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This gorgeous chair and artwork shows the fascination the victorians had with all things Egyptian and ethnic. These pieces are in the Lightner Museum in St. Augustine, FL.
View On Black (Large)
Photobooth backdrop painted by Edoardo Ortegon.
We celebrated the art of influence with Delacroix! We painted our own masterpieces inspired by Degas, van Gogh, and Cezanne. We also became a part of the art with a van Gogh-inspired photobooth and enjoyed music from Joey Ryan & The Inks! And, as always, it was all FREE!
Naomi Janumala is an Indian fashion model, Instagram star, and social media personality. To know more about Naomi visit: favceleb.com/naomi-janumala/
Connecting Latinas of Influence | Inland Empire took place on May 23, 2024, in downtown Riverside, California. Produced by Hispanic Lifestyle and sponsored by Wells Fargo Bank.
This was the kick off Hispanic Lifestyle’s Connecting Latinas of Influence Series that will visit 5 states in 2024. In this Inland Empire edition we featured panel discussions on Latina Entrepreneurship, Community Building and present our first round of Hispanic Lifestyle Latinas of Influence for 2024.
We honored the legacy of City of Moreno Valley Council member Victoria Baca (1959 - 2021) and Ofelia Valdez-Yeager (1947 - 2024)
Link to our event website, bit.ly/3VqZoHf
Films and TELEVISION
Bob Jenkins Might 16, 2015
It is often amazing for fans to keep in mind that Buffy the Vampire Slayer first showed in mil novecentos e noventa e seis. After all, the particular show seems fresh plus modern, from the snappy plus witty conversation to the focus on...
headlists.com/10-surprising-methods-buffy-the-particular-...
As a Cultural Brand that caters to community leaders, business owners, and professionals, Hispanic Lifestyle as a platform has undergone substantial transformations in recent years. I am delighted to share our revised mission statement with our colleagues and valued partners.
Hispanic Lifestyle is dedicated to celebrating and promoting the achievements, stories, and contributions of the Latino community. Through our events, media platforms, and initiatives, we remain committed to recognizing excellence in our community since 1995.
Guided by our theme, Defining Culture and Influence, we aim to inspire, connect, and empower individuals and organizations that shape and reflect our vibrant culture.
Richard Sandoval, Hispanic Lifestyle
#Hispaniclifestyle #missionstatement
This is the official book cover for my book THE POWER OF INFLUENCE : The Easy Way to Make Money Online
Seal Rock - c. 1872-87
Albert Bierstadt (German-American, 1830 - 1902)
At the age of two, Albert Bierstadt and his family emigrated from Prussia to the bustling whaling town of New Bedford, Massachusetts. The source of his early artistic training is unknown. By 1850, however, he began advertising as an instructor in "monochromatic painting" and was soon exhibiting his works locally and in Boston. In 1853 he returned to Prussia with the intention of enrolling in the art academy at Düsseldorf. Instead, he fell under the influence of American painters living there, most notably Worthington Whittredge and Emanuel Leutze, who introduced him to the works of the leading German landscapists, such as Andreas Achenbach. Upon his return from Europe in 1857, he settled in New York, where he joined the growing circle of landscape painters.
Bierstadt had acquired a great deal of experience in painting landscape during several summer sketching trips in Europe. In search of American scenery of comparable grandeur, Bierstadt was not contented by the popular and oft-painted mountains of New England. In summer 1859 he accompanied Frederick W. Lander's survey party to the Continental Divide. Four years later he traveled as far as California, where he visited the illustrious Yosemite Valley, discovered by white men only twelve years earlier. One of the first artists to explore the American West, Bierstadt earned his reputation through his grand-scale panoramas of western mountain scenery, such as "The Rocky Mountains, Lander's Peak" (1863; Metropolitan Museum of Art, New York) and "Among the Sierra Nevada Mountains, California" (1868; National Museum of American Art, Washington, D.C.). By the 1860s Bierstadt was being hailed as the preeminent American landscape painter.
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"Acknowledged as the first museum in the world dedicated solely to collecting American art, the NBMAA is renowned for its preeminent collection spanning three centuries of American history. The award-winning Chase Family Building, which opened in 2006 to critical and public acclaim, features 15 spacious galleries which showcase the permanent collection and upwards of 25 special exhibitions a year featuring American masters, emerging artists and private collections. Education and community outreach programs for all ages include docent-led school and adult tours, teacher services, studio classes and vacation programs, Art Happy Hour gallery talks, lectures, symposia, concerts, film, monthly First Friday jazz evenings, quarterly Museum After Dark parties for young professionals, and the annual Juneteenth celebration. Enjoy Café on the Park for a light lunch prepared by “Best Caterer in Connecticut” Jordan Caterers. Visit the Museum Shop for unique gifts. Drop by the “ArtLab” learning gallery with your little ones. Gems not to be missed include Thomas Hart Benton’s murals “The Arts of Life in America,” “The Cycle of Terror and Tragedy, September 11, 2001” by Graydon Parrish,” and Dale Chihuly’s “Blue and Beyond Blue” spectacular chandelier. Called “a destination for art lovers everywhere,” “first-class,” “a full-size, transparent temple of art, mixing New York ambience with Yankee ingenuity and all-American beauty,” the NBMAA is not to be missed."
www.tripadvisor.com/Attraction_Review-g33847-d106105-Revi...
www.nbmaa.org/permanent-collection
The NBMAA collection represents the major artists and movements of American art. Today it numbers about 8,274 paintings, works on paper, sculptures, and photographs, including the Sanford B.D. Low Illustration Collection, which features important works by illustrators such as Norman Rockwell, Howard Pyle, and Maxfield Parrish.
Among collection highlights are colonial and federal portraits, with examples by John Smibert, John Trumbull, John Singleton Copley, Gilbert Stuart, and the Peale family. The Hudson River School features landscapes by Thomas Cole, Asher B. Durand, Martin Johnson Heade, John Kensett, Albert Bierstadt, and Frederic Church. Still life painters range from Raphaelle Peale, Severin Roesen, William Harnett, John Peto, John Haberle, and John La Farge. American genre painting is represented by John Quidor, William Sidney Mount, and Lilly Martin Spencer. Post-Civil War examples include works by Winslow Homer, Thomas Eakins, John Singer Sargent, George de Forest Brush, and William Paxton, and 19 plasters and bronzes by Solon Borglum. American Impressionists include Mary Cassatt, Theodore Robinson, John Henry Twachtman, J. Alden Weir, Willard Metcalf, and Childe Hassam, the last represented by eleven oils. Later Impressionist paintings include those by Ernest Lawson, Frederck Frieseke, Louis Ritman, Robert Miller, and Maurice Prendergast.
Other strengths of the twentieth-century collection include: sixty works by members of the Ash Can School; significant representation by early modernists such as Alfred Maurer, Marsden Hartley, John Marin, Georgia O’Keeffe, and Max Weber; important examples by the Precisionists Charles Demuth, Charles Sheeler, Preston Dickinson, and Ralston Crawford; a broad spectrum of work by the Social Realists Ben Shahn, Romare Bearden, Jacob Lawrence, and Jack Levine; and ambitious examples of Regionalist painting by Grant Wood, John Steuart Curry, and Thomas Hart Benton, notably the latter’s celebrated five-panel mural, The Arts of Life in America (1932).
Works by the American Abstract Artist group (Stuart Davis, Ilya Bolotowsky, Esphyr Slobodkina, Balcomb Greene, and Milton Avery) give twentieth-century abstraction its place in the collection, as do later examples of Surrealism by artists Kay Sage and George Tooker; Abstract Expressionism (Lee Krasner, Giorgio Cavallon, Morris Graves, Robert Motherwell, Sam Francis, Cleve Gray), Pop and Op art (Andy Warhol, Larry Rivers, Robert Indiana, Tom Wesselman, Jim Dine), Conceptual (Christo, Sol LeWitt), and Photo-Realism (Robert Cottingham). Examples of twentieth-century sculpture include Harriet Frishmuth, Paul Manship, Isamu Noguchi, George Segal, and Stephen DeStaebler. We continue to acquire contemporary works by notable artists, in order to best represent the dynamic and evolving narrative of American art.
Key artist studies, Sam Hensley and Tyler Spangler relating to “Odd” visually (Style of illustrations, context, combinations of colour, etc) as well as through text. This slide includes copies and responses. I also created a zine with Questions I asked Sam Hensley, myself, through social media, accompanied with illustrations.