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Innovation doesn't happen in a suit and tie. Some thought provoking tech discussions took place at the first Interzone Conference in Vancouver.
Amrik Virk, Minister of Technology, Innovation and Citizens' Services joined tech leaders, CEOs, entrepreneurs and government officials to launch a dialogue on the global impact of tech and innovation.
For more information about the #BCTECH Strategy, please visit www.bctechstrategy.ca.
INTERZONE - Auf wiedersehen! Tears and waves upon departure of the Cologne to Dresden D-zug from Hannover Hbf.
Joy Division
Book :
Michael Snow
Cover To Cover
Primary Information
2020
CD :
Joy Division
Love Will Tear Us Apart
Factory
FAC23
Art Direction . Peter Saville & Ben Kelly
Photography . Trevor Key
iMusic :
Joy Division
Isolation
Factory
FAC25
GMAtmosphere ...
Faint - photos on interzone
A world inside a world inside a world...architecture & real & royal & nature & math. Just look deeply inside.
Mondi multipli, uno nell'altro...architetture & reale & regale & natura & matematica. Basta guardare giù in profondità.
photos - Settembre - 2006
Unknown Pleasures - Joy Division
Disorder
Day Of The Lords
Candidate
Insight
New Dawn Fades
She's Lost Control
Shadowplay
Wilderness
Interzone
I Remember Nothing
Nothing But A Burning Light: Bruce Cockburn
A Dream Like Mine
Kit Carson
Mighty Trucks Of Midnight
Soul Of A Man
Great Big Love
One Of The Best Ones
Somebody Touched Me
Cry Of A Tiny Babe
Actions Speak Louder
Indian Wars
When It's Gone, It's Gone
Child Of The Wind
Fat City: Shawn Colvin
Polaroids
Tennessee
Tenderness On The Block
Round Of Blues
Monopoly
Orion In The Sky
Climb On (A Back That's Strong)
Set The Prairie On Fire
Object Of My Affection
Kill The Messenger
I Don't Know Why
Crooked Rain, Crooked Rain: Pavement
Silence Kit
Elevate Me Later
Stop Breathin
Cut Your Hair
Newark Wilder
Unfair
Gold Sounds
5-4=Unity
Range Life
Heaven Is A Truck
Hit The Plane Down
Fillmore Jive
Bring 'Em All In: Mike Scott
Bring 'Em All In
Iona Song
Edinburgh Castle
What Do You Want Me To Do
I Know She's
City Full Of Ghosts (Dublin)
Wonderful Disguise
Sensitive Children
Learning To Love Him
She Is So Beautiful
Wonderful Disguise Reprise
Long Way To The Light
Building The City Of Light
Sophie Zelmani: Sophie Zelmani
I'd Be Broken
Stand By
There Must Be A Reason
So Good
Always You
A Thousand Times
Tell Me You're Joking
Woman In Me
You And Him
Until Dawn
I'll Remember You
I'll See You (In Another World)
Beautiful Freak: Eels
Novocaine For The Soul
Susan's House
Rags To Rags
Beautiful Freak
Not Ready Yet
My Beloved Monster
Flower
Guest List
Mental
Spunky
Your Lucky Day In Hell
Manchild
Bring It On: Gomez
Get Miles
Whippin' Piccadilly
Make No Sound
78 Stone Wobble
Tijuana Lady
Here Comes The Breeze
Love Is Better Than A Warm Trombone
Get Myself Arrested
Free To Run
Bubble Gum Years
Rie's Wagon
The Comeback
Background image: unsplash.com/photos/Jgdbp3pPj9Q
This is James Harrison at 11th and Lovejoy, holding up a photo of the corner taken when the Lovejoy columns were still standing. He is hosting a Know Your City tour of the columns and other sites related to Tom Stefopoulos.
I first saw the columns on my bike in the 1990s. At the time they were just there, holding up the Lovejoy ramp. The neighborhood was different then, of course, a decaying industrial area at the time, and there usually wasn't anybody around. It was interesting to unexpectedly come across the columns, a random instance
of aesthetic intent in a less populated urban area. I used to ride around there and poke around, watching the activity or the broken remnants of infrastructure from the past - loading docks, gantries, trucks, bums. Some of the rails were still in use, and I remember coming across railcars full of trub parked next to the Blitz brewery. They could be smelled from around the corner.
Now the corner is unrecognizable, and I had no idea where we were until James told us. After the industrial NE was turned into the "pearl district", I started moping around the SE industrial district, where I live now, and which each successive mayor has promised to turn into a similar neighborhood of higher rents. I miss the old zone, but I understand how buildings and land will put to use in a more profitable way (profitable for a particular group of people) if one can be found. That's how mayors earn their money - real estate kickbacks - so it's going to happen. And I should probably stop skulking these industrial borderlands. I'm not going to stumble upon some kind of rule-bending interzone, or a posthuman oracle in an alcove, or any of the other things I've dreamed about. I'm only going to continue to be that confused guy wandering around the wasteland. At least when I loiter on the bridges I scare people.
A group of people, including James, got the city to preserve the Lovejoy columns as the ramp was being demolished, and they were removed, wrapped in plywood and Tyvek, and stashed in a lot near the Fremont bridge. Then Vanessa Renwick made a movie about them, featuring poetic declarations and interpretive dances by Diogenes, "most curmudgeonly of the philosophers". This movie was seen by a developer who re-planted two of the columns in a "pearl district" courtyard. Which is good, because meanwhile the lot holding the remainder became a bum camp, and the Tyvek and plywood was stripped off to make shelters. The uncovered columns are now washed clean by the weather, among the trash and needles and broken-open bike locks. And what do you expect, really? The most adaptable species had a use for that unguarded building material.
Anyway, what is important to me is the the fact that the columns are still part of Portland. Not just the two that are standing, but the further efforts that they generated, not just the efforts to save them, but the movies they appeared in, the fake versions added nearby (heh), the stories, the midnight revelry. Portland is still making places and moments worth revisiting. When I was haunting the Portland of the end of the 20th century, I was sure that history was done. The interesting things had all happened already, and all I could do was try and breathe in the ghosts. Maybe that feeling is a remnant of growing up in the 80s and being prepared to be a member of the final generation. In any case, I was wrong. Even among the watered-down twenty-first century, monuments can still be erected, signals can be sent that will cause some kind of reaction, some kind of remembrance before they recede into the past.
Interzone is an audiovisual reactive installation, made for transition public places ( such as tunnels, hallways, stairs, …).
It represents a post-apocalyptic place that does not obey
to the laws of physics as we know, a place where occur space-time abnormalities, unexplained phenomena.
"I do not know that happens here when there is no human being.Places that were safe are now impassable "
6 infrared sensors connected to an arduino detects the user presence, and send his position to processing. With this input information processing triggers functions that will determine the projections and sounds.
sound loops by from : alva noto /ryoji ikeda
ambient sound by Miguel Neto
barcelona, december 2009.
rodrigo carvalho, dafne polyzos
WATCH THE INTERZONE VIDEO HERE ::
more info@ the projectWebPage ::
visiophone-lab.com/data/visiophone
///////////////////////////////
visiophone-lab.com
Another shot from the 5x4 transparency spree of last week. Thanks again to Pommas for the film.
It's my favourite bench. Hendon Clifftops at dusk, December 2009. Alternative views here, one with me spoiling it here, and another one here...
Graflex Crown Graphic, Dagor Lens, Colour Slide Film, Long exposure.
Some lines just fit the situation...
Star Wars: The New Jedi Order: Rebel Dream by Aaron Allston
The Girl with the Dragon Tattoo by Stieg Larsson
The City & the City by China Mieville
Fantasy & Science Fiction - May/June 2010
Fantasy & Science Fiction - March/April 2010
Fantasy & Science Fiction - January/February 2010
Asimov's Science Fiction - June 2010
Asimov's Science Fiction - April/May 2010
Asimov's Science Fiction - December 2009
Altered Carbon by Richard K. Morgan 22% (on iPad)
Interzone #224 (on iPad)
---------
2014-01-30: 1000 views
2015-01-18: 2000 views
2015-12-02: 3000 views
Interzone is an audiovisual reactive installation, made for transition public places ( such as tunnels, hallways, stairs, …).
It represents a post-apocalyptic place that does not obey
to the laws of physics as we know, a place where occur space-time abnormalities, unexplained phenomena.
"I do not know that happens here when there is no human being.Places that were safe are now impassable "
6 infrared sensors connected to an arduino detects the user presence, and send his position to processing. With this input information processing triggers functions that will determine the projections and sounds.
sound loops by from : alva noto /ryoji ikeda
ambient sound by Miguel Neto
barcelona, december 2009.
rodrigo carvalho, dafne polyzos
WATCH THE INTERZONE VIDEO HERE ::
more info@ the projectWebPage ::
visiophone-lab.com/data/visiophone
///////////////////////////////
visiophone-lab.com
S-Bahn 275 551-0|552-2|720-1|719-3|584-1|583-1 on route S1 arrives at the station Tiergarten. The two outer tracks are for the Interzone Zügen (trains to West Germany) and exploited by the DR.
Projections internationales - part three. Exposition à la Dulcie Galerie du 13 au 23 janvier 2016 avec « The Chihuahuan Hinge » mené à Marfa par Ida Soulard et Constance Nouvel, et « Mille et une manières de bricoler » mené au Mexique par Dominique Tisserandet et Pierre Moignard. Photo : Marc Dieulangard
Innovation doesn't happen in a suit and tie. Some thought provoking tech discussions took place at the first Interzone Conference in Vancouver.
Amrik Virk, Minister of Technology, Innovation and Citizens' Services joined tech leaders, CEOs, entrepreneurs and government officials to launch a dialogue on the global impact of tech and innovation.
For more information about the #BCTECH Strategy, visit www.bctechstrategy.ca.
29-11-10 My obsession with film is taking hold. 2011 will definitely be my film year. I heard from flickr user Andy Martin that Poundland were selling cheap films so I went down on my lunch break. Lo and behold these Kodak ColorPlus 200 films were only £1 each! By all accounts they are not the best of films but they will go well with my other new purchase. They also had tiny little lowepro pouches for a pound so I got one of those too! Like I said it's my new favourite shop!
Dampflokomotive 01 0509-8 ex Deutsche Reichsbahn - 40 Jahre Eisenbahnmuseum Bochum-Dahlhausen 2017 - DR-Ost trifft DB-West
Baureihe 01.5/01.0 der DR mit Reko-Kessel
Technische Daten:
Bauart: 2’C1’ h 2
Länge: 24,35 m
Treibraddurchmesser: 2,00 m
Höchstgeschwindigkeit: 130 km/h
Leistung: ca. 1760 kW/2400 PS
Gewicht: 174 t
Zur Geschichte:
Wie die Neubaukessellok der DB entstand die Rekolok der DR aus der Baureihe 01 der Vorkriegs-Reichsbahn von denen 65 Loks bei der DR verblieben. Von 1962 bis 1965 wurden 35 Loks "rekonstruiert"-- wie es bei der DR hieß. Dabei erhielten sie einen neuen Kessel und weitere Umbauten. Die ursprünglich spitze Rauchkammertür und das hochliegende Umlaufblech über den Treibrädern haben die Maschinen im Aussehen sehr markant verändert. 28 Loks wurden mit einer Ölfeuerung ausgerüstet und gehörten damit zu den leistungsfähigsten deutschen Dampf-Schnellzugloks und wurden bis in die 1980er Jahre eingesetzt. Bis 1973 kamen die Loks mit Interzonenzügen auch in den Westen des damals geteilten Landes. Fünf von ihnen haben als Museumsloks überlebt. 01 509 der Preßnitztalbahn ist die einzige auch heute noch ölgefeuerte Lok der Baureihe.
The story:
Like the new boiler locomotives of the DB, the rekonstruktionslokomotive of the DR from the DRG Class 01 of the pre-war Reichsbahn of which 65 locomotives remained at the DR. From 1962 to 1965, 35 locomotives were "reconstructed"--as the DR said. They were given a new boiler and other conversions. The originally pointed smoke smokebox and the high-lying rotating plate above the driving wheels have changed the machines in appearance very significantly. 28 locomotives were equipped with an engine of fire and were thus one of the most powerful German steam express locomotives and were used until the 1980s. Until 1973, the locomotives with "Interzones trains" also came to the west of the then divided country. Five of them survived as museum locomotives. 01 509 of the "Preßnitztalbahn" is the only locomotive of the series that is still being fired today.
No. 1 here.
Sunderland, September 2009. AGFA Isolette with some colour print film. Climb down the ladder into the brown soupy water....
Wherefores and whys and hard times...
I suppose an intention of my photos is to show people places in Sunderland they may not be too familiar with. Here's one...I have many better photos of this area but this gives the most complete view. Feb 2010.
Bartram and Sons was the only shipyard in England to launch directly into the North Sea, I believe there was only 1 other in the country that launched into the sea, can anyone confirm? There used to be a channel that led directly from the sea into the Hudson Dock.
Now all that is left is rubble, and ghosts of industrial greatness. And some big ole waves at high tide...
drammaturgia e regia Lorenzo Maria Mucci
con Elisa Langone e Luigi Ragoni
‘la stanza di garza’ e oggetti di scena Beatrice Meoni
costumi Sartoria Teatrale Fiorentina
allestimento tecnico Fondazione Teatro di Pisa
organizzazione e promozione Monica Drusian e Jonathan Retico
ha collaborato Sabrina Iannello e
una produzione Altredestinazioniteatro
con il contributo del Comune di Pisa
e in collaborazione con la Fondazione Teatro di Pisa
INTERZONE - modern 2nd Class cars and a baggage car on the Cologne to Dresden D-zug seen at Hannover Hbf in 1970.
drammaturgia e regia Lorenzo Maria Mucci
con Elisa Langone e Luigi Ragoni
‘la stanza di garza’ e oggetti di scena Beatrice Meoni
costumi Sartoria Teatrale Fiorentina
allestimento tecnico Fondazione Teatro di Pisa
organizzazione e promozione Monica Drusian e Jonathan Retico
ha collaborato Sabrina Iannello e
una produzione Altredestinazioniteatro
con il contributo del Comune di Pisa
e in collaborazione con la Fondazione Teatro di Pisa
The Painted Darkness by Brian James Freeman
The Long Man by Steve Englehart
The Year's Best Science Fiction: Twenty-Sixth Annual Collection by Gardner Dozois
Regenesis by C. J. Cherryh
Best Served Cold by Joe Abercrombie (on iPad, 86%)
Asimov's Science Fiction - July 2010
Asimov's Science Fiction, August 2010
Asimov's Science Fiction, September 2010
F&SF, July/Aug 2010
Interzone 226
Interzone 227
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2014-08-17: 1000 views
2016-02-15: 2000 views
drammaturgia e regia Lorenzo Maria Mucci
con Elisa Cecilia Langone e Luigi Ragoni
‘la stanza di garza’ e oggetti di scena Beatrice Meoni
costumi Sartoria Teatrale Fiorentina
allestimento tecnico Fondazione Teatro di Pisa
organizzazione e promozione Monica Drusian e Jonathan Retico
ha collaborato Sabrina Iannello e
una produzione Altredestinazioniteatro
con il contributo del Comune di Pisa
e in collaborazione con la Fondazione Teatro di Pisa
drammaturgia e regia Lorenzo Maria Mucci
con Elisa Langone e Luigi Ragoni
‘la stanza di garza’ e oggetti di scena Beatrice Meoni
costumi Sartoria Teatrale Fiorentina
allestimento tecnico Fondazione Teatro di Pisa
organizzazione e promozione Monica Drusian e Jonathan Retico
ha collaborato Sabrina Iannello e
una produzione Altredestinazioniteatro
con il contributo del Comune di Pisa
e in collaborazione con la Fondazione Teatro di Pisa
The Gathering Storm by Robert Jordan and Brandon Sanderson (p178)
The Girl Who Played with Fire by Stieg Larsson (p352)
Vampire Federation: Uprising by Sean McCabe (p39)
Asimov's Science Fiction, December 2010
Asimov's Science Fiction, January 2011
Asimov's Science Fiction, February 2011
Asimov's Science Fiction, March 2011
The Dragon Factory by Jonathan Maberry (p76, on iPad)
Interzone 230
Interzone 225
Interzone 229
Learning PHP and MySQL (p225, on iPad)
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2014-06-20: 1000 views
2016-08-11: 2000 views
drammaturgia e regia Lorenzo Maria Mucci
con Elisa Langone e Luigi Ragoni
‘la stanza di garza’ e oggetti di scena Beatrice Meoni
costumi Sartoria Teatrale Fiorentina
allestimento tecnico Fondazione Teatro di Pisa
organizzazione e promozione Monica Drusian e Jonathan Retico
ha collaborato Sabrina Iannello e
una produzione Altredestinazioniteatro
con il contributo del Comune di Pisa
e in collaborazione con la Fondazione Teatro di Pisa
drammaturgia e regia Lorenzo Maria Mucci
con Elisa Langone e Luigi Ragoni
‘la stanza di garza’ e oggetti di scena Beatrice Meoni
costumi Sartoria Teatrale Fiorentina
allestimento tecnico Fondazione Teatro di Pisa
organizzazione e promozione Monica Drusian e Jonathan Retico
ha collaborato Sabrina Iannello e
una produzione Altredestinazioniteatro
con il contributo del Comune di Pisa
e in collaborazione con la Fondazione Teatro di Pisa
Pylon at dusk, just north of Crooked Billet (in one of those strange interzones, neither Walthamstow nor Chingford).
drammaturgia e regia Lorenzo Maria Mucci
con Elisa Cecilia Langone e Luigi Ragoni
‘la stanza di garza’ e oggetti di scena Beatrice Meoni
costumi Sartoria Teatrale Fiorentina
allestimento tecnico Fondazione Teatro di Pisa
organizzazione e promozione Monica Drusian e Jonathan Retico
ha collaborato Sabrina Iannello e
una produzione Altredestinazioniteatro
con il contributo del Comune di Pisa
e in collaborazione con la Fondazione Teatro di Pisa
drammaturgia e regia Lorenzo Maria Mucci
con Elisa Langone e Luigi Ragoni
‘la stanza di garza’ e oggetti di scena Beatrice Meoni
costumi Sartoria Teatrale Fiorentina
allestimento tecnico Fondazione Teatro di Pisa
organizzazione e promozione Monica Drusian e Jonathan Retico
ha collaborato Sabrina Iannello e
una produzione Altredestinazioniteatro
con il contributo del Comune di Pisa
e in collaborazione con la Fondazione Teatro di Pisa
drammaturgia e regia Lorenzo Maria Mucci
con Elisa Cecilia Langone e Luigi Ragoni
‘la stanza di garza’ e oggetti di scena Beatrice Meoni
costumi Sartoria Teatrale Fiorentina
allestimento tecnico Fondazione Teatro di Pisa
organizzazione e promozione Monica Drusian e Jonathan Retico
ha collaborato Sabrina Iannello e
una produzione Altredestinazioniteatro
con il contributo del Comune di Pisa
e in collaborazione con la Fondazione Teatro di Pisa
drammaturgia e regia Lorenzo Maria Mucci
con Elisa Langone e Luigi Ragoni
‘la stanza di garza’ e oggetti di scena Beatrice Meoni
costumi Sartoria Teatrale Fiorentina
allestimento tecnico Fondazione Teatro di Pisa
organizzazione e promozione Monica Drusian e Jonathan Retico
ha collaborato Sabrina Iannello e
una produzione Altredestinazioniteatro
con il contributo del Comune di Pisa
e in collaborazione con la Fondazione Teatro di Pisa
Mario Rom´s INTERZONE präsentierten ihre neue CD "Everything is permitted".
Vor vollem Haus zeigten die Musiker ihr ganzes Können und jazzten die Traube in Admont.
Foto: Gottfried Maurer
drammaturgia e regia Lorenzo Maria Mucci
con Elisa Langone e Luigi Ragoni
‘la stanza di garza’ e oggetti di scena Beatrice Meoni
costumi Sartoria Teatrale Fiorentina
allestimento tecnico Fondazione Teatro di Pisa
organizzazione e promozione Monica Drusian e Jonathan Retico
ha collaborato Sabrina Iannello e
una produzione Altredestinazioniteatro
con il contributo del Comune di Pisa
e in collaborazione con la Fondazione Teatro di Pisa
drammaturgia e regia Lorenzo Maria Mucci
con Elisa Cecilia Langone e Luigi Ragoni
‘la stanza di garza’ e oggetti di scena Beatrice Meoni
costumi Sartoria Teatrale Fiorentina
allestimento tecnico Fondazione Teatro di Pisa
organizzazione e promozione Monica Drusian e Jonathan Retico
ha collaborato Sabrina Iannello e
una produzione Altredestinazioniteatro
con il contributo del Comune di Pisa
e in collaborazione con la Fondazione Teatro di Pisa
drammaturgia e regia Lorenzo Maria Mucci
con Elisa Langone e Luigi Ragoni
‘la stanza di garza’ e oggetti di scena Beatrice Meoni
costumi Sartoria Teatrale Fiorentina
allestimento tecnico Fondazione Teatro di Pisa
organizzazione e promozione Monica Drusian e Jonathan Retico
ha collaborato Sabrina Iannello e
una produzione Altredestinazioniteatro
con il contributo del Comune di Pisa
e in collaborazione con la Fondazione Teatro di Pisa
drammaturgia e regia Lorenzo Maria Mucci
con Elisa Cecilia Langone e Luigi Ragoni
‘la stanza di garza’ e oggetti di scena Beatrice Meoni
costumi Sartoria Teatrale Fiorentina
allestimento tecnico Fondazione Teatro di Pisa
organizzazione e promozione Monica Drusian e Jonathan Retico
ha collaborato Sabrina Iannello e
una produzione Altredestinazioniteatro
con il contributo del Comune di Pisa
e in collaborazione con la Fondazione Teatro di Pisa
drammaturgia e regia Lorenzo Maria Mucci
con Elisa Langone e Luigi Ragoni
‘la stanza di garza’ e oggetti di scena Beatrice Meoni
costumi Sartoria Teatrale Fiorentina
allestimento tecnico Fondazione Teatro di Pisa
organizzazione e promozione Monica Drusian e Jonathan Retico
ha collaborato Sabrina Iannello e
una produzione Altredestinazioniteatro
con il contributo del Comune di Pisa
e in collaborazione con la Fondazione Teatro di Pisa
drammaturgia e regia Lorenzo Maria Mucci
con Elisa Langone e Luigi Ragoni
‘la stanza di garza’ e oggetti di scena Beatrice Meoni
costumi Sartoria Teatrale Fiorentina
allestimento tecnico Fondazione Teatro di Pisa
organizzazione e promozione Monica Drusian e Jonathan Retico
ha collaborato Sabrina Iannello e
una produzione Altredestinazioniteatro
con il contributo del Comune di Pisa
e in collaborazione con la Fondazione Teatro di Pisa
Arrival: Suicide Press - Edition II- is as stunning as the first, new & improved- 'gasp'- brilliant.. &- beautifully printed in the U.S.A.
It took Michael Stevens ten years to finish.. & yes he met with Burroughs.
“The Road to Interzone is a partially annotated bibliography of the reading of William S. Burroughs. (...) In 2000, I set out to catalogue every published literary reference Burroughs made throughout his career. The document you hold in your hands is the result. It stands as a testament of an obsession and more importantly, the raw material for an investigation into what John Livingston Lowes called: 'the shaping spirit of the imagination,' the source materials of what was to become Burroughs' literary legacy and the skeleton for an interpretation of the operational processes of influence and the function of artistic inspiration. (...) The Road to Interzone seeks to identify the literary influences that made WSB's legendary canon of work possible.”
“A fascinating and richly helpful piece of literary archeology, tracing as broadly as possible the sources William Burroughs had available to him as he wrote. Both the title and the method echo the classic Road to Xanadu, John Livingston Lowes excavation of Coleridge's reading: Coleridge, like Burroughs, being more than a little interested in drugs. It is a work for which all Burroughs students should be grateful.” —Larry McMurtry "
drammaturgia e regia Lorenzo Maria Mucci
con Elisa Langone e Luigi Ragoni
‘la stanza di garza’ e oggetti di scena Beatrice Meoni
costumi Sartoria Teatrale Fiorentina
allestimento tecnico Fondazione Teatro di Pisa
organizzazione e promozione Monica Drusian e Jonathan Retico
ha collaborato Sabrina Iannello e
una produzione Altredestinazioniteatro
con il contributo del Comune di Pisa
e in collaborazione con la Fondazione Teatro di Pisa