View allAll Photos Tagged Interventional
David Bestué produced a new installation in the form of a sculptural timeline defined by ignition and invention, fat and oil, obsolescence, fluorescence, luminescence and incandescence – a history of humanity from antiquity to the present day told through the evolution and refinement of lighting technology. Located in the domestic setting of the former Director’s house within the 1920s Cosme Toda ceramics factory, the installation was companioned by sculptural clusters recuperating Art Nouveau ceramics and plaster pieces found in the factory itself. These linked to Bestué's ongoing interest in the evolution of architectural practice alongside building materials and engineering techniques.
_
‘Composiciones’ is a programme of five interventions specially commissioned for the first Barcelona Gallery Weekend, 1–4 October 2015. The programme complimented the existing calendar of exhibitions by presenting the work of artists active in the Barcelona art scene whose interventions responded to singular locations – public and private sites significant for their architecture, activity or their history.
‘Composiciones’ unfolded through temporary interventions at different speeds and rhythms and one-off events outside of Barcelona's contemporary art circuit – including a private psychoanalytic library, a former ceramics factory and a botanical collection. Pinpointing some lesser-known aspects of the city's cultural history and municipal life, ‘Composiciones’ offered moments of interruption, intimacy and immersion throughout the weekend.
Projects by David Bestué (at the Factory complex Cosme Toda, L'Hospitalet); Dora García (at the Biblioteca del Campo Freudiano); Jordi Mitjà (at the Museu Geològic del Seminari de Barcelona); Rasmus Nilausen in collaboration with Pere Llobera (at the gardens of La Central bookstore, Raval); and Daniel Steegmann Magrané (at the Umbracle, Parc de la Ciutadella).
Curated by Latitudes | www.lttds.org
Photo: Roberto Ruiz / Courtesy: Barcelona Gallery Weekend.
Info: www.lttds.org/projects/composiciones/
Social media documentation: storify.com/lttds/composiciones-compositions-artists-comm...
Foothills at Red Oak Recovery
Foothills at Red Oak Recovery in Ellenboro North Carolina is an adolescent treatment center for teen males ages 14-17 who are in need of substance abuse and/or process disorder treatment. Our drug rehab center is run by masters-level clinicians specializing in treating each individuals unique needs.
Address: 517 Cub Creek Rd, Ellenboro, NC 28040, USA
Phone: 866-305-9078
Website: www.foothillsatredoak.com
intervention on calculator. Please feel free to use this image that I've created on your website or blog. If you do, I'd greatly appreciate a link back to my blog as the source: CreditDebitPro.com
Example: Photo by Credit Debit PRO
Thanks!
Mike Lawrence
26-year-old Saada Umer, mother of four, has a home garden now thanks to improved water availability in her town. Boku town, Fedis woreda (district) in Oromia region. ©UNICEF Ethiopia/2017/Rebbeca Beauregard
The anthropological remnant in this image is the image itself. Although we can tell what the photograph is, it is a somewhat abstract recording of the scene. This scene does not look the same to a human who is present, because we perceive time in the moment. This photo reveals the frozen remnants of human intervention, because there is motion blur showing us an extended view of time. This aside, the car park is obviously a remnant of human presence.
David Bestué produced a new installation in the form of a sculptural timeline defined by ignition and invention, fat and oil, obsolescence, fluorescence, luminescence and incandescence – a history of humanity from antiquity to the present day told through the evolution and refinement of lighting technology. Located in the domestic setting of the former Director’s house within the 1920s Cosme Toda ceramics factory, the installation was companioned by sculptural clusters recuperating Art Nouveau ceramics and plaster pieces found in the factory itself. These linked to Bestué's ongoing interest in the evolution of architectural practice alongside building materials and engineering techniques.
_
‘Composiciones’ is a programme of five interventions specially commissioned for the first Barcelona Gallery Weekend, 1–4 October 2015. The programme complimented the existing calendar of exhibitions by presenting the work of artists active in the Barcelona art scene whose interventions responded to singular locations – public and private sites significant for their architecture, activity or their history.
‘Composiciones’ unfolded through temporary interventions at different speeds and rhythms and one-off events outside of Barcelona's contemporary art circuit – including a private psychoanalytic library, a former ceramics factory and a botanical collection. Pinpointing some lesser-known aspects of the city's cultural history and municipal life, ‘Composiciones’ offered moments of interruption, intimacy and immersion throughout the weekend.
Projects by David Bestué (at the Factory complex Cosme Toda, L'Hospitalet); Dora García (at the Biblioteca del Campo Freudiano); Jordi Mitjà (at the Museu Geològic del Seminari de Barcelona); Rasmus Nilausen in collaboration with Pere Llobera (at the gardens of La Central bookstore, Raval); and Daniel Steegmann Magrané (at the Umbracle, Parc de la Ciutadella).
Curated by Latitudes | www.lttds.org
Photo: Roberto Ruiz / Courtesy: Barcelona Gallery Weekend.
Info: www.lttds.org/projects/composiciones/
Social media documentation: storify.com/lttds/composiciones-compositions-artists-comm...
Adimo Ker Wel poses with a goat he just received from FAO.
Photo credits must be given to: ©WorldConcern/Harrison Kamau
Opening of the intervention YELLOW FOG by Olafur Eliasson in the center of Vienna, Headquarters of Verbund October 9th 2008
The guy with the megaphone was a pro and he knew just how to bait people. The cops stepped in because the old man was getting too close to the guy and they figured it might turn into a shoving match.
Jackson at Franklin Street, Tampa.
Join us Thursday, January 10 from 5-7pm for the opening reception of "Intervention." Located in the Cohen Commons, this exhibition continues until January 24, 2019.
The term intervention is defined as the “act or process of intervening.” As a starting point, this definition situates a series of recent works undertaken by the students in Professor Kim Moodie’s Advanced Drawing class.
This exhibition subsequently focuses on landscapes and urban spaces, where human interventions are present. These drawings point towards this mediation subtly, by representing not the actors themselves, but the marks they have left behind. Objects and infrastructures haunt pictorial renderings, illuminating the impact of these alterations and questioning the ethical implications of these constructs.
John Labatt Visual Arts Centre
Department of Visual Arts
Western University
London, ON
© 2019; Department of Visual Arts; Western University
5.5kg of compressed litter collected from 1 mile of countryside road
2 hours worth of collecting and documenting the litter
The motive behind this piece was to make people aware of the accumulation of litter. It also raises the question of whether it is littering to collect litter, alter it and place it back where it was originally left.
Covering the waste in soil imitates the process at landfill sites where soil is spread over waste to prevent odours and improve appearance. It also serves as a metaphor for how waste is often hidden and not dealt with.