration to each photograph before uploading.
I want to tell people about these great photographs!
Great! Thank you! The best link to spread the word around is probably www.flickr.com/peterm7/sets
At this time of morning all my world is green and fuzzy...
Kiev 4a
Jupiter 8M f2 5cm lens
Kodak Gold 200
Professionally developed
Digitally scanned
This is a great bicycle picture! I'm surprised my cousin didn't follow his true calling and become an artist. This picture is so expressive: I have a red bicyle and I'm going places. Get out of my way!
I might have the year wrong...Kari must have been at least seven, so maybe it's a couple of years later.
The picture suffered a lot of damage when it was removed from the surface it had been glued to, but auntie Aino did a great job when she put it back together. It's dedicated to Kaisa and Mauno, our aunt and her husband, may they rest in peace!
So this is my first 2009 post and hopefully the first of more than 365 other posts. I've joined this challenge as a way to get a more fulfilling and creative year.
This is a picture of one of the many lotus flower candles I made to be used in a gipsy ritual after the new years eve. After midnight, I gave each person a candle and told them to make a wish and light it. Then, they put it on water together (we have a pool in the backyard =P) . Gipsy traditions say that if your candle doesn’t sink until its flame fades away, your wish will come true. Well… I’m not gipsy or superstitious, but I thought it would be a nice gift for my family to begin the year…
This year’s words are creativity, effort and accomplishment, so... I hope everyone has brilliant ideas and a wonderful time executing them.
Happy new year!
This is another of my favorites. I especially like how she is positioned in the corner of the frame. I also love how the wind is blowing her hair.
This is a photograph of the 34th Airtricity sponsored Dublin City Marathon which was held in Dublin, Ireland on Bank Holiday Monday 28th October 2013 at 09:00. There was dry but very blustery conditions for the runners over the famous Dublin Marathon course which seen over 14,000 people participating in the event making it a record participation at the event. Please see the extensive set of links below for more details about the race itself.
This is part of a larger set of photographs available on our Flickr photostream which is available here [http://www.flickr.com/photos/peterm7/sets/72157637013735556/].
Photographs were taken at the start of all three waves, near the finish line from the winner to 2:43 finish time, and then some photographs at the 25.5 mile mark of approximately 3:40 finish time participants.
Athlete Tracking and Timing are provided by www.tdl.ltd.uk/race-results.php
These are completely unofficial photographs of the event: Please see the official website dublinmarathon.ie/ for details of the official authorised distributor of race-day photographs. Our photographs are taken on a completely non-commercial basis and are not for sale.
Viewing this on a smartphone device?
If you are viewing this Flickr set on a smartphone and you want to see the larger version(s) of this photograph then: scroll down to the bottom of this description under the photograph and click the "View info about this photo..." link. You will be brought to a new page and you should click the link "View All Sizes".
Some Useful Links Associated with this Race Event
The Dublin Marathon Official Web Homepage: dublinmarathon.ie/
The Dublin Marathon Official Facebook Page: www.facebook.com/dublinmarathon?fref=ts (Requires Facebook Logon)
The Dublin Marathon Official Twitter Feed: twitter.com/dublinmarathon
Boards.ie Athletics Forum Discussion Pages on the Dublin Marathon 2013: www.boards.ie/vbulletin/showthread.php?t=2056896382
Racepix.com where you are likely to find links to many different photographers' photographs from Dublin Marathon 2013: www.racepix.com/Dublin-Marathon-2013/pictures/1024/
A PDF Document containing the Dublin Marathon 2013 Route: dublinmarathon.ie/s/AT-DM13-ROUTE-MAP.pdf
An unofficial GPS Garmin Trace of the Route from 2012 (same for 2013) connect.garmin.com/activity/243433212
For runners based in the Province of Munster the well known running blog munsterrunning.blogspot.ie/ might have some links to pictures and videos from 2013
William Murphy's Dublin Marathon 2012 Photographs on Flickr: www.flickr.com/photos/infomatique/sets/72157631881471894/
William Murphy's Flickr Sets: www.flickr.com/photos/infomatique/sets/
Pixels Promotions on Facebook have an extensive set of Dublin Marathon 2013 Photographs: www.facebook.com/Pixelspromotions?fref=ts
Action Photography will have photographs available from the Dublin Marathon 2013: www.actionphotography.ie/
Boards.ie Athletics Forum - Dublin Marathon Novices Thread 2013: www.boards.ie/vbulletin/showthread.php?t=2056913937
Dublin Marathon 2013 Race Results will Appear Here: www.tdl.ltd.uk/race-results.php
Our Flickr Set from the Dublin City Marathon 2012: www.flickr.com/photos/peterm7/sets/72157631880879021/
Our Flickr Set from the Dublin City Marathon 2011: www.flickr.com/photos/peterm7/sets/72157628021593264/
Our Flickr Set from the Dublin City Marathon 2010: www.flickr.com/photos/peterm7/sets/72157625240675108/
Our Flickr Set from the Dublin City Marathon 2009: www.flickr.com/photos/peterm7/sets/72157622543521201/
Our Flickr Set from the Dublin City Marathon 2008: www.flickr.com/photos/peterm7/sets/72157608459477451/
Our Flickr Set from the Dublin City Marathon 2007: www.flickr.com/photos/peterm7/sets/72157602802514024/
Please note: These links are provided for information purposes. Some of these links might become obselete or dead links as time passess. We cannot be responsible for the content on these external websites. All websites were checked before posting here to ensure that they 'did what they said on the tin'.
Can I use these photographs directly from Flickr on my social media account?
Yes - of course you can. Flickr provides several ways to share this and other photographs in this Flickr set. You can share to: email, Facebook, Pinterest, Twitter, Tumblr, LiveJournal, and Wordpress and Blogger blog sites. Your mobile device will also offer you several different options for sharing this photo page on your social media outlets.
How can I get full resolution copies of these photographs?
To prevent missue of these photographs there is a watermark embedded into the images. All of the photographs posted here on this Flickr set are available free, at no cost, at full image resolution without the watermark. We take these photographs as a hobby and as a contribution to the running community in Ireland. Our only "cost" is our request that if you are using these images without the watermark: (1) on social media sites such as Facebook, Tumblr, Pinterest, Twitter,LinkedIn, Google+, etc or (2) other websites, blogs, web multimedia, commercial/promotional material that you must provide a link back to our Flickr page to attribute us.
This also extends the use of these images for Facebook profile pictures. In these cases please make a separate wall or blog post with a link to our Flickr page. If you do not know how this should be done for Facebook or other social media please email us and we will be happy to help suggest how to link to us.
Please email petermooney78 AT gmail DOT com with the links to the photographs you would like to obtain a full resolution copy of. We also ask race organisers, media, etc to ask for permission before use of our images for flyers, posters, etc. We reserve the right to refuse a request.
In summary please remember when requesting photographs from us - all we ask is for you to provide a link back to our Flickr set or Flickr pages. You will find the link above clearly outlined in the description text which accompanies this photograph. Taking these photographs and preparing them for online posting does take a significant effort. We are not posting photographs to Flickr for commercial reasons. If you really like what we do please spread the link around your social media, send us an email, leave a comment beside the photographs, send us a Flickr email, etc.
If you would like to contribute something for your photograph(s)?
Many people offer payment for our photographs. As stated above we do not charge for these photographs. We take these photographs as our contribution to the running community in Ireland. If you feel that the photograph(s) you request are good enough that you would consider paying for their purchase from other photographic providers we would suggest that you can provide a donation to any of the great charities in Ireland who do work for Cancer Care or Cancer Research in Ireland.
I ran in the race - but my photograph doesn't appear here in your Flickr set! What gives?
As mentioned above we take these photographs as a hobby and as a voluntary contribution to the running community in Ireland. Very often we have actually ran in the same race and then switched to photographer mode after we finished the race. Consequently, we feel that we have no obligations to capture a photograph of every participant in the race. However, we do try our very best to capture as many participants as possible. But this is sometimes not possible for a variety of reasons:
►You were hidden behind another participant as you passed our camera
►Weather or lighting conditions meant that we had some photographs with blurry content which we did not upload to our Flickr set
►There were too many people - some races attract thousands of participants and as amateur photographs we cannot hope to capture photographs of everyone
►We simply missed you - sorry about that - we did our best!
You can email us petermooney78 AT gmail DOT com to enquire if we have a photograph of you which didn't make the final Flickr selection for the race. But we cannot promise that there will be photograph there. As alternatives we advise you to contact the race organisers to enquire if there were (1) other photographs taking photographs at the race event or if (2) there were professional commercial sports photographers taking photographs which might have some photographs of you available for purchase. You might find some links for further information above.
Don't like your photograph here?
That's OK! We understand!
If, for any reason, you are not happy or comfortable with your picture appearing here in this photoset on Flickr then please email us at petermooney78 AT gmail DOT com and we will remove it as soon as possible. We give careful consideration to each photograph before uploading.
I want to tell people about these great photographs!
Great! Thank you! The best link to spread the word around is probably www.flickr.com/peterm7/sets
Gawd, this is a sexy bike.
50th anniversary of Honda motorcycles. This VFR800 commemorates it with a special design.
Non-stock BOS exhaust, but I love the rear wheel rims.
Party like it's 1999!
Cette curiosité où cause le désir.
Sold for €1325 excl. auction fees, the regular edition for €851
This is one of just ten of the iconic AEC Routemasters that remain in daily service in London. There are five operated by East London on route 15 between Trafalgar Square and Tower Hill. The other five are operated by First on route 9 between Aldwych and the Albert Hall. This is RM 1933, which has been repainted into the historic livery it previously carried in 1983 to commemorate the 50th anniversary of London Transport. This was taken on a Sunday afternoon near the Monument (north end of London Bridge).
This is a photograph is one of a set of photographs from the Castlepollard 5KM Road Race and Fun Run 2013 which was held in Castlepollard, Co. Westmeath, Ireland on Wednesday 14th August 2013 at 20:00. The race is hosted by North Westmeath Athletic Club. The race has grown in stature and popularity over the years and is now one of the most well attended road races in the midlands. The race offers prizes in all categories. Castlepollard 5KM Road Race attempts to support young runners and walkers by organising a range of underage races around the town square before the adult race at 20:00. Profits from the race go towards grassroots athletics in the region - North Westmeath Athletics, Schools Cross Country, and local community games. Due to the slightly late start and the fading light it was difficult to capture as many photographs as normal and we ended up with many blurs and mistakes. This photograph belongs to a larger set of photographs from the race event which are accessible at this link [http://www.flickr.com/photos/peterm7/sets/72157635070120285/]
Event Management and Race Timing were provided by PRECISION TIMING: See their website at [www.precisiontiming.net/result/racetimer] and their Facebook Page at [www.facebook.com/davidprecisiontiming?fref=ts]
The Castlepollard 5KM can be considered as the final major race in summer road racing in the midlands as with the fading light of the late summer comes less opportunities to hold races in the evening time. Castlepollard is a small town located in North County Westmeath amongst the lakes of Lough Lene and Lough Derravagh.
Viewing this on a smartphone device?
If you are viewing this Flickr set on a smartphone and you want to see the larger version(s) of this photograph then: scroll down to the bottom of this description under the photograph and click the "View info about this photo..." link. You will be brought to a new page and you should click the link "View All Sizes".
Overall Race Summary
Participants: There was about 470 participants which is a significant increase on previous years.
Weather: This was a warm humid night. There was little or no breeze which made for very favourable conditions for 5KM racing.
Course: The race begins near the Church and ino the town square and proceeds directly out the R395 towards Coole and Edgeworthstown. The first KM is flat and quick allowing the field to spread out. The race then enters the Tullynally Castle estate and proceeds up the tree-lined avenue. The gardens, like the castle are on a magnificent scale, taking in nearly 12 acres. This allows the race to make a big loop of the gardens with a quick downhill stretch followed by a sharp climb before the race rejoins it's outgoing path for the final 1.5KM of the race. The final 800M from the gate of the Castle grounds to the finish is as the first - fast and flat and allows for a great finish at the GAA grounds.
Location Map: See the links below: goo.gl/maps/J6HUl (Google Satellite Imagery)
Refreshments: There was a very impressive selection of refreshments provided for participants in the GAA hall afterwards.
Some Useful Links
Homepage of Tullynally Castle and Gardens: www.tullynallycastle.com/
Castlepollard Wikipedia Page: en.wikipedia.org/wiki/Castlepollard
Race start line: goo.gl/maps/Ge9ro (Google Satellite Imagery)
Race finish line: goo.gl/maps/J6HUl (Google Satellite Imagery)
Showers and Changing Area: Castlepollard GAA club grounds (about 500m from race start and very close to race finish) goo.gl/maps/Aab9M (Google Satellite Imagery)
Our Flickr Photographs from Castlepollard 5KM 2011: www.flickr.com/photos/peterm7/sets/72157627404031092/
Our Flickr Photographs from Castlepollard 5KM 2010: www.flickr.com/photos/peterm7/sets/72157624655001130/
Our Flickr Photographs from Castlepollard 5KM 2009: www.flickr.com/photos/peterm7/sets/72157622023529006/
Castlepollard 5KM 2013 RESULTS will be available on PRECISION TIMING www.precisiontiming.net/result/racetimer
Castlepollard 5KM Event Page on Facebook www.facebook.com/events/322287434568207/
How can I get a full resolution copy of these photographs?
All of the photographs here on this Flickr set have a visible watermark embedded in them. All of the photographs posted here on this Flickr set are available offline, free, at no cost, at full image resolution WITHOUT watermark. We take these photographs as a hobby and as a contribution to the running community in Ireland. Our only "cost" is our request that if you are using these images: (1) on social media sites such as Facebook, Tumblr, Pinterest, Twitter,LinkedIn, Google+, etc or (2) other websites, web multimedia, commercial/promotional material that you provide a link back to our Flickr page to attribute us. This also extends the use of these images for Facebook profile pictures. In these cases please make a separate wall or blog post with a link to our Flickr page. If you do not know how this should be done for Facebook or other social media please email us and we will be happy to help suggest how to link to us.
Please email petermooney78 AT gmail DOT com with the links to the photographs you would like to obtain a full resolution copy of. We also ask race organisers, media, etc to ask for permission before use of our images for flyers, posters, etc. We reserve the right to refuse a request.
In summary please remember - all we ask is for you to link back to our Flickr set or Flickr pages. Taking the photographs and preparing them for online posting does take a significant effort. We are not posting photographs to Flickr for commercial reasons. If you really like what we do please spread the link around your social media, send us an email, leave a comment beside the photographs, send us a Flickr email, etc.
If you would like to contribute something for your photograph(s)?
Many people offer payment for our photographs. As stated above we do not charge for these photographs. We take these photographs as our contribution to the running community in Ireland. If you feel that the photograph(s) you request are good enough that you would consider paying for their purchase from other photographic providers we would suggest that you can provide a donation to any of the great charities in Ireland who do work for Cancer Care or Cancer Research in Ireland.
I ran in the race - but my photograph doesn't appear here in your Flickr set! What gives?
As mentioned above we take these photographs as a hobby and as a voluntary contribution to the running community in Ireland. Very often we have actually ran in the same race and then switched to photographer mode after we finished the race. Consequently, we feel that we have no obligations to capture a photograph of every participant in the race. However, we do try our very best to capture as many participants as possible. But this is sometimes not possible for a variety of reasons:
►You were hidden behind another participant as you passed our camera
►Weather or lighting conditions meant that we had some photographs with blurry content which we did not upload to our Flickr set
►There were too many people - some races attract thousands of participants and as amateur photographs we cannot hope to capture photographs of everyone
►We simply missed you - sorry about that - we did our best!
You can email us petermooney78 AT gmail DOT com to enquire if we have a photograph of you which didn't make the final Flickr selection for the race. But we cannot promise that there will be photograph there. As alternatives we advise you to contact the race organisers to enquire if there were (1) other photographs taking photographs at the race event or if (2) there were professional commercial sports photographers taking photographs which might have some photographs of you available for purchase. You might find some links for further information above.
Don't like your photograph here?
That's OK! We understand!
If, for any reason, you are not happy or comfortable with your picture appearing here in this photoset on Flickr then please email us at petermooney78 AT gmail DOT com and we will remove it as soon as possible. We give careful consideration to each photograph before uploading.
I want to tell people about these great photographs!
Great! Thank you! The best link to spread the word around is probably www.flickr.com/peterm7/sets
This is the view from the top of the 54-story Mori Tower on the 27th of March 2011 just before sunset. One of my favourites. Lots of detail. In the distance is the Odaiba area of Tokyo with Fuji TV Building and that futuristic ball. The Rainbow Bridge is in the middle and Daikanransha is a 115-metre tall Ferris wheel.
Architecture in Tokyo has largely been shaped by Tokyo's history. Twice in recent history has the metropolis been left in ruins: first in the 1923 Great Kantō earthquake and later after extensive firebombing in World War II. Because of this, Tokyo's current urban landscape is one of modern and contemporary architecture, and older buildings are scarce.
Brook lies about a quarter mile from the start of Wye Down, I can see it in the spring when I am orchid hunting, but never really thought about what the village was like, or even called.
After looking at John Vigar's book, I realised there were a few churches in east Kent I had missed out, and Brook was one. I dd not read up on it, so did not know what to expect. In fact, it seems of similar construction to Brabourne, with a stocky tower, and inside, sadly locked, the tower has a private chapel built into it.
But what is obvious is the hole in the north side facing the road. This clearly needed further inspection.
You reach the church via a bridge over a stream, presumably after which the village is named, and there is a path leading to the church door, which was unlocked.
On closer inspection, the recess in the north wall lead to a door, and inside the church, there was an oval door. This is a hagioscope (or squint), but I have never seen one in the outside wall of a church before.
Once home, I did some research, and found out about anchorites, people who decided to leave the cares of the world, lived like hermits attached to a church, with a window into the church so to witness the services.
If this wasn't remarkable enough, elsewhere inside the church had been re-ordered in the 1980s so it now resembles a 12th century Norman church, and has a remarkable collection of wall paintings on top of all that.
To call it breathtaking would be an understatement.
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An anchorite or anchoret (female: anchoress; adj. anchoritic; from Ancient Greek: ἀναχωρητής, anachōrētḗs, "one who has retired from the world",[2][3] from the verb ἀναχωρέω, anachōréō, signifying "to withdraw", "to retire"[4]) is someone who, for religious reasons, withdraws from secular society so as to be able to lead an intensely prayer-oriented, ascetic, and—circumstances permitting—Eucharist-focused life. Whilst anchorites are frequently considered to be a type of religious hermit,[5] unlike hermits they were required to take a vow of stability of place, opting instead for permanent enclosure in cells often attached to churches. Also unlike hermits, anchorites were subject to a religious rite of consecration that closely resembled the funeral rite, following which—theoretically, at least—they would be considered dead to the world, a type of living saint. Anchorites had a certain autonomy, as they did not answer to any ecclesiastical authority other than the bishop.[6]
The anchoritic life is one of the earliest forms of Christian monastic living. In the Roman Catholic Church today, it is one of the "Other Forms of Consecrated Life" and governed by the same norms as the consecrated eremitic life.[7] From the 12th to the 16th centuries, female anchorites consistently outnumbered their male equivalents, sometimes by as many as four to one (in the 13th century), dropping eventually to two to one (in the 15th century). The gender of a high number of anchorites, however, is not recorded for these periods.
The anchoritic life became widespread during the early and high Middle Ages.[9] Examples of the dwellings of anchorites and anchoresses survive. A large number of these are in England. They tended to be a simple cell (also called anchorhold), built against one of the walls of the local village church.[10] In the Germanic lands, from at least the 10th century, it was customary for the bishop to say the office of the dead as the anchorite entered his cell, to signify the anchorite's death to the world and rebirth to a spiritual life of solitary communion with God and the angels. Sometimes, if the anchorite were walled up inside the cell, the bishop would put his seal upon the wall to stamp it with his authority. Some anchorites, however, freely moved between their cell and the adjoining church.[11]
Most anchoritic strongholds were small, perhaps no more than 12 to 15 ft (3.7 to 4.6 m) square, with three windows. Viewing the altar, hearing Mass, and receiving Holy Communion was possible through one small, shuttered window in the common wall facing the sanctuary, called a "hagioscope" or "squint". Anchorites would also provide spiritual advice and counsel to visitors through this window, as the anchorites gained a reputation for wisdom.[12] Another small window would allow access to those who saw to the anchorite's physical needs, such as food and other necessities. A third window, often facing the street, but covered with translucent cloth, would allow light into the cell.[6]
Anchorites were supposed to remain in their cell in all eventualities. Some were even burned in their cells, which they refused to leave even when pirates or other attackers were looting and burning their towns.[13] They ate frugal meals, spending their days both in contemplative prayer and interceding on behalf of others. Anchorites' bodily waste was managed by means of a chamber pot.[14]
In addition to being the crucial physical location wherein the anchorite could embark on the journey towards union with God and the culmination of spiritual perfection, the anchorhold also provided a spiritual and geographic focus for many of those people from the wider society who came to ask for advice and spiritual guidance. It is clear that, although set apart from the community at large by stone walls and specific spiritual precepts, the anchorite also lay at the very centre of that same community. The anchorhold was clearly also a communal 'womb' from which would emerge an idealized sense of a community's own reborn potential, both as Christians and as human subjects.[8]
An idea of their daily routine can be gleaned from an anchoritic Rule. The most widely known today is the early 13th century text known as Ancrene Wisse.[15] Another, less widely known, example is the rule known as De Institutione Inclusarum written in the 12th century, around 1160–62, by Aelred of Rievaulx for his sister.[16] It is estimated that the daily set devotions detailed in Ancrene Wisse would take some four hours, on top of which anchoresses would listen to services in the church, and engage in their own private prayers and devotional reading.
en.wikipedia.org/wiki/Anchorite
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Since its re-ordering in 1986 Brook church has shown the visitor what a church interior might have looked like in the twelfth century. The chancel is empty except for the medieval stone altar, discovered a few years ago in the churchyard, and now set on two ragstone pillars. The church is large, for throughout the medieval period it belonged to Christ Church, Canterbury. There is much Norman work to be seen, including the three-stage west tower which contains a purpose-built chapel or `westwerk`. The church has a comprehensive series of thirteenth-century wall paintings, overlain by some fourteenth- and seventeenth-century murals, although the early paintings are not as well preserved as in some other churches. In the north wall of the chancel is a small almond-shaped hagioscope to the exterior. It may have connected to an anchorite's cell, but is more likely to have been associated with the exposition of a relic on the high altar. It is certainly not a low side window as the tower bell would have been used for this purpose.
www.kentchurches.info/church.asp?p=Brook
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LIES the next parish southward from Wye. It is written in antient records both Broc and Broke, and takes its name from its low situation on the stream which runs through it, baroca in Saxon signifying a rivulet. It seems once to have been accounted a hundred of itself; but at the time of taking the survey of Domesday, in the year 1080, it was reputed to be in the hundred of Wye, as it is now.
The parish is very small, and is but little known, lying out of the way of all traffic and throughfare. It is not more than a mile across each way, and has in it about twenty houses. It lies very low and wet, in a deep miry soil. There is some coppice wood in the southern part of it, about forty-three acres, of which twenty-eighty belong to the dean and chapter of Canterbury. The village is nearly in the centre of the parish, having the church at the north end of it. There is a small hamlet, called Little Bedleston, consisting of only two houses, in the eastern part of the parish, close under the high ridge of hills called Braborne-downs, to the foot of which this parish extends eastward.
BROOKE was given, long before the conquest, by Karlemann, a priest, to the church of Canterbury; but it was wrested from the church in the troublesome times which soon after followed, by reason of the Danish wars, and it continued in lay hands at the accession of the Conqueror; soon after which it appears to have been in the possession of Hugh de Montfort, from whom archbishop Lanfranc recovered Brooke again to his church in the solemn assembly of the whole county, held on this occassion by the king's command, at Pinenden-heath in 1076; and then on the division which the archbishop made of the lands of his church, this manor was allotted by him, among others, to the share of the priory of Christ-church, Canterbury; accordingly it is thus entered among the possessions of it, in the survey of Domesday, under the general title of Terra Monachorum Archiepi, i. e. lands of the monks of the archbishops;
In the hundred of Wi, the archbishop himself holds one manor, which was taxed at one suling, in the time of king Edward the Confessor, and now, for half a suling. The arable land is two carucates. In demesne there is one, and three villeins, with four borderers having two carucates and an half. There is a church, and one mill of two shillings, and two servants, and seven acres of meadow. Wood for the pannage of ten hogs. In the time of king Edward the Confessor, and afterwards, it was worth fifty shillings, now four pounds.
This manor was soon after this let to farm, by the monks, to Robert de Rumene, at the above rent, and was allotted de cibo eorum, that is, to the use of their refectory; and the possession of it was confirmed to them both by king Henry I. and II. (fn. 1) King Edward II. in his 10th year, granted to the prior and convent free warren in all their demesne lands in Broke, among other places which they were in possession of at the time of the charter of liberties granted to them by his grandfather Henry III. about which time this manor was valued at 22l. 1s. 10d. In which state it afterwards continued till the dissolution of the priory of Christchurch in the 31st year of Henry VIII. when it came into the king's hands, where it did not remain long, for the king settled it by his dotation-charter, in his 33d year, on his new-erected dean and chapter of Canterbury, part of whose possessions it still remains.
The demesne lands have been constantly let by the dean and chapter on a beneficial lease, at the yearly rent of 13l. 6s. 8d. in money, and four quarters of wheat. The present lessee is Mr. John Berry, of Newbery, Berkshire; but the manerial rights they retain in their own hands.
A court baron is regularly held for this manor. There are no parochial charities.
BROOKE is within the ECCLESIASTICAL JURISDICTION of the diocese of Canterbury, and deanry of Bridge. The church, which is dedicated to St. Mary, is but small, consisting of one isle and a chancel, with a low square tower at the west end, in which are two bells. There are no memorials of any account in it.
The church of Brooke has always been accounted an appendage to the manor, and as such passed with it from the priory of Christ-church into the hands of the crown, and from thence to the dean and chapter of Canterbury, who are the present patrons of it. The woods belonging to the dean and chapter here, claim an exemption from paying tithes.
¶This rectory is valued in the king's books at 7l. 7s. 3d. and is of the clear yearly certified value of thirty pounds. In 1588 it was valued at thirty pounds. Communicants ninety-two. In 1640 at sixty pounds. Communicants sixty. There are now only ten communicants. In 1724 it was augmented with the sum of 200l. given by the governors of queen Anne's bounty, on the gift of 100l. from the dean and chapter of Canterbury, and the like sum from Dr. Godolphin, dean of St. Paul's; with which there was purchased a piece of land, containing nine acres, called Great Chequer field, adjoining to the town of Wye.
The horizontal Rangefinder adjustment is very easy to access. Remove the screw the green arrow points at (it is very short, don't lose it!), the RF adjust screw is deep underneath. Use a fine screwdriver to move turn it as needed (generally less than 30 degrees are needed). Fine screwdriver... you might need to get some jeweler screwdrivers there, they have a longer shaft than the regular ones. Can be had for a few Euros.
This is Josefin. Her family owns the Mulsta Farm in Tungelsta. And also the land surrounding the old tree, and that's where I met her today. The Andersson family has owned the Mulsta farm for three hundred years. As you can expect from a girl that has grown up at a horse farm, horses are her big hobby. But not just horseback riding. Josefin turned fifteen a while back and is now working hard to get her harness racing licence. When she gets it she will be able to compete in the Youth League. Back in March I met one of her horseback riding friends Anna-Carin not far from here. And on a sunny summer evening last year I met a few other people from her family at the old tree.
TOY-RONTO KINGDOM is on display at the Canadian National Exhibition (CNE) this year from Aug 16 to Sept 2!
TOY-RONTO is having lots of visitors and great response! The visitors even can try their hands in origami folding some of our models at the teaching table.
If you are in Toronto or nearby, come for all this fun and see what Origami can be!
theex.com/main/entertainment/exhibits/toy-ronto
Or you may watch a slide-show on our Oriland website www.oriland.com/kingdoms/main.php?kingdom=toyronto
TOY-RONTO is our whimsical vision of Toronto created in origami that features notable Toronto landmarks, including CN Tower, Old City Hall Castle, New City Hall, Harbourfront as well as Ferris Wheel and Princes' Gates, that are a recognizable symbol of the CNE itself!
Stokesay Castle is a fabulous 13th century stone manor house with a stunning yellow and black half-timbered 17th century gatehouse. It was built by a very wealthy wool merchant, Laurence of Ludlow, between 1285 and 1291 after Edward I’s conquest of Wales in 1284. Laurence was wealthy enough to lend money to Edward I, as well as many of the great lords of the Welsh borderlands. He drowned when his ship transporting wool to Flanders sank in a storm in 1294 but his descendants remained lords of the manor at Stokesay until 1498.
The Great Hall is the earliest part of the castle, with its oak roof and staircase dating to its original construction in the 1280s, making it one of the oldest such structures surviving in Britain. The fabulous gatehouse was added in 1640-41 just before the Civil War when it was in the ownership of William Craven, a Royalist. The castle surrendered peacefully in 1645 and was left largely intact except for the curtain wall which was demolished.
William Craven recovered all his estates after Charles II’s restoration in 1660 but he did not return to Stokesay. It was occupied by tenant farmers, the Baldwyn family, who remodelled the Solar (living room) in the 1660s with wood panelling and the elaborately carved wooden fireplace overmantle which was originally brightly painted. The Baldwyns left in the early 18th century and subsequent tenants let the buildings deteriorate, the Solar, for example, being used as a granary. In 1869 John Derby Allcroft, a successful London glove manufacturer, bought the estate, and began an extensive and unusually sympathetic programme of repairs which restored the main structure of the castle to its original state.
This is a photograph from the start third annual running of the Renault Mullingar Half Marathon which was held on Friday 17th March 2017 St. Patrick's Day Lá Fhéile Pádraig 2017 in Mullingar, Co. Westmeath, Ireland at 10:30. Following on from the incredible success of the first two years of the race this year the total numbers participating rose from just under 600 in 2015, 900 in 2016 to over 1200 in this year 2017. As was the case last year the nominated charity was Childline. The roots of the successs of the event last year was the perfect running weather, excellent organisation and a very flat and fast route. All of these characteristics were repeated this year.
Last year's weather was not repeated. Indeed the race could be described as a race of two halves in terms of weather. The first half participants had the strong, fresh westerly wind on their backs. However, turning for home along the Royal Canal this became a very strong headwind for 3 - 4 miles. Participants travelled from all over Ireland with a very large participation from runners around Mullingar and the midlands. The race has an AAI permit. The race's early start time was to facilitate the annual St. Patrick's Day parade which brings a large number of local visitors to the town on an annual basis. Parking is free in Mullingar town for the entire day. A small change to the course configuration seen the race cross the M4 Motorway at The Downs via a winding pedestrian footbridge.
The race began on Pearse Street/Austin Friar's Street in the town and proceeds North East out of the town to the N52 Delvin/Dundalk road towards Lough Sheever. The course then follows beautiful rural country roads out to The Downs at the M4. The only significant hill or rise on the course occurs here at about 7 miles when runners cross a pedestrian footbridge over the M4 near Junction 14 Thomas Flynn and Sons The Downs. The race then joins the now local access route of the old N4 road and then joins the Royal Canal at Great Down. The remainder of the race follows the Royal Canal back westward to Mullingar town. The towpath on the Canal is perfectly flat and in excellent condition. Runners will notice how the level of the canal changes dramatically along the route - at points the canal is level with the towpath. In other places the canal is at least 3 meters lower than the canal path. However the path is perfectly flat and firm the whole way. The course then leaves the Royal Canal at the Ardmore Road/Millmount area of the town and finishes in the Mullingar Town Park on Austin Friar's Street beside the Annebrook Hotel which is the Race Headquarters. The park provides a very nice setting for the finish of the race and runners and their families can mix and congregate around the finish area and the hotel.
Timing and event management was provided by http://www.myrunresults.com/. Their website is here [www.myrunresults.com/] and will contain the results to today's race.
Our Full Set of photographs from today's race is at www.flickr.com/photos/peterm7/albums/72157679566202191
Useful Links:
Our Flickr Photo Album from the 2016 Mullingar Half Marathon www.flickr.com/photos/peterm7/albums/72157665831236062
Our Flickr Photo Album from the 2015 Mullingar Half Marathon www.flickr.com/photos/peterm7/sets/72157651394365962
The Annebrook House Hotel (Race HQ) www.annebrook.ie
Offical Race Facebook Page www.facebook.com/mullingarhalfmarathon/
Google Maps Location of the Start/Finish www.google.ie/maps/@53.5253133,-7.3369538,18z
USING OUR PHOTOGRAPHS - A QUICK GUIDE AND ANSWERS TO YOUR QUESTIONS
Can I use these photographs directly from Flickr on my social media account(s)?
Yes - of course you can! Flickr provides several ways to share this and other photographs in this Flickr set. You can share directly to: email, Facebook, Pinterest, Twitter, Tumblr, LiveJournal, and Wordpress and Blogger blog sites. Your mobile, tablet, or desktop device will also offer you several different options for sharing this photo page on your social media outlets.
BUT..... Wait there a minute....
We take these photographs as a hobby and as a contribution to the running community in Ireland. We do not charge for our photographs. Our only "cost" is that we request that if you are using these images: (1) on social media sites such as Facebook, Tumblr, Pinterest, Instagram, Snapchat, Twitter,LinkedIn, Google+, VK.com, Vine, Meetup, Tagged, Ask.fm,etc or (2) other websites, blogs, web multimedia, commercial/promotional material that you must provide a link back to our Flickr page to attribute us or acknowledge us as the original photographers.
This also extends to the use of these images for Facebook profile pictures. In these cases please make a separate wall or blog post with a link to our Flickr page. If you do not know how this should be done for Facebook or other social media please email us and we will be happy to help suggest how to link to us.
I want to download these pictures to my computer or device?
You can download this photographic image here directly to your computer or device. This version is the low resolution web-quality image. How to download will vary slight from device to device and from browser to browser. Have a look for a down-arrow symbol or the link to 'View/Download' all sizes. When you click on either of these you will be presented with the option to download the image. Remember just doing a right-click and "save target as" will not work on Flickr.
I want get full resolution, print-quality, copies of these photographs?
If you just need these photographs for online usage then they can be used directly once you respect their Creative Commons license and provide a link back to our Flickr set if you use them. For offline usage and printing all of the photographs posted here on this Flickr set are available free, at no cost, at full image resolution.
Please email petermooney78 AT gmail DOT com with the links to the photographs you would like to obtain a full resolution copy of. We also ask race organisers, media, etc to ask for permission before use of our images for flyers, posters, etc. We reserve the right to refuse a request.
In summary please remember when requesting photographs from us - If you are using the photographs online all we ask is for you to provide a link back to our Flickr set or Flickr pages. You will find the link above clearly outlined in the description text which accompanies this photograph. Taking these photographs and preparing them for online posting takes a significant effort and time. We are not posting photographs to Flickr for commercial reasons. If you really like what we do please spread the link around your social media, send us an email, leave a comment beside the photographs, send us a Flickr email, etc. If you are using the photographs in newspapers or magazines we ask that you mention where the original photograph came from.
I would like to contribute something for your photograph(s)?
Many people offer payment for our photographs. As stated above we do not charge for these photographs. We take these photographs as our contribution to the running community in Ireland. If you feel that the photograph(s) you request are good enough that you would consider paying for their purchase from other photographic providers or in other circumstances we would suggest that you can provide a donation to any of the great charities in Ireland who do work for Cancer Care or Cancer Research in Ireland.
Let's get a bit technical: We use Creative Commons Licensing for these photographs
We use the Creative Commons Attribution-ShareAlike License for all our photographs here in this photograph set. What does this mean in reality?
The explaination is very simple.
Attribution- anyone using our photographs gives us an appropriate credit for it. This ensures that people aren't taking our photographs and passing them off as their own. This usually just mean putting a link to our photographs somewhere on your website, blog, or Facebook where other people can see it.
ShareAlike – anyone can use these photographs, and make changes if they like, or incorporate them into a bigger project, but they must make those changes available back to the community under the same terms.
Above all what Creative Commons aims to do is to encourage creative sharing. See some examples of Creative Commons photographs on Flickr: www.flickr.com/creativecommons/
I ran in the race - but my photograph doesn't appear here in your Flickr set! What gives?
As mentioned above we take these photographs as a hobby and as a voluntary contribution to the running community in Ireland. Very often we have actually ran in the same race and then switched to photographer mode after we finished the race. Consequently, we feel that we have no obligations to capture a photograph of every participant in the race. However, we do try our very best to capture as many participants as possible. But this is sometimes not possible for a variety of reasons:
►You were hidden behind another participant as you passed our camera
►Weather or lighting conditions meant that we had some photographs with blurry content which we did not upload to our Flickr set
►There were too many people - some races attract thousands of participants and as amateur photographs we cannot hope to capture photographs of everyone
►We simply missed you - sorry about that - we did our best!
You can email us petermooney78 AT gmail DOT com to enquire if we have a photograph of you which didn't make the final Flickr selection for the race. But we cannot promise that there will be photograph there. As alternatives we advise you to contact the race organisers to enquire if there were (1) other photographs taking photographs at the race event or if (2) there were professional commercial sports photographers taking photographs which might have some photographs of you available for purchase. You might find some links for further information above.
Don't like your photograph here?
That's OK! We understand!
If, for any reason, you are not happy or comfortable with your picture appearing here in this photoset on Flickr then please email us at petermooney78 AT gmail DOT com and we will remove it as soon as possible. We give careful consideration to each photograph before uploading.
I want to tell people about these great photographs!
Great! Thank you! The best link to spread the word around is probably http://www.flickr.com/peterm7/sets
318 is a fairly typical 0-8-0 switcher of 1926 vintage. A few years back she was the subject of a fairly meticulous cosmetic restoration and you can see detail lavished on her cab interior. (Not ordinarily something you can appreciate, given that it isn't open, but once in a while volunteering for an organization has its perqs.) Some of the locomotives most subtle but important "gauges" can be seen here. At the extreme left of the picture is the water column and the "tri-cocks." Since safety absolutely requires that you have enough water in the boiler you need to know how much is there. The water column helps you to discern that accurately. The three valves (or cocks) on the right hand side of the column each drip into the receiver underneath at different water levels. Just out of view to the left, and also attached to the water column, is the water sight glass, which gives you another visual confirmation of water level, assuming you've been diligent and kept the thing clean and in proper working order. An old engineer once told me that the very first thing you look at when getting into the cab of an operating steam locomotive should be that. (Boilers without enough water have a nasty habit of exploding. It truly is pretty important.) Wish I had a picture of the sight glass itself.
Preah Khan (Khmer: ប្រាសាទព្រះខ័ន; "Royal Sword") is a temple at Angkor, Cambodia, built in the 12th century for King Jayavarman VII. It is located northeast of Angkor Thom and just west of the Jayatataka baray, with which it was associated. It was the centre of a substantial organisation, with almost 100,000 officials and servants. The temple is flat in design, with a basic plan of successive rectangular galleries around a Buddhist sanctuary complicated by Hindu satellite temples and numerous later additions. Like the nearby Ta Prohm, Preah Khan has been left largely unrestored, with numerous trees and other vegetation growing among the ruins.
HISTORY
Preah Khan was built on the site of Jayavarman VII's victory over the invading Chams in 1191. Unusually the modern name, meaning "holy sword", is derived from the meaning of the original - Nagara Jayasri (holy city of victory). The site may previously have been occupied by the royal palaces of Yasovarman II and Tribhuvanadityavarman. The temple's foundation stela has provided considerable information about the history and administration of the site: the main image, of the bodhisattva Avalokiteśvara in the form of the king's father, was dedicated in 1191 (the king's mother had earlier been commemorated in the same way at Ta Prohm). 430 other deities also had shrines on the site, each of which received an allotment of food, clothing, perfume and even mosquito nets; the temple's wealth included gold, silver, gems, 112,300 pearls and a cow with gilded horns. The institution combined the roles of city, temple and Buddhist university: there were 97,840 attendants and servants, including 1000 dancers and 1000 teachers.
The temple is still largely unrestored: the initial clearing was from 1927 to 1932, and partial anastylosis was carried out in 1939. Since then free-standing statues have been removed for safe-keeping, and there has been further consolidation and restoration work. Throughout, the conservators have attempted to balance restoration and maintenance of the wild condition in which the temple was discovered: one of them, Maurice Glaize, wrote that;
The temple was previously overrun with a particularly voracious vegetation and quite ruined, presenting only chaos. Clearing works were undertaken with a constant respect for the large trees which give the composition a pleasing presentation without constituting any immediate danger. At the same time, some partial anastylosis has revived various buildings found in a sufficient state of preservation and presenting some special interest in their architecture or decoration.
Since 1991, the site has been maintained by the World Monuments Fund. It has continued the cautious approach to restoration, believing that to go further would involve too much guesswork, and prefers to respect the ruined nature of the temple. One of its former employees has said, "We're basically running a glorified maintenance program. We're not prepared to falsify history". It has therefore limited itself primarily to stabilisation work on the fourth eastern gopura, the House of Fire and the Hall of Dancers.
THE SITE
The outer wall of Preah Khan is of laterite, and bears 72 garudas holding nagas, at 50 m intervals. Surrounded by a moat, it measures 800 by 700 m and encloses an area of 56 hectares. To the east of Preah Khan is a landing stage on the edge of the Jayatataka baray, now dry, which measured 3.5 by 0.9 km. This also allowed access to the temple of Neak Pean in the centre of the baray. As usual Preah Khan is oriented toward the east, so this was the main entrance, but there are others at each of the cardinal points. Each entrance has a causeway over the moat with nāga-carrying devas and asuras similar to those at Angkor Thom; Glaize considered this an indication that the city element of Preah Khan was more significant than those of Ta Prohm or Banteay Kdei.
Halfway along the path leading to the third enclosure, on the north side, is a House of Fire (or Dharmasala) similar to Ta Prohm's. The remainder of the fourth enclosure, now forested, was originally occupied by the city; as this was built of perishable materials it has not survived. The third enclosure wall is 200 by 175 metres. In front of the third gopura is a cruciform terrace. The gopura itself is on a large scale, with three towers in the centre and two flanking pavilions. Between the southern two towers were two celebrated silk-cotton trees, of which Glaize wrote, "resting on the vault itself of the gallery, [they] frame its openings and brace the stones in substitute for pillars in a caprice of nature that is as fantastic as it is perilous." One of the trees is now dead, although the roots have been left in place. The trees may need to be removed to prevent their damaging the structure. On the far side of the temple, the third western gopura has pediments of a chess game and the Battle of Lanka, and two guardian dvarapalas to the west.
West of the third eastern gopura, on the main axis is a Hall of Dancers. The walls are decorated with apsaras; Buddha images in niches above them were destroyed in the anti-Buddhist reaction under Jayavarman VIII. North of the Hall of Dancers is a two-storeyed structure with round columns. No other examples of this form survive at Angkor, although there are traces of similar buildings at Ta Prohm and Banteay Kdei. Freeman and Jacques speculate that this may have been a granary. Occupying the rest of the third enclosure are ponds (now dry) in each corner, and satellite temples to the north, south and west. While the main temple was Buddhist, these three are dedicated to Shiva, previous kings and queens, and Vishnu respectively. They are notable chiefly for their pediments: on the northern temple, Vishnu reclining to the west and the Hindu trinity of Vishnu, Shiva and Brahma to the east; on the western temple, Krishna raising Mount Govardhana to the west.
Connecting the Hall of Dancers and the wall of the second enclosure is a courtyard containing two libraries. The second eastern gopura projects into this courtyard; it is one of the few Angkorian gopuras with significant internal decoration, with garudas on the corners of the cornices. Buddha images on the columns were changed into hermits under Jayavarman VIII.
Between the second enclosure wall (85 by 76 m) and the first enclosure wall (62 by 55 m) on the eastern side is a row of later additions which impede access and hide some of the original decoration. The first enclosure is, as Glaize said, similarly, "choked with more or less ruined buildings". The enclosure is divided into four parts by a cruciform gallery, each part almost filled by these later irregular additions. The walls of this gallery, and the interior of the central sanctuary, are covered with holes for the fixing of bronze plates which would originally have covered them and the outside of the sanctuary - 1500 tonnes was used to decorate the whole temple. At the centre of the temple, in place of the original statue of Lokesvara, is a stupa built several centuries after the temple's initial construction.
MICROBIAL DEGRADATION
Microbial biofilms have been found degrading sandstone at Angkor Wat, Preah Khan, and the Bayon and West Prasat in Angkor. The dehydration and radiation resistant filamentous cyanobacteria can produce organic acids that degrade the stone. A dark filamentous fungus was found in internal and external Preah Khan samples, while the alga Trentepohlia was found only in samples taken from external, pink-stained stone at Preah Khan.
This is a photograph from the Cork City Marathon 2014 which was held in Cork City, Ireland on Bank Holiday Monday June 2nd 2014 starting at 09:00. There are three different events: The full marathon, The Half Marathon, and a full relay of the full marathon course.
Electronic Timing and Event Management and Registration was provided by Precision Timing - their website will have results of the race (www.precisiontiming.net/results.aspx)
We have a set of photographs from today's races at various points. Firstly at the 1 mile mark and then along the Mardyke (around 3:15 - 3:30 marathon finish time) and finally at the finish around 4:50 to 5:00 marathon finish time. The full set is available at www.flickr.com/photos/peterm7/sets/72157644970559902/
Some links, related to this race, which you might find useful:
Official Race Website: www.corkcitymarathon.ie/
Running in Cork Blog: corkrunning.blogspot.ie/
Running in Cork Blog: corkrunning.blogspot.ie/2014/06/results-photos-of-2014-co...
We use Creative Commons Licensing
We use the Creative Commons Attribution-ShareAlike License for all our photographs here in this photograph set. What does this mean in reality?
The explaination is very simple.
Attribution- anyone using our photographs gives us an appropriate credit for it. This ensures that people aren't taking our photographs and passing them off as their own.
ShareAlike – anyone can use these photographs, and make changes if they like, or incorporate them into a bigger project, but they must make those changes available back to the community under the same terms.
Creative Commons aims to encourage creative sharing. See some examples of Creative Commons photographs on Flickr: www.flickr.com/creativecommons/
Can I use these photographs directly from Flickr on my social media account(s)?
Yes - of course you can! Flickr provides several ways to share this and other photographs in this Flickr set. You can share to: email, Facebook, Pinterest, Twitter, Tumblr, LiveJournal, and Wordpress and Blogger blog sites. Your mobile, tablet, or desktop device will also offer you several different options for sharing this photo page on your social media outlets.
We take these photographs as a hobby and as a contribution to the running community in Ireland. Our only "cost" is our request that if you are using these images: (1) on social media sites such as Facebook, Tumblr, Pinterest, Twitter,LinkedIn, Google+, etc or (2) other websites, blogs, web multimedia, commercial/promotional material that you must provide a link back to our Flickr page to attribute us.
This also extends the use of these images for Facebook profile pictures. In these cases please make a separate wall or blog post with a link to our Flickr page. If you do not know how this should be done for Facebook or other social media please email us and we will be happy to help suggest how to link to us.
How can I get full resolution, print-quality, copies of these photographs?
If you just need these photographs for online usage then they can be used directly once you respect their Creative Commons license and provide a link back to our Flickr set if you use them. For offline usage and printing all of the photographs posted here on this Flickr set are available free, at no cost, at full image resolution.
Please email petermooney78 AT gmail DOT com with the links to the photographs you would like to obtain a full resolution copy of. We also ask race organisers, media, etc to ask for permission before use of our images for flyers, posters, etc. We reserve the right to refuse a request.
In summary please remember when requesting photographs from us - If you are using the photographs online all we ask is for you to provide a link back to our Flickr set or Flickr pages. You will find the link above clearly outlined in the description text which accompanies this photograph. Taking these photographs and preparing them for online posting does take a significant effort and time. We are not posting photographs to Flickr for commercial reasons. If you really like what we do please spread the link around your social media, send us an email, leave a comment beside the photographs, send us a Flickr email, etc. If you are using the photographs in newspapers or magazines we ask that you mention where the original photograph came from.
I would like to contribute something for your photograph(s)?
Many people offer payment for our photographs. As stated above we do not charge for these photographs. We take these photographs as our contribution to the running community in Ireland. If you feel that the photograph(s) you request are good enough that you would consider paying for their purchase from other photographic providers or in other circumstances we would suggest that you can provide a donation to any of the great charities in Ireland who do work for Cancer Care or Cancer Research in Ireland.
I ran in the race - but my photograph doesn't appear here in your Flickr set! What gives?
As mentioned above we take these photographs as a hobby and as a voluntary contribution to the running community in Ireland. Very often we have actually ran in the same race and then switched to photographer mode after we finished the race. Consequently, we feel that we have no obligations to capture a photograph of every participant in the race. However, we do try our very best to capture as many participants as possible. But this is sometimes not possible for a variety of reasons:
►You were hidden behind another participant as you passed our camera
►Weather or lighting conditions meant that we had some photographs with blurry content which we did not upload to our Flickr set
►There were too many people - some races attract thousands of participants and as amateur photographs we cannot hope to capture photographs of everyone
►We simply missed you - sorry about that - we did our best!
You can email us petermooney78 AT gmail DOT com to enquire if we have a photograph of you which didn't make the final Flickr selection for the race. But we cannot promise that there will be photograph there. As alternatives we advise you to contact the race organisers to enquire if there were (1) other photographs taking photographs at the race event or if (2) there were professional commercial sports photographers taking photographs which might have some photographs of you available for purchase. You might find some links for further information above.
Don't like your photograph here?
That's OK! We understand!
If, for any reason, you are not happy or comfortable with your picture appearing here in this photoset on Flickr then please email us at petermooney78 AT gmail DOT com and we will remove it as soon as possible. We give careful consideration to each photograph before uploading.
I want to tell people about these great photographs!
Great! Thank you! The best link to spread the word around is probably http://www.flickr.com/peterm7/sets
Hey, I had to say it here, too. The whole Game of Thrones motif has inspired a lot of protest signs, such as this one, which I shot this image once I reached Hill and 1st Streets.
This is also a frame capture from HD video, using the Canon EOS Rebel T6, with the Canon 18-55mm zoom lens.
Rye is a small town in the non-metropolitan county of East Sussex, within the historic County of Sussex, England, which stands approximately two miles from the open sea and is at the confluence of three rivers: the Rother, the Tillingham and the Brede. In medieval times, however, as an important member of the Cinque Ports confederation, it was at the head of an embayment of the English Channel and almost entirely surrounded by the sea.
Rye is officially a civil parish but with its historic roots has the status of a town; at the 2011 census it had a population of 4773.[2] During its history its association with the sea has included providing ships for the service of the King in time of war, and being involved with smuggling gangs of the 18th and 19th centuries such as the notorious Hawkhurst Gang who used its inns such as The Mermaid Inn and The Olde Bell Inn, connected by secret passageway.
The name of Rye is believed to come from rie meaning a bank[dubious – discuss].[5] Medieval maps show that Rye was originally located on a huge embayment of the English Channel called the Rye Camber, which provided a safe anchorage and harbour. Probably as early as Roman times, Rye was important as a place of shipment and storage of iron from the Wealden Iron Industry. The Mermaid Inn originally dates to 1156.
Rye, as part of the Saxon Manor of Rameslie, was given to the Benedictine Abbey of Fécamp in Normandy by King Æthelred; it was to remain in Norman hands until 1247.
As one of the two "Antient Townes" (Winchelsea being the other), Rye was to become a limb of the Cinque Ports Confederation by 1189, and subsequently a full member. The protection of the town as one of the Cinque Ports was very important, due to the commerce that trading brought. One of the oldest buildings in Rye is Ypres Tower, which was built in 1249 as "Baddings Tower", to defend the town from the French, and was later named after its owner John de Ypres. It is now part of the Rye Museum.[6] Rye received its charter from King Edward I in 1289, and acquired privileges and tax exemptions in return for ship-service for the crown. The "Landgate" (the only surviving one of four original fortified entrances to Rye) dates from 1329 in the early years of the reign of King Edward III. It is still the only vehicular route into the medieval centre of Rye and is suitable only for light vehicles. In 2015, some 25 tonnes of pigeon excrement that had built up had to be removed from Landgate Arch for fear of damaging the ancient structure.[7]
The River Rother originally took an easterly course to flow into the sea near what is now New Romney. However, the violent storms in the 13th century (particularly in 1250 and 1287) cut the town off from the sea, destroyed Old Winchelsea and changed the course of the Rother. Then the sea and the river combined in about 1375 to destroy the eastern part of the town and ships began use the current area (the Strand) to unload their cargoes. Two years later the town was sacked and burnt by the French, and it was ordered that the town walls be completed,[8] as a defence against foreign raiders.
The South Gate at Rye, 1785, by Samuel Hieronymus Grimm
Rye was considered one of the finest of the Cinque Ports even though constant work had to be done to stop the gradual silting-up of the river and the harbour. There was also a conflict of interest between the maritime interests and the landowners, who gradually "inned" or reclaimed land from the sea on Romney and Walland Marsh and thus reduced the tidal-flows that were supposed to keep the harbour free of silt.[9] Acts of Parliament had to be passed to enable the Rother to be kept navigable at all.
With the coming of bigger ships and larger deepwater ports, Rye's economy began to decline, and fishing and particularly smuggling (including owling, the smuggling of wool) became more important. Imposition of taxes on goods had encouraged smuggling since 1301, but by the end of the 17th century it became widespread throughout Kent and Sussex, with wool being the largest commodity. When luxury goods were also added, smuggling became a criminal pursuit, and groups - such as the Hawkhurst Gang who met in The Mermaid Inn in Rye - turned to murder and were subsequently hanged.
Since 1803 there have been lifeboats stationed at Rye[10] although the lifeboat station is now at Rye Harbour approx 2 miles (3.2 km) down-river from the town.[11] The worst disaster in its history occurred in 1928, when the Mary Stanford Lifeboat sank with all hands. The incident is recorded by a tablet at Winchelsea church, by the imposing memorial at Rye Harbour Church and by the folk-song The Mary Stanford of Rye.[12] A new RNLB Mary Stanford was commissioned by the RNLI two years later and stationed at Ballycotton on the coast of Ireland. Since 2010 the RNLI has operated an Atlantic 85 class inshore lifeboat at Rye harbor.
Between 1696 and 1948 there have been six ships of the Royal Navy to bear the name HMS Rye.
During the 1803-1805 Napoleonic invasion threat, Rye, Dover and Chatham were regarded as the three most likely Invasion Ports[13] and Rye became the western Command centre for the Royal Military Canal. The canal was planned from Pett Level to Hythe as a defence against a possible French invasion. How a 20-metre ditch was supposed to have stopped the finest army in Europe, which had already crossed all of Europe's great rivers at one time or another, was not clear. In the event, the canal was not completed until long after the need for it had passed.
The windmill
From 1838-1889 Rye had their own Borough Police force.[14] The Borough Police force was a small force, often with just two officers. Rye police frequently had difficulties on Bonfire night (5 November) and special constables were recruited to help deal with the problems bonfire gangs caused. After amalgamation with the County Force in 1889 a new police station was provided in Church Square.[15] In 1892 the strength of the town police, now amalgamated, was one sergeant and three constables.[16]
In May 1940, during the darkest days of World War II, the Rye fishing fleet was invited to participate in Operation Dynamo, the seaborne rescue of the stranded British Expeditionary Force at Dunkirk, but refused to do so.[17]
Paul Monod's book The Murder of Mr Grebell: Madness and Civility in an English Town (2003) begins with the murder of a justice of the peace in Rye in 1743, considering its background as far back as the Reformation, then looks at events in the town over the next two hundred years.[18]
Walking Tour of Rye, the most beautiful town in England, by Jonathan Copeland, ISBN 9781301139996, describes every important building, explains it and puts it into historical context. Many photographs illustrate the book.
Before 1916 the area which later sees the construction of Ashton Street was just fields and various farmlands, The 1916 ordnance survey maps show Ashton Street for the first time since then until the 1930s the street didn’t really see much development going around it and it 3 houses at the time.
During the 1930s houses was springing up everywhere in Chadderton and Turf lane area didn’t want to miss out on the action so came the streets of Chestnut Street extension, Shelley Road, Ruskin Avenue and Houseley Avenue but Ashton Crescent has yet to be built during this time
It is unknown as to when the 3 houses on Ashton Street was demolished and the reason behind demolishing them in the first place, theses houses mirrored the same architectural design of houses of the section of Bromley Street between Turf Lane and Chestnut Street.
It’s the moment you all been waiting to find out how exactly did Ashton Street gets its name from.
Ashton Street is named after the market town of Ashton-under-Lyne in Tameside. The reasoning behind this naming is quite simple but complex at the same time.
Ashton has anciently constituted a single parish township but was divided into four divisions sometimes each styled townships: Ashton Town, Audenshaw, Hartshead and Knott Lanes. All four divisions lay within the Hundred of Salford, an ancient division of the county of Lancashire. This is where the first connection to Oldham History and social landscape comes into play as Oldham was a parish and township withing the Hundred of Salford as Prestwich-cum-Oldham.
Ashton Street was named to commemorate this historical connection with a neighbouring parish back in the Salford Hundred days. Also, the name honours are other strong historical connections with Ashton as there been landowners, residence and people with the surname Ashton all living in Oldham at some point in history.
Edmund Ashton Esquire of Chadderton once a resident at Greenacres Hall
Richard Ashton Esquire held sixteen acres of land at Greenacres Hall in 1610 by knight service
John Lees Esquire of Ashton who was of Clarksfield in 1766
These are just some of the people with Ashton as there surname or former landowners of Ashton there is too many to list. But if would like a video looking further in-depth to the Ashton connection with Oldham I would be more than happy to create it for you.
The video of How is Ashton Street & Ashton Crescent is named is now live on my YouTube channel Owdham Vaults for an in-depth look at other things relating to the name Ashton and covering this same story I have told here in the video.
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