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By Jake Maynard and Elena De La Paz
Active throughout the community, Jake and Elena use their skills and knowledge they’ve developed through a personal and constructive relationship with the Reno community and many mutual aid initiatives. They channel these experiences into their artistic practices, working primarily in photography and collage.
Through their pieces showing people both thriving and resisting, they hope to inspire people to think of what's possible if we work together, as well as internalize the juxtaposition of the interconnectedness between these two themes. We also hope to inspire people to find the power within themselves through their own experiences and struggles and to envision a better world within our community and beyond.
Andrew Wyeth - 1917 - 2009
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The watercolors in this show reflect Andrew Wyeth’s career-long project of transforming his subjects into forceful and compelling meditations on how we conceptualize what we see. The visual power of each painting relies on simple contrasts between dark and light. Much like ancient Chinese calligraphy or modern abstract expressionist techniques, Wyeth’s intuitive, efficient brushstrokes internalize the dynamic energy of gesture as they simultaneously define and anchor each composition’s overall structural framework. The viewer’s eye sees only what is necessary to construct meaning from experience.
Inspired as a teenager by the watercolors of Winslow Homer, Wyeth struggled to replicate the master’s rendering of atmospheric effects. In 1937, only one year after painting Tending the Net, Wyeth enjoyed commercial success with a sold-out exhibition of watercolors in New York City. By that time he had abandoned Homer’s tidy realism for a more expressive, color-saturated style. The work exhibited here exemplifies the maturing artist’s restless experimentation with paint application and texture that ultimately achieved an emotional status for the most mundane objects and environments.
“Dads, communicate encouraging words to your children. If you don’t, they’ll internalize your silence as rejection.” —Greg C. Gunn bit.ly/1cZ6Ccw
By Jake Maynard and Elena De La Paz
Active throughout the community, Jake and Elena use their skills and knowledge they’ve developed through a personal and constructive relationship with the Reno community and many mutual aid initiatives. They channel these experiences into their artistic practices, working primarily in photography and collage.
Through their pieces showing people both thriving and resisting, they hope to inspire people to think of what's possible if we work together, as well as internalize the juxtaposition of the interconnectedness between these two themes. We also hope to inspire people to find the power within themselves through their own experiences and struggles and to envision a better world within our community and beyond.
By Jake Maynard and Elena De La Paz
Active throughout the community, Jake and Elena use their skills and knowledge they’ve developed through a personal and constructive relationship with the Reno community and many mutual aid initiatives. They channel these experiences into their artistic practices, working primarily in photography and collage.
Through their pieces showing people both thriving and resisting, they hope to inspire people to think of what's possible if we work together, as well as internalize the juxtaposition of the interconnectedness between these two themes. We also hope to inspire people to find the power within themselves through their own experiences and struggles and to envision a better world within our community and beyond.
By Jake Maynard and Elena De La Paz
Active throughout the community, Jake and Elena use their skills and knowledge they’ve developed through a personal and constructive relationship with the Reno community and many mutual aid initiatives. They channel these experiences into their artistic practices, working primarily in photography and collage.
Through their pieces showing people both thriving and resisting, they hope to inspire people to think of what's possible if we work together, as well as internalize the juxtaposition of the interconnectedness between these two themes. We also hope to inspire people to find the power within themselves through their own experiences and struggles and to envision a better world within our community and beyond.
Every citizen of Gujarat has internalized peace, harmony and development. #GujaratFoundationDay #59thFoundationDay #GarviGujarat #DeltaLaminates
Argosy Scarf from Knitty.com, Hempathy Yarn (Elsebeth Lavold) in Turquoise (08). Once I finally internalized the pattern, it went rather quickly.
Parker and Abby both made excellent progress in their music this last year. Their music expression and internalization are terrific. Abby is slower at the keyboard, but her singing has more than made up for that.
Creative Bioarray's GPCR internalization assays are designed to detect compounds or analyze stimuli for their ability to modulate GPCRs activation and the internalization process following. See more: dda.creative-bioarray.com/gpcr-internalization-assay.html
In these pictures I played music and asked my friends to set the mood of the photograph by internalizing how the songs made them feel. "Play Crack the Sky"- Brand New
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Suppose the number of students before the seal increase is 100. then after the 54% seat increase, i1 .
would be 154. .
Category Before the Seat increase After the Seat increase No. ofseals increassd .
l.SC 15 23 8 .
2. ST 8 12 4 3.0BC 42 42.
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4. General 77 0 Total 100 154 54 .
11 can be easily seen that even if initially 22 out of the 100 students were admitted under the OBC category based on the deprivation point system (which. however, does not tantamount to reservr·;(')l",·. 9 seat increase to the tune of 54% would still benefit them since their number would increa<:e by 20. l'l effect, either the entire 54% seat increase would fall under the category of students belonging to the depTive · sections or a big proportion of that would benefit them. Comrades. is this simp1e caiC;JJa.Jon so diffjcul! to .
understand? .
3. Having explained why, In principle. this seat increase is a golden opportunity for expansior. of our university and why it would serve a great cause in increasing the access of education for stude,.,ls ~r a university of such distinguished research potential as JNU, let us now come ·o ·he issuP c~ i~s implementation. It is here that the JNUSU office bearers ore most shamelessly parroting the logic of the administration. We hove a few questions for the JNUSU office bearers which we ·auld urge them to respond to: .
Why would it be entirely Impossible to increase the number of seats by 54% in one go if the HF.!D is ready to provide the wherewithal for that? In fact, instead of launching a 'stage-managed' agitation which was meant only to endorse the logic of the adm~nistralion, should'1'1 tl1e' nave launched an agitation to pressurize the administration to implement the seat increase r·ecaUSE implementation of 27% OBC reservations was anyway a fait accompli after 1he Supre me judgement? .
Even if one a ssumes that it would be difficult to implement 54% sea 1ncrease in one gc ao:d 1 would hove to be staggered. why would it make the implementation of the 27% OBC reserva In one go 'illegal'? By this logic, 1'11e present im plementation package that the JNUSU are upholding is also 'illegal' because JNU is implementing 27% OBC reservations OBC students are being increased only by 14%1 And if their logic is that JNU alreody has students and the present formula is not affecting the number of seats for general cat~g after implementing the present formula this year, the seats can be increased up +o 54~ next three years w hile keeping the proportion of 27<7{. OBC reservotio::s !n JNL' decreasing any seals for the general students, thereby maximizing the impleme"'+,... Central Act in JNU. .
4. The JNUSU Office Bearers hove tried to defend their surrender and compromise before .
Administration by leveling a new accusation that "this is the scheme which was i1oneet out with .approval during lost year's AC Meeting aswell." Rotl1er than throwing such wild allegalions w·hic h .
being made today and ore news for the SFI, we would rather ask t·he JNUSU Office Bearers tl~dfff .
been so obvious to them that only 7% seal increase for OBC students is tt1e best way to impleme, f 2~ .
OBC reservation in JNU in one go, then why did they circulate a different position in their JNUSC oaMp11fe1 .
which was circulated room to room among JNU students during t11e agitation that "let us not forget that .
the Increase in 54% seats and Infrastructure will Increase overall facilities for all sections of students... (JNUSU pamphlet, undoled issued during the agitation in April 2008)? Who: ..iade the m d"'nr ll~e same demand tor 54% seal increase one day before the AC Meeting in the JNUSU pamphlel dated 291h .April 2008? .
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Implementing 27% OBC reservation and 54% seat Increase are a logical c orollary of each other under the Central Act. The JNUSU Office Bearers from the AISA have not only failed to see this simple point, they have In fact Internalized the flawed logic forwarded by the JNU Administration to restrict the seat Increase to the barest minimum. Another Academic Council Meeting should be convened immediately In order to chalk out a road map to Implement the 54% seat Increase without compromising on the Implementation ofthe .
27% OBC reservations In one go. We would appeal to the student community to remain vigilant agatn~t .
such anti-student moves initiated by the JNU administration and unfortunately delendea by the JNUSU Hseff. .
Sd/-Roshan, Secret1Sd/-Anand, President SFI-JNU .
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In these pictures I played music and asked my friends to set the mood of the photograph by internalizing how the songs made them feel. "Why Georgia"- John Mayer
our loving Family, my son was so enthused here to blow out his candles, this was why he had his eyes closed...he was internalizing his chakra so he could blow out all the candles at once
Jax.Network. Jax.Network internalizes the opportunity cost of mining by allowing miners to switch quickly to printing coins that are more profitable for them.
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Art is sublime, impactful and far-reaching in all its forms. This is something that Italian art curator, Alessandro Berni Review internalized and embraced when he joined the art industry 15 years back. He understood very early that an art buyer is the most important link in the art chain that helps to keep this industry going. In his unique style, he has led the cause of pushing contemporary art and artists for a long time now.
sites.google.com/site/alessandrobernientrepreneurial/ales...
For this collaboration we will be engaging with each other through letter correspondenceby the perspectives of characters who are fearful of gophers. This is a self-reflection based oncharacteristics of individuals who have internalized homophobia and project overtly and covertlytheir fear as well as the underlying truth of their own sexuality. Reflecting upon both ourup-bringings as Catholics and examining the reality of what behavior we have witnessed/experienced surrounding internalized-homophobia and policing sexuality.Our process included coming up with a topic for our “characters” to discuss in letters toone and other. We wanted to incorporate both our areas of practice by using photography ofourselves as the characters we created and covering the faces with gopher faces made withlinoleum blocks, we took inspiration from the gophers from Looney Tunes. Tess’s process ofmaking is investigating thermochromic ink that vanishes with heat. We decided to use this ink tocover up areas of the letters that revealed the characters true desires in regards to the gophersand in the linoleum blocks to reveal identity.
There is an opportunity when engaging with a work of art, to form an intimate connection with something
new, important, and or forgotten. Alanna and I, as the artists were fortunate enough to experience this connection
through the process of creation. How can we invite everyone else into this experience? How can we translate the
metaphysical intensity of nature for all to feel and grasp in the physical world? All the artist can do is form a natural
and authentic connection with the piece, a relationship where both the artist and work are expected and
encouraged to grow. To grow and learn, is to let die and regrow, it’s rebirth. Letting a preconceived idea of
something we thought to be true, die, is painful, because to be right is to feel safe and in control and to be wrong is
to be in chaos. We suffer more when we resist, when we cling to the need for control. But nature is quite chaotic,
and there isn’t anything we can do to stop its cycle so we ought to let go, accept, and surrender to the path of least
resistance.
This piece reflects and dives into the interconnection of nature, relationships, and intimacy. The biomorphic
form made for a canvas that is already speaking, having a need to be listened and responded to. There’s a
navigation between when to let nature take the wheel and when to take control. Flaws come from moments where
the wrong choice was made at the wrong time, caused by resistance, flaws later to be made intentional. Moments
of beauty come from the right choice at the right time, through listening, accepting, and extenuating forms already
present. The piece asks to come close and hold it, to notice these moments in every detail. Holding the two broken
halves together at first felt like an inescapable cliche of holding together a damaged relationship, but quickly
became internalized as opposed to dismissed. The cracked nature of the piece was nothing that could be changed,
leaving a trail of tension. A tension and duality between physical body/matter and the metaphysical feeling/energy,
between self conscious and self aware, between order and chaos. Duality is rooted in nature. Having two sides
allows us to navigate between, bringing awareness to our relationships; with self, others, nature, or any other place
a bond of intimacy can be formed.
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You ought to have a much better idea of running a blog and the methods it is utilized to develop companies, make cash or improve on-line reputations. Make certain that you have internalized this info, and study it much more than as soon as. youtu.be/jeY0mj7rMk8
EmpowerU Lab Day targets discrimination against Thai LGBTIQ+ students in education and employment. Research highlights pervasive bias, even in LGBTQ+-friendly spaces. The project advocates for immediate action through an interactive workshop, uniting LGBTQ+ and non-LGBTQ+ students. Focused on leadership and advocacy, participants collaboratively design best practices. This fosters personal and professional growth, reduces discrimination, and strengthens support systems. Khon Kaen's Center for Gender Studies sets a model, making it a strategic location. The region grapples with intersectional identity issues, emphasizing attitude, ability, and accessibility. Internalized oppression and the lack of inclusive policies and facilities will be addressed.
Artist | George K. (b.1950 in Chennai, India)
Title | Look at Me (2006)
oil on canvas
178 x 122 cm
Occasion | Bangkok Art Biennale - Nurture Gaia
George K. explores the transgender phenomenon through his art, using its bold, fragmented physicality as a metaphor for transcending to a subtler reality. His hyper-realistic style creates a powerful illusion of presence through emotionally charged portrayals, juxtaposing fragility with strength and rawness with warmth. This results in a poetic yet authentic depiction of internalized love. His Aravaani series is a life-sized, naturalistically painted figure inspired by a Tamil Nadu festival where transgender individuals symbolically marry the god Aravaan and then become widowed. A self-taught artist, writer, and poet who transitioned from a career in banking after the 2004 tsunami, George K. blends written words with painting, photography, and sculpture to capture the emotional nuances of daily life.
BAB105
By Jake Maynard and Elena De La Paz
Active throughout the community, Jake and Elena use their skills and knowledge they’ve developed through a personal and constructive relationship with the Reno community and many mutual aid initiatives. They channel these experiences into their artistic practices, working primarily in photography and collage.
Through their pieces showing people both thriving and resisting, they hope to inspire people to think of what's possible if we work together, as well as internalize the juxtaposition of the interconnectedness between these two themes. We also hope to inspire people to find the power within themselves through their own experiences and struggles and to envision a better world within our community and beyond.
By Jake Maynard and Elena De La Paz
Active throughout the community, Jake and Elena use their skills and knowledge they’ve developed through a personal and constructive relationship with the Reno community and many mutual aid initiatives. They channel these experiences into their artistic practices, working primarily in photography and collage.
Through their pieces showing people both thriving and resisting, they hope to inspire people to think of what's possible if we work together, as well as internalize the juxtaposition of the interconnectedness between these two themes. We also hope to inspire people to find the power within themselves through their own experiences and struggles and to envision a better world within our community and beyond.
In these pictures I played music and asked my friends to set the mood of the photograph by internalizing how the songs made them feel. "Play Crack The Sky"- Brand New
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