View allAll Photos Tagged Interpretation
I took this photo seconds after I took the photo that became a monochrome. In this shot, the fog obscured the buildings even more.
Digital art interpretation.
© Copyright John C. House, Everyday Miracles Photography.
www.everydaymiraclesphotography.com
All Rights Reserved. Please do not use in any way without my express consent.
A recent article in Outdoor Photographer by and about Gary Wagner interested me enough to buy his book. I like his philosophy and approach to black and white photography, and I’ve found it to be inspiring. He is very clear that his intent is to create art that is consistent with his vision, his interpretation of the scene. He focuses on the emotional and visual intent more than realistic representation. That appeals to me, and I have been looking at some of my older color work, seeing what I think might translate well to monochrome and processing those images. I’ll be posting quite a few in the future, but I’ll try to get some color images out there also.
I know black and white photography is not quite as popular on Flickr, but if you have taken the time to read this, chances are you like black and white. I usually do not ask for criticism, but if you are inclined, I would like to hear what you think I could do better with monochrome processing. I’m okay with what you think works, but I’m especially interested in what you think does not. I appreciate your time and input.
-John
Une interprétation photographique de la chanson de Maxime Leforestier « Comme un arbre dans la ville «
Comme un arbre dans la ville
Je suis né dans le béton
Coincé entre deux maisons
Sans abri sans domicile
Comme un arbre dans la ville
Comme un arbre dans la ville
J’ai grandi loin des futaies
Où mes frères des forêts
Ont fondé une famille
Comme un arbre dans la ville
Entre béton et bitume
Pour pousser je me débats
Mais mes branches volent bas
Si près des autos qui fument
Entre béton et bitume
Comme un arbre dans la ville
J’ai la fumée des usines
Pour prison, et mes racines
On les recouvre de grilles
Comme un arbre dans la ville
Comme un arbre dans la ville
J’ai des chansons sur mes feuilles
Qui s’envoleront sous l’œil
De vos fenêtres serviles
Comme un arbre dans la ville
Entre béton et bitume
On m’arrachera des rues
Pour bâtir où j’ai vécu
Des parkings d’honneur posthume
Entre béton et bitume
Comme un arbre dans la ville
Ami, fais après ma mort
Barricades de mon corps
Et du feu de mes brindilles
Comme un arbre dans la ville
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A photographic interpretation of Maxime Leforestier's song "Like a tree in the city"
Like a tree in the city
I was born in concrete
Stuck between two houses
Homeless homeless
Like a tree in the city
Like a tree in the city
I grew up far from the forest
Where my forest brothers
Founded a family
Like a tree in the city
Between concrete and bitumen
To push I struggle
But my branches fly low
So close to the cars that smoke
Between concrete and bitumen
Like a tree in the city
I have the smoke from the factories
For prison, and my roots
We cover them with gates
Like a tree in the city
Like a tree in the city
I have songs on my sheets
Which will fly away under the eye
From your servile windows
Like a tree in the city
Between concrete and bitumen
I will be torn from the streets
To build where I lived
Posthumous honor parking lots
Between concrete and bitumen
Like a tree in the city
Friend, do after my death
Barricades of my body
And the fire of my twigs
Like a tree in the city
An interpretation of "Three Obliques (Walk In)" by Barbara Hepworth.
Beyond Limits 2015, Chatsworth House, Derbyshire.
APOLOGIES: I originally posted this last night. However, when I posted a second image this morning (direct from Lightroom CC), it appears to have deleted the original post along with comments / faves etc. I have no idea what Lightroom has done (or why). My apologies to anyone who has taken the time to comment on the original.
Abstract interpretation of the Limestone quarry in Faxe, Zealand.
It is hard to imagine, that 20,000 years ago, this area was covered by massive ice.
63 million years of history, exposed by Denmarks largest man-made hole in the ground: A 110 acre open quarry that has been the site of limestone production for over 900 years.
See the Limestone Quarry album here:
DSC9408
When I think of sand dunes and photography, I think black and white. The natural white environment coupled with shadow areas is just made for B/W interpretation. Here are my attempts to capture the beauty of White Sands National Park in this medium. Most are shot in hard light, but some are early or late in the day, some even approach high key. White Sands looks great in any wardrobe.
In late October, I made a trip to New Mexico to shoot the dunes at White Sands National Park. I hooked up with my close friend and photographer, Sandra Herber. www.flickr.com/photos/sandraherber/ We were at White Sands four days, made eight excursions into the dunes, hiked over 20 miles and shot close to 2,000 photos between us.
We are posting our images at the same time and it will be interesting to see how we handled being in the same locations together. For safety reasons and for the fun of it, we hiked the dunes together, sometimes pointing our lenses in the same direction, other times wandering apart. I am sure we got some similar shots, but it will be interesting to see those that are different as we each have our own way of looking at things, as well as having different focal length coverage. Then there is the processing aspect.
To say White Sands is magical is an understatement. As photographers, we talk about the light, emphasize the light, are critical about the light. The dunes at White Sands react in amazing ways to the change in light, offering different looks, revealing various personalities. It is this diversity of the dunes that I wanted to capture then, and present here now.
A noire interpretation of the interplay between sun and steam rising from open water on the St. Lawrence River. Just downstream of Cornwall's hydroelectric dam. This section of the river never freezes due to the swift current. Some parsnip, a common species here, seems to be looking for inspiration, on this, the coldest day of the winter (-40C with the windchill). In the large view, a couple of ducks are headed upstream.
Centre d'Interpretation de la Nature du Lac Boivin, Granby.
These little devils are so small and so shy, they are very tough to spot and photograph. But when you are lucky enough to have a juvenile this close that is as hungry as show-off, you get 5 grown men shooting like crazy!
DSC8590
When I think of sand dunes and photography, I think black and white. The natural white environment coupled with shadow areas is just made for B/W interpretation. Here are my attempts to capture the beauty of White Sands National Park in this medium. Most are shot in hard light, but some are early or late in the day, some even approach high key. White Sands looks great in any wardrobe.
In late October, I made a trip to New Mexico to shoot the dunes at White Sands National Park. I hooked up with my close friend and photographer, Sandra Herber. www.flickr.com/photos/sandraherber/ We were at White Sands four days, made eight excursions into the dunes, hiked over 20 miles and shot close to 2,000 photos between us.
We are posting our images at the same time and it will be interesting to see how we handled being in the same locations together. For safety reasons and for the fun of it, we hiked the dunes together, sometimes pointing our lenses in the same direction, other times wandering apart. I am sure we got some similar shots, but it will be interesting to see those that are different as we each have our own way of looking at things, as well as having different focal length coverage. Then there is the processing aspect.
To say White Sands is magical is an understatement. As photographers, we talk about the light, emphasize the light, are critical about the light. The dunes at White Sands react in amazing ways to the change in light, offering different looks, revealing various personalities. It is this diversity of the dunes that I wanted to capture then, and present here now.
The Confederates inside Fort Donelson's earthworks stayed in attractive little cabins like this. During the battle in mid-February 1862, soldiers on both sides slept in the earthworks without fires, and sometimes without adequate clothing.
This is a reconstructed cabin.
DSC8501
A rare vertical for me. I practically never shoot them. But I liked the upward movement from the foreground sand ripples to the rolling dunes and the sliver of sky.
When I think of sand dunes and photography, I think black and white. The natural white environment coupled with shadow areas is just made for B/W interpretation. Here are my attempts to capture the beauty of White Sands National Park in this medium. Most are shot in hard light, but some are early or late in the day, some even approach high key. White Sands looks great in any wardrobe.
In late October, I made a trip to New Mexico to shoot the dunes at White Sands National Park. I hooked up with my close friend and photographer, Sandra Herber. www.flickr.com/photos/sandraherber/ We were at White Sands four days, made eight excursions into the dunes, hiked over 20 miles and shot close to 2,000 photos between us.
We are posting our images at the same time and it will be interesting to see how we handled being in the same locations together. For safety reasons and for the fun of it, we hiked the dunes together, sometimes pointing our lenses in the same direction, other times wandering apart. I am sure we got some similar shots, but it will be interesting to see those that are different as we each have our own way of looking at things, as well as having different focal length coverage. Then there is the processing aspect.
To say White Sands is magical is an understatement. As photographers, we talk about the light, emphasize the light, are critical about the light. The dunes at White Sands react in amazing ways to the change in light, offering different looks, revealing various personalities. It is this diversity of the dunes that I wanted to capture then, and present here now.
Although much more complex philosophical interpretations (sometimes even difficult to understand), the infinite is something absolutely simple, natural, linear... just for everyone, always out there, ready in nature... so often it can be found even with little effort, just a few miles from home.
This shot was taken at sunset in the area of the Col Agnel (2.744 m), with my gentle friend admiring a sea of clouds covering the entire Val Varaita (Italy).
_____________________
©Roberto Bertero, All Rights Reserved. This image is not available for use on websites, blogs or other media without the explicit written permission of the photographer.
This is my own interpretation for the book Alice in Wonderland. I made a photoshoot with this theme, and I'll post the best pictures, as long as my time cooperate.
Model: Ana Lorena Gonzalez
Construction, Week 66
Even though I did my best, I still think the elevation thing will only make sense to l_dawg2000 and anyone else who's actually been here XD Oh well – at least this shot is completely unambiguous in demonstrating the flatness of the new parking lot! Given that the concrete for the landscaping islands and bases for the lightpoles have been put in, and that workers very well could continue working on this throughout the weekend (since l_dawg reportedly saw workers here last Sunday), I don't doubt that paving could commence prior to this time next week. I'll keep you posted with my next update...
Kroger Marketplace // 2380 Mount Pleasant Road, Hernando, MS 38632
(c) 2016 Retail Retell
These places are public so these photos are too, but just as I tell where they came from, I'd appreciate if you'd say who :)
a very satisfying interpretation of chicken and waffles comfort food, Hops and Thyme, Lakeway, TX. Sony A7II and Nikkor Ai-s 28/2.8.
Presenting my LEGO Architecture interpretation of one of the most iconic landmarks ever constructed - Taj Mahal.
When redesigning and revisiting this MOC I felt I was going back in time given it was based off my first ever MOC I ever created. It was a very unique insight seeing how my designs and the ability to replicate features and elements into a LEGO model have improved.
Taj Mahal - Original Design (2012) www.flickr.com/photos/115928480@N03/12222194905
Until I write again about inspiration...
Inspiration emerges from different subjects, when you look for it, or even more spontaneously, from near or far. from reality or virtuality.
In an expected moment, or completely unexpected.
Sometimes the same inspiration returns in a different edition years later.
Look at one thing and create something different.. listen and feel something else.
Because sometimes the inspiration emerges unexpectedly, a result of one thing or another.. I know that someday I will create this image, which will come out different, from what I saw in my mind's eye...
... after digesting, processing.. timing. An image that develops during its creation, depending on its time... and can develop into another image later on.
A flash of a moment.. immediately comes a slightly different flash.. and in another 2 moment.. two flashes of ideas.
Within seconds of thinking, I see something much more important or a part of the initial idea, should I put it in my composition.. or will it be a new composition.
If at all, undecided.
Inspiration expresses a certain enthusiasm and desire to create.
My work has harmony, calmness, its own rhythm, and pleasure.. even if it seems that my composition has no sound.. surely they have, a variety of sounds, audible or inaudible, in different rhythms.
I should mention that I often create with music in the background... which adds another touch.
I can feel the inspiration now, and create the piece immediately, or sometime later.. even years.
It's not how strongly I feel inspired... but what life dictates.
Sometimes I write down ideas that I will implement in the future, or not...
And when the idea pad fills up and I create other different things...
I don't have to go back to the same lists or create them. ( Unlike the past yes )
The great similarity over the difference... the opposite.. with the similarity.. the great difference over the similarity.
May we have reasons for inspiration in a more creative and inclusive life.
Because life is an inspiration...And inspiration is life.
Love & peace.
Copyrights (c) Nira Dabush.
Berlin, Gardens of the World, Chinese 'Dule Yuan' Garden Cabinet: Traditionally, such a garden includes a hut woven from living bamboo, but this is a modern interpretation
"Die Beschäftigung des Menschen mit sich selbst ist nicht erst seit dem Aufpoppen von Yogastudios und Meditations-Apps en vogue. Die introspektive und unabhängige Denkweise war z. B. bereits ein zentrales Element der gelungenen Lebensführung chinesischer Gelehrter. Sima Guang, Politiker, Historiker und Gelehrter aus der chinesischen Song-Dynastie, erschuf im 11. Jahrhundert einen Garten, der dieser Lebensführung angeblich besonders zuträglich war: den Dule Yuan, übersetzt in etwa „Garten des abgeschiedenen Vergnügens“. In einem Aufsatz beschrieb er die Struktur und die landschaftlichen Höhepunkte des Gartens. Seither kommt dem Dule Yuan ein herausragender Platz in der chinesischen Gartenbaugeschichte zu.Die Gestaltung des Gartens geht zurück auf ein Gemälde des Dule Yuan aus dem 16. Jahrhundert. Seine geometrische Achsenstruktur setzt sich aus einem Bambuspfad, einer rechteckigen Platzfläche und einem Wasserkanal zusammen. Blickfang und beliebtes Fotomotiv des Gartens ist die modern gestaltete, stählerne und in Gold lackierte Bambushütte, die sich harmonisch in die sanfte Geometrie der sie umgebenden Gartenlandschaft einfügt. Durch die umliegenden Spiegelflächen entsteht eine vertikale Tiefe, die die Grenze zwischen Mensch und Natur verschwimmen lässt. Ganz im Sinne des Dule Yuan sind die Spiegelflächen außerdem Schnittpunkte zwischen Realität und Imagination, zwischen Sehen und Gesehenwerden. Dieses fließende Raumbewusstsein ist es, was die spirituelle Essenz chinesischer Gärten ausmacht."
Beschreibung übernommen von der Website der Gärten der Welt
www.gaertenderwelt.de/gaerten-architektur/internationale-...
"The preoccupation of humans with themselves hasn’t only been in fashion since the advent of yoga studios and meditation apps. Introspective and independent ways of thinking were, for example, already a central element of the way of life of Chinese scholars. Sima Guang, politician, historian and scholar of the Chinese Song dynasty, created a garden in the 11th century that was said to be particularly beneficial to this lifestyle: the Dule Yuan, translated as "Garden of Secluded Pleasure". In an essay he described the structure and landscape highlights of the garden. Since then, the Dule Yuan has maintained a pre-eminent position in Chinese horticultural history.The design of the garden is based on a painting by Dule Yuan from the 16th century. Its geometric axis structure is composed of a bamboo path, a rectangular plaza and a water channel. The garden's eye-catching and popular photo spot is the modern designed steel bamboo hut painted in gold, which blends in harmoniously with the gentle geometry of the surrounding garden landscape. The surrounding mirror surfaces create a vertical depth that blurs the boundary between man and nature. In the spirit of the Dule Yuan, the mirror surfaces are also intersections between reality and imagination, between seeing and being seen. This fluid awareness of space is what makes up the spiritual essence of Chinese gardens."
Description taken from the web site of the Gardens of the World.
www.gaertenderwelt.de/en/gardens-architecture/internation...
My interpretation of a tutorial found Here
Thanks to:
Model liam-stock
Background 1 kuschelirmel-stock
Background 2 needanewname
Leaves GoblinStock
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A LEGO interpretation of the New York City Hearst Tower ( www.fosterandpartners.com/projects/hearst-tower/ ) using the trianguar roadsign. The triangles of the tower being not equilateral whereas the LEGO triangles are, I had to increase the number of levels in order to keep the height over base ratio.
For details on the corners, see www.flickr.com/photos/77709542@N06/34523875111/in/album-7...
Bill P. has taken my beautiful swan portrait and defaced it with his interpretation of this swan with a TV personalities hair. I sure wouldn't vote for him. I do like the look though..............on the Trump-eter Swan. :-)))
As far as the neo-classical period at Jaguar is concerned, I think the X-Type is aesthetically the most successful interpretation of the theme.
At Beck's request, here is my interpretation of a Sweetwater "Operator" series MP5 to be issued to MI5 Agents.
As specified, it features an ergonomic foregrip, a quick-detachment suppressor, an official SPW red-dot sight, a collapsible folding stock, and last but not least, a small yet durable studded battering ram; ideal for breaching and neutralizing hostiles.
Credit once again goes to Beck and the SPW team for the colors and the logo.
My interpretation of this week's theme, Dogma 95, was an image
straight out of the camera (SOCC) with no processing whatsoever. This image shot this past weekend, was from my balcony and this private fishing vessel, which had been docked for awhile, caught fire early Saturday morning. It produced so much smoke, that all of the downtown buildings had to close their windows. When it became a 3 alarm fire, the coast guard could not enter the boat and despite spraying with bay water all day, they determined that the fire would run its course in 40-50 hours.
Fire is now out, but the vessel is still docked. Owner of the boat cannot be reached.
Created for Saturday Self-Challenge ~ Your interpretation of Nature
With this challenge, I was finally able to pay a tribute to Kataza, a young adult baboon, who was at the centre of a controversial argument between those of us who love to have these wild animals roaming free in our area, and so called "Wildlife Officials" who continue to mess around with Nature. Kataza was removed from his troop in the hills in my picture, and "planted" him in a troop much closer to Cape Town. There was an outcry as this poor young guy struggled to be accepted by the troops in the new area, and it was only when it appeared that he was about to be killed by the new troop that he was moved back to his existing family.
That wasn't good enough for the "officials", however, and our celebrations were cut short about two weeks later, when "they" decided to move him to a wildlife sanctuary, some 2000 km to the north. We are told that he has finally settled down after months of torment, but I can only imagine him sitting in the hot bushveld, and dreaming of the days when he was free to roam the windswept hills of the southern Cape Peninsula.
I took the picture of the hills this morning, and added a painterly texture in Photoshop, and then added my picture of Kataza, taken just before he was taken away.
In the process of creating, the work area in my apartment.
Watercolor work, inspired by my photography, from the landscapes of the Gilboa.
Taken on my blue table. (The third desk that my father made for me, originally for the Spectrum Gallery,
later changed its purpose and color, by myself )
My cat, Silk, Lulilu, accompanies the work process, at least in part, in the documentation and photography part.
An acrylic picture hangs above the table.
At that time, I take part of the work out of the home, and another part from the " Colourful Magic " studio, where I work on two additional desks.
There are two artworks in these photographs:
" Huge Shells At The Beach" . Acrylics. 100CM X 100CM.
" To Warm the Soul with the POWER of Nature's Colour". Watercolour. 70CM X 50CM.
Thanks for visiting.
Posting in the name of safe private life, in perfect privacy.
Love & Peace.
Two panoramic layers of Eduardo Paolozzi’s tile mosaics at Tottenham Court Road Underground Station, with commuters moving through, superimposed with a quote from Susan Sontag's essay "Against Interpretation."