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This is a photograph from the Forest Marathon festival 2013 which was held in the beautiful Coillte forest of Portumna in Co. Galway, Ireland on Saturday 15th June 2013. The event includes a 10k, a full marathon, a half marathon and two ultra-running events - a 50k and 100k race. The races started at 08:00 with the 100KM, the 50KM at 10:00, and subsequent races at two hour intervals onwards. All events started and finished within the forest with the exception of the half marathon and marathon which started outside of the forest. All events see participants complete 5KM loops of the forest which start and end at the car-park/amenity end of the forest. There is an official Refreshment/Handling Zones at this point on the loop.
The event was organised by international coach Sebastien Locteau from SportsIreland.ie and his fantastic team of volunteers from Galway and beyond. Congratulations to Seb on organising a very professionally run event and an event which is growing bigger and more prestigious with each passing year. There was an incredible atmosphere amongst the runners, the spectators, and the organisers. Hats off to everyone involved.
The marathon, 50KM, and 100KM events are sanctioned by Athletics Ireland and AIMS (the Association of International Marathons and Distance Races). The event has also achieved IAU (International Association of Ultrarunners) Bronze Label status for 2013.
Electronic timing was provided by RedTagTiming: www.redtagtiming.com/
Energy Bars, Gels, Drinks etc were provided by Fuel4Sport: www.fuel4sport.ie/
This is a set of photographs taken at various points on the 5KM loop in the Forest and contains photographs of competitors from all of the events except the 10KM race.
Viewing this on a smartphone device?
If you are viewing this Flickr set on a smartphone and you want to see the larger version(s) of this photograph then: scroll down to the bottom of this description under the photograph and click the "View info about this photo..." link. You will be brought to a new page and you should click the link "View All Sizes".
Overall Race Summary
Participants: Approximately 600 people took part across all of the events which were staged: 10km, half marathon, marathon, 50km, and 100KM.
Weather: The weather was unfortunately not what a summer's day in June should be like - there was rain, some breeze, but mild temperatures.
Course: This is a fast flat course depending on your event. The course is left handed around the Forest and roughly looks like a figure of 8 in terms of routing.
Location Map: Start/finish area on Google StreetView [goo.gl/maps/WWTgD] are inside the parklands and trails
Refreshments: There are no specific refreshments but the race organizers provide very adequate supplies for all participants.
Some Useful Links
Official Race Event Website: www.forestmarathon.com/
The Boards.ie Athletics Forum Thread for the 2013 Event: www.boards.ie/vbulletin/showthread.php?t=2056874371
A GPS Garmin Trace of the Course Profile (from the 50KM event) connect.garmin.com/activity/189495781
Our Flickr Photographs from the 2012 Events: www.flickr.com/photos/peterm7/sets/72157630146344494/
Our Flickr Photographs from the 2011 Events: www.flickr.com/photos/peterm7/sets/72157626865466587/
Title Sponsors Sports Ireland Website: sites.google.com/a/sportsireland.ie/welcome-sports-irelan...
A VIDEO of the Course: www.youtube.com/watch?feature=player_embedded&v=2FLxE...
Google StreetView of the Entrance to Portuma Forest: goo.gl/maps/MX62O
Wikipedia: Read about Portumna and Portumna Forest Park: en.wikipedia.org/wiki/Portumna#Portumna_Forest_Park
Coilte Ourdoors Website: www.coillteoutdoors.ie/?id=53&rec_site=115
Portumna Forest on EveryTrails: www.everytrail.com/guide/portumna-forest-park-woodland-tr...
More about the IAU Bronze Label: www.iau-ultramarathon.org/index.asp?menucode=h07&tmp=...
How can I get a full resolution copy of these photographs?
All of the photographs here on this Flickr set have a visible watermark embedded in them. All of the photographs posted here on this Flickr set are available offline, free, at no cost, at full image resolution WITHOUT watermark. We take these photographs as a hobby and as a contribution to the running community in Ireland. Our only "cost" is our request that if you are using these images: (1) on social media sites such as Facebook, Tumblr, Pinterest, Twitter,LinkedIn, Google+, etc or (2) other websites, web multimedia, commercial/promotional material that you provide a link back to our Flickr page to attribute us. This also extends the use of these images for Facebook profile pictures. In these cases please make a separate wall or blog post with a link to our Flickr page. If you do not know how this should be done for Facebook or other social media please email us and we will be happy to help suggest how to link to us.
Please email petermooney78 AT gmail DOT com with the links to the photographs you would like to obtain a full resolution copy of. We also ask race organisers, media, etc to ask for permission before use of our images for flyers, posters, etc. We reserve the right to refuse a request.
In summary please remember - all we ask is for you to link back to our Flickr set or Flickr pages. Taking the photographs and preparing them for online posting does take a significant effort. We are not posting photographs to Flickr for commercial reasons. If you really like what we do please spread the link around your social media, send us an email, leave a comment beside the photographs, send us a Flickr email, etc.
If you would like to contribute something for your photograph(s)?
Many people offer payment for our photographs. As stated above we do not charge for these photographs. We take these photographs as our contribution to the running community in Ireland. If you feel that the photograph(s) you request are good enough that you would consider paying for their purchase from other photographic providers we would suggest that you can provide a donation to any of the great charities in Ireland who do work for Cancer Care or Cancer Research in Ireland.
I ran in the race - but my photograph doesn't appear here in your Flickr set! What gives?
As mentioned above we take these photographs as a hobby and as a voluntary contribution to the running community in Ireland. Very often we have actually ran in the same race and then switched to photographer mode after we finished the race. Consequently, we feel that we have no obligations to capture a photograph of every participant in the race. However, we do try our very best to capture as many participants as possible. But this is sometimes not possible for a variety of reasons:
►You were hidden behind another participant as you passed our camera
►Weather or lighting conditions meant that we had some photographs with blurry content which we did not upload to our Flickr set
►There were too many people - some races attract thousands of participants and as amateur photographs we cannot hope to capture photographs of everyone
►We simply missed you - sorry about that - we did our best!
You can email us petermooney78 AT gmail DOT com to enquire if we have a photograph of you which didn't make the final Flickr selection for the race. But we cannot promise that there will be photograph there. As alternatives we advise you to contact the race organisers to enquire if there were (1) other photographs taking photographs at the race event or if (2) there were professional commercial sports photographers taking photographs which might have some photographs of you available for purchase. You might find some links for further information above.
Don't like your photograph here?
That's OK! We understand!
If, for any reason, you are not happy or comfortable with your picture appearing here in this photoset on Flickr then please email us at petermooney78 AT gmail DOT com and we will remove it as soon as possible. We give careful consideration to each photograph before uploading.
I want to tell people about these great photographs!
Great! Thank you! The best link to spread the word around is probably www.flickr.com/peterm7/sets
This 112-sheet manuscript includes depictions of contestants equipped for various tournaments; a parade preceding a late form of tournament called a carrousel; participants in tournaments known as Gesellenstrechen, or bachelors' jousts, held in Nuremberg between 1446 and 1561; and depictions of pageant sleighs, some of which were used in a parade held in the winter of 1640–41. The illustrations are probably the work of a Briefmaler, or letter painter, who also would have written and embellished official documents and painted coats-of-arms.
In many instances, the names of the tournament participants are written above them. They are armed for the Gestech, the joust fought with blunt lances. A helmet and a four-pronged lance head similar to those in the album are also on display in gallery 373 (acc. nos. 29.156.67a, 42.50.40). Albums such as this provide an invaluable record of the jousters' colorful costumes, fanciful crests, and humorous, often satirical emblems that decorated the jouster's shields and horse trappings.
Questo manoscritto di 112 fogli include raffigurazioni di concorrenti attrezzati per vari tornei; una sfilata che precede una forma tardiva di torneo chiamata giostra ; partecipanti ai tornei conosciuti come Gesellenstrechen , o giostre degli scapoli, tenuti a Norimberga tra il 1446 e il 1561; e raffigurazioni di slitte da spettacolo, alcune delle quali furono utilizzate in una parata tenutasi nell'inverno del 1640-1641. Le illustrazioni sono probabilmente opera di un Briefmaler , o pittore di lettere, che avrebbe anche scritto e abbellito documenti ufficiali e dipinto stemmi.
In molti casi, i nomi dei partecipanti al torneo sono scritti sopra di essi. Sono armati per il Gestech, la giostra combattuta con lance contundenti. Nella galleria 373 sono esposti anche un elmo e una testa di lancia a quattro punte simili a quelli dell'album (acc. nn. 29.156.67a, 42.50.40). Album come questo forniscono una documentazione inestimabile dei costumi colorati dei giostratori, degli stemmi fantasiosi e degli emblemi umoristici, spesso satirici, che decoravano gli scudi dei giostratori e le bardature dei cavalli.
Named after the plebiscite taken on October 21, 1860, that brought Naples into the unified Kingdom of Italy under the House of Savoy, the piazza is very close to the gulf of Naples, and bounded by the Royal Palace (east) and the church of San Francesco di Paola (west) with its hallmark twin colonnades extending to each side. Other noted adjacent buildings include the Palazzo Salerno and, its mirror, the Prefecture Palace (on the left arm of the church).
In the first years of the 19th century, the King of Naples, Murat (Napoleon's brother-in-law), planned the square and building as a tribute to the emperor Soon after Napoleon was finally dispatched to St Helena, the Bourbons were restored to the throne, and Ferdinand I continued the construction but converted the finished product into the church one sees today. He dedicated it to Saint Francis of Paola, who had stayed in a monastery on this site in the 15th century. The church is reminiscent of the Pantheon in Rome. The façade is fronted by a portico resting on six columns and two Ionic pillars. Inside, the church is circular with two side chapels. The dome is 53 metres high.
In 1963, a municipal ordinance transformed the square into a public parking lot to cope with the uncontrolled increase of cars in the city.[1] The square was thus disfigured (among other things, in addition to the car park there was also an extensive parking area for public transport buses close to the roadway, and even welcomed a large yard for the construction of the Rapid Tramway towards the end of the eighties) until in 1994, on the occasion of the G7 summit, the square was redignified, first replacing the asphalt of the roadway behind the Royal Palace with the more traditional paving stones, and then pedestrianizing it in its entirety.[2]
Occasionally, the square is used for open-air concerts. Artists who have performed here include popular Italian and Neapolitan artists, such as Franco Battiato and Pino Daniele, as well as international stars including Elton John, Maroon 5 and Muse.[3] In May 2013, Bruce Springsteen & The E-Street Band gave a concert at the venue.[4]
Includes:
Unisex
4 options for the tattoo (Fade / Fresh / Fade red / Fresh red)
Full version and single option included (chest, arms)
Maggie Angus Pear Necklace - £28.00
Maggie Angus Hummingbird Necklace - £29.00
The tropical trend is scorching this spring summer 2012 taking influence from retro images of Hawaiian and South Pacific hula girls and shirts. The collection includes a stunning gold perspex necklace of a garland of hibiscus flowers adding a welcome change to the usual gaudy and tacky images on offer and is a must to wear this summer on holiday. Also available fruit jewellery and hummingbird jewellery.
Check out www.maggieangus.com
Ralph Vaughan Williams childhood home in Surrey
Ralph Vaughan Williams OM (/reɪf vɔːn/ (About this soundlisten);[n 1] 12 October 1872 – 26 August 1958) was an English composer. His works include operas, ballets, chamber music, secular and religious vocal pieces and orchestral compositions including nine symphonies, written over sixty years. Strongly influenced by Tudor music and English folk-song, his output marked a decisive break in British music from its German-dominated style of the 19th century.
Vaughan Williams was born to a well-to-do family with strong moral views and a progressive social outlook. Throughout his life he sought to be of service to his fellow citizens, and believed in making music as available as possible to everybody. He wrote many works for amateur and student performance. He was musically a late developer, not finding his true voice until his late thirties; his studies in 1907–1908 with the French composer Maurice Ravel helped him clarify the textures of his music and free it from Teutonic influences.
Vaughan Williams is among the best-known British symphonists, noted for his very wide range of moods, from stormy and impassioned to tranquil, from mysterious to exuberant. Among the most familiar of his other concert works are Fantasia on a Theme by Thomas Tallis (1910) and The Lark Ascending (1914). His vocal works include hymns, folk-song arrangements and large-scale choral pieces. He wrote eight works for stage performance between 1919 and 1951. Although none of his operas became popular repertoire pieces, his ballet Job: A Masque for Dancing (1930) was successful and has been frequently staged.
Two episodes made notably deep impressions in Vaughan Williams's personal life. The First World War, in which he served in the army, had a lasting emotional effect. Twenty years later, though in his sixties and devotedly married, he was reinvigorated by a love affair with a much younger woman, who later became his second wife. He went on composing through his seventies and eighties, producing his last symphony months before his death at the age of eighty-five. His works have continued to be a staple of the British concert repertoire, and all his major compositions and many of the minor ones have been recorded. wikipedia
This is a photograph from the Forest Marathon festival 2013 which was held in the beautiful Coillte forest of Portumna in Co. Galway, Ireland on Saturday 15th June 2013. The event includes a 10k, a full marathon, a half marathon and two ultra-running events - a 50k and 100k race. The races started at 08:00 with the 100KM, the 50KM at 10:00, and subsequent races at two hour intervals onwards. All events started and finished within the forest with the exception of the half marathon and marathon which started outside of the forest. All events see participants complete 5KM loops of the forest which start and end at the car-park/amenity end of the forest. There is an official Refreshment/Handling Zones at this point on the loop.
The event was organised by international coach Sebastien Locteau from SportsIreland.ie and his fantastic team of volunteers from Galway and beyond. Congratulations to Seb on organising a very professionally run event and an event which is growing bigger and more prestigious with each passing year. There was an incredible atmosphere amongst the runners, the spectators, and the organisers. Hats off to everyone involved.
The marathon, 50KM, and 100KM events are sanctioned by Athletics Ireland and AIMS (the Association of International Marathons and Distance Races). The event has also achieved IAU (International Association of Ultrarunners) Bronze Label status for 2013.
Electronic timing was provided by RedTagTiming: www.redtagtiming.com/
Energy Bars, Gels, Drinks etc were provided by Fuel4Sport: www.fuel4sport.ie/
This is a set of photographs taken at various points on the 5KM loop in the Forest and contains photographs of competitors from all of the events except the 10KM race.
Viewing this on a smartphone device?
If you are viewing this Flickr set on a smartphone and you want to see the larger version(s) of this photograph then: scroll down to the bottom of this description under the photograph and click the "View info about this photo..." link. You will be brought to a new page and you should click the link "View All Sizes".
Overall Race Summary
Participants: Approximately 600 people took part across all of the events which were staged: 10km, half marathon, marathon, 50km, and 100KM.
Weather: The weather was unfortunately not what a summer's day in June should be like - there was rain, some breeze, but mild temperatures.
Course: This is a fast flat course depending on your event. The course is left handed around the Forest and roughly looks like a figure of 8 in terms of routing.
Location Map: Start/finish area on Google StreetView [goo.gl/maps/WWTgD] are inside the parklands and trails
Refreshments: There are no specific refreshments but the race organizers provide very adequate supplies for all participants.
Some Useful Links
Official Race Event Website: www.forestmarathon.com/
The Boards.ie Athletics Forum Thread for the 2013 Event: www.boards.ie/vbulletin/showthread.php?t=2056874371
A GPS Garmin Trace of the Course Profile (from the 50KM event) connect.garmin.com/activity/189495781
Our Flickr Photographs from the 2012 Events: www.flickr.com/photos/peterm7/sets/72157630146344494/
Our Flickr Photographs from the 2011 Events: www.flickr.com/photos/peterm7/sets/72157626865466587/
Title Sponsors Sports Ireland Website: sites.google.com/a/sportsireland.ie/welcome-sports-irelan...
A VIDEO of the Course: www.youtube.com/watch?feature=player_embedded&v=2FLxE...
Google StreetView of the Entrance to Portuma Forest: goo.gl/maps/MX62O
Wikipedia: Read about Portumna and Portumna Forest Park: en.wikipedia.org/wiki/Portumna#Portumna_Forest_Park
Coilte Ourdoors Website: www.coillteoutdoors.ie/?id=53&rec_site=115
Portumna Forest on EveryTrails: www.everytrail.com/guide/portumna-forest-park-woodland-tr...
More about the IAU Bronze Label: www.iau-ultramarathon.org/index.asp?menucode=h07&tmp=...
How can I get a full resolution copy of these photographs?
All of the photographs here on this Flickr set have a visible watermark embedded in them. All of the photographs posted here on this Flickr set are available offline, free, at no cost, at full image resolution WITHOUT watermark. We take these photographs as a hobby and as a contribution to the running community in Ireland. Our only "cost" is our request that if you are using these images: (1) on social media sites such as Facebook, Tumblr, Pinterest, Twitter,LinkedIn, Google+, etc or (2) other websites, web multimedia, commercial/promotional material that you provide a link back to our Flickr page to attribute us. This also extends the use of these images for Facebook profile pictures. In these cases please make a separate wall or blog post with a link to our Flickr page. If you do not know how this should be done for Facebook or other social media please email us and we will be happy to help suggest how to link to us.
Please email petermooney78 AT gmail DOT com with the links to the photographs you would like to obtain a full resolution copy of. We also ask race organisers, media, etc to ask for permission before use of our images for flyers, posters, etc. We reserve the right to refuse a request.
In summary please remember - all we ask is for you to link back to our Flickr set or Flickr pages. Taking the photographs and preparing them for online posting does take a significant effort. We are not posting photographs to Flickr for commercial reasons. If you really like what we do please spread the link around your social media, send us an email, leave a comment beside the photographs, send us a Flickr email, etc.
If you would like to contribute something for your photograph(s)?
Many people offer payment for our photographs. As stated above we do not charge for these photographs. We take these photographs as our contribution to the running community in Ireland. If you feel that the photograph(s) you request are good enough that you would consider paying for their purchase from other photographic providers we would suggest that you can provide a donation to any of the great charities in Ireland who do work for Cancer Care or Cancer Research in Ireland.
I ran in the race - but my photograph doesn't appear here in your Flickr set! What gives?
As mentioned above we take these photographs as a hobby and as a voluntary contribution to the running community in Ireland. Very often we have actually ran in the same race and then switched to photographer mode after we finished the race. Consequently, we feel that we have no obligations to capture a photograph of every participant in the race. However, we do try our very best to capture as many participants as possible. But this is sometimes not possible for a variety of reasons:
►You were hidden behind another participant as you passed our camera
►Weather or lighting conditions meant that we had some photographs with blurry content which we did not upload to our Flickr set
►There were too many people - some races attract thousands of participants and as amateur photographs we cannot hope to capture photographs of everyone
►We simply missed you - sorry about that - we did our best!
You can email us petermooney78 AT gmail DOT com to enquire if we have a photograph of you which didn't make the final Flickr selection for the race. But we cannot promise that there will be photograph there. As alternatives we advise you to contact the race organisers to enquire if there were (1) other photographs taking photographs at the race event or if (2) there were professional commercial sports photographers taking photographs which might have some photographs of you available for purchase. You might find some links for further information above.
Don't like your photograph here?
That's OK! We understand!
If, for any reason, you are not happy or comfortable with your picture appearing here in this photoset on Flickr then please email us at petermooney78 AT gmail DOT com and we will remove it as soon as possible. We give careful consideration to each photograph before uploading.
I want to tell people about these great photographs!
Great! Thank you! The best link to spread the word around is probably www.flickr.com/peterm7/sets
State Highway 20 (SH20) extension. Mt Roskill to Waterview. Area includes tunnel entrance and landscaping of existing creek network. Photographed in Alan Wood Reserve. 26 July 2013
includes part of found paper "I will correct my bad attitude to have a good day" found written 40x on a sheet of lined notebook paper an Altoids box, Extra gum box and found wallpaper (c) 2008
More from Classic Car Sunday, the theme from the August Breakfast Club. One of several Ferrari Dinos there on Sunday.
Faversham’s Magna Carta
Copies of this confirmation of Magna Carta granted in 1300, which includes the whole text of Magna Carta, were sent to many towns throughout the country. At the foot of this copy it is stated in Latin that it is for the barons of the Port of Faversham. Originally granted by King John 1215, Faversham’s version is a confirmation of the re-issue of 1225.
1300 Magna Carta.
Parchment, c. 59 × 44 (+32) cms. Decorated initial ‘E’. Great seal of Edward I on a replaced parchment tag.
Tann, Royal Charters of Faversham, pp. 102-111.
Translation
Edward by the grace of God king of England, Lord of Ireland and Duke of Aquitaine sends greeting to his archbishops, bishops, abbots, priors, earls, barons, sheriffs, reeves, ministers and all bailiffs and faithful people. We have inspected the charter of the lord Henry, our father, king of England (Henry III 1216-1272) about the liberties of England in these words:
Henry by the grace of God king of England, Duke of Normandy, Aquitaine and Count of Anjou sends greeting to his archbishops, bishops, earls, barons, sheriffs, reeves, ministers and all faithful people who will inspect the present charter. You may know that we by the instigation of God and for the salvation of our souls and the souls of our ancestors and descendants by our spontaneous and good will have, for the elevation of the Holy church and the bettering of our kingdom, given and granted to the archbishops, bishops, priors, earls, barons and ministers of our kingdom these liberties as are written below to be observed in our kingdom of England in perpetuity. Firstly we have conceded to God and we, by this our present charter, confirm for ourselves and for our heirs in perpetuity that the English church may be free and may hold all rights freely, fully and its liberties unquestioned; we have also granted and have given to all free men of our kingdom on behalf of ourself and of our heirs in perpetuity that they may have and hold the liberties as written below, by them and their heirs of us and our heirs in perpetuity. If any person of our earls or barons or of any other tenants who hold of us in chief through knight service may die and after his death and his heir shall be of full age and he owes relief, he may receive his inheritance through the old relief, that is to say an heir or the heirs of an earl by a hundred pounds for the entire Earldom, an heir or the heirs of a baron by a hundred marks for the full Barony, the heir or heirs by a hundred shillings for a full knights fee at the most and who has held less may give in accordance with the ancient custom of the fees. If however the heir of anyone of any such status should have been under age, the lord may not have custody of him nor of his land before he has taken his homage and afterwards such an heir who shall have been in custody, shall, when he has come of age, that is at twenty one years, receive his inheritance without relief and without a fine. Moreover that if he should have become a knight while he has been in custody, even so the land may remain in the keeping of his lords to the end of the aforesaid term. The guardian of the land of an heir of this nature, who has been under age, may not take anything from the heir’s land unless reasonable profits of that land. He ought to make report to us and if he, during his time of guardianship shall cause damage or commit waste then we will take it from him to be emended and the land may be committed to two trusted and honest men. And if we have given or sold the guardianship of the land to anyone of such nature and he then has caused damage or waste he shall loose that guardianship and it be handed over to two trusted and honest men of that fee who similarly may answer to us just as is aforesaid. However the guardian of the land has to accept a certain responsibility for the land in this manner: he will maintain the buildings, parks, fish ponds, stanks, mills and all things pertaining to that land out of the profits of the same land and when the heir shall come of full age he shall return his land completely stocked with ploughs and all other things in full just as he received it. All these things are to be observed concerning the custody of the lands of archbishops, bishops, abbots, priors, churches and vacant dignitaries which pertain to us, except when the guardianship in this manner ought to come to us. The heirs shall marry without disparagement, a widow at once after her husband’s death and she may have her marriage allowance and her inheritance without obstacle and may not give anything for her dowry nor for her marriage portion for the inheritance; that is any inheritance which she, the same widow and her husband held on the day of her husband’s death and she may remain in her husband’s capital messuage for forty days after her husband’s death, within which days her dowry may be assigned to her, unless it shall have been already assigned to her or unless that residence should be a castle and if she should depart from such castle, a suitable house may be provided at once for her in which she may honourably remain until her dowry be assigned to her, as it aforesaid and meanwhile she may have a reasonable maintenance grant from the community. However a third part of all her husband’s land may be assigned to her for her dowry which was hers during his life, unless she had been provided with less dowry at the church entrance. No widow may be pressurised to get married while she has wished to live without a husband. Then so that she may give assurance that she will not marry without our assent if she has held from us or without her lord’s assent if she has held from another. Indeed neither we, nor our bailiffs will seize any land or rent for any debt when certain present chattels of the debtor are sufficient to pay the debt and the debtor himself made be prepared to make satisfaction, nor shall the sureties of the same debtor be distrained when the chief debtor himself has sufficient for the payment of his own debt and if the chief debtor should default in payment of the debt, not having the funds to make repayment or being reluctant to make payment when he is able, the sureties for the debt may be responsible and if they should wish they may have the debtor’s lands and rents until he makes satisfaction to them about the debt which they have paid for him previously, unless the chief debtor has shown that he is quit towards his sureties. The city of London may have all is ancient liberties and customs; in addition we wish and concede that all other cities and boroughs and towns and the barons of the Cinque Ports and all ports may have all the liberties as their free customs. No one may be distrained to make more service for a knight’s fee nor for any other free tenement than that which is owing. The common pleas may not follow our court but shall be held in another particular place. Recognizances of Nova Disseisina and of Morte Antecessorum shall not be taken unless in their own counties. We, or if we should be out of the kingdom our chief justiciary, shall send our justiciaries into every county whatsoever once in a year, where, with the knights of the shires they may take the aforesaid assizes and those things which at his coming in the county cannot be terminated through our aforesaid justiciaries at the two assizes which were taken, shall be terminated by the same men elsewhere in their itinerary and those matters which by the same men could not be terminated on account of difficulty of other articles may be referred to the justiciaries of the Bench. The assizes of Ultima Presentacione are always taken before the justiciaries of the Bench and to be terminated there. A free man may not be amerced for a minor offence except according to the manner of the same man’s offence and for a more serious offence according to the extent of his delinquency, saving to the consideration of his status and a merchant in the same way according to his merchandise and a villein of another, rather than of ours, shall be amerced in the same way according to his weregeld should he happen to be placed into our mercy and none of the aforesaid amercements shall be imposed unless through the oath of trusted and law-abiding men of the neighbourhood and knights and barons shall not be amerced except through their peers and not unless according to the manner of the offence. No ecclesiastical person shall be amerced according to the quantity of his benefice but according to the quantity of his lay fee and according to the nature of his offence nor shall any villein or free man be distrained to build bridges at the waterways unless they had been obliged to do so from ancient times and by right. No defences shall be made for any river banks apart from those which had been made as defences in the time of king Henry our grandfather throughout the same places and under the same terms, just as they were accustomed to do in his time. No sheriff, constable, coroner or any other of our bailiffs may hold pleas of our crown. If any person holding a lay free of us shall have died and our sheriff or bailiff shall show our letters patent concerning our summons about the debt which shows what he owes to us, it may then be lawful for the sheriff or our bailiff to impound and evaluate all the deceased person’s goods and chattels found in that lay fee to the extent of that debt assessed by the valuation of trusted men. Thence nothing may be removed from there until the debt to us which was clearly shown shall be paid and the residue may be left to the executors in accordance with the deceased person’s will and if nothing may be owed to us by him and all his chattels shall yield to the deceased, saving to the wife and children of the same in reasonable share. No constable or a bailiff of his may take the corn or other chattels of anyone who is not of the town where the castle is situated unless he immediately pays money for them, or then he can have respite by the wish of the vendor. If however he is of that same town he may pay the price within forty days. No constable may distrain any knight to give him money for castle guard if he shall have been willing to do this in his own person or if for some good reason he is not able to perform this service through another trusted man; in addition, if we have led or sent him into the army, he may be exempt from service in accordance with the time during which through us he was in the army because of the fee for which he has done service in the host. No sheriff or our bailiff or any other person shall take the horses or carts of anyone to make a carriage unless he shall make the payment laid down in ancient statutes, that is to say ten pence per day for one cart with two horses and fourteen pence per day for one cart with three horses. No cart of the demesne of any ecclesiastical person or knight or of any other lord shall be taken by our bailiffs neither shall we, our bailiffs or anyone else take wood belonging to anyone else for our castles or for any other of our works unless by permission of the person to whom the wood belongs. We will not hold the lands of those persons convicted of felony longer than one year and one day and then those lands shall be returned to the lord of the fees. All fish kidells shall forthwith be removed from the Thames and Medway and throughout the whole of England unless upon the sea coast. The writ called Precipe in future shall not be granted to anyone of any free tenement, thence a free man may loose his court. There shall be one measure of wine throughout our whole kingdom and one measure of beer and one measure of corn, that is to say the quarter of London and one width of dyed cloth, of russets and halberjects, that is two ells within the selvedges. Concerning weights, these shall be the same as the measures. In future nothing may be given or taken from him who seeks the writ of the inquisition Concerning life and limbs but it shall be freely conceded and not denied. If anyone may hold of us in fee farm or socage or burgage and shall hold land from another by military service we will not have the custody of either his heir nor lands which he holds of another because of that fee -farm, socage or burgage, unless the fee farm owes that same man military service. We will not have custody of the heir or lands of anyone who holds from any other person lands by military service by reason of petty serjeantry which he holds of us by service of giving daggers or arrows or other similar things to us. Forthwith no bailiff shall place any man to his open law, not to an open oath upon his own simple affirmation without faithful witnesses brought for the purpose. No free man be taken or imprisoned nor dispossessed of his free tenement nor of his liberties or free customs nor outlawed nor exiled nor in any way brought to destruction nor shall we go upon him nor condemn him except through the lawful judgement of his peers or through the law of the land. We will not sell to anyone, nor will we not deny nor delay to anyone either right or justice. All merchants, unless they have received public prohibition, shall have safe and secure conduct to go from and come into England and to remain and to travel throughout England both by land and by water to buy and sell with no unjust exactions, in accordance with the ancient and right customs, except in time of war and if they should be from the country with which we are at war and such merchants are found in our land at the beginning of the war, they shall be apprehended with no loss to their persons or to their goods until it is made known to us or to our chief justiciary how the merchants of our land who may be found in that land which is at war with us are used and if our men were safe there, then those others shall be safe in our land. If anyone has held of another escheat, as of the honour of Wallingford, Boulogne, Nottingham, Lancaster or other escheats which are in our hands and which might be baronies and has died, his heir shall not give any relief nor perform any other service to us other than he may make to a baron, if that might be in a baron’s hands and we will hold it in the same manner by which the baron held it, nor by reason of such a barony or escheat will we have any escheat or custody of any of our men unless he who held the barony or escheat held otherwise of us in chief. In future no free man shall give or sell any more of his land but except that from the residue of his land he may be able to make the service owing to the lord of the fee which pertains to that fee. All the patrons of abbeys which have charters of the kings of England concerning the advowson or the ancient tenure or possessions may hold custody of them while they shall have been vacant just is they ought to have and just as is decreed above. No one shall be arrested or imprisoned by the appeal of a woman for the death of any man other than her husband. Henceforth no county court may be held except from month to month, and where the greater term was accustomed to be it may be greater, neither shall any sheriff or his bailiff make his turn throughout the hundred except on two occasions in a year and not unless in the due and accustomed place, that is to say once after Easter and again after the feast of Michaelmas and the view of frank pledge shall be then made at the same Michaelmas term with no obstacle, thus moreover that everyone may have his liberties which he had or was accustomed to have in the time of king Henry our grandfather or which things he has since acquired. However the view of frank pledge may be so done that our peace may be held and that the tything may be fully kept just as it was accustomed to be and that the sheriff may seek no perquisites and that he may be content with such as the sheriff was accustomed to have when he made his view at the time of king Henry our grandfather, nor in the future may it be lawful for any man to give his land to a religious house and to take that land to hold from the same house nor may it be lawful for a religious house to accept land of any man and to lease that land to him from whom it was received. Forthwith if anyone has so granted land to a religious house and upon this is convicted, his gift shall immediately be curtailed and that land returned to the lord of that fee. Forthwith scutage may be taken [as was customary] in the time of our grandfather king Henry and saving to the archbishops, bishops, abbots, priors, Templars, Hospitallers, earls, barons and all other persons both ecclesiastical and secular all the liberties and free customs which they first had. However all men of our kingdom, both clergy and laity shall observe all the customs and the aforesaid liberties [hole in MS which we have granted] in as much as pertains to us towards them in the way that these pertain towards them. However for this grant and concession of those liberties and other things contained in our charter concerning the liberties of the Forest the archbishops, bishops, abbots, priors, earls, barons and all people of our kingdom have given us a fifteenth part of all their moveable goods. We have granted also to the same people on our behalf and that of our heirs that neither we nor our heirs may request anything through which the liberties as contained in this charter may be violated or questioned and if any persons [may presume to commit such action] such may be worthless and set at nought. These are the witnesses: The lord S archbishop of Canterbury, E bishop of London, the bishops, J. Bath. P Winchester. H, Lincoln. R. Salisbury. W. Rochester, W.Worcester, J. Ely. H. Hereford. R. Chichester. W. Exeter, the abbot of Bury St Edmunds. The abbot of [hole], the abbot of Battle, the abbot of St Augustine’s Canterbury, the abbot of Evesham, the abbot of Westminster, the abbot of Peterborough, the abbot of Reading, the abbot of Abingdon, the abbot of Malmesbury, the abbot of Winchcombe, the abbot of Hythe, the abbot of Chertsey, the abbot of Shirbourne. The abbot of [hole] the abbot of Aylesbury. the abbot of Middleton., the abbot of Selby, the abbot of Cirencester, Hubert de Burgh our justiciar, H. earl of Chester and Lincoln, W. earl of Salisbury. W. earl Warenne. Gilbert de Clare earl of Gloucester and Hereford, W. de Ferrars earl of Derby, W de Mandeville earl of Essex, Hugh de Bigod earl of Norfolk, W. earl of Albermarle, H earl of Hereford. J Constable of Chester, R. de Ros, R son of Walter, R de Veteri Ponte, W. de Bruer. R. de Montfichet. P. fitz Herbert, W. de Aubeny son of Gresly, J de Munmue. J. Fitzalan, H de Mortimer, W de Beauchamp, W. de St John, P. de Malo lacu, Brian de Isham, Thomas de Multon, R. de Argentenn, G de Nevill, W. Manduit, J de Ballivi and others. Given at Westminster on the eleventh day of February in the ninth year of our reign, 1224/5. We however, having ratified the aforesaid grants and concessions freely concede and confirm them on behalf of ourself and of our heirs and renew them by the tenor of the present writings, desiring and granting for ourselves and our heirs that the aforesaid charter may be observed in all and each of its articles firmly and also unquestioned in perpetuity, if any articles contained in the same charter shall not previously have been observed. These are the witnesses: the venerable fathers * Robert archbishop of Canterbury, primate of all England, and bishops Anthony of Durham, Robert of London. Robert of Ely, Thomas of Exeter, Walter of Coventry and Lichfield, Simon of Salisbury, J (sic) Thomas of Rochester, John of Norwich and John of Llandaff, John elect of Lincoln, John de Warenne Earl of Surrey, Thomas Earl of Lancaster, Roger le Bygod Earl of Norfolk and Marshall of England, Henry de Lacy Earl of Lincoln, Ralph de Monte Hermern Earl of Gloucester and Hertford, Humphrey de Bohun Earl of Hereford and Essex, Guy de Beauchamp Earl of Warwick, Richard fitz Alan Earl of Arundel, Reginald de Grey, John de Hastings, Henry de Percy, Hugh le Despenser, Hugh de Veer, Robert de Tateshale, Hugh Bardolp, Hugh de Courteneye, John de Seagrave, Henry de Grey, William de Ros de Helmesleye, Alan la Zusche, Robert de Tony, Robert de Monte Alto, William de Breous, Thomas [hole]nall, John de Engaygne, Peter Corbet, William de Leyburn, William de Latymer, Walter de Beauchamp, steward of our lodgings, Walter de Huntercumbe and others. Given by our hand at Westminster on the twenty eighth day of March in the twenty eighth year of our reign. * Robert Winchelsey archbishop of Canterbury 1293-1313 Anthony Bek bishop of Durham 1283-1311 Robert Gravesend bishop of London 1280-1303 Robert de Walpole bishop of Ely1299-1302 Thomas de Bitton bishop of Exeter 1291-1307 Walter de Langeton bishop of Coventry and Lichfield 1296-1321 Simon of Ghent bishop of Salisbury 1297-1315 Thomas de Wouldham bishop of Rochester 1291-1317 John Salmon bishop of Norwich 1299-1325 John de Dalderby bishop elect of Lincoln 1300-1320. Elected 15th January 1300, consecrated 12 June 1300.
Written on fold of charter: For the Barons of the port of Faversham. Examined through Master Edmund of London
Ivan Misko’s cosmic scope
Exhibition of works by well-known sculptor and People’s Artist of Belarus hosted by National Art Museum
By Victor Mikhailov
More than 40 works by the artist are on show, including sculptural portraits of such distinguished cosmonauts as Yury Gagarin, Piotr Klimuk, Vladimir Kovalenok, Valentina Tereshkova and their colleagues from France, Bulgaria, Syria, Japan and other countries. The exhibition includes pencil sketches depicting images of cosmonauts and a number of photos portraying sculptures mounted and stored in Mr. Misko’s studio.
Belarusian-Russian cosmonaut Colonel Oleg Novitsky, of the Gagarin Cosmonaut Training Centre, attended the opening. Since 2012, he has participated in a six-month expedition to the International Space Station, on the crew of the ‘Soyuz TMA-06M’, returning to Earth in March of this year.
Ivan Misko has been working on the theme of space since the first-ever cosmonaut Yury Gagarin entered orbit. “The flight of a cosmonaut is an act of knowing the unknown. My aspiration is to know the soul of a cosmonaut,” the artist explains, adding that he finds cosmonauts like everyone else, but ‘a little bit kinder’ and ‘with stronger nerves’!
At a press conference before the exhibition opening, the sculptor announced his plans for a new project on the capital’s Kosmonavtov Street, saying, “It will be a huge bas-relief devoted to space. There will be three figures placed before the stars: Piotr Klimuk, Vladimir Kovalenok and Vladimir Novitsky.”
He added that he is preparing for a much bigger exhibition at the Museum of Minsk History — planned to open by next Cosmonautics Day, on April 12th, 2014.
An album devoted to the life and work of Ivan Misko was presented at the opening of the exhibition, containing biographical details as well as various pictures of his works.
Of course, it’s always preferable to see a sculptor’s works life-sized, so the latest exhibition is not to be missed. His studio has a rich history, being housed in a 19th century former stable, in which he took residence 40 years ago. The first Belarusian cosmonaut, Piotr Klimuk, became the sculptor’s first model in this studio and was the first to sign a mirror brought by the sculptor from his house. Each member of the Star City space crew has signed it over the years, since Mr. Misko was once a constant guest at Star City, being its resident sculptor. Like a real secret-service agent, he was sworn to secrecy.
Ivan Misko is the most famous space sculptor across post-Soviet territory, having created likenesses of every Soviet cosmonaut — and others besides. His studio boasts a door of cosmonauts’ autographs, as at Baikonur cosmodrome.
A sculptural portrait of Gagarin was Misko’s first in his space series, which he began to sculpt on the day of the cosmonaut’s death. He worked on the portrait in his old studio, situated in the art museum. Today, this first bust of Gagarin is mounted in the legend’s home country.
In fact, Mr. Misko began to sculpt while in the army. He gained a place at art school, with painting as his specialty, but failed to take up his place, lacking accommodation. After serving in a tank regiment, he began studying under Andrey Bembel, a master of sculpture; he has been in love with the genre now for 55 years.
Ivan Misko headed the Republican Monumental Council for 12 years. Now, he is responsible for town planning in the Minsk Region and manages the Regional Monumental-expert Council. He donates all his works to the country and his studio is likely to become a museum, with himself as its first employee! He is unique in having dedicated his artistic life to the space theme, using not only sculpture but sketching and photography to capture the character of each brave cosmonaut. Among them are Piotr Klimuk, Vladimir Kovalenok, Alexey Leonov and Valentina Tereshkova. He has even depicted Anna Timofeevna Gagarina, with whom he enjoyed a great friendship.
All cosmonauts arriving in Minsk have visited Ivan Misko’s studio: Georgy Beregovoy and Valery Ryumin, Vitaly Sevastianov and Victor Savinykh, Yury Romanenko and Yury Glazkov, Tamayo Mйndez from Cuba and Mirosław Hermaszewski from Poland. An especially great friendship has united the sculptor with Piotr Klimuk and Vladimir Kovalenok: his fellow citizens.
Georgy Beregovoy once joked that, since Baikonur had a door where all cosmonauts placed their signatures, Mr. Misko should do the same. The joke became a reality and the door is now on show alongside the sculptures, photographs, memorable souvenirs and other artefacts, at the National Art Museum.
Over the years, other guests started adding their signatures, including Alexander Lukashenko, during his time as a deputy of the Supreme Soviet.
As a young boy, Ivan Misko heard the name Star City and yearned to visit. Of course, his dream later came true. Within a few decades, the sculptor was an annual visitor to his second studio, where he created his portraits of cosmonauts and learnt about their training schedules and personal lives. He once obtained a permit to try out the training simulators, which left him feeling drunk for two days. One simulator imposed the illusion of flying around the globe. Following his experience, he chatted with American astronauts, who admitted that it’s easy to become depressed or irritable during space missions; accordingly, selection is conducted carefully.
Ivan even took saunas with the cosmonauts, who were able to spend whole days in the heat. Of course, it was part of their training to endure high temperatures. While working in Star City, the sculptor made a great number of masks of cosmonauts’ faces, before their flights. Each was surprised on afterwards viewing the results, which seem to capture a moment in time and revive their memories of each mission.
Naturally, Mr. Misko’s depiction of Yury Gagarin is among his most prized. On hearing a radio announcement of his tragic death, Mr. Misko surrounded himself with photos of the first cosmonaut and began a sculpture of the heroic pilot. He later left it outside to dry and, on returning home after an hour, was met by fire-engines extinguishing his burning barn. The sculpture was damaged (harking to Yuri’s own death during a fighter jet crash) but later restored, and resides still in his studio.
In due time, the sculptor met Yury’s mother, Anna Timofeevna Gagarina, who visited his studio more than once. One of his portraits of Anna, cast in bronze, is mounted in the homeland of the first cosmonaut. He recollects, “Her kind, clever eyes are still in my memory.” The great lady was always warmly welcomed by cosmonauts.
Yury’s mother presented Mr. Misko with some of her son’s photos, one bearing the inscription: ‘For Ivan Yakimovich, with wishes for success. July, 1979 A. Gagarina’. He also met the mothers of Pyotr Klimuk and Vladimir Kovalenok, embodying them in his Mothers of Heroes.
Sculptural portraits and compositions devoted to cosmonauts can be found not only in Ivan Misko’s studio and Star City but in each of the brave crew members’ homeland and, often, further abroad.
Mr. Misko’s passion has driven his lifelong love affair with space, having been rarely compensated for his frequent trips, with their associated costs. Many of his works were made without having been ordered and with no guaranteed payment. Sadly, it’s been three years since his last visit to Star City, leaving some works unfinished and, frustratingly, preventing him from meeting the cosmonauts training for their new flights. In fact, his next dream is not to take his exhibition to Star City but to allow it to tour the native countries of his cosmonaut subjects.
More than once, museums have asked to buy particular works but he refuses, being reluctant to see his collection broken up. However, for many years, he has been hoping for a sponsor to come forward, willing to take the whole collection. It would certainly create a unique feature, drawing visitors from far and wide.
The sculptor is currently working on a bust of Oleg Novitsky, the third Belarusian in space, who helped crew the ISS. “I find it easy to work with Oleg; time passes quickly while we’re chatting,” smiles Mr. Misko. “In honour of the exhibition opening, Oleg gave me a photo of Minsk, taken as the space station flew over Belarus.”
Ivan has worked not only with Belarusians and Russians but with cosmonauts from Poland, Cuba, Romania, Mongolia, France, Germany, Bulgaria, Syria, Great Britain, Vietnam, Austria, Japan, Afghanistan and India, creating works which are well-known far beyond the borders of Belarus.
The Lower Trout Lake Bathhouse Complex and Contact Station includes five Mid-Century Modern resources, located on
two separate land parcels, in the same section of the Bald Mountain Recreation Area in Orion Township. The Lower Trout Lake Bathhouse Complex and Contact Station was designed in the mid-1960s by internationally renowned Michigan
architect Gunnar Birkerts. The larger of the two parcels of land contains a bathhouse complex of four closely spaced circular buildings – Men’s and Women’s Bathhouses, a Concession Stand, and a Pump House – all grouped within a large
circular pad of concrete pavement set back from the beach at Lower Trout Lake. The nomination also includes a small round Contact Station or “control booth” located about 4,600 feet away on the entrance road into this southern section of
the Bald Mountain Recreation Area. The buildings are closely related by their circular forms, concrete construction, and,
before vandals stripped them, copper roofs.
The Lower Trout Lake Bathhouse Complex and Contact Station is significant under criteria A and C. It is a set of Park
Service Modern buildings inspired by the nationwide Mission 66 program. The buildings were designed by world renowned architect Gunnar Birkerts who is known for his high-style modern structures. The Lower Trout Lake Bathhouse Complex and Contact Station’s structures are examples of two complimentary forms of mid-century modern design; one, a style of park building known as Park Service Modern, made popular by the National Park Service and the Mission 66 program architects; the other, the distinctive architectural style produced by Gunnar Birkerts at the time, during the beginning of the busiest point in his career. The buildings are less than fifty years old, yet because of their unique design, association with a
nation-wide program, and were designed by a master architect; they are eligible for nomination to the National Register of Historic Places at the National level.
The Lower Trout Lake Bathhouse Complex and
Contact Station was listed in the National Register of HIstoric Places on September 3, 2013.
Ahead of the Piazza Italia proper, some of the cars went on a tour from Horsham to Henfield via Storrington and Steyning. Before parking up, A classic Lancia rumbling down Steyning High Street
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Original Blog Post:
auroratown.wordpress.com/2014/06/17/feebs-rascal-street-s...
The monument includes the remains of a Roman aqueduct known as the Raw Dykes situated immediately west of the junction of Aylestone Road and Saffron Lane, Leicester.
The monument includes linear earthworks up to 110m in length and orientated on an approximately north east-south west axis following the 60m contour. The remains consist of parallel banks defining a flat-bottomed linear depression approximately 110m in length, a maximum of 20m in width and 2.5m in depth. The north western bank reaches a maximum height of approximately 4m above ground level on its western side and is up to 17m in width at its base. The south eastern bank rises to a height of about 2.5m above the central depression on its western side but is only approximately 0.6m high on its eastern side due to a rise in ground level. The Raw Dykes are considered to represent the remains of a Roman aqueduct or water channel constructed to supply the settlement of Ratae Corieltauvorum.
More details here: www.leicester.gov.uk/your-council-services/ep/planning/co...
This pack includes great resources for teaching, practicing and testing on the four types of sentences: declarative, interrogative, imperative, and exclamatory.
Unit includes posters for each type of sentence (two sizes each) and multiple worksheets! Students will be asked to fill in the correct answer, create specific types of sentences as well as marking multiple choice answers.
Download Club members can download @ www.christianhomeschoolhub.com/pt/Grammar-Resources-4th-8... (or) can be purchased @ www.teacherspayteachers.com/Product/Sentence-Types-Learni...
More information, genuine customer reviews and ratings on
USA Gear Weather Resistant Digital SLR Zoom Holster Carrying Case Bag for Sony SLT-A58 , DSC-HX300 , DSC-H200 , SLT-A99 , SLT-A37 , SLT-A57 & more DSLR Cameras - Includes Accessory Bag and Mini Tripod:
www.shoppingsecurelyonline.com/usa-gear-weather-resistant...
Sgt. Maj. of the Army Raymond F. Chandler, III recently visited the Camp Zama installation on a tour of Japan and Korea. Chandler met with Camp Zama’s senior leaders to include Gen. James C. Boozer and Command Sgt. Maj. Eric C. Dostie, the commander and command sergeant major of U.S. Army Japan and I Corps (Forward) respectively. Chandler spent time talking with Soldiers, USARJ and Japan Ground Self Defense Force senior leaders and touring the Edo Museum in Tokyo. Before departing Camp Zama, Chandler conducted a roundtable discussion with enlisted senior leaders to address the importance of leadership in the U.S. Army. (U.S. Army photos by Yuichi Imada)
To read more go to Rising Sun Online at www.army.mil/RisingSun.
To see more photos and videos from the USAG-J community, go to USAG-J Pinterest at www.pinterest.com/garrisonjapan/.
About the United States Army Garrison Japan:
The United States Army Garrison Japan and its 16 supported installation sites are located in the island of Honshu and Okinawa in Japan. The USAG Japan mission is to support the Headquarters, U.S. Army Japan / I Corps (fwd) to ensure mission readiness and the quality of life of the Army community in a sustainable, transforming joint and combined environment.
The USAG-J area of responsibility spans 1,500 miles from north to south of Japan. Camp Zama, home for both HQ USARJ and USAG-J is located approximately 25 miles southwest of Tokyo in the cities of Zama and Sagamihara in Kanagawa Prefecture, Japan. The Camp Zama base cluster includes Sagamihara Housing Area and Sagami General Depot.
Akasaka Press Center is located in the center of Tokyo. The Akizuki/Kure area near Hiroshima is an ammunition depot. Yokohama North Dock is a port facility in the city of Yokohama, a major commerce port and a popular shopping area. USAG Torii Station is located 980 miles southwest of Camp Zama on the island of Okinawa.
We are the Army's home in Japan and the "Garrison of Choice" for Soldiers, Civilians and their Family members. We are committed in becoming the leader in the U.S. Army Installation Management Command by providing world-class installation services.
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To learn more about USAG Japan, please visit:
Official Website - www.usagj.jp.pac.army.mil
Facebook - www.facebook.com/usagj
Google+ - plus.google.com/111160599639559783562#1111605996395597835...
Flickr - www.flickr.com/usagj
YouTube - www.youtube.com/usagjapan
Vimeo - www.vimeo.com/usagj
Twitter - www.twitter.com/usagjapan
Pinterest- www.pinterest.com/garrisonjapan/
Slideshare - www.slideshare.net/usagj
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The Hunter Museum of American Art is an art museum in Chattanooga, Tennessee. The museum's collections include works representing the Hudson River School, 19th century genre painting, American Impressionism, the Ashcan School, early modernism, regionalism, and post-World War II modern and contemporary art.
The building itself represents three distinct architectural stages: the original 1904 classical revival mansion designed by Abram Garfield, the son of president James A. Garfield, which has housed the museum since its opening in 1952, a brutalist addition built in 1975, and a 2005 addition designed by Randall Stout which now serves as the entrance to the museum.
The museum is situated on an 80-foot (24 m) bluff overlooking the Tennessee River and downtown Chattanooga. The Faxon House, built in 1904, was built where a Confederate battery had been emplaced. Once a prestigious address for Victorian houses, the area is now home to the Bluff View Art District. The museum sits on a bluff that overlooks the Walnut Street Bridge. The Ruth S. and A. William Holmberg Pedestrian Bridge provides a pedestrian-friendly connection to the nearby Walnut Street Bridge and riverfront attractions.
The Hunter Museum is named after George Hunter, who inherited the Coca-Cola Bottling empire from his uncle Benjamin Thomas. Thomas was one of the entrepreneurs who created Chattanooga's Coca-Cola bottling empire. Their nephew, George Hunter, later joined Anne Thomas to create a philanthropic organization in Hunter's memory named the Benwood Foundation. The foundation's mission was to "promote religious, charitable, scientific, literary and educational activities for the advancement or well being of mankind". The centerpiece of the Benwood Foundation's gifts to the community of Chattanooga is the Hunter Museum of American Art, originally known as the Ross Faxon House.
In 2002 the Hunter Museum of American Art partnered with the City of Chattanooga, the Tennessee Aquarium and the Creative Discovery Museum to finish the 21st Century Waterfront Plan. The Hunter Museum portion of the project included a $22 million expansion and renovation, designed by Randall Stout that was completed in 2005. The project included 28,000 square feet of new construction, 34,000 square feet of renovation, a new entrance, a temporary exhibition space, restoration of the mansion, the creation of an outdoor sculpture and a complete reinstallation of the Museum's permanent collection.
The Hunter Museum of American Art includes 100 years of architectures and the most complete collection of American art in the Southeast. The museum also travels nationally for exhibits and curated shows. The collection spans from the colonial period to present day and covers a wide variety of media including painting, sculpture, contemporary studio glass, and crafts.
In 2006 the museum received national recognition from the Innovative Design in Engineering and Architecture with Structural Steels awards program. The award recognizes outstanding achievements in engineering and architecture on structural steel projects around the country. The Hunter Museum project earned Merit Award recognition in the category of Projects $15–$75 million.
In June 2015, the Hunter Museum of Art announced on their official website that they had chosen a new executive director, Virginia Ann Sharber.
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www.tnvacation.com/local/chattanooga-hunter-museum-americ...
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4-H English Horse Show includes English Equitation which showcases the exhibitor's horsemanship (skill at riding horses). A specific pattern is provided ahead of time, followed by rail work (riding along the rail) with exhibitors following directions from the judge.
Includes Kinni-toos, dark melting chocolate, Lindt white truffles, slivered almonds, strawberry fruit roll-ups and Cake Mate black icing,
The CAFNR Column Award for Distinguished Alumni event was held Friday, Oct. 4 in Columbia. This is the only award specifically for alumni presented by the college. The awardees include one graduate from each of CAFNR’s six divisions, reflecting the six historic columns at the University of Missouri. See cafnr.missouri.edu/2019/10/honoring-cafnrs-top-alumni/ for biographies of the recipients.
The park includes a conservatory (a designated city landmark), completed in 1912; a water tower with an observation deck, built by the Water Department in 1906, a fenced-off reservoir; the dramatic Art Deco building of the Seattle Asian Art Museum (a designated city landmark[6]); a statue of William Henry Seward; and a sculpture, Black Sun, by Isamu Noguchi (colloquially referred to as "The Doughnut") around which a scenic view of the Seattle skyline that prominently includes the Space Needle can be seen, as well as several meadows and picnic tables. The wading pool is operational in the summer months and operated daily from 11 a.m. to 8 p.m.
A blog post that includes these photos lives here: likeafishinwater.com/2017/05/27/pilgrimage-to-ogaki-and-y...
My company: www.thirdplacemedia.com - Research, content development and communications strategy focused on transit, walkability, placemaking and environment issues
My blog: likeafishinwater.com
An afternoon of tinkering with the Alfa. An upgrade of sorts, adding a hazard warning light switch and associated wiring. A worthwhile modernisation, especially given the increase in smart motorways, with no hard shoulder. Luckily, I could mount the switch in a spare hole in the dashboard, previously blanked off with a rubber bung.
The other switch is a dimmer for the instrument panel, which takes it from dim to even dimmer.
Nude Doll = USD$265.00
Set includes:
- Default Box
- Assembled doll
- Pillow
- A random pair of glass eyes
- Undergarments
Measurements:
Weight: 1700 Grams
Height: 62 cm
Circumference of head: 22 cm
Circumference of neck: 10 cm
Shoulder width: 12 cm
Length of arm: 18 cm
Chest: 26 cm
Waist: 22 cm
Hips: 26 cm
Length of leg: 28 cm
Circumference of thigh: 14 cm
Circumference of calf: 11 cm
Length of foot: 7.5 cm
Details:
Recommend eye size: 14mm
Knee joints: Double joints
Elbow joints: Double joints
Body type: SMG-Male Version two
Skin color available: White, Yellow, Pink and Tanned Skin
(For Tanned skin, it costs additional USD$25.00)
(For Face-up, additional USD$35.00 will be charged)
The top window seal and re-felted window channel on the Alfa's passenger side door quarterlight frame. I had to make-up a spacer as the borrowed pop riveter wouldn't fit in to the small slot.
Fitting the replacement triangular quarterlight seal proved troublesome - so tinkering required
I am looking for war memorials that include the names of the men in the First World War group photograph that I am researching - see www.groupphoto.co.uk. One of my themes is Remembrance and I'm interested in finding anything that remains as a visible reminder of the men in this photograph. William Howe Bissley is on the Maidenhead War Memorial.
Note: the bronze memorial tablets are in a bit of a mixed up order - I've identified which are World War One and which are World War Two by looking up some of the more unusual names on www.cwgc.org
Work includes new window installation, flooring prep for new carpet in open offices and construction of new stair in expanded core.
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The SMUD Headquarters is truly a landmark of mid-century modern design. After 60 years of continuous use, a complete renovation is in process of their headquarters building, which is on the National Register of Historic Places.
Restoration work included paring the building back to its steel structure, upgrading all dated materials and systems. Glazing, solar shades, precast concrete and Wayne Thiebaud’s mosaic tile mural Water City, were also be carefully preserved; new efficient lighting and HVAC and data systems have been fully integrated to bring this iconic headquarters into the 21st century.
Also included in this renovation are site and landscape improvements designed to historically maintain significant site features.
12:12:39 PM - Jim Raddysh includes the photogrpher in his magic trick as he entertains the students and parents of Little Red Schoolhouse (Beaver Point Rd) on the last school day.
THE KU SCHOOL OF MEDICINE-WICHITA MATCH DAY EVENT AT THE WSU METROPLEX ON MARCH 15, 2019. INCLUDES THE CLASS GROUP PHOTO, CANDIDS BEFORE AND AFTER THE EVENT AND THE MATCH DAY EVENT WITH STUDENTS ANNOUNCING WHERE THEY ARE GOING FOR THEIR RESIDENCY.