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Sander Van Deelan has recently completed the Hennessey venom F5 revolution with all of the custom modifications you would expect like chrome rims from @bubul_chrome_ steering wheel from @nunotheoctopusgekko and stickers for the full effect! Scroll up to see some up clothes and personal shots and have a cool start to the week! #Design #FastestCar #Lego #Technic #RC #Toy #Suspension #ScaleModel #Toy #MOC #HDRPhotography#Design #Designer #Influencer #Supercar
Permission: You may use these pictures in any relevant promotion of #WeAllGrow Summit. All pictures MUST credit Robson Muzel and #WeAllGrow Summit 2015.
CELEBRATING THE STRENGTH, INFLUENCE, AND ACHIEVEMENTS OF LATINAS IN THE BRONX
Hispanic Lifestyle is thrilled to announce our Connecting Latinas of Influence Series will take place on September 24, 2024 in the Bronx, New York! Sponsored by Wells Fargo Home Mortgage this special event is designed to bring together Latina leaders, professionals, entrepreneurs, and community members for an evening of empowerment, inspiration, and networking.
Attendees can expect engaging panel discussions on building generational wealth, insights from community leaders designed to foster connections and highlight the diverse talents within the Latina community. Whether you’re a seasoned professional, a rising star, or simply someone who wants to support Latina excellence, this event is for you.
Good morning Hispanic Lifestyle friends. Today we updated our list of Latinas of Influence we will recognize during our Connecting Latinas of Influence | Bronx, NY visit. Join us on September 24, 2024 at Maestro’s Bronx, NY. Register online @ bit.ly/3PPKFlu
Thank you Wells Fargo Home Mortgage for supporting our efforts to recognize excellence in our community.
These distinguished Latinas of Influence, with diverse personal and professional backgrounds, embody excellence as business and community leaders within their respective fields.
Rainbow over the Grand Canyon of the
Yellowstone, 1900
Thomas Moran
Born Bolton, England 1837-
died Santa Barbara, CA 1926
Landscape painter. Influenced by J.M.W. Turner, Moran is best remembered for his idealized views of the American West. In 1871 he accompanied a government surveying expedition to Yellowstone and was greatly inspired by the landscape; The Grand Canyon of the Yellowstone (1893–1901) and The Chasm of the Colorado (1872) are two outstanding works.
At age seven, Moran and his family emigrated from England to Philadelphia, where he was apprenticed briefly to a wood engraver. Although best known as a painter, Moran was also a prolific illustrator. In 1862, after a trip to Lake Superior, which inspired a series of views related to Henry Wadsworth Longfellow's Hiawatha, he and his brother Edward traveled to England. In 1871 Moran accompanied F. V. Hayden's geological survey of Yellowstone as a guest artist, with funding from Scribner's and railroad financier Jay Cooke. During the expedition Moran worked closely with photographer William H. Jackson. In 1872 Moran visited Yosemite and in 1873 joined John Wesley Powell's geological survey of the Grand Canyon and Colorado River. In 1874 he was again with Hayden in Colorado, where he visited the newly discovered Mount of the Holy Cross. Although most of his life was spent in the East, he traveled west frequently, often as a guest artist of the Santa Fe Railway.
Thomas Moran was the first American painter to capture the grandeur of Yellowstone and the Grand Canyon. Born in England, he immigrated to America as a child and apprenticed to an engraver in Philadelphia. The turning point in Moran's career came in 1871 when he joined the Hayden expedition, the first to survey the Yellowstone region in detail. Moran's images of dramatic canyons, hot springs, and geysers captured the imagination of the American public and helped bring about Yellowstone's designation as America’s first national park.
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See Prior Visit from 2024:
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The Smithsonian American Art Museum is the home to one of the most significant and most inclusive collections of American art in the world. Its artworks reveal America’s rich artistic and cultural history from the colonial period to today. The museum’s main building is located at Eighth and G streets N.W., above the Gallery Place/Chinatown Metrorail station, and is open 11:30 AM to 7 PM Wednesday through Sunday. Admission is free.
The museum has been a leader in identifying and collecting significant aspects of American visual culture, including photography, modern folk and self-taught art, African American art, Latino art, and video games. The museum has the largest collection of New Deal art and exceptional collections of contemporary craft, American impressionist paintings and masterpieces from the Gilded Age. In recent years, the museum has focused on strengthening its contemporary art collection, and in particular media arts, through acquisitions, awards, curatorial appointments, endowments, and by commissioning new artworks.
Explore the sweep of the American imagination across four centuries at the nation's flagship museum for American art and craft. Dive into inspiring artworks, the reimagined collection, and an array of special exhibitions including Glenn Kaino: Bridge. Experience our offerings both online and in person at our two locations, including national educational programs, innovative research, video interviews with artists, virtual artist studio tours, lectures, audio guides, and more. Admission is always free.
Since 1968, the National Portrait Gallery has been housed in the former Patent Office building, a structure designed by Robert Mills in the neoclassical style and built between 1836-1867. This historic building, which is the third oldest government building in the city, is shared with another Smithsonian museum, the Smithsonian American Art Museum. The building's marble and granite porticos are inspired by those of the Parthenon in Athens, Greece.
An undulating steel and glass canopy wows visitors who enter the Kogod Courtyard. Inside you’ll find diners from the museum’s café, tourists soaking their weary feet in the shallow fountain running across the space, and students taking advantage of free Wi-Fi in the light and airy setting. The modern roof seals the center of the old Patent Office Building, currently shared by the National Portrait Gallery and American Art Museum. Architect Norman Foster designed the roof to have minimal impact on the building by creating a support system that prevents direct contact and weight placement on it. Unlike most of the other Smithsonian Museums located on the Mall, this gem is found in the busy Penn Quarter of downtown D.C. It is my favorite place to bring visitors, not only for the impressive courtyard space, but also for the preserved architecture of the patent offices on the top floor. Check the Smithsonian’s website for special courtyard workshops, concerts, or events. The museum is right near the Gallery Place/Chinatown Metro on the green, yellow, and red lines.
Moreover, the National Portrait Gallery only takes up half of the building and shares the space with the Smithsonian American Art Museum. This museum showcases rotating exhibits, which have previously exposed visitors to work created in response to the Vietnam War, glasswork, native women artists and more. The Smithsonian American Art Museum also operates a separate branch, the Renwick Gallery, devoted to contemporary craft and decorative arts.
Previous travelers insist that you take a few minutes to enjoy the shared Kogod Courtyard; its glass-paneled roof protects visitors from the elements while maintaining an abundance of natural light. These visitors also recommend that you take a few hours to explore both the National Portrait Gallery and the Smithsonian American Art Museum, as there are a variety of interesting, small exhibits that are easy to miss if you're in a rush.
frenglishthoughts.com/does-expat-living-influence-your-se...
I think the main explanation can be found in the fact that the initial challenge I set myself on settling in France was to
immerse myself so totally in the everyday life, culture and language of the country as to become as much of a native as I
possibly could. One of the things this meant was having the least possible contact with my countrymen.
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Bhakti Kubavat is a well-known Gujarati actress, model, and anchor has amassed a massive fan base on social media. To read continue visit: Bhakti Kubavat Biography
THE DRUNKARDS
1883
James Sidney Edouard, Baron Ensor (13 April 1860 – 19 November 1949) was a Belgian painter and printmaker, an important influence on expressionism and surrealism who lived in Ostend for most of his life. He was associated with the artistic group Les XX.
Ensor's father, James Frederic Ensor, born in Brussels to English parents, was a cultivated man who studied engineering in England and Germany. Ensor's mother, Maria Catherina Haegheman, was Belgian. Ensor himself lacked interest in academic study and left school at the age of fifteen to begin his artistic training with two local painters. From 1877 to 1880, he attended the Académie Royale des Beaux-Arts in Brussels, where one of his fellow students was Fernand Khnopff. Ensor first exhibited his work in 1881. From 1880 until 1917, he had his studio in the attic of his parents' house. His travels were very few: three brief trips to France and two to the Netherlands in the 1880s, and a four-day trip to London in 1892.
During the late 19th century, much of Ensor's work was rejected as scandalous, particularly his painting Christ's Entry Into Brussels in 1889 (1888–89). The Belgian art critic Octave Maus famously summed up the response from contemporaneous art critics to Ensor's innovative (and often scathingly political) work: "Ensor is the leader of a clan. Ensor is the limelight. Ensor sums up and concentrates certain principles which are considered to be anarchistic. In short, Ensor is a dangerous person who has great changes. ... He is consequently marked for blows. It is at him that all the harquebuses are aimed. It is on his head that are dumped the most aromatic containers of the so-called serious critics." Some of Ensor's contemporaneous work reveals his defiant response to this criticism. For example, the 1887 etching "Le Pisseur" depicts the artist urinating on a graffitied wall declaring (in the voice of an art critic) "Ensor est un fou" or "Ensor is a Madman."
Ensor's paintings continued to be exhibited and he gradually won acceptance and acclaim. In 1895 his painting The Lamp Boy (1880) was acquired by the Royal Museums of Fine Arts of Belgium in Brussels, and he had his first solo exhibition in Brussels. By 1920 he was the subject of major exhibitions; in 1929 he was named a Baron by King Albert, and was the subject of the Belgian composer Flor Alpaerts's James Ensor Suite; and in 1933 he was awarded the band of the Légion d'honneur. Alfred H. Barr Jr., the founding director of the Museum of Modern Art in New York, after considering Ensor's 1887 painting Tribulations of Saint Anthony (now in MoMA's collection), declared Ensor the boldest painter working at that time.
Even in the first decade of the 20th century, however, Ensor's production of new works was diminishing, and he increasingly concentrated on music—although he had no musical training, he was a gifted improviser on the harmonium, and spent much time performing for visitors.Against the advice of friends, he remained in Ostend during World War II despite the risk of bombardment. In his old age, he was an honored figure among Belgians, and his daily walk made him a familiar sight in Ostend. He died there following a short illness, on 19 November 1949 at the age of 89.
The future of flexo sustainability influences everything that we do. At Anderson and Vreeland, we strive to leave a greener carbon footprint through our eco-friendly tools and equipment to protect and preserve our environment for future generations to come.
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