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A stylish invitation card design can make a lasting impression on your guests. It can also set the tone for your event and make it more memorable. A stylish invitation card design can also help to ensure that people remember the details of your event, such as the date, time, and location.
so text me ( bit.ly/3ZacDdG ) to create an attractive food flyer. I am always ready to help.
I got Ariel today. I ordered her online on release day, October 27, 2018. She is #2047 of 4500. She and the box arrived in perfect shape. However, the invitation card has slipped down in the plastic sleeve, and won't stay up. I love her face and hair, but her dress is a bit too gaudy for my taste, although it is appropriate for an 80's girl. Her hair is stiff at the ends to keep its curl, so it got a little messy when I broke it up to even out her hair in the back. I cut off the rubber band securing the purse string to her shoulder. I had to use a little tape to keep it from sliding off her shoulder afterwards. I show her boxed, during deboxing, and fully deboxed. I have her now on my desk, right next to me as I type this. It is convenient that I got her just before the next one, Tiana, is released tomorrow.
Ariel Disney Designer Collection Premiere Series Doll - Limited Edition
US Disney Store
Released online and in stores 2018-10-27
Sold out online in less than 5 minutes
Purchased online 2018-10-27
Received 2018-11-2
$109.95
Item No. 6003040900543P
The Disney Designer Collection proudly presents our Premiere Series Ariel Limited Edition Doll inspired by the fashions of 1989, when red carpet couture was as rebellious and bold as The Little Mermaid's leading lady.
Safety
WARNING: CHOKING HAZARD - Small Parts. Not for children under 3 years.
Magic in the details
Please note: Purchase of this item is limited to 1 per Household.
The Disney Designer Collection is proud to present the Premiere Series, breathtaking collector's dolls inspired by the fashions on runways and red carpets during the year of each theatrical debut. The dolls, garments, and accessories have been carefully crafted to combine a moment in fashion history with the unmistakable signature icons of our beloved Disney heroines.
The Little Mermaid was first released in 1989 during a time when red carpet couture was as rebellious and bold as the leading lady of Disney animation's renaissance period.
• Limited Edition of 4500
• Certificate of Authenticity
• 1989 fashion-inspired designer Ariel doll
• Beautifully sculpted and highly detailed
• Delicate airbrushed cheeks
• Metallic eyeshadow
• Eyelashes
• Rooted hair, finely styled
• Shell-shaped pleated satin halter
• Sequined midriff
• Multi-layered geometric neon print skirt and train
• Iridescent ruffled mesh layers
• Bare shoulders
• Pearled spaghetti straps
• Neon shell-shaped shoulder bag with chain
• Neon jewelry
• Metal earrings
• Glittering fingerless gloves
• Fishnet stockings
• Matching shoes with ankle straps
• Doll stand
• Deluxe display packaging with full-length picture window and dramatic skylight window
• Flocked red carpet stage
• ''Doorway'' cover opens outward with magnetic closure
• Fashion illustration graphics and metallic inks
• 1989-inspired decorative movie tickets, poster, and premiere invitations tucked inside
• Disney's The Little Mermaid premiered November 13, 1989 in New York City, followed by USA general release on November 17, 1989
• Part of the Disney Designer Collection Premiere Series, each sold separately
The bare necessities
• Please note: Not a toy. Intended for adult collectors
• Plastic / polyester / metal
• Doll approx. 11 1/2'' H
• Box 16 1/2'' H x 12 1/2'' W x 6'' D
• Imported
This stylish invitation card is made from rich color satin cloth of fine quality. Card front is covered with designer imprints add a lot of zing to the appearance of this card. The initials are customizable as per couples. More info at: bit.ly/1BxQFnG
This stylish invitation card is made from rich color shimmer finish board of fine quality. The beautiful gold design make's a stunning look to the card. The names are customizable as per couples. More details at: bit.ly/1wNzUAv
This wedding invitation suite can be printed at home, uploaded to an online printing service, or taken to a local print shop.
Invitation & Greeting Card MockUp vol.2
Download: graphicriver.net/item/-invitation-greeting-card-mockup-vo...
Create a realistic Invitation & Greeting Card presentation in few seconds. Invitation & Greeting Card by goner13 is a pack of 15 PSD files, perfect for show – up your design. Simple structure and replacing via Smart Objects make your work easier.
Features:
- 15 PSD with different shoots and angle
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- fully layered PSD
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- 4000×3000 px, 150 DPI
- videotutorial
This images is used only to generate previews. Designs and fonts in the preview image are used for presentation purposes only – and it’s not included. All trademarks are property of their respective owners. freepik.com
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The Viridi-anne: 2010 Spring/Summer Collection Invitation Card
The theme of the collection was "ecdysis".
This wedding invitation suite can be printed at home, uploaded to an online printing service, or taken to a local print shop.
if you are interested with the invitation card, please visit Kanjiz gallery store at zazzle :
www.zazzle.com/chinese_rsvp_wedding_invitation_card_with_...
This stylish invitation card is made from rich color satin cloth of fine quality. Card front is covered with designer imprints, beautiful gold Ganeshji paste-up add a lot of zing to the appearance of this card. Read more at: bit.ly/1FEusSg
this is the front of the invitation card for the first part of my fourth solo exhibition "versunkenes metropolis" ("sunken metropolis") at literaturforum at brecht-haus in berlin mitte (chausseestrasse 125). the exhibition will start end of next week and will be open from 7pm before any public event at literaturforum. the program of the literaturforum can be found here. there is no direct vernissage, but at 31st of october (a sunday) the exhibition will be open and i'll be around myself there too from 2-5pm. if you are in or around berlin, you are of course invited to stop by. the exhibition will run until end of november. an invitation for the second part of the exhibtion which starts a few days later at another place in berlin will follow soon. regarding the groups i add this to - i hope it is ok. maybe a few words about the idea behind the exhibtion: i create a fictitious future metropolis from fragments of current cities and declare it as sunken, to maybe initiate some thoughts about the future development of cities - even today more than half of the population of this planet is living in cities, the tendency is strongly rising. all the images of this part of the exhibition are made using a pinhole camera. the exhibition is done in cooperation with galerie rs21 berlin.
Kuwait Voluntary Work Center
Photography & Documentary Team
Is pleased to invite you to the 7th General Exhibition, in the Avenues Mall, Opening on Monday Jan 12th, 2009 at 3:30pm, Closing on Jan 17th, 2009
يسر فريق التصوير والتوثيق التابع لمركز العمل التطوعي دعوتكم لحضور حفل افتتاح المعرض العام السابع في مجمع الافنيوز في تمام الساعة الثالثة والنصف مساءً وذلك يوم الاثنين الموافق ١٢/١/٢٠٠٩
حيث سيستمر المعرض لغاية ١٧/١/٢٠٠٩
يوسـف العبيدلي
This stylish invitation card is made from rich color satin cloth of fine quality. Card front is covered with imprint of peacock feather and gold print gives a superb look. Read more at: bit.ly/1sZTcmI
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if you are interested with the invitation card, please visit Kanjiz gallery store at zazzle :
www.zazzle.com/double_happiness_classic_rsvp_wedding_invi...
Besides the steady formations „Alfred Harth’s New Orleans Band“ (1965), "Alfred Harth Jazztett" (1966) and „just music“ / „New Thing Orcestra“ (1967-1972) following formations had performed at the „club h“ in Frankfurt/Main-Ginheim : „Jo Flinner Group“ (Jo Flinner, Gerhard Bitter...), “Modern Jazz Trio“, “Modern Jazz Group Wiesbaden“ (Michael Sell, Dieter Scherf, Gerhard Koenig, Wolfgang Schlick) and following musicians: Tony Scott, Joe Viera, Glenn Ragland a.m.o.
Within 1966 Lps of Ayler & Giuffre had changed my musical mind along with visits at avantgarde galleries. This triggered a mutation from Club H, 1965-66, home of the Alfred Harth Jazztett, to the centrum freier cunst, 1967-68, home of Just Music & Arts. In 1966 I changed from the Wöhlerschule to the art course at the Goethe Gymnasium.
Last not least the critic, radio jazz channel director and Frankfurt Jazzfestival director Dr. Ulrich Olshausen attended many concerts and wrote an article in the Frankfurter Allgemeine Zeitung about the scene at the "centrum freier cunst" in 1967.
Alfred Harth
In 1965, Alfred 23 Harth (A23H) established the club h—renamed centrum freier cunst around 1967—in his former rehearsal spaces in Frankfurt am Main. This self-created venue, with its atmospherically painted brick walls in blues, reds, and dark tones, stage lighting set in indirect glow, and candlelit ambiance, provided a unique environment that contrasted sharply with the more traditional jazz stages of the city. Concerts took place in the “großer Raum,” while adjoining spaces housed a bar and, later, a small gallery. Posters for the events, designed and often hand-made by Harth himself, reflected the same experimental ethos and appeared in highly varied and distinctive versions.
The programming at centrum freier cunst offered at least one event each month, while the place otherwise continued to serve as rehearsal space for A23H’s ensembles. Against the backdrop of 1960s Frankfurt—a city celebrated as Germany’s jazz capital yet tightly guarded by figures like Albert Mangelsdorff, who resisted admitting younger musicians into the scene—Harth’s initiative functioned as both a provocation and a necessity. The name itself, deliberately misspelled with irony, echoed similar gestures of resistance as with the Free Jazz Group Wiesbaden, which despite being Frankfurt-based, adopted the neighboring city’s name as a wry marker of independence.
From this fertile base, Harth launched his free music group Just Music, which from 1967 on carried its uncompromising sound across Europe, appearing in Stuttgart, Düsseldorf, Munich, San Sebastián, Bremerhaven, Přerov, Prague, Paris, Avignon, Bilzen, Breda, Ghent, Wrocław, Kraków, Brussels, among others. Just Music remained open to collaborations, engaging in radio sessions, festivals, and interdisciplinary projects with a circle of musicians at the forefront of European free improvisation. These included trumpeter-composer Michael Sell, saxophonist Peter Brötzmann, bassist and tubist Peter Kowald, drummer Paul Lovens, bassist and later ECM founder Manfred Eicher, Czech flutist Jiří Stivín, Polish violinist Zbigniew Seifert, Belgian pianist Nicole Van den Plas, members of Chicago’s AACM, as well as Sven-Åke Johansson, and many others.
The Frankfurt centrum freier cunst predates by a year Conrad Schnitzler’s Zodiak Free Arts Lab in Berlin, with which it shared a spirit of artistic provocation and architectural improvisation. Both institutions stood as autonomous counterpoints to the rigid, closed hierarchies of the postwar jazz establishment, forming hubs of experimentation where music, visual culture, and social critique converged.
This invitation card is made out of fine quality ivory (cream) textured card paper, inside there is option of three metallic colored inserts with holder of silk ribbon overlapped by designer imprinted vellum paper, Envelope has golden lining inside. Read more at: bit.ly/1713ERH