View allAll Photos Tagged Interpretation
Eng * A personal interpretation in HDR of The National Theater of Havana in Cuba. The current building located on the Paseo del Prado opened in 1915.
Esp* Una interpretación personal en HDR del Teatro Nacional de La Habana en Cuba. El edificio actual ubicado en el Paseo del Prado se inauguró en 1915.
Fra* Une interprétation personnelle en HDR du Théâtre National de La Havane à Cuba. Le bâtiment actuel situé sur le Paseo del Prado a ouvert ses portes en 1915.
An interpretation of the metro station "Brudermühlstraße" - U 6 - Munich - Germany
A very special station with interesting perspectives and a very cool mood.
Metro Blues # 21
The Inntel Hotel in Zaandam/Netherlands is definitely the main attraction of the city but also of the whole country.
The twelve-storey-high hotel tower with 160 rooms is a stacking and interpretation of various green-painted house types typical of the Zaan region, ranging from a stately notary’s dwelling to worker’s cottages. ‘The Blue House’ has been inspired by the work Claude Monet painted at Zaandam in 1871.
Construction finished in 2010, design by WAM architecten.
An interpretation of the Highlight Towers at night - Munich - Germany
The scenery reminds me of a flight through the canyons of the death star (Star Wars).
My first post for 2023, and so a belatedly Happy New Year to everyone, I wish the best for all of you for this year 2023. This photo I took back when it was all snow and planet Hoth, I took this whilst riding on the back of a Tauntaun. The scenario of the snow, the sun and the green reminded me of having all four Seasons in one day, so why not pay a little tribute to Vivaldi, my best friend's favourite composer, of whom we watched a performance in Berlin by five very talented string players, classical music live is absolutely amazing!
I hope everyone is well and so as always, thank you! :)
An interpretation of metro station "Dülferstraße" - U 2 - Munich - Germany
Metro Blues # 5
Sony A7R III - Pixelshift - Voigtländer Hyper Wide Heliar - 10 mm - f 11 - 1 s - ISO 100
Inspired by the works of Edward Hopper (July 22, 1882 – May 15, 1967)
Hopper was a minor-key artist, creating subdued drama out of commonplace subjects ‘layered with a poetic meaning’, inviting narrative interpretations, often unintended. He was praised for ‘complete verity’ in the America he portrayed.
Edward painted pictures of America - This is Paris...only in SL :)
More info on Edward Hopper: en.wikipedia.org/wiki/Edward_Hopper
Photo Taken at Midnight In Paris
An visual interpretation of Attar's famous epic, "The Conference of the Birds" as well as a synaesthetic rendering of the morning chorus of waking birds. Part of the "Painting with Pixels" project.
ALL of the finished images in this series began as straight photographs. These were not generated by AI or any kind of software. They were created manually, with gradual, step by step treatments that took them from their SOOC origins to the pure abstractions that they are now.
Created August 5, 2022.
Zoom in for a more immersive view.
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© 2022, Richard S Warner. All Rights Reserved. This image may not be used or copied or posted to another website in any form whatsoever without express permission of the creator of this work, with whom the sole copyright resides.
Instagram: Richard S Warner ( Richard_Visionheart )
In terms of form and shape its appealing, but as far as texture is concerned, something went wrong, for it looks a bit like hehe a mixture of plastic surgery !
Last Rose of Summer, Rita Streich
www.youtube.com/watch?v=rDlEbHtKb-8
Rosa Tamarkina plays Schubert/Liszt: Der Müller und der Bach
www.youtube.com/watch?v=ff3c0cGKkfk
Sofronitsky's Interpretation
www.youtube.com/watch?v=W8m5bJK0OEI
Schubert D960, Annie Fischer
Das Dockland Gebäude in einer stimmungsvollen Interpretation.
Ich bin gespannt ob es gemocht wird oder ob ich mächtige Schelte kassiere...:-))
Ich wünsche allen friedliche und freundliche Osterfesttage.
The Dockland building in an atmospheric interpretation.
I'm curious if it will be liked or if I'll collect powerful scolding...:-))
I wish everyone a peaceful and friendly Easter holiday.
Website: roquesgallery-photography.co/
Eine Interpretation eines oft und gerne fotografierten Treppenhauses in der Münchener Innenstadt.
An interpretation of a frequently photographed staircase in downtown Munich.
Website: www.heiko-roebke-photography.de
(English follow)
J’aime façonner des interprétations personnelles de mon monde… de sa nature, de la vie sociale qui l’habite, des énigmes qui nous entourent. Ces interprétations ressemblent souvent plus à des « demain » ou des « ailleurs » qui scintillent plutôt qu’à des mondes réels. Alors, croyez-moi, un jour, je trouverai bien ma route vers les étoiles.
Patrice
Photo originale : Cette photo n’a pas été prise sur la planète Enigma où j’habite à temps partiel, mais sur les rives de la Baie de Fundy, en Nouvelle-Écosse (Canada). Cette région est l’endroit où on observe les plus grandes marées du monde, soit près de 20 mètres! À l’endroit exact où je me trouvais pour prendre cette photo, il y avait 6-8 mètres d’eau quelques heures plus tard…
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I love to shape, to create personal visual interpretations of my world. . . of its nature, of its social life, of the enigmas that surround it. These visual poems frequently seem more like "glitters in the future" or "sunny dreamlands" rather the real world. So, trust me, one day I will find my way to the stars.
Patrice
Original photo: This photo was not taken on the Planet Enigma (where I leave part time), but on the shores of the Bay of Fundy, in Nova Scotia (Canada). This region is where the highest tides in the world are observed, almost 20m! At the point where I was while taking this photo, there were 6-8m of water few hours later ...
Disney's interpretation. Thank you for your views, favs and comments. It's a pleasure sharing images with you.
“Color is descriptive. Black and white is interpretive.” - Eliot’s Erwith
This is another attempt to do a black and white image. The wonderful play of light and shadow on the snowy hill seemed to lend itself to a monochrome edit. Happy Monochrome Monday!
Un tango argentin s'improvise dans le petit monde des mousses.
(Libre interprétation)
An Argentine tango is improvised in the small world of moss.
(Free interpretation)
""In Japan 'Grampus' is a common alternative way of describing a killer whale. The kanji character for grampus can be interpreted in two ways; one reading is “shachi,” which is the Japanese for grampus.
The other interpretation is 'Shachihoko', which represents a monster with the head of a tiger and the tail of a carp. A gold-plated pair of these beasts adorns the top of Nagoya Castle in Japan.""
info- www.cryptopia.us/site/2010/10/grampus-england/
Fumiaki Kawate created both interpretations: "Grampus", as shown above and also "Shachihoko", also shown in the first comment box.
I used a sheet of satogami-paper 35x35 to fold this origami "Grampus".
Final seize about 12cm tall and 12 cm width.
Name: Shachihoko (Grampus) without Explicit Scale Foldinq
Design: Fumiaki Kawahata
Diagrams in Tanteidan magazine #160
I was asked to do a series of images taking visitors through the journey of my own story told with the theme Wanderlust. This is my interpretation. My journey of mind, self-discovery, the daily fight to overcome the fear of my current state of fragility.
This series has me with a broken bulb as a head and a brain full of moths. Two images have me alone wandering at dusk using the light play with moths casting shadows blocking my faint glow.
I don't know if any of you can understand that when I hold my camera in RL I am fearless. I am confident, focused, and excited. I feel alive! I would wake excited to relive those moments as I fumbled to retrieve my SD card from my Nikon. Photography was a daily high. I miss it so much. I miss people and gatherings. I miss seeing my friends, my family. I miss seeing smiles. It's a deep ache that won't go away and it scares me.
Seems I was so busy trying not to die from Covid that I stopped doing the things that made me feel alive.
So If you see the girl I used to be
Could you tell her that I'd like to find her
And if you see the shell that's left of me
Could you spare her a little kindness
'Cause I've been high and I've been low
I've spent a thousand nights alone, tryna hold on tight
And feelings come but they won't go
Please won't someone take me home before I lose my mind
Am I broken?
Am I flawed?
Do I deserve a shred of worth or am I
Just another fake, fucked up lost cause?
And am I human?
Or am I something else?
'Cause I'm so scared and there's no one there
To save me from the nightmare that I call myself
I've tried everything and anything
But nothing seems to work quite like it should
Between the madness and the apathy
Seems there's nothing left inside of me that's good
'Cause I've been high and I've been low
I've spent a thousand nights alone, tryna hold on tight
And feelings come but they won't go
Please won't someone take me home before I lose my mind
Thanks so much to Ella Pavlona for including me ♥
I am honored to have again been invited to join this project displayed at Mindful Cove.
Art as Mindfulness: Wanderlust
20.02.2022 - 27.03.2022
@ Mindful Cove
Opening Event : 20.02.2022 @ 6 a.m. SLT
Villoslada de Cameros, La Rioja, España.
Villoslada de Cameros es un municipio y localidad española de la comunidad autónoma de La Rioja. El término municipal, ubicado en la comarca de Cameros, tiene una población de 348 habitantes (INE 2023).
Está integrado en la comarca de Cameros, concretamente en la subcomarca de Camero Nuevo, situándose a 50 km de Logroño por la carretera N-111, que atraviesa el término municipal en el kilómetro 286.
El extenso término municipal ocupa buena parte de la cara norte de la Sierra Cebollera, que incluye el parque natural del mismo nombre. El río Iregua, que nace en el territorio, forma un profundo valle en su descenso de sur a norte, recibiendo el aporte de los numerosos arroyos de la zona y del río Mayor. Por el oeste, las sierras de Frihuela y Castejón, integradas en el Sistema Ibérico, hacen de límite, junto con la Sierra Cebollera al sur, con la provincia de Soria. En Villoslada hay un centro de interpretación del parque natural de la Sierra de Cebollera.
El techo del municipio es una enorme planicie llamada La Mesa (2168 m) que comparte con Lumbreras de Cameros. El segundo punto más elevado, que da nombre a la sierra, es el pico Cebollera (2141 m), compartido con los municipios de El Royo y Sotillo del Rincón. El núcleo urbano se alza a 1072 m sobre el nivel del mar.
Villoslada de Cameros is a municipality and town in the autonomous community of La Rioja, Spain. The municipality, located in the region of Cameros, has a population of 348 inhabitants (INE 2023).
It is part of the region of Cameros, specifically in the sub-region of Camero Nuevo, located 50 km from Logroño on the N-111 road, which crosses the municipal area at kilometre 286.
The extensive municipal area occupies a good part of the northern face of the Sierra Cebollera, which includes the natural park of the same name. The Iregua River, which rises in the territory, forms a deep valley in its descent from south to north, receiving the contribution of the numerous streams in the area and the Mayor River. To the west, the Frihuela and Castejón mountain ranges, integrated into the Iberian System, form a limit, together with the Sierra Cebollera to the south, with the province of Soria. In Villoslada there is an interpretation centre for the Sierra de Cebollera natural park.
The highest point of the municipality is a huge plain called La Mesa (2168 m) which it shares with Lumbreras de Cameros. The second highest point, which gives its name to the mountain range, is the Cebollera peak (2141 m), shared with the municipalities of El Royo and Sotillo del Rincón. The town centre is 1072 m above sea level.mar.
Spätwerke von Gisela Breitling in der St.Matthäus Kirche in Berlin
Eigentlich hatte ich den Aufstieg nur wegen der Aussicht auf die Neue Nationalgalerie gemacht, und hab es nicht bereut, mir die Turmkunstwerke angeschaut zu haben.
"1987 gewann Gisela Breitling den Wettbewerb zur künstlerischen Ausgestaltung des Turmes der St. Matthäuskirche am Kulturforum in Berlin. Sie erarbeitete ein umfangreiches Bildprogramm auf Grundlage der Texte des Matthäusevangeliums. Ihre zeitgenössische bildnerische Interpretation des Evangeliums zeigte ihr ganzes malerisches Können. Vorstudien und Skizzen aus diesem umfangreichen Bildzyklus werden ebenfalls in der Gedenkausstellung gezeigt."
Mehr Infos zur Künstlerin gibt es hier:
Here's my interpretation of this morning's walk with Marnie. I didn't take my camera with me, so I photographed this with my Samsung phone. We were just entering the park when a herd of cows appeared, running down to take a drink in Powell's Pool in Sutton Park. After they'd had a drink they all settled down and had a bask in the lovely sunshine. It was delightful ! So I did a painting. Hope you like it !
Every summer cows are permitted to graze in Sutton Park, many people objecting, as they leave their large cow pats. Dogs do like to roll in them, but thankfully, Marnie does not. She rolls in other things, but not cow pats !
Sutton Park is a National Nature Reserve and cows help to keep the grass and weeds to a minimum in certain areas.
~ Edited in Topaz Studio - especially Topaz Impresson 2 ~
Thanks as always for your wonderful friendship - Happy and peaceful trouble-free weekend and week ahead.
This is my humourous interpretation of this week's theme for Macro Mondays "Lost/Found".
When I read the new theme on Wednesday, my mind got stuck on what www.flickr.com/photos/janettowbin/ wrote about how it is literally imposible to photograph something which is lost and I started humouring the notion and trying to come up with funny and creative ways to portray it. I realise that this not my most artful macro creation, but I founf it funny enough to want to share. As the new rule of one pic per week is already in application, this shot will not be submitted to the group pool, but I really hope you enjoy it anyway ;D
So I wish you all a very pleasing Sunday evening, my dear friends, and promise to catch up with everyone tomorrow since I've missed a couple of days' uploads... :((
Big smiles to all :)))
House - Palace of Quiñones.
MURALLA Y PORTÓN./ WALL AND ENTRANCE GATE .
- Construido en el S. XVI, sufrió un incendio importante en 1915 y fue reconstruido en los años 70.-
En su interior hay numerosos edificios y se encuentra, actualmente, la Casa del Parque Natural de Babia y Luna. ( Centro de Interpretación ).
- Built in the 16th Century, it suffered a major fire in 1915. It was rebuilt in the 70s and, currently, contains the Interpretation Center of Babia and Luna natural Park.
En / In:
Riolago. Babia baja. León.
Castilla y León. España. Spain.
Visual interpretation of Newton's 3rd Law of Motion.
From a series I'm working on - visual representation of the laws, theories and hypothesis that govern the universe.
So-- above is my interpretation of the fabulous Goldfrapp's album art "Head First." I absolutely LOVE Goldfrapp...I think I could use every song she ever made in my pics... 😀
Below-- is the amazing original album art for "Head First." I really enjoyed this photo challenge.
Any one can join this fantastic SL photo competition that is about re-creating your favorite album at Mon Joli Cadeau!!! Please see Avalon Bouvier or Yoh Boa in world for more details.
Here is your taxi!!!
Here is a link to one of the awesome songs on the album!!!
… at the majesty of trees :)
Another textural interpretation of trees. I do rather seem besotted by them just now (the trees certainly... perhaps wobbly shots too :) ).
I'm playing with a more impressionistic style at the moment, mainly because ICMs seem to lend themselves to that. I keep hoping I'll get back to some real photography again and suddenly transmute into a normal photographer. I delude myself, i know :)
Thank you for taking the time to look. I hope you enjoy the image. Happy 100x and Donnerstagsmonocrom
[Handheld ICM with a twist movement.
Developed in DxO Photolab 3.
Sharpened in Affinity.
Converted in Nik Silver Efes, toned.
Recoloured in Affinity. Square crop.]
My impressionistic interpretation of an urban dog walker, this image was inspired by photographer, Nicholas X Bent, whose art manages to capture the essence or spiritual aspect of his subjects - particularly trees. We had a chance to listen to him speak yesterday, and I was fascinated by his use of the camera as a brush. You can check out his work here, @nicholasxbent on Instagram.
The technique is harder than it looks and this attempt on my part is feeble at best. However, it did give me a chance to play with editing for the Sliders Sunday Theme. HSS!
It is a real problem, is it not? How can we come to an understanding of this utterly diverse and complicated world whilst sitting in the particularity of our home? It is true that the media, from newspapers to TV and social media, offer us a daily digest of selected information. We would, I sincerely hope, critically examine these news and think for ourselves. However, even so, we would have to deal with the selective nature of the information. We never see "the whole picture". Our knowledge, even at the best of times, is necessarily fragmentary. It is absolutely important to be aware of this limitation - it is one of the virtues that make us human.
I am saying this because AI is on the march. AI has never ever left its ivory tower, it never "left home". It never made any experiences. AI has not seen anything. It does not know how to suffer. What it does is to harvest and (often illegally) exploit printed or published materials, information it has neither created nor even collected. It does not know what it does not know. And yet AI will come up with explanations and scenarios that are untroubled by any kind of self-doubt. AI does not know when it is peddling false information. AI will interpret the world whilst staying at its "home" and will not even be aware of it. Leica M8 plus Voigtlaender 35/1.4 at approx. F8.
“Art is the only way to run away without leaving home….”: - Twyla Tharp.
I used a shallow DOF when trying to capture this piece of ice. It gave the image a more artistic painterly effect. The background was quite busy so this seemed like a good way to deal with that. Although I love the winter blues, I quite like the earth tones in this one. Spending time just exploring close to home and this is a wonderful escape from real life events, making the most of current restrictions.
Temple in honor of the Holy Apostle Andrew the First-Called near Askold's grave.
The temple and the memorial sign were designed and built using the idea of a vertical dominant: a small chapel at the base (6x6 m.) Aspires to height (height 18 m.).
The chief architect of the project is N. Zharikov. The temple was built in the Ukrainian baroque style, but with elements of its modern interpretation. The external icons of the chapel were made in the technique of ceramic painting (author - L. Meshkova).
Храм в честь Святого апостола Андрея Первозванного около Аскольдовой Могилы, на пересечении Парковой дороги и улицы Героев Крут (ранее - Днепровский спуск).
Храм был построен в 2000 году на склонах Днепра на Аскольдовой могиле, на месте, где когда-то существовал монастырь, разрушенный советской властью.
Various interpretation of the bonnet livery--one war and one blue--have the Santa Fe adequately represented against the calm morning waters of the Meramec River at Times Beach, the second of 4 encounters H STLTUL4 18A will have with the Meramec on its trip "upriver" across the Cuba Subdivision in southern Missouri. The Frisco selected a three deck truss span design to bridge the river at this location, the current configuration of which rests on the concrete half of the inconsistently constructed piers left from when the route was double tracked on its easternmost 34 miles between St. Louis and nearby Pacific. Times Beach is more well known as the infamous site of one of America's more memorable residential contaminations, described in detail in a prior posting for those intrigued: www.flickr.com/photos/54360625@N08/31929037954/in/photoli...