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This is my screen in the middle of printing with some ink. It's hard to reach and set the squeedgee down as you lift up the screen. So it's nice to have someone run prints and help you with that part as well. I've got a bungee cord hanging form the ceiling I can throw under the screen to hold it up.
I have to give Brent many thanks for being the guy to run prints around to dry so we could get out of town in time. 100 posters, 2 colors, who knows how many extra pulls to get the ink down, clean up, and packing down all in one night. What a job!
Here at the Los Angeles sumi-headquarters we are totally floored by these photographs just sent in from the Williamsburg, Brooklyn Sumi Ink CLub organized by Denise Schatz and her students at PS 19.
Here is the inked version of a pencil sketch I did earlier. I can see now why having a clear character design is so important. Yeah for whiteout, but I'd rather not use it.
I used a Faber-Castell PITT artist brush pen, refilled with Talens Indian ink, and penciled over the sketch, converted into blue line, printed enlarged on a sheet of copier paper.