View allAll Photos Tagged Introspective
On a blurry day
with faded borders
I leave the glasshouse
far behind
enter the treemaze
to hide -
seek - find
that minute space
where illusion breaks
where the stones flow upwards
and the ground swells like a surf
of fiery ashes and dust
thrusting me into the sky
like the waves, like the waves, like the waves
My father's been gone a number of years now, but i still remember him spending time watching the birds from the sun-room, especially in the winter. He would be there with his bible, coffee, and his thoughts. I wonder now what he would think about, if he had hopes and dreams unfulfilled or was he truly as content as he seemed. I don't find solace in religion, sometimes I wish I still did, things seemed easier back then but I can't make myself believe. It's rare that I slow down enough to take it all in. I'm pretty lucky all things considered. Things don't always go the way I'd like, but it could be much worse. Welp, my coffees done... enough time sitting here being introspective... time to get on with my day.
barcelona at night. a face caught in thought, framed by steel, smoke, and invisible weight. light brushes skin and hope, while the city flickers on in the background.
What a beautiful place to be tonight... The golden light through the trees gave the autumn colors a painterly look against the softness of the lake's water. I wish I had discovered this place last Autumn as last year I was quite homesick for a dosage of Colorado fall. But everything happens in its own time and season for it's own reason. I do believe I needed to see it more this season than last year if that makes any sense at all. It's been a long time since I have been able to drink so deeply of the beauty of Autumn. Perhaps being thirsty to see beauty is sometimes what causes us to enjoy it more than what we would have in a different chapter in life... And sadly sometimes that need is caused by pain and change. As sad as it is I think we appreciate beauty more when we have experienced the opposite of it. How can we not appreciate the light more if we have spent time in the dark...
The holidays are around the corner. What is it about holidays that makes grief so raw, so real? I'm not ready for them to be honest. I would rather sit here for days on end in a dream where these colors never fade and this song plays tenderly for me through the trees.
Enjoy one of my favorite classics played by the beautiful and talented hands of Khatia Buniatishvili.
I love you friends xx
If you find yourself preferring to be alone, don't despair, you're probably in good company. From time to time, we all need to recover from social overwhelm. Don't worry, being alone can actually make you a more introspective and interesting person.
Image imagined in MidJourney AI and finished with Topaz Studio 2.0 and Lightroom Classic.
The walls of the Monastery glow with this beautiful blue light. One of the most peaceful places I've ever been. The quite encourages you to take it all in.. be thankful, pause for a moment.. remember what matters most.
in a courtroom, you are questioned by others.
lawyers, a judge, a jury.
but the most difficult trial takes place
in the quiet moment before a mirror.
there, you are the witness, the prosecutor,
and the accused, all at once.
the evidence is your own reflection.
the gaze is steady, unflinching.
and the truth, for a brief moment,
is impossible to avoid.
in the vast, echoing expanse of berlin brandenburg airport, a lone traveler is caught in the soft embrace of solitude. her silhouette, outlined against the muted airport light, tells a story of quiet anticipation. shadows stretch long and silent, merging with her thoughts as she reads, lost in another world. the stillness around her amplifies the hum of distant engines and the soft murmur of announcements, creating a moment suspended in time where waiting becomes an introspective journey.
Gallery exhibition poster of winged statue. Custom background, textures and effects. Type cast blends compliments of Katie Pertiet.
Hermes Kondor honored me with a retrospective of my work in Second Life. I suddenly felt very old... but it's only been three years. Only he can answer the question of why he wanted to do this; and in this context, I can only question myself. That is why I have called this retrospective "Introspective".
I have selected my most important exhibitions (almost all of them), and from them the images that resonate most with me now. Then, image by image, I have written down what I heard from the depths of my heart. Today is Sunday - if I had written these texts yesterday or tomorrow, they would have been different. Nothing is really important.
Tp to the Kondor Art Square
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Visit The Carbone Studio
Milena Carbone's art studio
Novels - art photography - dance performance
Web : The Carbone Studio News
I was so very aware
that the afternoon was dying in the domes,
and all around me sounds froze,
turned to winding pillars.
I was so very aware
that the undulant drift of scents
was collapsing into darkness,
and it seemed I had never tasted
the cold.
Suddenly
I awoke so far away
and strange,
wandering behind my face
as though I had hidden my feelings
in the sensless relief of the moon.
I was so very aware
that
I did not recognize you, and perhaps
you come, always,
every hour, every second,
moving through my vigil - then -
as through the spectre of a triumphal arch.
poem by Nichita Stanescu called "Season's end"
*366 photos for the 20's 01/17*
this year I will try to choose one photo a day for this pseudo-project, no matter the motive, style, colour or technique. encouraging myself to shoot everyday, even if I can't go outside.
I enjoy still lifes. As a painter I was a follower of Peto, Chardin, Harnett. Thiebaud, van Aelst, Davidszoon de Heem. It was a way of studying light as well as a means of self expression. Often I found my still life paintings to be more introspective and expressive than any other work I did.
As a photographer, I've returned to the classical still life. To expedite things I have constructed an easy to move and light table of sorts with support for drapery. Underneath it has bins for commonly repeated subjects.
I'll spend upwards of an hour obsessing on placement, light and composition before I am satisfied. I find it to be therapeutic and relaxing. Something I can absolutely control as I discover the meaning of my days at the end of each day.
You can see some of them here.
We're Here! : Madness In The Method
Running out of ideas for your 365 project? Join We're Here!
beneath the tilted no-parking sign, he walks as if boxed in by invisible limits. a hand to the head—maybe thought, maybe tension. the midday sun burns a path across his skin and the cracked white wall behind him offers no answers. just a command in red and blue: no left, no right.
Prompt: Create a high-resolution, ultra-detailed digital fine art landscape in a horizontal aspect ratio depicting a serene Dutch countryside scene at dawn. The composition features a tranquil canal stretching into the misty distance, bordered by tall, golden-brown reeds on both sides. On the left side of the canal, a small wooden rowboat sits still, gently moored along the bank, its reflection mirrored in the calm, glassy water.
To the right stands a classic Dutch windmill with weathered brick walls and large wooden sails, partially veiled by the soft, early morning fog. Nearby, a lone leafless tree stands silhouetted against the mist, enhancing the quiet, contemplative atmosphere. Faint outlines of distant trees and flat farmland fade into the foggy horizon, creating a sense of peaceful isolation.
The lighting is diffused and soft, with a cool color palette of muted grays, dusky blues, and pale golds. The mood is calm and introspective, evoking the quiet stillness of a mist-covered Dutch morning.
Style: Hyper-realistic fine art
Mood: Peaceful, moody, contemplative
Lighting: Soft diffused morning light through fog
Color Palette: Cool grays, pale blues, golden browns
Resolution: Ultra-high (suitable for large-format prints)
she sat on a bench, scrolling, exhaling, lost in a thought she didn’t share. the smoke curled between us, vanishing before it could settle. a glance—direct, unreadable, gone in a second. plaça del rosari, a fleeting moment given, not taken.
a child plays alone on a football field in palma nova.
no floodlights, no team, no sound.
just a ball and the dark.
the game goes on.
a corridor of stone and shadow, carved by light and memory. the figure rests, nameless, leaning into the quiet weight of evening. moments like this don’t speak—they resonate.
Have you ever had one of those moments where you’re suddenly and unexpectedly transported to a different time and place? A feeling so bright that for a few seconds you can’t breathe, a flickering kaleidoscope of images bursting into your mind like the rapidly turning pages of a picture book.
Heading up through the ever-darkening hedgerows from a deserted cove I had been shooting at a few nights ago was one of those moments. Maybe it was the warm summer air or the scent of flowers drifting over the fields. Or even the fireflies flitting in and out of my vision, tiny pin pricks of light dancing on their nocturnal stage. But for whatever reason, I was suddenly in Tuscany again, the morning dew saturated with the oily fragrance of wild herbs and the mist filled valleys unfolding beneath me. I wasn’t intending to post this image but to me this represents a perfect moment in time. A time when we could travel easily. When everything seemed to be within our reach. In some ways, a time of innocence before the world changed.
But before you all think I’ve turned melancholy and introspective, don't worry. The next image is business as usual with a tale of stupidity, mistaken identity and embarrassment on the beach.
Enjoying my time away from the NHS- thank you to those who have emailed and messaged in my absence from here. Have a great week, Flickrites.
- Cardiacs - Is This The Life?
Following around to see a life that's never in
Always calling itself on its own phone
Though it's never quite at home in the world today
See it to arranging the day
Prepared in its own
Special way
With added loving care
THOUGH IT'S NOT BEEN THERE SINCE YESTERDAY
Looking so hard for a cause
And it don't care what it is
And never really ever seeing eye to eye
Though it doesn't really mind
Perhaps that's why
It never really saw
Never really saw...
Saw...
Listen How the west was lost Carlos Nakai y Peter Kater
This breathtaking soundtrack by to the second part of the Discovery Channel broadcast features the distinctive collaboration of Peter Kater and R. Carlos Nakai.
How the West Was Lost II
Kater and Nakai's collaboration, at times introspective and reverential, passionate and proud, blends European derived instruments and vocals with those of the Native Americans to create a powerful and haunting backdrop to this arresting series. Guest performers include: Joanne Shenandoah, White Oak Singers, Cecil Hooker, Chris White, Marty Goodbear and more.
In Wordpress In Blogger photo.net/photos/Reinante/ In Onexposure
Talking Heads - Once In A Lifetime
(Right Click - Open in new tab)
And you may find yourself living in a shotgun shack
And you may find yourself in another part of the world
And you may find yourself behind the wheel of a large automobile
And you may find yourself in a beautiful house, with a beautiful
wife
And you may ask yourself-Well...How did I get here?
.......
And you may ask yourself
How do I work this?
And you may ask yourself
Where is that large automobile?
And you may tell yourself
This is not my beautiful house!
And you may tell yourself
This is not my beautiful wife!
Letting the days go by/let the water hold me down
Letting the days go by/water flowing underground
Into the blue again/after the money's gone
Once in a lifetime/water flowing underground.
Same as it ever was...Same as it ever was...
And you may ask yourself
What is that beautiful house?
And you may ask yourself
Where does that highway go?
And you may ask yourself
Am I right?...Am I wrong?
And you may tell yourself
MY GOD!...WHAT HAVE I DONE?
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♪The Blowers Daughter - Damien Rice♫
"Corações nunca serão práticos enquanto não forem feitos para não se partirem".
Para tirar essa foto eu coloquei a câmera literalmente no teto, sim no teto grudada com durex ai de vez em quando tirava olhava o que tinha dado e colocava de novo, não tinha outro jeito de pegar esse ângulo aqui¬¬
Introspective weekend ahead as weather still refuses to play ball.
On my foggy commutes this week I often wondered how high you’d need to go to see blue skies
To recline is to listen inward—an invitation to ease the breath, soften the shoulders, and rest in a moment that asks nothing of us but presence. In the clamor of modern life, where movement is often mistaken for meaning, stillness offers a quiet rebellion.
It’s not laziness or retreat, but a profound form of trust: that we are enough without the constant proving. I think of golden light pooling on a carpet, a cat stretching unapologetically across a windowsill, or the way dusk pours itself gently into a room. Stillness, in these moments, is not absence—it’s grace.
To truly recline is to allow the world to come to us, rather than chase after it. The fire warms not because we tend to it, but because we draw near. In this softened state, we absorb more—beauty, clarity, comfort. We become porous to goodness.
Rest is no longer a reward for exhaustion; it’s a recognition of worth. There’s something sacred in that surrender, where movement gives way to meaning felt rather than forged. And in that space, reclined and receptive, we remember a truth too often forgotten: that stillness doesn’t diminish us—it completes us.
Despite returning to the location on several occasions over the past year, I last worked an image of Millwall Inner Dock at the start of 2015. The site at the centre of the Isle of Dogs has undergone extensive construction work over the years, and when I last photographed the location, Baltimore Tower was a construction site. Now, nearly two years later, the 45-storey building dwarfs the Lotus floating restaurant beneath it and soars as high as the buildings at the centre of Canary Wharf.
Capturing the scene with a clear reflection is a challenge because it depends not only on a very low wind speed but also on minimal activity from sailing boats, canoers and the occasional paddling of ducks. On a recent winter afternoon, when the wind speed dropped to 1mph for several hours and when subzero temperatures meant no one was eager to venture outdoors unless they needed to, the right opportunity to capture the scene presented itself. The final image is a combination of photographs that I began capturing at sunset with a two-minute exposure, building on this with four-, five-, eight- and nine-minute exposures as late-afternoon turned to dusk, and finishing with an early-evening 12-minute exposure. Each exposure contributed different details, from the final traces of sunshine across the southwest corners of the buildings and a soft pink glow on the horizon to the deep chilly hue of the evening's blue hour and the cityscape lights being switched on. Two-and-a-half hours after I began shooting, I had all of the exposures I needed to create the image I wanted.
Beginning with one of the dusk exposures as my template, I blended in traces of the afternoon sunlight and the building lights in Photoshop using the Lighten blend mode, which was a gradual process using several exposures as more and more of the lights switched on. This was also a selective process because the lights inside South Quay station were much brighter than some of the apartment lights and needed to be toned down with a low-flow brush, and because I wasn't particularly interested in adding lights from the cranes, which continued operating at Canary Wharf's south dock well into the evening. After this phase, I used the Pen Tool to isolate the sky and the dock's reflection, and used a radial gradient mask to blend in the warmer tones in the sky behind Canary Wharf. Capturing a smooth progression from a gentle red to a muted orange and then to a soft pink that faded into the colder sky was important to me because it seemed like this was where viewers' eyes would immediately be drawn when they first see the image.
With the blending phase complete, colour-grading the image was a straightforward process involving Hue/Saturation, Colour Balance, Selective Colour and Gradient Map adjustments. I also applied a very low-opacity Colour Lookup set to the Futuristic Bleak preset, desaturating some of the brighter colours and playing up the more muted tones. Using Silver Efex Pro set to Luminosity, I then added a small amount of shadow and midtone structure to the buildings, as well as raising the sensitivity of the reds and yellows to gently brighten the horizon. Finally, in Colour Efex Pro, I applied a small amount of the Pro Contrast and Detail Extractor filters to give the buildings a final bit of definition against the sky and to bring out some of the finer details in the building lights.
The final image is intended very much as a companion to the sunrise at South Dock which I captured a year ago, but at the same time there were subtle differences to the scene. The cityscape had the same vibrance and energy, and the reflection conveyed the same elegance and tranquillity, but somehow there seemed to be something darker, moodier and more introspective about this vantage point. As people coming home to their apartments in the residential buildings switched on their lights and opened the doors to their balconies to take in the view, I couldn't help wondering what it must be like to see such dramatic redevelopment taking place around them, and how impermanent, but perhaps also how full of possibility, this transforming spectacle must be to someone seeing it change bit by bit each day.
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