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The Lidl Run Kildare Events 2013 were held at the Curragh Racecourse, Newbridge, Co. Kildare, Ireland on Sunday 12th May 2013. There were three events: a 10KM, a half marathon, and a full marathon. This is a selection of photographs which includes all events. The photographs are taken from the start and finish of the marathon, the finish of the 10KM, and the finish of the half marathon. Due to the large numbers participating we did not manage to photograph everyone - which was not helped by the weather. Congratulations to Jo Cawley and her RunKildare crew for another great event. The weather didn't dampen the spirits of the many happy participants.
Electronic timing was provided by Red Tag Timing [www.redtagtiming.com/]
Overall Race Summary
Participants: There were approximately 3,000 participants over the 3 race events - there were runners, joggers, and walkers participating.
Weather: A cold breezy morning with heavy rain at the start. The weather dried up for the 10KM and the Half Marathon races
Course: This is an undulating course with some good flat stretches on the Curragh.
Viewing this on a smartphone device?
If you are viewing this Flickr set on a smartphone and you want to see the larger version(s) of this photograph then: scroll down to the bottom of this description under the photograph and click the "View info about this photo..." link. You will be brought to a new page and you should click the link "View All Sizes".
Some Useful Links
GPS Garmin Trace of the Kildare Marathon Route: connect.garmin.com/activity/175709313
Homepage of the Lidl Run Kildare Event: www.kildaremarathon.ie/index.html
Facebook Group page of the Lidl Run Kildare Event: www.facebook.com/RunKildare
Boards.ie Athletics Discussion Board pages about the race series: www.boards.ie/vbulletin/showthread.php?t=2056815306
Our photographs from Run Kildare 2012: www.flickr.com/photos/peterm7/sets/72157629707887620/
Our photographs from Run Kildare 2011: www.flickr.com/photos/peterm7/sets/72157626725200956/
A small selection of photographs from Run Kildare 2010: www.flickr.com/photos/peterm7/sets/72157623899845567/ (first event)
Can I use the photograph with the watermark?
Yes! Absolutely - you can post this photograph to your social networks, blogs, micro-blogging, etc.
How can I get a full resolution, no watermark, copy of these photographs?
All of the photographs here on this Flickr set have a visible watermark embedded in them. All of the photographs posted here on this Flickr set are available, free, at no cost, at full resolution WITHOUT watermark. We take these photographs as a hobby and as a contribution to the running community in Ireland. We do not know of any other photographers who operate such a policy. Our only "cost" is our request that if you are using these images: (1) on social media sites such as Facebook, Tumblr, Pinterest, Twitter,LinkedIn, Google+, etc or (2) other websites, web multimedia, commercial/promotional material that you provide a link back to our Flickr page to attribute us. This also extends the use of these images for Facebook profile pictures. In these cases please make a separate wall or blog post with a link to our Flickr page. If you do not know how this should be done for Facebook or other social media please email us and we will be happy to help suggest how to link to us.
Please email petermooney78 AT gmail DOT com with the links to the photographs you would like to obtain a full resolution copy of. We also ask race organisers, media, etc to ask for permission before use of our images for flyers, posters, etc. We reserve the right to refuse a request.
In summary please remember - all we ask is for you to link back to our Flickr set or Flickr pages. Taking the photographs and preparing them for online posting does take a significant effort. We are not posting photographs to Flickr for commercial reasons. If you really like what we do please spread the link around, send us an email, leave a comment beside the photographs, send us a Flickr email, etc.
If you would like to contribute something for your photograph(s)?
Some people offer payment for our photographs. We do not charge for these photographs. We take these photographs as our contribution to the running community in Ireland. If you feel that the photograph(s) you request are good enough that you would pay for their purchase from other photographic providers we would suggest that you can provide a donation to any of the great charities in Ireland who do work for Cancer Care or Cancer Research in Ireland.
I ran in the race - but my photograph doesn't appear here in your Flickr set! What gives?
As mentioned above we take these photographs as a hobby and as a voluntary contribution to the running community in Ireland. Very often we have actually ran in the same race and then switched to photographer mode after we finished the race. Consequently, we feel that we have no obligations to capture a photograph of every participant in the race. However, we do try our very best to capture as many participants as possible. But this is sometimes not possible for a variety of reasons:
►You were hidden behind another participant as you passed our camera
►Weather or lighting conditions meant that we had some photographs with blurry content which we did not upload to our Flickr set
►There were too many people - some races attract thousands of participants and as amateur photographs we cannot hope to capture photographs of everyone
►We simply missed you - sorry about that - we did our best!
You can email us petermooney78 AT gmail DOT com to enquire if we have a photograph of you which didn't make the final Flickr selection for the race. But we cannot promise that there will be photograph there. As alternatives we advise you to contact the race organisers to enquire if there were (1) other photographs taking photographs at the race event or if (2) there were professional commercial sports photographers taking photographs which might have some photographs of you available for purchase. You might find some links for further information above.
Don't like your photograph here?
That's OK! We understand!
If, for any reason, you are not happy or comfortable with your picture appearing here in this photoset on Flickr then please email us at petermooney78 AT gmail DOT com and we will remove it as soon as possible. We give careful consideration to each photograph before uploading.
I want to tell people about these great photographs!
Great! Thank you! The best link to spread the word around is probably www.flickr.com/peterm7/sets
From Supercar Sunday - the theme of May's Goodwood Breakfast Club. The nose of a Ferrari 458 Speciale
Blue silk option includes the large plaid jacket, blue silk top and blue wool skirt. Includes designer tote bag and precious gem and chain necklace
Price for complete set - $160
silk top
wool skirt
plaid jacket
designer tote bag and scarf
chunky gem and chain necklace
Cold and clear for the Ricardo Fireworks Party. Traditional foreground rides for the kids, a bar, food, an impressive display and a chance to catch up with current and former colleagues.
Includes plan (20×33cms.) showing sewers, unhealthy districts, fever cases, deaths from fever, cholera cases, deaths from cholera, fever ward in Chester St., and house in which first case of cholera appeared; section and elevation of three storey back to back houses with cellars; details of families in twenty cellars, 7 Oct 1849 (mostly Irish names); table showing number of houses, population; residences of patients treated by the Chorlton Dispensary and Union, 1847-51, annual percen of deaths, total number of fever, diarrhoea and dysentery, scarlet fever and measles, 1847-1851, and total number of cases of cholera treated under the Union, 1848-1849; total deaths, 1847-1851, with number of houses, population, annual average and annual percent of deaths; deaths in specific streets from fever, smallpox, diarrhoea and dysentery, 1847-1851, cholera deaths per street, 1847-1851; causes of death in specific streets, 1847-1851; deaths under five years old; number of persons relieved and cost, 1847-51; number of ashpits requiring draining and other nuisances per street, 31 Dec 1853; number of back to back houses per street; streets and courts where privies face houses; streets and courts requiring draining; overcrowded houses per street "occupied by a low class of Irish, who are known to live together in large numbers", number of houses with privies under sleeping rooms.
GB127.M126/5/1/17
The links below include more details about the event, and the back story of Milt Olin, struck and killed while riding his bike by an L.A. County Sheriff that was driving distracted (for which no charges were filed by the DA).
la.streetsblog.org/?s=Milt+Olin
bikinginla.com/2014/09/02/all-hands-on-deck-ride-and-vigi...
Sexy dress with sparkles.
Includes appliers for:
Lolas tango
Mirage
Omega
Cute/Phat
Sking Brazilia
G. Inc Perfect body (uses omega appliers)
Ghetto Booty
Maitreya
VS Fusion
Lena
Belleza
eBody
slink physique clothing applier
wowmeh applier
Eve applier hud pulpy and slim
I have an inworld shop. Use the telepad at the landing point. maps.secondlife.com/secondlife/Static%20Beats/84/236/59
Marketplace store.
marketplace.secondlife.com/p/Sexy-Dreams-Cutesy-dress-bei...
Crocodiles (subfamily Crocodylinae) or true crocodiles are large aquatic reptiles that live throughout the tropics in Africa, Asia, the Americas and Australia. Crocodylinae, all of whose members are considered true crocodiles, is classified as a biological subfamily. A broader sense of the term crocodile, Crocodylidae that includes Tomistoma, is not used in this article. The term crocodile here applies only to the species within the subfamily of Crocodylinae. The term is sometimes used even more loosely to include all extant members of the order Crocodilia, which includes Tomistoma, the alligators and caimans (family Alligatoridae), the gharials (family Gavialidae), and all other living and fossil Crocodylomorpha.
Although they appear to be similar to the untrained eye, crocodiles, alligators and the gharial belong to separate biological families. The gharial having a narrow snout is easier to distinguish, while morphological differences are more difficult to spot in crocodiles and alligators. The most obvious external differences are visible in the head with crocodiles having narrower and longer heads, with a more V-shaped than a U-shaped snout compared to alligators and caimans. Another obvious trait is the upper and lower jaws of the crocodiles are the same width, and teeth in the lower jaw fall along the edge or outside the upper jaw when the mouth is closed; therefore all teeth are visible unlike an alligator; which possesses small depressions in the upper jaw where the lower teeth fit into. Also when the crocodile's mouth is closed, the large fourth tooth in the lower jaw fits into a constriction in the upper jaw. For hard-to-distinguish specimens, the protruding tooth is the most reliable feature to define the family that the species belongs to. Crocodiles have more webbing on the toes of the hind feet and can better tolerate saltwater due to specialized salt glands for filtering out salt, which are present but non-functioning in alligators. Another trait that separates crocodiles from other crocodilians is their much higher levels of aggression.
Crocodile size, morphology, behavior and ecology somewhat differs between species. However, they have many similarities in these areas as well. All crocodiles are semiaquatic and tend to congregate in freshwater habitats such as rivers, lakes, wetlands and sometimes in brackish water and saltwater. They are carnivorous animals, feeding mostly on vertebrates such as fish, reptiles, birds and mammals, and sometimes on invertebrates such as molluscs and crustaceans, depending on species and age. All crocodiles are tropical species that unlike alligators, are very sensitive to cold. They first separated from other crocodilians during the Eocene epoch, about 55 million years ago. Many species are at the risk of extinction, some being classified as critically endangered.
ETYMOLOGY
The word "crocodile" comes from the Ancient Greek κροκόδιλος (crocodilos), "lizard," used in the phrase ho krokódilos tou potamoú, "the lizard of the (Nile) river". There are several variant Greek forms of the word attested, including the later form κροκόδειλος (crocodeilos) found cited in many English reference works. In the Koine Greek of Roman times, crocodilos and crocodeilos would have been pronounced identically, and either or both may be the source of the Latinized form crocodīlus used by the ancient Romans. Crocodilos or crocodeilos is a compound of krokè ("pebbles"), and drilos/dreilos ("worm"), although drilos is only attested as a colloquial term for "penis". It is ascribed to Herodotus, and supposedly describes the basking habits of the Egyptian crocodile.
The form crocodrillus is attested in Medieval Latin. It is not clear whether this is a medieval corruption or derives from alternate Greco-Latin forms (late Greek corcodrillos and corcodrillion are attested). A (further) corrupted form cocodrille is found in Old French and was borrowed into Middle English as cocodril(le). The Modern English form crocodile was adapted directly from the Classical Latin crocodīlus in the 16th century, replacing the earlier form. The use of -y- in the scientific name Crocodylus (and forms derived from it) is a corruption introduced by Laurenti (1768).
CHARACTERISTICS
A crocodile’s physical traits allow it to be a successful predator. Its external morphology is a sign of its aquatic and predatory lifestyle. Its streamlined body enables it to swim swiftly, it also tucks its feet to the side while swimming, which makes it faster by decreasing water resistance. They have webbed feet which, though not used to propel the animal through the water, allow them to make fast turns and sudden moves in the water or initiate swimming. Webbed feet are an advantage in shallower water, where the animal sometimes moves around by walking. Crocodiles have a palatal flap, a rigid tissue at the back of the mouth that blocks the entry of water. The palate has a special path from the nostril to the glottis that bypasses the mouth. The nostrils are closed during submergence.
Like other archosaurs, crocodilians are diapsid, although their post-temporal fenestrae are reduced. The walls of the braincase are bony, but lack supratemporal and postfrontal bones. Their tongues are not free, but held in place by a membrane that limits movement; as a result, crocodiles are unable to stick out their tongues. Crocodiles have smooth skin on their bellies and sides, while their dorsal surfaces are armoured with large osteoderms. The armoured skin has scales and is thick and rugged, providing some protection. They are still able to absorb heat through this armour, as a network of small capillaries allows blood through the scales to absorb heat. Crocodilian scales have pores believed to be sensory in function, analogous to the lateral line in fishes. They are particularly seen on their upper and lower jaws. Another possibility is that they are secretory, as they produce an oily substance which appears to flush mud off.
SIZE
Size greatly varies between species, from the dwarf crocodile to the saltwater crocodile. Species of Osteolaemus grow to an adult size of just 1.5 to 1.9 m, whereas the saltwater crocodile can grow to sizes over 7 m and weigh 1,000 kg. Several other large species can reach over 5.2 m long and weigh over 900 kg. Crocodilians show pronounced sexual dimorphism, with males growing much larger and more rapidly than females. Despite their large adult sizes, crocodiles start their lives at around 20 cm long. The largest species of crocodile is the saltwater crocodile, found in eastern India, northern Australia, throughout South-east Asia, and in the surrounding waters.
The largest crocodile ever held in captivity is an estuarine–Siamese hybrid named Yai (Thai: ใหญ่, meaning big) (born 10 June 1972) at the Samutprakarn Crocodile Farm and Zoo, Thailand. This animal measures 6 m in length and weighs 1,114.27 kg.
The longest crocodile captured alive is Lolong, which was measured at 6.17 m and weighed at 1,075 kg by a National Geographic team in Agusan del Sur Province, Philippines.
TEETH
Crocodiles are polyphyodonts; they are able to replace each of their 80 teeth up to 50 times in their 35 to 75-year lifespan. Next to each full grown tooth, there is a small replacement tooth and a odontogenic stem cell in the dental lamina in standby that can be activated if required.
BIOLOGY AND BEHAVIOR
Crocodilians are more closely related to birds and dinosaurs than to most animals classified as reptiles, the three families being included in the group Archosauria ('ruling reptiles'). Despite their prehistoric look, crocodiles are among the more biologically complex reptiles. Unlike other reptiles, a crocodile has a cerebral cortex and a four-chambered heart. Crocodilians also have the functional equivalent of a diaphragm by incorporating muscles used for aquatic locomotion into respiration. Salt glands are present in the tongues of crocodiles and they have a pore opening on the surface of the tongue, which is a trait that separates them from alligators. Salt glands are dysfunctional in Alligatoridae. Their function appears to be similar to that of salt glands in marine turtles. Crocodiles do not have sweat glands and release heat through their mouths. They often sleep with their mouths open and may pant like a dog. Four species of freshwater crocodile climb trees to bask in areas lacking a shoreline.
SENSES
Crocodiles have acute senses, an evolutionary advantage that makes them successful predators. The eyes, ears and nostrils are located on top of the head, allowing the crocodile to lie low in the water, almost totally submerged and hidden from prey.
VISION
Crocodiles have very good night vision, and are mostly nocturnal hunters. They use the disadvantage of most prey animals' poor nocturnal vision to their advantage. The light receptors in crocodilians’ eyes include cones and numerous rods, so it is assumed all crocodilians can see colors. Crocodiles have vertical-slit shaped pupils, similar to domestic cats. One explanation for the evolution of slit pupils is that they exclude light more effectively than a circular pupil, helping to protect the eyes during daylight. On the rear wall of the eye is a tapetum lucidum, which reflects incoming light back onto the retina, thus utilizing the small amount of light available at night to best advantage. In addition to the protection of the upper and lower eyelids, crocodiles have a nictitating membrane that can be drawn over the eye from the inner corner while the lids are open. The eyeball surface is thus protected under the water while a certain degree of vision is still possible.
OLFACTION
Crocodilian sense of smell is also very well developed, aiding them to detect prey or animal carcasses that are either on land or in water, from far away. It is possible that crocodiles use olfaction in the egg prior to hatching.
Chemoreception in crocodiles is especially interesting because they hunt in both terrestrial and aquatic surroundings. Crocodiles have only one olfactory chamber and the vomeronasal organ is absent in the adults indicating all olfactory perception is limited to the olfactory system. Behavioral and olfactometer experiments indicate that crocodiles detect both air-borne and water-soluble chemicals and use their olfactory system for hunting. When above water, crocodiles enhance their ability to detect volatile odorants by gular pumping, a rhythmic movement of the floor of the pharynx. Unlike turtles, crocodiles close their nostrils when submerged, so olfaction underwater is unlikely. Underwater food detection is presumably gustatory and tactile.
HEARING
Crocodiles can hear well; their tympanic membranes are concealed by flat flaps that may be raised or lowered by muscles.
TOUCH
Caudal: The upper and lower jaws are covered with sensory pits, visible as small, black speckles on the skin, the crocodilian version of the lateral line organs seen in fish and many amphibians, though arising from a completely different origin. These pigmented nodules encase bundles of nerve fibers innervated beneath by branches of the trigeminal nerve. They respond to the slightest disturbance in surface water, detecting vibrations and small pressure changes as small as a single drop. This makes it possible for crocodiles to detect prey, danger and intruders, even in total darkness. These sense organs are known as Domed Pressure Receptors (DPRs).
Post-Caudal: While alligators and caimans have DPRs only on their jaws, crocodiles have similar organs on almost every scale on their bodies. The function of the DPRs on the jaws is clear; to catch prey, but it is still not clear what is the function of the organs on the rest of the body. The receptors flatten when exposed to increased osmotic pressure, such as that experienced when swimming in sea water hyper-osmotic to the body fluids. When contact between the integument and the surrounding sea water solution is blocked, crocodiles are found to lose their ability to discriminate salinities. It has been proposed that the flattening of the sensory organ in hyper-osmotic sea water is sensed by the animal as “touch”, but interpreted as chemical information about its surroundings. This might be why in alligators they are absent on the rest of the body.
HUNTING AND DIET
Crocodiles are ambush predators, waiting for fish or land animals to come close, then rushing out to attack. Crocodiles mostly eat fish, amphibians, crustaceans, molluscs, birds, reptiles, and mammals, and they occasionally cannibalize smaller crocodiles. What a crocodile eats varies greatly with species, size and age. From the mostly fish-eating species, like the slender-snouted and freshwater crocodiles, to the larger species like the Nile crocodile and the saltwater crocodile that prey on large mammals, such as buffalo, deer and wild boar, diet shows great diversity. Diet is also greatly affected by the size and age of the individual within the same species. All young crocodiles hunt mostly invertebrates and small fish, gradually moving on to larger prey. As cold-blooded predators, they have a very slow metabolism, so they can survive long periods without food. Despite their appearance of being slow, crocodiles have a very fast strike and are top predators in their environment, and various species have been observed attacking and killing other predators such as sharks and big cats. As opportunistic predators, crocodiles would also prey upon young and dying elephants and hippos when given the chance. Crocodiles are also known to be aggressive scavengers who feed upon carrion and steal from other predators. Evidence suggests that crocodiles also feed upon fruits, based on the discovery of seeds in stools and stomachs from many subjects as well as accounts of them feeding.
Crocodiles have the most acidic stomach of any vertebrate. They can easily digest bones, hooves and horns. The BBC TV reported that a Nile crocodile that has lurked a long time underwater to catch prey builds up a large oxygen debt. When it has caught and eaten that prey, it closes its right aortic arch and uses its left aortic arch to flush blood loaded with carbon dioxide from its muscles directly to its stomach; the resulting excess acidity in its blood supply makes it much easier for the stomach lining to secrete more stomach acid to quickly dissolve bulks of swallowed prey flesh and bone. Many large crocodilians swallow stones (called gastroliths or stomach stones), which may act as ballast to balance their bodies or assist in crushing food, similar to grit ingested by birds. Herodotus claimed that Nile crocodiles had a symbiotic relationship with certain birds, such as the Egyptian plover, which enter the crocodile's mouth and pick leeches feeding on the crocodile's blood; with no evidence of this interaction actually occurring in any crocodile species, it is most likely mythical or allegorical fiction.
BITE
Since they feed by grabbing and holding onto their prey, they have evolved sharp teeth for piercing and holding onto flesh, and powerful muscles to close the jaws and hold them shut. The teeth are not well-suited to tearing flesh off of large prey items as is the dentition and claws of many mammalian carnivores, the hooked bills and talons of raptorial birds, or the serrated teeth of sharks. However, this is an advantage rather than a disadvantage to the crocodile since the properties of the teeth allow it to hold onto prey with the least possibility of the prey animal to escape. Otherwise combined with the exceptionally high bite force, the flesh would easily cut through; thus creating an escape opportunity for the prey item. The jaws can bite down with immense force, by far the strongest bite of any animal. The force of a large crocodile's bite is more than 22,000 N, which was measured in a 5.5 m Nile crocodile, on the field, compared to just 1,490 N for a Rottweiler, 3,000 N for a great white shark, 3,600 N for a hyena, or 9,800 N for an American alligator. A 5.2 m long saltwater crocodile has been confirmed as having the strongest bite force ever recorded for an animal in a laboratory setting. It was able to apply a bite force value of 16,000 N), and thus surpassed the previous record of 9,450 N made by a 3.9 m long American alligator. Taking the measurements of several 5.2 m crocodiles as reference, the bite forces of 6-m individuals were estimated at 34,000 N. The study, led by Dr. Gregory M. Erickson, also shed light to the larger, extinct species of crocodilians. Since crocodile anatomy has changed only slightly for the last 80 million years, current data on modern crocodilians can be used to estimate the bite force of extinct species. An 11 to 12 metres long Deinosuchus would apply a force of 103,000 N, twice that of the latest, higher bite force estimations of Tyrannosaurus. The extraordinary bite of crocodilians is a result of their anatomy. The space for the jaw muscle in the skull is very large, which is easily visible from the outside as a bulge at each side. The nature of the muscle is so stiff, it is almost as hard as bone to touch, as if it were the continuum of the skull. Another trait is that most of the muscle in a crocodile's jaw is arranged for clamping down. Despite the strong muscles to close the jaw, crocodiles have extremely small and weak muscles to open the jaw. Crocodiles can thus be subdued for study or transport by taping their jaws or holding their jaws shut with large rubber bands cut from automobile inner tubes.
LOCOMOTION
Crocodiles are very fast over short distances, even out of water. The land speed record for a crocodile is 17 km/h measured in a galloping Australian freshwater crocodile. Maximum speed varies from species to species. Certain species can indeed gallop, including Cuban crocodiles, New Guinea crocodiles, African dwarf crocodiles, and even small Nile crocodiles. The fastest means by which most species can move is a kind of "belly run", where the body moves in a snake-like fashion, limbs splayed out to either side paddling away frantically while the tail whips to and fro. Crocodiles can reach speeds of 10–11 km/h when they "belly run", and often faster if slipping down muddy riverbanks. Another form of locomotion is the "high walk", where the body is raised clear of the ground. Crocodiles may possess a form of homing instinct. In northern Australia, three rogue saltwater crocodiles were relocated 400 km by helicopter, but had returned to their original locations within three weeks, based on data obtained from tracking devices attached to the reptiles.
Longevity
Measuring crocodile age is unreliable, although several techniques are used to derive a reasonable guess. The most common method is to measure lamellar growth rings in bones and teeth—each ring corresponds to a change in growth rate which typically occurs once a year between dry and wet seasons. Bearing these inaccuracies in mind, it can be safely said that all crocodile species have an average lifespan of at least 30–40 years, and in the case of larger species an average of 60–70 years. The oldest crocodiles appear to be the largest species. C. porosus is estimated to live around 70 years on average, with limited evidence of some individuals exceeding 100 years.
In captivity, some individuals are claimed to have lived for over a century. A male crocodile lived to an estimated age of 110–115 years in a Russian zoo in Yekaterinburg. Named Kolya, he joined the zoo around 1913 to 1915, fully grown, after touring in an animal show, and lived until 1995.[63] A male freshwater crocodile lived to an estimated age of 120–140 years at the Australia Zoo.[64] Known affectionately as “Mr. Freshie”, he was rescued around 1970 by Bob Irwin and Steve Irwin, after being shot twice by hunters and losing an eye as a result, and lived until 2010.[64] Crocworld Conservation Centre, in Scottburgh, South Africa, claims to have a male Nile crocodile that was born in 1900 (age 115–116). Named Henry, the crocodile is said to have lived in Botswana along the Okavango River, according to centre director Martin Rodrigues.
SOCIAL BEHAVIOR AND VOCALIZATION
Crocodiles are the most social of reptiles. Even though they do not form social groups, many species congregate in certain section of a rivers, tolerating each other at times of feeding and basking. Most species are not highly territorial, with the exception of the saltwater crocodile, which is a highly territorial and aggressive species. A mature male will not tolerate any other males at any time of the year. Most of the species, however, are more flexible. There is a certain form of hierarchy in crocodiles, where the largest and heaviest males are at the top, having access to the best basking site, females and priority during a group feeding of a big kill or carcass. A good example of the hierarchy in crocodiles would be the case of the Nile crocodile. This species clearly displays all of these behaviors. Studies in this area are not thorough, and many species are yet to be studied in greater detail.[67] Mugger crocodiles are also known to show toleration in group feedings and tend to congregate in certain areas. However, males of all species are aggressive towards each other during mating season, to gain access to females.
Crocodiles are also the most vocal of all reptiles, producing a wide variety of sounds during various situations and conditions, depending on species, age, size and sex. Depending on the context, some species can communicate over 20 different messages through vocalizations alone. Some of these vocalizations are made during social communication, especially during territorial displays towards the same sex and courtship with the opposite sex; the common concern being reproduction. Therefore most conspecific vocalization is made during the breeding season, with the exception being year-round territorial behavior in some species and quarrels during feeding. Crocodiles also produce different distress calls and in aggressive displays to their own kind and other animals; notably other predators during interspecific predatory confrontations over carcasses and terrestrial kills.
Specific vocalisations include -
Chirp: When about to hatch, the young make a “peeping” noise, which encourages the female to excavate the nest. The female then gathers the hatchlings in her mouth and transports them to the water, where they remain in a group for several months, protected by the female
Distress call: A high-pitched call mostly used by younger animals that alerts other crocodiles to imminent danger or an animal being attacked.
Threat call: A hissing sound that has also been described as a coughing noise.
Hatching call: Emitted by females when breeding to alert other crocodiles that she has laid eggs in her nest.
Bellowing: Male crocodiles are especially vociferous. Bellowing choruses occur most often in the spring when breeding groups congregate, but can occur at any time of year. To bellow, males noticeably inflate as they raise the tail and head out of water, slowly waving the tail back and forth. They then puff out the throat and with a closed mouth, begin to vibrate air. Just before bellowing, males project an infrasonic signal at about 10 Hz through the water which vibrates the ground and nearby objects. These low-frequency vibrations travel great distances through both air and water to advertise the male's presence and are so powerful they result in the water appearing to 'dance’
REPRODUCTION
Crocodiles reproduce by laying eggs, which are either laid in hole or mound nests, depending on species. A hole nest is usually excavated in sand and a mound nest is usually constructed out of vegetation. Nesting period ranges from a few weeks up to six months. Courtship takes place in a series of behavioral interactions that include a variety of snout rubbing and submissive display that can take a long time. Mating always takes place in water, where the pair can be observed mating several times. Females can build or dig several trial nests which appear incomplete and abandoned later. Egg laying usually takes place at night and about 30–40 minutes.[71] Females are highly protective of their nests and young. The egg are hard shelled but translucent at the time of egg-laying. Depending on the species crocodile, a number of 7-95 eggs are laid. Crocodile embryos do not have sex chromosomes, and unlike humans, sex is not determined genetically. Sex is determined by temperature, where at 30 °C or less most hatchlings are females and at 31 °C, offspring are of both sexes. A temperature of 32 to 33 °C gives mostly males whereas above 33 °C in some species continues to give males but in other species resulting in females, which are sometimes called as high-temperature females. Temperature also affects growth and survival rate of the young, which may explain the sexual dimorphism in crocodiles. The average incubation period is around 80 days, and also is dependent on temperature and species that usually ranges from 65 to 95 days. The eggshell structure is very conservative through evolution but there are enough changes to tell different species apart by their eggshell microstructure.
At the time of hatching, the young start calling within the eggs. They have an egg-tooth at the tip of their snouts, which is developed from the skin, helps them pierce out of the shell. Hearing the calls, the female usually excavates the nest and sometimes takes the unhatched eggs in her mouth, slowly rolling the eggs to help the process. The young is usually carried to the water in the mouth. She would then introduce her hatchlings to the water and even feed them herself. The mother would then take care of her young for over a year before the next mating season. In the absence of the mother crocodile, the father would substitute itself to take care of the young. However even with a sophisticated parental nurturing, young crocs have a very high mortality rate due to their vulnerability to predation. A group of hatchlings is called a pod or crèche and may be protected for months.
Intelligence.
Contrary to popular belief, there have been evidences that prove crocodiles are smart animals. They are one of a few predators that can observe behavior, such as patterns when animals come to the river to drink at the same time each day. In one study by Vladimir Dinets of the University of Tennessee, he observed that crocodiles use twigs as bait for birds looking for raw materials in nesting.[81] The sticks are placed on their snouts and submerge themselves, and when the birds swooped in to get them, the crocodiles would then catch them. Crocodiles only do this in spring nesting seasons of the birds, when there is high demand for sticks to be used for building nests. Vladimir also discovered other similar observations from various scientists, some dating back to the 19th century. Aside from using sticks, crocodiles are also capable of cooperative hunting. Large numbers of crocs would swim in circles in order to trap fish and take turns snatching them. In hunting larger prey, crocodiles would swarm in with one holding the prey down as the others rip it apart.
RELATIONSHIP WITH HUMANS
DANGER TO HUMANS
The larger species of crocodiles are very dangerous to humans, mainly because of their ability to strike before the person can react. The saltwater crocodile and Nile crocodile are the most dangerous, killing hundreds of people each year in parts of Southeast Asia and Africa. The mugger crocodile, American crocodile, American alligator and black caiman are also dangerous to humans.
WIKIPEDIA
Jasper-quartz pebble conglomerate in the Precambrian of Ontario, Canada.
Southeastern Canada's ~2.3 billion year old Lorrain Formation includes some beautiful rocks that rockhounds have nicknamed "puddingstone". This refers to whitish-gray quartzites having common pebbles of red jasper.
The Lorrain Formation is somewhat heterolithic. Published studies mention that the unit has arkoses, subarkoses, quartzites, and jasper-pebble conglomerates. The latter two lithologies are present at the glacially-eroded outcrop seen here. The quartzites were originally sandstones. They have been well cemented and somewhat metamorphosed into very hard rocks. The jasper-pebble conglomerates, or "puddingstones", include clasts of white quartz and reddish jaspilites. Pebble shapes range from rounded to angular. Ordinarily, a sedimentary rock having rounded pebbles is called "conglomerate", and a rock having angular pebbles is called "breccia". This material has both shape categories, but is referred to as "conglomerate" here.
Jaspilite is a type of BIF (banded iron formation). BIFs only formed on Earth during the Precambrian - most are Paleoproterozoic in age. They are the # 1 source of iron ore for the world's steel industry. Numerous specific types of BIFs are known. Jaspilite consists of alternating laters of red and silvery-gray, iron-rich minerals. The red layers are hematite or jasper (= hematitic chert). The silver-gray layers are usually rich in magnetite and/or specular hematite. Jaspilite BIFs outcrop in many areas around Lake Superior, for example in Michigan's Upper Peninsula, Minnesota, and Ontario.
During the Paleoproterozoic, BIFs were subaerially exposed as paleo-outcrops and eroded, producing BIF sediments, including many red jasper pebbles. These mixed with quartz-rich sediments.
Regional studies indicate that the Lorrain Formation was deposited in ancient shallow ocean, lake, delta, and shoreline environments.
Stratigraphy: Lorrain Formation, upper Cobalt Group, Huronian Supergroup, Paleoproterozoic, ~2.3 Ga
Locality: Ottertail Lake Northeast Roadcut - glacial knob on the eastern side of Rt. 638, northeast of Ottertail Lake & southeast of Rock Lake, north-northeast of the town of Bruce Mines, southern Ontario, southeastern Canada (46° 23' 30.59" North latitude, 83° 43’ 10.94" West longitude)
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Some info. synthesized from:
Hadley (1970) - Paleocurrents and origin of Huronian Lorrain Formation, Ontario and Quebec. American Association of Petroleum Geologists Bulletin 54: 850.
The history of Rome includes the history of the city of Rome as well as the civilisation of ancient Rome. Roman history has been influential on the modern world, especially in the history of the Catholic Church, and Roman law has influenced many modern legal systems. Roman history can be divided into the following periods:
Pre-historical and early Rome, covering Rome's earliest inhabitants and the legend of its founding by Romulus
The period of Etruscan dominance and the regal period, in which, according to tradition, Romulus was the first of seven kings
The Roman Republic, which commenced in 509 BC when kings were replaced with rule by elected magistrates. The period was marked by vast expansion of Roman territory. During the 5th century BC, Rome gained regional dominance in Latium. With the Punic Wars from 264 to 146 BC, ancient Rome gained dominance over the Western Mediterranean, displacing Carthage as the dominant regional power.
The Roman Empire followed the Republic, which waned with the rise of Julius Caesar, and by all measures concluded after a period of civil war and the victory of Caesar's adopted son, Octavian, in 27 BC over Mark Antony.
The Western Roman Empire collapsed in 476 after the city was conquered by the Ostrogothic Kingdom. Consequently Rome's power declined, and it eventually became part of the Eastern Roman Empire, as the Duchy of Rome, from the 6th to 8th centuries. At this time, the city was reduced to a fraction of its former size, being sacked several times in the 5th to 6th centuries, even temporarily depopulated entirely.
Medieval Rome is characterised by a break with Constantinople and the formation of the Papal States. The Papacy struggled to retain influence in the emerging Holy Roman Empire, and during the saeculum obscurum, the population of Rome fell to as low as 30,000 inhabitants. Following the East–West Schism and the limited success in the Investiture Controversy, the Papacy did gain considerable influence in the High Middle Ages, but with the Avignon Papacy and the Western Schism, the city of Rome was reduced to irrelevance, its population falling below 20,000. Rome's decline into complete irrelevance during the medieval period, with the associated lack of construction activity, assured the survival of very significant ancient Roman material remains in the centre of the city, some abandoned and others continuing in use.
The Roman Renaissance occurred in the 15th century, when Rome replaced Florence as the centre of artistic and cultural influence. The Roman Renaissance was cut short abruptly with the devastation of the city in 1527, but the Papacy reasserted itself in the Counter-Reformation, and the city continued to flourish during the early modern period. Rome was annexed by Napoleon and was part of the First French Empire from 1798 to 1814.
Modern history, the period from the 19th century to the present. Rome came under siege again after the Allied invasion of Italy and was bombed several times. It was declared an open city on 14 August 1943. Rome became the capital of the Italian Republic (established in 1946). With a population of 4.4 million (as of 2015; 2.9 million within city limits), it is the largest city in Italy. It is among the largest urban areas of the European Union and classified as a global city.
Attempts have been made to find a linguistic root for the name Rome. Possibilities include derivation from the Greek Rhṓmē (Ῥώμη), meaning "bravery" or "courage"; Compare also Rumon, former name of the Tiber River. Its further etymology remains unknown, as with most Etruscan words. Thomas G. Tucker's Concise Etymological Dictionary of Latin (1931) suggests that the name is most probably from *urobsma (cf. urbs, robur) and otherwise, "but less likely" from *urosma "hill" (cf. Skt. varsman- "height, point," Old Slavonic врьхъ "top, summit", Russ. верх "top; upward direction", Lith. virsus "upper").
Rome timeline
753 BCAccording to legend, Romulus founds Rome.
753–509 BCRule of the seven Kings of Rome.
509 BCCreation of the Republic.
390 BCThe Gauls invade Rome. Rome sacked.
264–146 BCPunic Wars.
146–44 BCSocial and Civil Wars. Emergence of Marius, Sulla, Pompey and Caesar.
44 BCJulius Caesar assassinated.
There is archaeological evidence of human occupation of the Rome area from at least 5,000 years, but the dense layer of much younger debris obscures Palaeolithic and Neolithic sites. The evidence suggesting the city's ancient foundation is also obscured by the legend of Rome's beginning involving Romulus and Remus.
The traditional date for the founding of Rome is 21 April 753 BC, following M. Terentius Varro, and the city and surrounding region of Latium has continued to be inhabited with little interruption since around that time. Excavations made in 2014 have revealed a wall built long before the city's official founding year. Archaeologists uncovered a stone wall and pieces of pottery dating to the 9th century BC and the beginning of the 8th century BC, and there is evidence of people arriving on the Palatine hill as early as the 10th century BC.
The site of Sant'Omobono Area is crucial for understanding the related processes of monumentalisation, urbanisation, and state formation in Rome in the late Archaic period. The Sant'Omobono temple site dates to 7th–6th century BC, making these the oldest known temple remains in Rome.
The city's name was long credited to the legendary culture hero Romulus. It was said that Romulus and his twin brother Remus were the offspring of the rape of an Alban princess by the war god Mars and, via their mother, were further descended from the Trojan prince Aeneas, supposed son of the Greek love goddess Aphrodite. Exposed on the Tiber, they were suckled by a she-wolf and raised by a shepherd and his wife. Avenging themselves on their usurping grand-uncle and restoring their grandfather Numitor to Alba Longa's throne, they were ordered or decided to settle the hills around Rome's later Forum Boarium, an important river port connected in Roman myth with Hercules's tenth labour, capturing the cattle of Geryon.
Disputing some point of the founding or its related auguries, Remus was murdered by Romulus or one of his supporters. Romulus then established a walled and roughly square settlement, whose sacred boundary and gates were established by a ploughing ritual. Romulus then declared the town an asylum, permitted men of all classes to come to Rome as citizens, including criminals, runaway slaves, and freemen without distinction. To provide his citizens with wives, Romulus invited the neighbouring tribes to a festival in Rome where the Romans abducted many of their young women. After the ensuing war with the Sabines, Romulus shared Rome's kingship with the Sabine king Titus Tatius. Romulus selected 100 of the most noble men to form the Roman Senate, initially serving as his advisory council. These men he called fathers (Latin: patres), and their descendants became the patricians. He created three centuries of equites: Ramnes (meaning Romans), Tities (after the Sabine king), and Luceres (Etruscans). He also divided the general populace into thirty curiae, named after thirty of the Sabine women who had intervened to end the war between Romulus and Tatius. The curiae formed the voting units in the Comitia Curiata.
Rome grew from pastoral settlements on the Palatine Hill and surrounding hills approximately 30 km (19 mi) from the Tyrrhenian Sea on the south side of the Tiber. The Quirinal Hill was probably an outpost for the Sabines, another Italic-speaking people. At this location, the Tiber forms a Z-shaped curve that contains an island where the river can be forded. Because of the river and the ford, Rome was at a crossroads of traffic following the river valley and of traders travelling north and south on the west side of the peninsula.
Archaeological finds have confirmed that there were two fortified settlements in the 8th century BC, in the area of the future Rome: Rumi on the Palatine Hill, and Titientes on the Quirinal Hill, backed by the Luceres living in the nearby woods. These were simply three of numerous Italic-speaking communities that existed in Latium, a plain on the Italian peninsula, by the 1st millennium BC. The origins of the Italic peoples lie in prehistory and are therefore not precisely known, but their Indo-European languages migrated from the east in the second half of the 2nd millennium BC.
According to Dionysius of Halicarnassus, many Roman historians—including Cato and Sempronius—considered the Italian aborigines to have been prehistoric Greek colonists. The Romans then considered themselves a mix of these people, the Albans, and the other Latins, considered a blend of Pelasgians, Arcadians, Epeans, and refugee Trojans. Over time, the Etruscans and other ancient Italic peoples were admitted as citizens as well. The Sabines—considered to be Gaulish along with the other Umbri peoples of central Italy— were first mentioned in Dionysius's account for having captured the city of Lista by surprise, which was regarded as the mother-city of the Aborigines.
The Italic speakers in the area included Latins (in the west), Sabines (in the upper valley of the Tiber), Umbrians (in the north-east), Samnites (in the South), Oscans, and others. In the 8th century BC, they shared the peninsula with two other major ethnic groups: the Etruscans in the North and the Greeks in the south.
The Etruscans (Etrusci or Tusci in Latin) are attested north of Rome in Etruria (modern northern Lazio, Tuscany and part of Umbria). They founded cities such as Tarquinia, Veii, and Volterra and deeply influenced Roman culture, as clearly shown by the Etruscan origin of some of the mythical Roman kings. Historians have no literature, nor texts of religion or philosophy; therefore, much of what is known about this civilisation is derived from grave goods and tomb findings.
The Greeks had founded many colonies in Southern Italy between 750 and 550 BC (which the Romans later called Magna Graecia), such as Cumae, Naples, Reggio Calabria, Crotone, Sybaris, and Taranto, as well as in the eastern two-thirds of Sicily.
After 650 BC, the Etruscans became dominant in Italy and expanded into north-central Italy. Roman tradition claimed that Rome had been under the control of seven kings from 753 to 509 BC beginning with the mythical Romulus who was said to have founded the city of Rome along with his brother Remus. The last three kings were said to be Etruscan (at least partially)—namely Tarquinius Priscus, Servius Tullius and Tarquinius Superbus. (Priscus is said by the ancient literary sources to be the son of a Greek refugee and an Etruscan mother.) Their names refer to the Etruscan town of Tarquinia.
Livy, Plutarch, Dionysius of Halicarnassus, and others claim that Rome was ruled during its first centuries by a succession of seven kings. The traditional chronology, as codified by Varro, allots 243 years for their reigns, an average of almost 35 years, which has been generally discounted by modern scholarship since the work of Barthold Georg Niebuhr. The Gauls destroyed much of Rome's historical records when they sacked the city after the Battle of the Allia in 390 BC (according to Polybius, the battle occurred in 387/386) and what was left was eventually lost to time or theft. With no contemporary records of the kingdom existing, all accounts of the kings must be carefully questioned. The list of kings is also of dubious historical value, though the last-named kings may be historical figures. It is believed by some historians (again, this is disputed) that Rome was under the influence of the Etruscans for about a century. During this period, a bridge was built called the Pons Sublicius to replace the Tiber ford, and the Cloaca Maxima was also built; the Etruscans are said to have been great engineers of this type of structure. From a cultural and technical point of view, Etruscans had arguably the second-greatest impact on Roman development, only surpassed by the Greeks.
Expanding further south, the Etruscans came into direct contact with the Greeks and initially had success in conflicts with the Greek colonists; after which, Etruria went into a decline. Taking advantage of this, Rome rebelled and gained independence from the Etruscans around 500 BC. It also abandoned monarchy in favour of a republican system based on a Senate, composed of the nobles of the city, along with popular assemblies which ensured political participation for most of the freeborn men and elected magistrates annually.
The Etruscans left a lasting influence on Rome. The Romans learned to build temples from them, and the Etruscans may have introduced the worship of a triad of gods—Juno, Minerva, and Jupiter—from the Etruscan gods: Uni, Menrva, and Tinia. However, the influence of Etruscan people in the development of Rome is often overstated. Rome was primarily a Latin city. It never became fully Etruscan. Also, evidence shows that Romans were heavily influenced by the Greek cities in the South, mainly through trade.
The commonly held stories of the early part of the Republic (before roughly 300 BC, when Old Latin inscriptions and Greek histories about Rome provide more concrete evidence of events) are generally considered to be legendary, their historicity being a topic of debate among classicists. The Roman Republic traditionally dates from 509 BC to 27 BC. After 500 BC, Rome is said to have joined with the Latin cities in defence against incursions by the Sabines. Winning the Battle of Lake Regillus in 493 BC, Rome established again the supremacy over the Latin countries it had lost after the fall of the monarchy. After a lengthy series of struggles, this supremacy became fixed in 393, when the Romans finally subdued the Volsci and Aequi. In 394 BC, they also conquered the menacing Etruscan neighbour of Veii. The Etruscan power was now limited to Etruria itself, and Rome was the dominant city in Latium.
A formal treaty was agreed with the city-state of Carthage in 509 BC which defined the spheres of influence of each city and regulated trade between them.
Rome's early enemies were the neighbouring hill tribes of the Volscians, the Aequi, and of course the Etruscans. As years passed and military successes increased Roman territory, new adversaries appeared. The fiercest were the Gauls, a loose collective of peoples who controlled much of Northern Europe including what is modern North and Central-East Italy.
In 387 BC, Rome was sacked and burned by the Senones coming from eastern Italy and led by Brennus, who had successfully defeated the Roman army at the Battle of the Allia in Etruria. Multiple contemporary records suggest that the Senones hoped to punish Rome for violating its diplomatic neutrality in Etruria. The Senones marched 130 kilometres (81 mi) to Rome without harming the surrounding countryside; once they had sacked the city, the Senones withdrew from Rome. Brennus was defeated by the dictator Furius Camillus at Tusculum soon afterwards.
After that, Rome hastily rebuilt its buildings and went on the offensive, conquering the Etruscans and seizing territory from the Gauls in the north. After 345 BC, Rome pushed south against other Latins. Their main enemy in this quadrant were the fierce Samnites, who outsmarted and trapped the legions in 321 BC at the Battle of Caudine Forks. In spite of these and other temporary setbacks, the Romans advanced steadily. By 290 BC, Rome controlled over half of the Italian peninsula. In the 3rd century BC, Rome brought the Greek poleis in the south under its control as well.
Amidst the never-ending wars (from the beginning of the Republic up to the Principate, the doors of the temple of Janus were closed only twice—when they were open it meant that Rome was at war), Rome had to face a severe major social crisis, the Conflict of the Orders, a political struggle between the Plebeians (commoners) and Patricians (aristocrats) of the ancient Roman Republic, in which the Plebeians sought political equality with the Patricians. It played a major role in the development of the Constitution of the Roman Republic. It began in 494 BC, when, while Rome was at war with two neighbouring tribes, the Plebeians all left the city (the first Plebeian Secession). The result of this first secession was the creation of the office of Plebeian Tribune, and with it the first acquisition of real power by the Plebeians.
According to tradition, Rome became a republic in 509 BC. However, it took a few centuries for Rome to become the great city of popular imagination. By the 3rd century BC, Rome had become the pre-eminent city of the Italian peninsula. During the Punic Wars between Rome and the great Mediterranean empire of Carthage (264–146 BC), Rome's stature increased further as it became the capital of an overseas empire for the first time. Beginning in the 2nd century BC, Rome went through a significant population expansion as Italian farmers, driven from their ancestral farmlands by the advent of massive, slave-operated farms called latifundia, flocked to the city in great numbers. The victory over Carthage in the First Punic War brought the first two provinces outside the Italian peninsula, Sicily and Sardinia. Parts of Spain (Hispania) followed, and in the beginning of the 2nd century the Romans got involved in the affairs of the Greek world. By then all Hellenistic kingdoms and the Greek city-states were in decline, exhausted from endless civil wars and relying on mercenary troops.
The Romans looked upon the Greek civilisation with great admiration. The Greeks saw Rome as a useful ally in their civil strifes, and it was not long before the Roman legions were invited to intervene in Greece. In less than 50 years the whole of mainland Greece was subdued. The Roman legions crushed the Macedonian phalanx twice, in 197 and 168 BC; in 146 BC the Roman consul Lucius Mummius razed Corinth, marking the end of free Greece. The same year Cornelius Scipio Aemilianus, the son of Scipio Africanus, destroyed the city of Carthage, making it a Roman province.
In the following years, Rome continued its conquests in Spain with Tiberius Gracchus, and it set foot in Asia, when the last king of Pergamum gave his kingdom to the Roman people. The end of the 2nd century brought another threat, when a great host of Germanic peoples, namely Cimbri and Teutones, crossed the river Rhone and moved to Italy. Gaius Marius was consul five consecutive times (seven total), and won two decisive battles in 102 and 101 BC. He also reformed the Roman army, giving it such a good reorganisation that it remained unchanged for centuries.
The first thirty years of the last century BC were characterised by serious internal problems that threatened the existence of the Republic. The Social War, between Rome and its allies, and the Servile Wars (slave uprisings) were hard conflicts, all within Italy, and forced the Romans to change their policy with regards to their allies and subjects. By then Rome had become an extensive power, with great wealth which derived from the conquered people (as tribute, food or manpower, i.e. slaves). The allies of Rome felt bitter since they had fought by the side of the Romans, and yet they were not citizens and shared little in the rewards. Although they lost the war, they finally got what they asked, and by the beginning of the 1st century AD practically all free inhabitants of Italy were Roman citizens.
However, the growth of the Imperium Romanum (Roman power) created new problems, and new demands, that the old political system of the Republic, with its annually elected magistrates and its sharing of power, could not solve. Sulla's civil war and his later dictatorship, the extraordinary commands of Pompey Magnus, and the first triumvirate made that clear. In January 49 BC, Julius Caesar the conqueror of Gaul, crossed the Rubicon with his legions, occupying Rome and beginning a civil war with Pompey. In the following years, he vanquished his opponents, and ruled Rome for four years. After his assassination in 44 BC, the Senate tried to reestablish the Republic, but its champions, Marcus Junius Brutus (descendant of the founder of the republic) and Gaius Cassius Longinus were defeated by Caesar's lieutenant Marcus Antonius and Caesar's nephew, Octavian.
The years 44–31 BC mark the struggle for power between Marcus Antonius and Octavian (later known as Augustus). Finally, on 2 September 31 BC, in the Greek promontory of Actium, the final battle took place in the sea. Octavian was victorious, and became the sole ruler of Rome (and its empire). That date marks the end of the Republic and the beginning of the Principate.
Rome timeline
44 BC – AD 14Augustus establishes the Empire
AD 64Great Fire of Rome during Nero's rule
69–96Flavian dynasty; building of the Colosseum
3rd centuryCrisis of the Third Century; building of the Baths of Caracalla and the Aurelian Walls
284–337Diocletian and Constantine; building of the first Christian basilicas; Battle of Milvian Bridge; Rome is replaced by Constantinople as the capital of the Empire
395Definitive separation of Western and Eastern Roman Empire
410The Goths of Alaric sack Rome
455The Vandals of Gaiseric sack Rome
476Fall of the west empire and deposition of the final emperor Romulus Augustus
6th centuryGothic War (535–554): The Goths cut off the aqueducts in the siege of 537, an act which historians traditionally regard as the beginning of the Middle Ages in Italy
608Emperor Phocas donates the Pantheon to Pope Boniface IV, converting it into a Christian church; Column of Phocas (the last addition made to the Forum Romanum) is erected
630The Curia Julia (vacant since the disappearance of the Roman Senate) is transformed into the basilica of Sant'Adriano al Foro
663Constans II visits Rome for twelve days—the only emperor to set foot in Rome for two centuries. He strips buildings of their ornaments and bronze to be carried back to Constantinople
751Lombard conquest of the Exarchate of Ravenna; the Duchy of Rome is now completely cut off from the empire
754Alliance with the Franks; Pepin the Younger, King of the Franks, declared Patrician of the Romans, invades Italy; establishment of the Papal States
Life in Rome; animation in Latin with English subtitles
By the end of the Republic, the city of Rome had achieved a grandeur befitting the capital of an empire dominating the whole of the Mediterranean. It was, at the time, the largest city in the world. Estimates of its peak population range from 450,000 to over 3.5 million people with estimates of 1 to 2 million being most popular with historians. This grandeur increased under Augustus, who completed Caesar's projects and added many of his own, such as the Forum of Augustus and the Ara Pacis. He is said to have remarked that he found Rome a city of brick and left it a city of marble (Urbem latericium invenit, marmoream reliquit). Augustus's successors sought to emulate his success in part by adding their own contributions to the city. In AD 64, during the reign of Nero, the Great Fire of Rome left much of the city destroyed, but in many ways it was used as an excuse for new development.
Rome was a subsidised city at the time, with roughly 15 to 25 percent of its grain supply being paid by the central government. Commerce and industry played a smaller role compared to that of other cities like Alexandria. This meant that Rome had to depend upon goods and production from other parts of the Empire to sustain such a large population. This was mostly paid by taxes that were levied by the Roman government. If it had not been subsidised, Rome would have been significantly smaller.
Rome's population declined after its apex in the 2nd century. At the end of that century, during the reign of Marcus Aurelius, the Antonine Plague killed 2,000 people a day. Marcus Aurelius died in 180, his reign being the last of the "Five Good Emperors" and Pax Romana. His son Commodus, who had been co-emperor since AD 177, assumed full imperial power, which is generally associated with the beginning of the decline of the Western Roman Empire. Rome's population was only a fraction of its peak when the Aurelian Wall was completed in AD 273 (in that year its population was only around 500,000).
Starting in the early 3rd century, matters changed. The "Crisis of the Third Century" defines the disasters and political troubles for the Empire, which nearly collapsed. The new feeling of danger and the menace of barbarian invasions was clearly shown by the decision of Emperor Aurelian, who at year 273 finished encircling the capital itself with a massive wall which had a perimeter that measured close to 20 km (12 mi). Rome formally remained capital of the empire, but emperors spent less and less time there. At the end of 3rd century Diocletian's political reforms, Rome was deprived of its traditional role of administrative capital of the Empire. Later, western emperors ruled from Milan or Ravenna, or cities in Gaul. In 330, Constantine I established a second capital at Constantinople.
Christianity reached Rome during the 1st century AD. For the first two centuries of the Christian era, Imperial authorities largely viewed Christianity simply as a Jewish sect rather than a distinct religion. No emperor issued general laws against the faith or its Church, and persecutions, such as they were, were carried out under the authority of local government officials. A surviving letter from Pliny the Younger, governor of Bythinia, to the emperor Trajan describes his persecution and executions of Christians; Trajan notably responded that Pliny should not seek out Christians nor heed anonymous denunciations, but only punish open Christians who refused to recant.
Suetonius mentions in passing that during the reign of Nero "punishment was inflicted on the Christians, a class of men given to a new and mischievous superstition" (superstitionis novae ac maleficae). He gives no reason for the punishment. Tacitus reports that after the Great Fire of Rome in AD 64, some among the population held Nero responsible and that the emperor attempted to deflect blame onto the Christians. The war against the Jews during Nero's reign, which so destabilised the empire that it led to civil war and Nero's suicide, provided an additional rationale for suppression of this 'Jewish' sect.
Diocletian undertook what was to be the most severe and last major persecution of Christians, lasting from 303 to 311. Christianity had become too widespread to suppress, and in 313, the Edict of Milan made tolerance the official policy. Constantine I (sole ruler 324–337) became the first Christian emperor, and in 380 Theodosius I established Christianity as the official religion.
Under Theodosius, visits to the pagan temples were forbidden, the eternal fire in the Temple of Vesta in the Roman Forum extinguished, the Vestal Virgins disbanded, auspices and witchcraft punished. Theodosius refused to restore the Altar of Victory in the Senate House, as asked by remaining pagan Senators.
The Empire's conversion to Christianity made the Bishop of Rome (later called the Pope) the senior religious figure in the Western Empire, as officially stated in 380 by the Edict of Thessalonica. In spite of its increasingly marginal role in the Empire, Rome retained its historic prestige, and this period saw the last wave of construction activity: Constantine's predecessor Maxentius built buildings such as its basilica in the Forum, Constantine himself erected the Arch of Constantine to celebrate his victory over Maxentius, and Diocletian built the greatest baths of all. Constantine was also the first patron of official Christian buildings in the city. He donated the Lateran Palace to the Pope, and built the first great basilica, the old St. Peter's Basilica.
Still Rome remained one of the strongholds of paganism, led by the aristocrats and senators. However, the new walls did not stop the city being sacked first by Alaric on 24 August 410, by Geiseric on 2 June 455, and even by general Ricimer's unpaid Roman troops (largely composed of barbarians) on 11 July 472. This was the first time in almost 800 years that Rome had fallen to an enemy. The previous sack of Rome had been accomplished by the Gauls under their leader Brennus in 387 BC. The sacking of 410 is seen as a major landmark in the decline and fall of the Western Roman Empire. St. Jerome, living in Bethlehem at the time, wrote that "The City which had taken the whole world was itself taken." These sackings of the city astonished all the Roman world. In any case, the damage caused by the sackings may have been overestimated. The population already started to decline from the late 4th century onward, although around the middle of the fifth century it seems that Rome continued to be the most populous city of the two parts of the Empire, with a population of no fewer than 650,000 inhabitants. The decline greatly accelerated following the capture of Africa Proconsularis by the Vandals. Many inhabitants now fled as the city no longer could be supplied with grain from Africa from the mid-5th century onward.
At the end of the 6th century Rome's population had reduced to around 30,000. Many monuments were being destroyed by the citizens themselves, who stripped stones from closed temples and other precious buildings, and even burned statues to make lime for their personal use. In addition, most of the increasing number of churches were built in this way. For example, the first Saint Peter's Basilica was erected using spoils from the abandoned Circus of Nero. This architectural cannibalism was a constant feature of Roman life until the Renaissance. From the 4th century, imperial edicts against stripping of stones and especially marble were common, but the need for their repetition shows that they were ineffective. Sometimes new churches were created by simply taking advantage of early Pagan temples, while sometimes changing the Pagan god or hero to a corresponding Christian saint or martyr. In this way, the Temple of Romulus and Remus became the basilica of the twin saints Cosmas and Damian. Later, the Pantheon, Temple of All Gods, became the church of All Martyrs.
Porta San Paolo, a gate in the Aurelian Walls, built between AD 271 and AD 275. During the Gothic Wars of the mid-6th century, Rome was besieged several times by Eastern Roman and Ostrogoth armies. Ostrogoths of Totila entered through this gate in 549, because of the treason of the Isaurian garrison.
In 480, the last Western Roman emperor, Julius Nepos, was murdered and a Roman general of barbarian origin, Odoacer, declared allegiance to Eastern Roman emperor Zeno. Despite owing nominal allegiance to Constantinople, Odoacer and later the Ostrogoths continued, like the last emperors, to rule Italy as a virtually independent realm from Ravenna. Meanwhile, the Senate, even though long since stripped of wider powers, continued to administer Rome itself, with the Pope usually coming from a senatorial family. This situation continued until Theodahad murdered Amalasuntha, a pro-imperial Gothic queen, and usurped the power in 535. The Eastern Roman emperor, Justinian I (reigned 527–565), used this as a pretext to send forces to Italy under his famed general Belisarius, recapturing the city next year, on 9 December AD 536. In 537–538, the Eastern Romans successfully defended the city in a year-long siege against the Ostrogothic army, and eventually took Ravenna, too.
Gothic resistance revived however, and on 17 December 546, the Ostrogoths under Totila recaptured and sacked Rome. Belisarius soon recovered the city, but the Ostrogoths retook it in 549. Belisarius was replaced by Narses, who captured Rome from the Ostrogoths for good in 552, ending the so-called Gothic Wars which had devastated much of Italy. The continual war around Rome in the 530s and 540s left it in a state of total disrepair – near-abandoned and desolate with much of its lower-lying parts turned into unhealthy marshes as the drainage systems were neglected and the Tiber's embankments fell into disrepair in the course of the latter half of the 6th century. Here, malaria developed. The aqueducts, except for one, were not repaired. The population, without imports of grain and oil from Sicily, shrank to less than 50,000 concentrated near the Tiber and around the Campus Martius, abandoning those districts without water supply. There is a legend, significant though untrue, that there was a moment where no one remained living in Rome.
Justinian I provided grants for the maintenance of public buildings, aqueducts and bridges—though, being mostly drawn from an Italy dramatically impoverished by the recent wars, these were not always sufficient. He also styled himself the patron of its remaining scholars, orators, physicians and lawyers in the stated hope that eventually more youths would seek a better education. After the wars, the Senate was theoretically restored, but under the supervision of the urban prefect and other officials appointed by, and responsible to, the Eastern Roman authorities in Ravenna.
However, the Pope was now one of the leading religious figures in the entire Byzantine Roman Empire and effectively more powerful locally than either the remaining senators or local Eastern Roman (Byzantine) officials. In practice, local power in Rome devolved to the Pope and, over the next few decades, both much of the remaining possessions of the senatorial aristocracy and the local Byzantine Roman administration in Rome were absorbed by the Church.
The reign of Justinian's nephew and successor Justin II (reigned 565–578) was marked from the Italian point of view by the invasion of the Lombards under Alboin (568). In capturing the regions of Benevento, Lombardy, Piedmont, Spoleto and Tuscany, the invaders effectively restricted Imperial authority to small islands of land surrounding a number of coastal cities, including Ravenna, Naples, Rome and the area of the future Venice. The one inland city continuing under Eastern Roman control was Perugia, which provided a repeatedly threatened overland link between Rome and Ravenna. In 578 and again in 580, the Senate, in some of its last recorded acts, had to ask for the support of Tiberius II Constantine (reigned 578–582) against the approaching Dukes, Faroald I of Spoleto and Zotto of Benevento.
Maurice (reigned 582–602) added a new factor in the continuing conflict by creating an alliance with Childebert II of Austrasia (reigned 575–595). The armies of the Frankish King invaded the Lombard territories in 584, 585, 588 and 590. Rome had suffered badly from a disastrous flood of the Tiber in 589, followed by a plague in 590. The latter is notable for the legend of the angel seen, while the newly elected Pope Gregory I (term 590–604) was passing in procession by Hadrian's Tomb, to hover over the building and to sheathe his flaming sword as a sign that the pestilence was about to cease. The city was safe from capture at least.
Agilulf, however, the new Lombard King (reigned 591 to c. 616), managed to secure peace with Childebert, reorganised his territories and resumed activities against both Naples and Rome by 592. With the Emperor preoccupied with wars in the eastern borders and the various succeeding Exarchs unable to secure Rome from invasion, Gregory took personal initiative in starting negotiations for a peace treaty. This was completed in the autumn of 598—later recognised by Maurice—lasting until the end of his reign.
The position of the Bishop of Rome was further strengthened under the usurper Phocas (reigned 602–610). Phocas recognised his primacy over that of the Patriarch of Constantinople and even decreed Pope Boniface III (607) to be "the head of all the Churches". Phocas's reign saw the erection of the last imperial monument in the Roman Forum, the column bearing his name. He also gave the Pope the Pantheon, at the time closed for centuries, and thus probably saved it from destruction.
During the 7th century, an influx of both Byzantine Roman officials and churchmen from elsewhere in the empire made both the local lay aristocracy and Church leadership largely Greek speaking. The population of Rome, a magnet for pilgrims, may have increased to 90,000. Eleven of thirteen popes between 678 and 752 were of Greek or Syrian descent. However, the strong Byzantine Roman cultural influence did not always lead to political harmony between Rome and Constantinople. In the controversy over Monothelitism, popes found themselves under severe pressure (sometimes amounting to physical force) when they failed to keep in step with Constantinople's shifting theological positions. In 653, Pope Martin I was deported to Constantinople and, after a show trial, exiled to the Crimea, where he died.
Then, in 663, Rome had its first imperial visit for two centuries, by Constans II—its worst disaster since the Gothic Wars when the Emperor proceeded to strip Rome of metal, including that from buildings and statues, to provide armament materials for use against the Saracens. However, for the next half century, despite further tensions, Rome and the Papacy continued to prefer continued Byzantine Roman rule: in part because the alternative was Lombard rule, and in part because Rome's food was largely coming from Papal estates elsewhere in the Empire, particularly Sicily.
Rome Timeline
772The Lombards briefly conquer Rome but Charlemagne liberates the city a year later.
800Charlemagne is crowned Holy Roman Emperor in St. Peter's Basilica.
846The Saracens sack St. Peter.
852Building of the Leonine Walls.
962Otto I crowned Emperor by Pope John XII
1000Emperor Otto III and Pope Sylvester II.
1084The Normans sack Rome.
1144Creation of the commune of Rome.
1300First Jubilee proclaimed by Pope Boniface VIII.
1303Foundation of the Roman University.
1309Pope Clement V moves the Holy Seat to Avignon.
1347Cola di Rienzo proclaims himself tribune.
1377Pope Gregory XI moves the Holy Seat back to Rome.
Break with Constantinople and formation of the Papal States
Further information: Duchy of Rome and Papal States
In 727, Pope Gregory II refused to accept the decrees of Emperor Leo III, which promoted the Emperor's iconoclasm. Leo reacted first by trying in vain to abduct the Pontiff, and then by sending a force of Ravennate troops under the command of the Exarch Paulus, but they were pushed back by the Lombards of Tuscia and Benevento. Byzantine general Eutychius sent west by the Emperor successfully captured Rome and restored it as a part of the empire in 728.
On 1 November 731, a council was called in St. Peter's by Gregory III to excommunicate the iconoclasts. The Emperor responded by confiscating large Papal estates in Sicily and Calabria and transferring areas previously ecclesiastically under the Pope to the Patriarch of Constantinople. Despite the tensions Gregory III never discontinued his support to the imperial efforts against external threats.
In this period the Lombard kingdom revived under the leadership of King Liutprand. In 730, he razed the countryside of Rome to punish the Pope, who had supported Duke Transamund II of Spoleto. Though still protected by his massive walls, the Pope could do little against the Lombard king, who managed to ally himself with the Byzantines. Other protectors were now needed. Gregory III was the first Pope to ask for concrete help from the Frankish Kingdom, then under the command of Charles Martel (739).
Liutprand's successor Aistulf was even more aggressive. He conquered Ferrara and Ravenna, ending the Exarchate of Ravenna. Rome seemed his next victim. In 754, Pope Stephen II went to France to name Pippin the Younger, king of the Franks, as patricius Romanorum, i.e. protector of Rome. In the August of that year the King and Pope together crossed back the Alps and defeated Aistulf at Pavia. When Pippin went back to St. Denis however, Aistulf did not keep his promises, and in 756 besieged Rome for 56 days. The Lombards returned north when they heard news of Pippin again moving to Italy. This time he agreed to give the Pope the promised territories, and the Papal States were born.
In 771 the new King of the Lombards, Desiderius, devised a plot to conquer Rome and seize Pope Stephen III during a feigned pilgrimage within its walls. His main ally was one Paulus Afiarta, chief of the Lombard party within the city. He conquered Rome in 772 but angered Charlemagne. However the plan failed, and Stephen's successor, Pope Hadrian I called Charlemagne against Desiderius, who was finally defeated in 773. The Lombard Kingdom was no more, and now Rome entered into the orbit of a new, greater political institution.
Numerous remains from this period, along with a museum devoted to Medieval Rome, can be seen at Crypta Balbi in Rome.
On 25 April 799 the new Pope, Leo III, led the traditional procession from the Lateran to the Church of San Lorenzo in Lucina along the Via Flaminia (now Via del Corso). Two nobles (followers of his predecessor Hadrian) who disliked the weakness of the Pope with regards to Charlemagne, attacked the processional train and delivered a life-threatening wound to the Pope. Leo fled to the King of the Franks, and in November, 800, the King entered Rome with a strong army and a number of French bishops. He declared a judicial trial to decide if Leo III were to remain Pope, or if the deposers' claims had reasons to be upheld. This trial, however, was only a part of a well thought out chain of events which ultimately surprised the world. The Pope was declared legitimate and the attempters subsequently exiled. On 25 December 800, Pope Leo III crowned Charlemagne Holy Roman Emperor in St. Peter's Basilica.
This act forever severed the loyalty of Rome from its imperial progenitor, Constantinople. It created instead a rival empire which, after a long series of conquests by Charlemagne, now encompassed most of the Christian Western territories.
Following the death of Charlemagne, the lack of a figure with equal prestige led the new institution into disagreement. At the same time the universal church of Rome had to face emergence of the lay interests of the City itself, spurred on by the conviction that the Roman people, though impoverished and abased, had again the right to elect the Western Emperor. The famous counterfeit document called the Donation of Constantine, prepared by the Papal notaries, guaranteed to the Pope a dominion stretching from Ravenna to Gaeta. This nominally included the suzerainty over Rome, but this was often highly disputed, and as the centuries passed, only the strongest Popes were to be able to assert it. The main element of weakness of the Papacy within the walls of the city was the continued necessity of the election of new popes, in which the emerging noble families soon managed to insert a leading role for themselves. The neighbouring powers, namely the Duchy of Spoleto and Toscana, and later the Emperors, learned how to take their own advantage of this internal weakness, playing the role of arbiters among the contestants.
Rome was indeed prey of anarchy in this age. The lowest point was touched in 897, when a raging crowd exhumed the corpse of a dead pope, Formosus, and put it on trial.
From 1048 to 1257, the papacy experienced increasing conflict with the leaders and churches of the Holy Roman Empire and the Byzantine (Eastern Roman) Empire. The latter culminated in the East-West Schism, dividing the Catholic Church and Eastern Orthodox Church. From 1257 to 1377, the pope, though the bishop of Rome, resided in Viterbo, Orvieto, and Perugia, and then Avignon. The return of the popes to Rome after the Avignon Papacy was followed by the Western Schism: the division of the western church between two, and for a time three, competing papal claimants.
In this period the renovated Church was again attracting pilgrims and prelates from all the Christian world, and money with them: even with a population of only 30,000, Rome was again becoming a city of consumers dependent upon the presence of a governmental bureaucracy. In the meantime, Italian cities were acquiring increasing autonomy, mainly led by new families which were replacing the old aristocracy with a new class formed by entrepreneurs, traders and merchants. After the sack of Rome by the Normans in 1084, the rebuilding of the city was supported by powerful families such as the Frangipane family and the Pierleoni family, whose wealth came from commerce and banking rather than landholdings. Inspired by neighbouring cities like Tivoli and Viterbo, Rome's people began to consider adopting a communal status and gaining a substantial amount of freedom from papal authority.
Led by Giordano Pierleoni, the Romans rebelled against the aristocracy and Church rule in 1143. The Senate and the Roman Republic, the Commune of Rome, were born again. Through the inflammatory words of preacher Arnaldo da Brescia, an idealistic, fierce opponent of ecclesiastical property and church interference in temporal affairs, the revolt that led to the creation of the Commune of Rome continued until it was put down in 1155, though it left its mark on the civil government of the Eternal City for centuries. 12th-century Rome, however, had little in common with the empire which had ruled over the Mediterranean some 700 years before, and soon the new Senate had to work hard to survive, choosing an ambiguous policy of shifting its support from the Pope to the Holy Roman Empire and vice versa as the political situation required. At Monteporzio, in 1167, during one of these shifts, in the war with Tusculum, Roman troops were defeated by the imperial forces of Frederick Barbarossa. Luckily, the winning enemies were soon dispersed by a plague and Rome was saved.
In 1188 the new communal government was finally recognised by Pope Clement III. The Pope had to make large cash payments to the communal officials, while the 56 senators became papal vassals. The Senate always had problems in the accomplishment of its function, and various changes were tried. Often a single Senator was in charge. This sometimes led to tyrannies, which did not help the stability of the newborn organism.
In 1204 the streets of Rome were again in flames when the struggle between Pope Innocent III's family and its rivals, the powerful Orsini family, led to riots in the city. Many ancient buildings were then destroyed by machines used by the rival bands to besiege their enemies in the innumerable towers and strongholds which were a hallmark of the Middle Age Italian towns.
The struggle between the Popes and the emperor Frederick II, also king of Naples and Sicily, saw Rome support the Ghibellines. To repay his loyalty, Frederick sent to the commune the Carroccio he had won from the Lombards at the battle of Cortenuova in 1234, and which was exposed in the Campidoglio.
In that year, during another revolt against the Pope, the Romans headed by senator Luca Savelli sacked the Lateran. Savelli was the father of Honorius IV, but in that age family ties often did not determine one's allegiance.
Rome was never to evolve into an autonomous, stable reign, as happened to other communes like Florence, Siena or Milan. The endless struggles between noble families (Savelli, Orsini, Colonna, Annibaldi), the ambiguous position of the Popes, the haughtiness of a population which never abandoned the dreams of their splendid past but, at the same time, thought only of immediate advantage, and the weakness of the republican institutions always deprived the city of this possibility.
In an attempt to imitate more successful communes, in 1252 the people elected a foreign Senator, the Bolognese Brancaleone degli Andalò. In order to bring peace in the city he suppressed the most powerful nobles (destroying some 140 towers), reorganised the working classes and issued a code of laws inspired by those of northern Italy. Brancaleone was a tough figure, but died in 1258 with almost nothing of his reforms turned into reality. Five years later Charles I of Anjou, then king of Naples, was elected Senator. He entered the city only in 1265, but soon his presence was needed to face Conradin, the Hohenstaufen's heir who was coming to claim his family's rights over southern Italy, and left the city. After June 1265 Rome was again a democratic republic, electing Henry of Castile as senator. But Conradin and the Ghibelline party were crushed in the Battle of Tagliacozzo (1268), and therefore Rome fell again in the hands of Charles.
Nicholas III, a member of Orsini family, was elected in 1277 and moved the seat of the Popes from the Lateran to the more defensible Vatican. He also ordered that no foreigner could become senator of Rome. Being a Roman himself, he had himself elected senator by the people. With this move, the city began again to side for the papal party. In 1285 Charles was again Senator, but the Sicilian Vespers reduced his charisma, and the city was thenceforth free from his authority. The next senator was again a Roman, and again a pope, Honorius IV of the Savelli.
The successor to Celestine V was a Roman of the Caetani family, Boniface VIII. Entangled in a local feud against the traditional rivals of his family, the Colonna, at the same time he struggled to assure the universal supremacy of the Holy See. In 1300 he launched the first Jubilee and in 1303 founded the first University of Rome. The Jubilee was an important move for Rome, as it further increased its international prestige and, most of all, the city's economy was boosted by the flow of pilgrims. Boniface died in 1303 after the humiliation of the Schiaffo di Anagni ("Slap of Anagni"), which signalled instead the rule of the King of France over the Papacy and marked another period of decline for Rome.
Boniface's successor, Clement V, never entered the city, starting the so-called "Avignon captivity", the absence of the Popes from their Roman seat in favour of Avignon, which would last for more than 70 years. This situation brought the independence of the local powers, but these were revealed to be largely unstable; and the lack of the holy revenues caused a deep decay of Rome. For more than a century Rome had no new major buildings. Furthermore, many of the monuments of the city, including the main churches, began to fall into ruin.
Cola di Rienzo stormed the Capitoline Hill in 1347 to create a new Roman Republic. Though short-lived, his attempt is recorded by a 19th-century statue near the ramped Cordonata leading to Michelangelo's Piazza del Campidoglio.
In spite of its decline and the absence of the Pope, Rome had not lost its spiritual prestige: in 1341 the famous poet Petrarca came to the city to be crowned as Poet laureate in Capitoline Hill. Noblemen and poor people at one time demanded with one voice the return of the Pope. Among the many ambassadors that in this period took their way to Avignon, emerged the bizarre but eloquent figure of Cola di Rienzo. As his personal power among the people increased by time, on 20 May 1347 he conquered the Capitoline at the head of an enthusiastic crowd. The period of his power, though very short-lived, aspired to the prestige of Ancient Rome. Now in possession of dictatorial powers, he took the title of "tribune", referring to the pleb's magistracy of the Roman Republic. Cola also considered himself at an equal status of that of the Holy Roman Emperor. On 1 August, he conferred Roman citizenship on all the Italian cities, and even prepared for the election of a Roman emperor of Italy. It was too much: the Pope denounced him as heretic, criminal and pagan, the populace had begun to be disenchanted with him, while the nobles had always hated him. On 15 December, he was forced to flee.
In August 1354, Cola was again a protagonist, when Cardinal Gil Alvarez De Albornoz entrusted him with the role of "senator of Rome" in his programme of reassuring the Pope's rule in the Papal States. In October the tyrannical Cola, who had become again very unpopular for his delirious behaviour and heavy bills, was killed in a riot provoked by the powerful family of the Colonna. In April 1355, Charles IV of Bohemia entered the city for the ritual coronation as Emperor. His visit was very disappointing for the citizens. He had little money, received the crown not from the Pope but from a Cardinal, and moved away after a few days.
With the emperor back in his lands, Albornoz could regain a certain control over the city, while remaining in his safe citadel in Montefiascone, in the Northern Lazio. The senators were chosen directly by the Pope from several cities of Italy, but the city was in fact independent. The Senate council included six judges, five notaries, six marshals, several familiars, twenty knights and twenty armed men. Albornoz had heavily suppressed the traditional aristocratic families, and the "democratic" party felt confident enough to start an aggressive policy. In 1362 Rome declared war on Velletri. This move, however, provoked a civil war. The countryside party hired a condottieri band called "Del Cappello" ("Hat"), while the Romans bought the services of German and Hungarian troops, plus a citizen levy of 600 knights and even 22,000 infantry. This was the period in which condottieri bands were active in Italy. Many of the Savelli, Orsini and Annibaldi expelled from Rome became leaders of such military units. The war with Velletri languished, and Rome again gave itself to the new Pope, Urban V, provided Albornoz did not enter the walls.
On 16 October 1367, in reply to the prayers of St Brigid and Petrarca, Urban finally visited for the city. During his presence, Charles IV was again crowned in the city (October 1368). In addition, the Byzantine emperor John V Palaeologus came in Rome to beg for a crusade against the Ottoman Empire, but in vain. However, Urban did not like the unhealthy air of the city, and on 5 September 1370 he sailed again to Avignon. His successor, Gregory XI, officially set the date of his return to Rome at May 1372, but again the French cardinals and the King stopped him.
Only on 17 January 1377, Gregory XI could finally reinstate the Holy See in Rome.
The incoherent behaviour of his successor, the Italian Urban VI, provoked in 1378 the Western Schism, which impeded any true attempt of improving the conditions of the decaying Rome. The 14th century, with the absence of the popes during the Avignon Papacy, had been a century of neglect and misery for the city of Rome, which dropped to its lowest level of population. With the return of the papacy to Rome repeatedly postponed because of the bad conditions of the city and the lack of control and security, it was first necessary to strengthen the political and doctrinal aspects of the pontiff.
When in 1377 Gregory XI was in fact returned to Rome, he found a city in anarchy because of the struggles between the nobility and the popular faction, and in which his power was now more formal than real. There followed four decades of instability, characterised by the local power struggle between the commune and the papacy, and internationally by the great Western Schism, at the end of which was elected Pope, Martin V. He restored order, laying the foundations of its rebirth.
In 1433 the Duke of Milan, Filippo Maria Visconti signed a peace treaty with Florence and Venice. He then sent the condottieri Niccolò Fortebraccio and Francesco Sforza to harass the Papal States, in vengeance for Eugene IV's support to the two former republics.
Fortebraccio, supported by the Colonna, occupied Tivoli in October 1433 and ravaged Rome's countryside. Despite the concessions made by Eugene to the Visconti, the Milanese soldiers did not stop their destruction. This led the Romans, on 29 May 1434 to institute a Republican government under the Banderesi. Eugene left the city a few days later, during the night of 4 June.
However, the Banderesi proved incapable of governing the city, and their inadequacies and violence soon deprived them of popular support. The city was therefore returned to Eugene by the army of Giovanni Vitelleschi on 26 October 1434. After the death in mysterious circumstances of Vitelleschi, the city came under the control of Ludovico Scarampo, Patriarch of Aquileia. Eugene returned to Rome on 28 September 1443.
The latter half of the 15th century saw the seat of the Italian Renaissance move to Rome from Florence. The Papacy wanted to surpass the grandeur of other Italian cities. To this end the popes created increasingly extravagant churches, bridges, town squares and public spaces, including a new Saint Peter's Basilica, the Sistine Chapel, Ponte Sisto (the first bridge to be built across the Tiber since antiquity), and Piazza Navona. The Popes were also patrons of the arts engaging such artists as Michelangelo, Perugino, Raphael, Ghirlandaio, Luca Signorelli, Botticelli, and Cosimo Rosselli.
Under Pope Nicholas V, who became Pontiff on 19 March 1447, the Renaissance can be said to have begun in Rome, heralding a period in which the city became the centre of Humanism. He was the first Pope to embellish the Roman court with scholars and artists, including Lorenzo Valla and Vespasiano da Bisticci.
On 4 September 1449 Nicholas proclaimed a Jubilee for the following year, which saw a great influx of pilgrims from all Europe. The crowd was so large that in December, on Ponte Sant'Angelo, some 200 people died, crushed underfoot or drowned in the River Tiber. Later that year the Plague reappeared in the city, and Nicholas fled.
However Nicholas brought stability to the temporal power of the Papacy, a power in which the Emperor was to have no part at all. In this way, the coronation and the marriage of Frederick III, Holy Roman Emperor on 16 March 1452, was more a civil ceremony. The Papacy now controlled Rome with a strong hand. A plot by Stefano Porcari, whose aim was the restoration of the Republic, was ruthlessly suppressed in January 1453. Porcari was hanged together with the other plotters, Francesco Gabadeo, Pietro de Monterotondo, Battista Sciarra and Angiolo Ronconi, but the Pope gained a treacherous reputation, as when the execution was beginning he was too drunk to confirm the grace he had previously given to Sciarra and Ronconi.
Nicholas was also actively involved in Rome's urban renewal, in collaboration with Leon Battista Alberti, including the construction of a new St Peter's Basilica.
Nicholas' successor Calixtus III neglected Nicholas's cultural policies, instead devoting himself to his greatest passion, his nephews. The Tuscan Pius II, who took the reins after his death in 1458, was a great Humanist, but did little for Rome. During his reign Lorenzo Valla demonstrated that the Donation of Constantine was a forgery. Pius was the first Pope to use guns, in campaign against the rebel barons Savelli in the neighbourhood of Rome, in 1461. One year later the bringing to Rome of the head of the Apostle St. Andrew produced a great number of pilgrims. The reign of Pope Paul II (1464–1471) was notable only for the reintroduction of the Carnival, which was to become a very popular feast in Rome in the following centuries. In the same year (1468) a plot against the Pope was uncovered, organised by the intellectuals of the Roman Academy founded by Pomponio Leto. The conspirators were sent to Castel Sant'Angelo.
More important by far was the Pontificate of Sixtus IV, considered the first Pope-King of Rome. In order to favour his relative Girolamo Riario, he promoted the unsuccessful Congiura dei Pazzi against the Medici of Florence (26 April 1478) and in Rome fought the Colonna and the Orsini. The personal politics of intrigue and war required much money, but in spite of this Sixtus was a true patron of art in the manner of Nicholas V. He reopened the Academy and reorganised the Collegio degli Abbreviatori, and in 1471 began the construction of the Vatican Library, whose first curator was Platina. The Library was officially founded on 15 Jun
Includes:
4 Fish Fountains
10 Seating Cushions
4 Candle Lanterns
Roman Structure
Remove the water and use it instead for a lovely outdoor meeting area.
Prims =
Structure = 44
Braziers = 3 each x 4 included = 12 prims
Fish Fountains = 13 each x 4 included = 52 prims
Candle Lanterns = 4 each x 4 included = 16 prims
Sitting Cushion = 1 each x 10 included = 10 prims
Water = 1 prim
TOTAL PRIMS = 135 prims
Footprint = 24 wide x 24 deep x 10.7781 tall
This is a photograph from the finish of the 6th annual Kinnegad 5KM Road Race and Fun Run 2015 which was held in the town of Kinnegad, Co. Westmeath, Ireland on Wednesday 8th July 2015 at 20:00. This race has firmly estbalished itself on the local race calender and yet again the race got wonderful support from local clubs and runners. The race is flat and fast and takes runners on traffic free route which includes 3KM on the local road 'Boreen Bradach'. The finish is on the famous main street of Kinnegad in front of Harry's Hotel. Over 200 people took part and the results by Premier Timing Systems are available here [www.premiertimingsystems.ie/]. Our full set of photographs from tonight's race is available here www.flickr.com/photos/peterm7/sets/72157653300652864
The race is organised by Coralstown Kinnegad GAA Club with proceeds from the race going towards the development of the club.
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In summary please remember when requesting photographs from us - If you are using the photographs online all we ask is for you to provide a link back to our Flickr set or Flickr pages. You will find the link above clearly outlined in the description text which accompanies this photograph. Taking these photographs and preparing them for online posting takes a significant effort and time. We are not posting photographs to Flickr for commercial reasons. If you really like what we do please spread the link around your social media, send us an email, leave a comment beside the photographs, send us a Flickr email, etc. If you are using the photographs in newspapers or magazines we ask that you mention where the original photograph came from.
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Many people offer payment for our photographs. As stated above we do not charge for these photographs. We take these photographs as our contribution to the running community in Ireland. If you feel that the photograph(s) you request are good enough that you would consider paying for their purchase from other photographic providers or in other circumstances we would suggest that you can provide a donation to any of the great charities in Ireland who do work for Cancer Care or Cancer Research in Ireland.
Let's get a bit technical: We use Creative Commons Licensing for these photographs
We use the Creative Commons Attribution-ShareAlike License for all our photographs here in this photograph set. What does this mean in reality?
The explaination is very simple.
Attribution- anyone using our photographs gives us an appropriate credit for it. This ensures that people aren't taking our photographs and passing them off as their own. This usually just mean putting a link to our photographs somewhere on your website, blog, or Facebook where other people can see it.
ShareAlike – anyone can use these photographs, and make changes if they like, or incorporate them into a bigger project, but they must make those changes available back to the community under the same terms.
Above all what Creative Commons aims to do is to encourage creative sharing. See some examples of Creative Commons photographs on Flickr: www.flickr.com/creativecommons/
I ran in the race - but my photograph doesn't appear here in your Flickr set! What gives?
As mentioned above we take these photographs as a hobby and as a voluntary contribution to the running community in Ireland. Very often we have actually ran in the same race and then switched to photographer mode after we finished the race. Consequently, we feel that we have no obligations to capture a photograph of every participant in the race. However, we do try our very best to capture as many participants as possible. But this is sometimes not possible for a variety of reasons:
►You were hidden behind another participant as you passed our camera
►Weather or lighting conditions meant that we had some photographs with blurry content which we did not upload to our Flickr set
►There were too many people - some races attract thousands of participants and as amateur photographs we cannot hope to capture photographs of everyone
►We simply missed you - sorry about that - we did our best!
You can email us petermooney78 AT gmail DOT com to enquire if we have a photograph of you which didn't make the final Flickr selection for the race. But we cannot promise that there will be photograph there. As alternatives we advise you to contact the race organisers to enquire if there were (1) other photographs taking photographs at the race event or if (2) there were professional commercial sports photographers taking photographs which might have some photographs of you available for purchase. You might find some links for further information above.
Don't like your photograph here?
That's OK! We understand!
If, for any reason, you are not happy or comfortable with your picture appearing here in this photoset on Flickr then please email us at petermooney78 AT gmail DOT com and we will remove it as soon as possible. We give careful consideration to each photograph before uploading.
I want to tell people about these great photographs!
Great! Thank you! The best link to spread the word around is probably http://www.flickr.com/peterm7/sets
The Heritage Center at Red Cloud Indian School kicked off its first-ever Visiting Poet Series. The new series includes public performances and workshops with students from area schools. The Heritage Center welcomed Suheir Hammad as the first visiting poet of this series. Suheir is a Tony-award winning poet, activist and an alumna of HBO’s Def Poetry Jam.
Read more here: goo.gl/NfNEiX
For media use or inquires please email: info@redcloudschool.org.
© 2015 Red Cloud Indian School, Inc.
Biennalist @ Venice Biennale
during the Venice Biennale 2019 Biennalist format will express the Biennale concept with art work
Biennalist / Venice Biennale
www.emergencyrooms.org/biennalist.html
#ThierryGeoffroy
#venicebiennale #biennalist #artformat #biennale #artbiennale #biennial
#BiennaleArte2019
more here about the Biennale :
Ralph Rugoff has declared: «May You Live in Interesting Times will no doubt include artworks that reflect upon precarious aspects of existence today, including different threats to key traditions, institutions and relationships of the “post-war order.” But let us acknowledge at the outset that art does not exercise its forces in the domain of politics. Art cannot stem the rise of nationalist movements and authoritarian governments in different parts of the world, for instance, nor can it alleviate the tragic fate of displaced peoples across the globe (whose numbers now represent almost one percent of the world’s entire population).»
ALBANIA
Maybe the cosmos is not so extraordinary
Commissioner: Ministry of Culture Republic of Albania. Curator: Alicia Knock.
Exhibitor: Driant Zeneli.
ALGERIA***
Time to shine bright
Commissioner/Curator: Hellal Mahmoud Zoubir, National Council of Arts and Letters Ministry of Culture. Exhibitors: Rachida Azdaou, Hamza Bounoua, Amina Zoubir, Mourad Krinah, Oussama Tabti.
Venue: Fondamenta S. Giuseppe, 925
ANDORRA
The Future is Now / El futur és ara
Commissioner: Eva Martínez, “Zoe”. Curators: Ivan Sansa, Paolo De Grandis.
Exhibitor: Philippe Shangti.
Venue: Istituto Santa Maria della Pietà, Castello 3701
ANTIGUA & BARBUDA
Find Yourself: Carnival and Resistance
Commissioner: Daryll Matthew, Minister of Sports, Culture, National Festivals and the Arts. Curator: Barbara Paca with Nina Khrushcheva. Exhibitors: Timothy Payne, Sir Gerald Price, Joseph Seton, and Frank Walter; Intangible Cultural, Heritage Artisans and Mas Troup.
Venue: Centro Culturale Don Orione Artigianelli, Dorsoduro 919
ARGENTINA
El nombre de un país / The name of a country
Commissioner: Sergio Alberto Baur Ambasciatore. Curator: Florencia Battiti. Exhibitor: Mariana Telleria.
Venue: Arsenale
ARMENIA (Republic of)
Revolutionary Sensorium
Commissioner: Nazenie Garibian, Deputy Minister. Curator: Susanna Gyulamiryan.
Exhibitors: "ArtlabYerevan" Artistic Group (Gagik Charchyan, Hovhannes Margaryan, Arthur Petrosyan, Vardan Jaloyan) and Narine Arakelian.
Venue: Palazzo Zenobio – Collegio Armeno Moorat-Raphael, Dorsoduro 2596
AUSTRALIA
ASSEMBLY
Commissioner: Australia Council for the Arts. Curator: Juliana Engberg. Exhibitor: Angelica Mesiti.
Venue: Giardini
AUSTRIA
Discordo Ergo Sum
Commissioner: Arts and Culture Division of the Federal Chancellery of Austria.
Curator: Felicitas Thun-Hohenstein. Exhibitor: Renate Bertlmann.
Venue: Giardini
AZERBAIJAN (Republic of )
Virtual Reality
Commissioner: Mammad Ahmadzada, Ambassador of the Republic of Azerbaijan.
Curators: Gianni Mercurio, Emin Mammadov. Exhibitors: Zeigam Azizov, Orkhan Mammadov, Zarnishan Yusifova, Kanan Aliyev, Ulviyya Aliyeva.
Venue: Palazzo Lezze, Campo S. Stefano, San Marco 2949
BANGLADESH (People’s Republic of)
Thirst
Commissioner: Liaquat Ali Lucky. Curators: Mokhlesur Rahman, Viviana Vannucci.
Exhibitors: Bishwajit Goswami, Dilara Begum Jolly, Heidi Fosli, Nafis Ahmed Gazi, Franco Marrocco, Domenico Pellegrino, Preema Nazia Andaleeb, Ra Kajol, Uttam Kumar karmaker.
Venue: Palazzo Zenobio – Collegio Armeno Moorat-Raphael, Dorsoduro 2596
BELARUS (Republic of)
Exit / Uscita
Commissioner: Siarhey Kryshtapovich. Curator: Olga Rybchinskaya. Exhibitor: Konstantin Selikhanov.
Venue: Spazio Liquido, Sestiere Castello 103, Salizada Streta
BELGIUM
Mondo Cane
Commissioner: Fédération Wallonie-Bruxelles. Curator: Anne-Claire Schmitz.
Exhibitor: Jos de Gruyter & Harald Thys.
Venue: Giardini
BOSNIA and HERZEGOVINA
ZENICA-TRILOGY
Commissioner: Senka Ibrišimbegović, Ars Aevi Museum for Contemporary Art Sarajevo.
Curators: Anja Bogojević, Amila Puzić, Claudia Zini. Exhibitor: Danica Dakić.
Venue: Palazzo Francesco Molon Ca’ Bernardo, San Polo 2184/A
BRAZIL
Swinguerra
Commissioner: José Olympio da Veiga Pereira, Fundação Bienal de São Paulo.
Curator: Gabriel Pérez-Barreiro. Exhibitor: Bárbara Wagner & Benjamin de Burca.
Venue: Giardini
BULGARIA
How We Live
Commissioner: Iaroslava Boubnova, National Gallery in Sofia. Curator: Vera Mlechevska.
Exhibitors: Rada Boukova , Lazar Lyutakov.
Venue: Palazzo Giustinian Lolin, San Marco 2893
CANADA
ISUMA
Commissioner: National Gallery of Canada. Curators: Asinnajaq, Catherine Crowston, Josée Drouin-Brisebois, Barbara Fischer, Candice Hopkins. Exhibitors: Isuma (Zacharias Kunuk, Norman Cohn, Paul Apak, Pauloosie Qulitalik).
Venue: Giardini
CHILE
Altered Views
Commissioner: Varinia Brodsky, Ministry of Cultures, Arts and Heritage.
Curator: Agustín Pérez. Rubio. Exhibitor: Voluspa Jarpa.
Venue: Arsenale
CHINA (People’s Republic of)
Re-睿
Commissioner: China Arts and Entertainment Group Ltd. (CAEG).
Curator: Wu Hongliang. Exhibitors: Chen Qi, Fei Jun, He Xiangyu, Geng Xue.
Venue: Arsenale
CROATIA
Traces of Disappearing (In Three Acts)
Commissioner: Ministry of Culture of the Republic of Croatia. Curator: Katerina Gregos.
Exhibitor: Igor Grubić.
Venue: Calle Corner, Santa Croce 2258
CUBA
Entorno aleccionador (A Cautionary Environment)
Commissioner: Norma Rodríguez Derivet, Consejo Nacional de Artes Plásticas.
Curator: Margarita Sanchez Prieto. Exhibitors: Alejandro Campins, Alex Hérnandez, Ariamna Contino and Eugenio Tibaldi. Venue: Isola di San Servolo
CYPRUS (Republic of)
Christoforos Savva: Untimely, Again
Commissioner: Louli Michaelidou. Curator: Jacopo Crivelli Visconti. Exhibitor: Christoforos Savva.
Venue: Associazione Culturale Spiazzi, Castello 3865
CZECH (Republic) and SLOVAK (Republic)
Stanislav Kolíbal. Former Uncertain Indicated
Commissioner: Adam Budak, National Gallery Prague. Curator: Dieter Bogner.
Exhibitor: Stanislav Kolibal.
Venue: Giardini
DOMINICAN (Republic) *
Naturaleza y biodiversidad en la República Dominicana
Commissioner: Eduardo Selman, Minister of Culture. Curators: Marianne de Tolentino, Simone Pieralice, Giovanni Verza. Exhibitors: Dario Oleaga, Ezequiel Taveras, Hulda Guzmán, Julio Valdez, Miguel Ramirez, Rita Bertrecchi, Nicola Pica, Marraffa & Casciotti.
Venue: Palazzo Albrizzi Capello, Cannaregio 4118 – Sala della Pace
EGYPT
khnum across times witness
Commissioner: Ministry of Culture. Curator: Ahmed Chiha.
Exhibitors: Islam Abdullah, Ahmed Chiha, Ahmed Abdel Karim.
Venue: Giardini
ESTONIA
Birth V
Commissioner: Maria Arusoo, Centre of Contemporary Arts of Estonia. Curators: Andrew Berardini, Irene Campolmi, Sarah Lucas, Tamara Luuk. Exhibitor: Kris Lemsalu.
Venue: c/o Legno & Legno, Giudecca 211
FINLAND (Alvar Aalto Pavilion)
A Greater Miracle of Perception
Commissioner: Raija Koli, Director Frame Contemporary Art Finland.
Curators: Giovanna Esposito Yussif, Bonaventure Soh Bejeng Ndikung, Christopher Wessels. Exhibitors: Miracle Workers Collective (Maryan Abdulkarim, Khadar Ahmed, Hassan Blasim, Giovanna Esposito Yussif, Sonya Lindfors, Bonaventure Soh Bejeng Ndikung, Outi Pieski, Leena Pukki, Lorenzo Sandoval, Martta Tuomaala, Christopher L. Thomas, Christopher Wessels, Suvi West).
Venue: Giardini
FRANCE
Deep see blue surrounding you / Vois ce bleu profond te fondre
Commissioner: Institut français with the Ministry for Europe and Foreign Affairs and the Ministry of Culture. Curator: Martha Kirszenbaum. Exhibitor: Laure Prouvost.
Venue: Giardini
GEORGIA
REARMIRRORVIEW, Simulation is Simulation, is Simulation, is Simulation
Commissioner: Ana Riaboshenko. Curator: Margot Norton. Exhibitor: Anna K.E.
Venue: Arsenale
GERMANY
Commissioner: ifa (Institut für Auslandsbeziehungen) on behalf of the Federal Foreign Office, Germany. Curator: Franciska Zólyom. Exhibitor: Natascha Süder Happelmann.
Venue: Giardini
GHANA ***
Ghana Freedom
Commissioner: Ministry of Tourism, Arts and Culture. Curator: Nana Oforiatta Ayim.
Exhibitors: Felicia Abban, John Akomfrah, El Anatsui, Lynette Yiadom Boakye, Ibrahim Mahama, Selasi Awusi Sosu.
Venue: Arsenale
GREAT BRITAIN
Cathy Wilkes
Commissioner: Emma Dexter. Curator: Zoe Whitley. Exhibitor: Cathy Wilkes.
Venue: Giardini
GREECE
Mr Stigl
Commissioner: Syrago Tsiara (Deputy Director of the Contemporary Art Museum - Metropolitan Organization of Museums of Visual Arts of Thessaloniki - MOMus).
Curator: Katerina Tselou. Exhibitors: Panos Charalambous, Eva Stefani, Zafos Xagoraris.
Venue: Giardini
GRENADA
Epic Memory
Commissioner: Susan Mains. Curator: Daniele Radini Tedeschi.
Exhibitors: Amy Cannestra, Billy Gerard Frank, Dave Lewis, Shervone Neckles, Franco Rota Candiani, Roberto Miniati, CRS avant-garde.
Venue: Palazzo Albrizzi-Capello (first floor), Cannaregio 4118
GUATEMALA
Interesting State
Commissioner: Elder de Jesús Súchite Vargas, Minister of Culture and Sports of Guatemala. Curator: Stefania Pieralice. Exhibitors: Elsie Wunderlich, Marco Manzo.
Venue: Palazzo Albrizzi-Capello (first floor), Cannaregio 4118
HAITI
THE SPECTACLE OF TRAGEDY
Commissioner: Ministry of Culture and Communication.
Curator: Giscard Bouchotte. Exhibitor: Jean Ulrick Désert.
Venue: Circolo Ufficiali Marina, Calle Seconda de la Fava, Castello 2168
HUNGARY
Imaginary Cameras
Commissioner: Julia Fabényi, Museo Ludwig – Museo d’arte contemporanea, Budapest.
Curator: Zsuzsanna Szegedy-Maszák. Exhibitor: Tamás Waliczky.
Venue: Giardini
ICELAND
Chromo Sapiens – Hrafnhildur Arnardóttir / Shoplifter
Commissioner: Eiríkur Þorláksson, Icelandic Ministry of Education, Science and Culture.
Curator: Birta Gudjónsdóttir. Exhibitor: Hrafnhildur Arnardóttir / Shoplifter.
Venue: Spazio Punch, Giudecca 800
INDIA
Our time for a future caring
Commissioner: Adwaita Gadanayak National Gallery of Modern Art.
Curator: Roobina Karode, Director & Chief Curator, Kiran Nadar Museum of Art. Exhibitors: Atul Dodiya, Ashim Purkayastha, GR Iranna, Jitish Kallat, Nandalal Bose, Rummana Hussain, Shakuntala Kulkarni.
Venue: Arsenale
INDONESIA
Lost Verses
Commissioner: Ricky Pesik & Diana Nazir, Indonesian Agency for Creative Economy.
Curator: Asmudjo Jono Irianto. Exhibitors: Handiwirman Saputra and Syagini Ratna Wulan.
Venue: Arsenale
IRAN (Islamic Republic of)
of being and singing
Commissioner: Hadi Mozafari, General Manager of Visual Arts Administration of Islamic Republic of Iran. Curator: Ali Bakhtiari.
Exhibitors: Reza Lavassani, Samira Alikhanzadeh, Ali Meer Azimi.
Venue: Fondaco Marcello, San Marco 3415
IRAQ
Fatherland
Commissioner: Fondazione Ruya. Curators: Tamara Chalabi, Paolo Colombo.
Exhibitor: Serwan Baran.
Venue: Ca’ del Duca, Corte del Duca Sforza, San Marco 3052
IRELAND
The Shrinking Universe
Commissioner: Culture Ireland. Curator: Mary Cremin. Exhibitor: Eva Rothschild.
Venue: Arsenale
ISRAEL
Field Hospital X
Commissioner: Michael Gov, Arad Turgeman. Curator: Avi Lubin. Exhibitor: Aya Ben Ron.
Venue: Giardini
ITALY
Commissioner: Federica Galloni, Direttore Generale Arte e Architettura Contemporanee e Periferie Urbane, Ministero dei Beni e delle Attività Culturali. Curator: Milovan Farronato.
Exhibitors: Enrico David, Liliana Moro, Chiara Fumai.
Venue: Padiglione Italia, Tese delle Vergini, Arsenale
IVORY COAST
The Open Shadows of Memory
Commissioner: Henri Nkoumo. Curator: Massimo Scaringella. Exhibitors: Ernest Dükü, Ananias Leki Dago, Valérie Oka, Tong Yanrunan.
Venue: Castello Gallery, Castello 1636/A
JAPAN
Cosmo-Eggs
Commissioner: The Japan Foundation. Curator: Hiroyuki Hattori. Exhibitors: Motoyuki Shitamichi, Taro Yasuno, Toshiaki Ishikura, Fuminori Nousaku.
Venue: Giardini
KIRIBATI
Pacific Time - Time Flies
Commissioner: Pelea Tehumu, Ministry of Internal Affairs. Curators: Kautu Tabaka, Nina Tepes. Exhibitors: Kaeka Michael Betero, Daniela Danica Tepes, Kairaken Betio Group; Teroloang Borouea, Neneia Takoikoi, Tineta Timirau, Teeti Aaloa, Kenneth Ioane, Kaumai Kaoma, Runita Rabwaa, Obeta Taia, Tiribo Kobaua, Tamuera Tebebe, Rairauea Rue, Teuea Kabunare, Tokintekai Ekentetake, Katanuti Francis, Mikaere Tebwebwe, Terita Itinikarawa, Kaeua Kobaua, Raatu Tiuteke, Kaeriti Baanga, Ioanna Francis, Temarewe Banaan, Aanamaria Toom, Einako Temewi, Nimei Itinikarawa, Teniteiti Mikaere, Aanibo Bwatanita, Arin Tikiraua.
Venue: European Cultural Centre, Palazzo Mora, Strada Nuova 3659
KOREA (Republic of)
History Has Failed Us, but No Matter
Commissioner: Arts Council Korea. Curator: Hyunjin Kim. Exhibitors: Hwayeon Nam, siren eun young jung, Jane Jin Kaisen.
Venue: Giardini
KOSOVO (Republic of)
Family Album
Commissioner: Arta Agani. Curator: Vincent Honore. Exhibitor: Alban Muja.
Venue: Arsenale
LATVIA
Saules Suns
Commissioner: Dace Vilsone. Curators: Valentinas Klimašauskas, Inga Lāce.
Exhibitor: Daiga Grantiņa.
Venue: Arsenale
LITHUANIA
Sun & Sea (Marina)
Commissioner: Rasa Antanavičıūte. Curator: Lucia Pietroiusti.
Exhibitors: Lina Lapelyte, Vaiva Grainyte and Rugile Barzdziukaite.
Venue: Magazzino No. 42, Marina Militare, Arsenale di Venezia, Fondamenta Case Nuove 2738c
LUXEMBOURG (Grand Duchy of)
Written by Water
Commissioner: Ministry of Culture of Luxembourg.
Curator: Kevin Muhlen. Exhibitor: Marco Godinho.
Venue: Arsenale
NORTH MACEDONIA (Republic of )
Subversion to Red
Commissioner: Mira Gakina. Curator: Jovanka Popova. Exhibitor: Nada Prlja.
Venue: Palazzo Rota Ivancich, Castello 4421
MADAGASCAR ***
I have forgotten the night
Commissioner: Ministry of Communication and Culture of the Republic of Madagascar. Curators: Rina Ralay Ranaivo, Emmanuel Daydé.
Exhibitor: Joël Andrianomearisoa.
Venue: Arsenale
MALAYSIA ***
Holding Up a Mirror
Commissioner: Professor Dato’ Dr. Mohamed Najib Dawa, Director General of Balai Seni Negara (National Art Gallery of Malaysia), Ministry of Tourism, Arts and Culture of Malaysia. Curator: Lim Wei-Ling. Exhibitors: Anurendra Jegadeva, H.H.Lim, Ivan Lam, Zulkifli Yusoff.
Venue: Palazzo Malipiero, San Marco 3198
MALTA
Maleth / Haven / Port - Heterotopias of Evocation
Commissioner: Arts Council Malta. Curator: Hesperia Iliadou Suppiej. Exhibitors: Vince Briffa, Klitsa Antoniou, Trevor Borg.
Venue: Arsenale
MEXICO
Actos de Dios / Acts of God
Commissioner: Gabriela Gil Verenzuela. Curator: Magalí Arriola. Exhibitor: Pablo Vargas Lugo.
Venue: Arsenale
MONGOLIA
A Temporality
Commissioner: The Ministry of Education, Culture, Science and Sports of Mongolia.
Curator: Gantuya Badamgarav. Exhibitor: Jantsankhorol Erdenebayar with the participation of traditional Mongolian throat singers and Carsten Nicolai (Alva Noto).
Venue: Bruchium Fermentum, Calle del Forno, Castello 2093-2090
MONTENEGRO
Odiseja / An Odyssey
Commissioner: Nenad Šoškić. Curator: Petrica Duletić. Exhibitor: Vesko Gagović.
Venue: Palazzo Malipiero (piano terra), San Marco 3078-3079/A, Ramo Malipiero
MOZAMBIQUE (Republic of)
The Past, the Present and The in Between
Commissioner: Domingos do Rosário Artur. Curator: Lidija K. Khachatourian.
Exhibitors: Gonçalo Mabunda, Mauro Pinto, Filipe Branquinho.
Venue: Palazzo Mora, Strada Nova, 3659
NETHERLANDS (The)
The Measurement of Presence
Commissioner: Mondriaan Fund. Curator: Benno Tempel. Exhibitors: Iris Kensmil, Remy Jungerman. Venue: Giardini
NEW ZEALAND
Post hoc
Commissioner: Dame Jenny Gibbs. Curators: Zara Stanhope and Chris Sharp.
Exhibitor: Dane Mitchell.
Venue: Palazzina Canonica, Riva Sette Martiri
NORDIC COUNTRIES (FINLAND - NORWAY - SWEDEN)
Weather Report: Forecasting Future
Commissioner: Leevi Haapala / Museum of Contemporary Art Kiasma / Finnish National Gallery, Katya García-Antón / Office for Contemporary Art Norway (OCA), Ann-Sofi Noring / Moderna Museet. Curators: Leevi Haapala, Piia Oksanen. Exhibitors: Ane Graff, Ingela Ihrman, nabbteeri.
Venue: Giardini
PAKISTAN ***
Manora Field Notes
Commissioner: Syed Jamal Shah, Pakistan National Council of the Arts, PNCA.
Curator: Zahra Khan. Exhibitor: Naiza Khan.
Venue: Tanarte, Castello 2109/A and Spazio Tana, Castello 2110-2111
PERU
“Indios Antropófagos”. A butterfly Garden in the (Urban) Jungle
Commissioner: Armando Andrade de Lucio. Curator: Gustavo Buntinx. Exhibitors: Christian Bendayán, Otto Michael (1859-1934), Manuel Rodríguez Lira (1874-1933), Segundo Candiño Rodríguez, Anonymous popular artificer.
Venue: Arsenale
PHILIPPINES
Island Weather
Commissioner: National Commission for Culture and the Arts (NCCA) / Virgilio S. Almario.
Curator: Tessa Maria T. Guazon. Exhibitor: Mark O. Justiniani.
Venue: Arsenale
POLAND
Flight
Commissioner: Hanna Wroblewska. Curators: Łukasz Mojsak, Łukasz Ronduda.
Exhibitor: Roman Stańczak.
Venue: Giardini
PORTUGAL
a seam, a surface, a hinge or a knot
Commissioner: Directorate-General for the Arts. Curator: João Ribas. Exhibitor: Leonor Antunes.
Venue: Fondazione Ugo e Olga Levi Onlus, Palazzo Giustinian Lolin, San Marco 2893
ROMANIA
Unfinished Conversations on the Weight of Absence
Commissioner: Attila Kim. Curator: Cristian Nae. Exhibitor: Belu-Simion Făinaru, Dan Mihălțianu, Miklós Onucsán.
Venues: Giardini and New Gallery of the Romanian Institute for Culture and Humanistic Research (Campo Santa Fosca, Palazzo Correr, Cannaregio 2214)
RUSSIA
Lc 15:11-32
Commissioner: Semyon Mikhailovsky. Curator: Mikhail Piotrovsky. Exhibitors: Alexander Sokurov, Alexander Shishkin-Hokusai.
Venue: Giardini
SAN MARINO (Republic of)
Friendship Project International
Commissioner: Vito Giuseppe Testaj. Curator: Vincenzo Sanfo. Exhibitors: Gisella Battistini, Martina Conti, Gabriele Gambuti, Giovanna Fra, Thea Tini, Chen Chengwei, Li Geng, Dario Ortiz, Tang Shuangning, Jens W. Beyrich, Xing Junqin, Xu de Qi, Sebastián.
Venue: Palazzo Bollani, Castello 3647; Complesso dell’Ospedaletto, Castello 6691
SAUDI ARABIA
After Illusion بعد توهم
Commissioner: Misk Art Insitute. Curator: Eiman Elgibreen. Exhibitor: Zahrah Al Ghamdi.
Venue: Arsenale
SERBIA
Regaining Memory Loss
Commissioner: Vladislav Scepanovic. Curator: Nicoletta Lambertucci. Exhibitor: Djordje Ozbolt.
Venue: Giardini
SEYCHELLES (Republic of)
Drift
Commissioner: Galen Bresson. Curator: Martin Kennedy.
Exhibitors: George Camille and Daniel Dodin.
Venue: Palazzo Mora, Strada Nova, 3659
SINGAPORE
Music For Everyone: Variations on a Theme
Commissioner: Rosa Daniel, Chief Executive Officer, National Arts Council (NAC).
Curator: Michelle Ho. Exhibitor: Song-Ming Ang.
Venue: Arsenale
SLOVENIA (Republic of)
Here we go again... SYSTEM 317
A situation of the resolution series
Commissioner: Zdenka Badovinac, Director Moderna galerija / Museum of Modern Art, Ljubljana. Curator: Igor Španjol. Exhibitor: Marko Peljhan.
Venue: Arsenale
SOUTH AFRICA (Republic of)
The stronger we become
Commissioner: Titi Nxumalo, Console Generale. Curators: Nkule Mabaso, Nomusa Makhubu. Exhibitors: Dineo Seshee Bopape, Tracey Rose, Mawande Ka Zenzile.
Venue: Arsenale
SPAIN
Perforated by Itziar Okariz and Sergio Prego
Commissioner: AECID Agencia Espanola de Cooperacion Internacional Para El Desarrollo. Ministerio de Asuntos Exteriores, Union Europea y Cooperacion. Curator: Peio Aguirre.
Exhibitors: Itziar Okariz, Sergio Prego.
Venue: Giardini
SWITZERLAND
Moving Backwards
Commissioner: Swiss Arts Council Pro-Helvetia: Marianne Burki, Sandi Paucic, Rachele Giudici Legittimo. Curator: Charlotte Laubard. Exhibitors: Pauline Boudry/Renate Lorenz.
Venue: Giardini
SYRIAN ARAB (Republic)
Syrian Civilization is still alive
Commissioner/Curator: Emad Kashout. Exhibitors: Abdalah Abouassali, Giacomo Braglia, Ibrahim Al Hamid, Chen Huasha, Saed Salloum, Xie Tian, Saad Yagan, Primo Vanadia, Giuseppe Biasio.
Venue: Isola di San Servolo; Chiesetta della Misericordia, Campo dell'Abbazia, Cannaregio
THAILAND
The Revolving World
Commissioner: Vimolluck Chuchat, Office of Contemporary Art and Culture, Ministry of Culture, Thailand. Curator: Tawatchai Somkong. Exhibitors: Somsak Chowtadapong, Panya Vijinthanasarn, Krit Ngamsom.
Venue: In Paradiso 1260, Castello
TURKEY
We, Elsewhere
Commissioner: IKSV. Curator: Zeynep Öz. Exhibitor: İnci Eviner.
Venue: Arsenale
UKRAINE
The Shadow of Dream cast upon Giardini della Biennale
Commissioner: Svitlana Fomenko, First Deputy Minister of Culture. Curators: Open group (Yurii Biley, Pavlo Kovach, Stanislav Turina, Anton Varga). Exhibitors: all artists of Ukraine.
Venue: Arsenale
UNITED ARAB EMIRATES
Nujoom Alghanem: Passage
Commissioner: Salama bint Hamdan Al Nahyan Foundation.
Curators: Sam Bardaouil and Till Fellrath. Exhibitor: Nujoom Alghanem.
Venue: Arsenale
UNITED STATES OF AMERICA
Martin Puryear: Liberty
Commissioner/Curator: Brooke Kamin Rapaport. Exhibitor: Martin Puryear.
Venue: Giardini
URUGUAY
“La casa empática”
Commissioner: Alejandro Denes. Curators: David Armengol, Patricia Bentancur.
Exhibitor: Yamandú Canosa.
Venue: Giardini
VENEZUELA (Bolivarian Republic of)
Metaphore of three windows
Venezuela: identity in time and space
Commissioner/Curator: Oscar Sottillo Meneses. Exhibitors: Natalie Rocha Capiello, Ricardo García, Gabriel López, Nelson Rangelosky.
Venue: Giardini
ZIMBABWE (Republic of)
Soko Risina Musoro (The Tale without a Head)
Commissioner: Doreen Sibanda, National Gallery of Zimbabwe. Curator: Raphael Chikukwa. Exhibitors: Georgina Maxim, Neville Starling , Cosmas Shiridzinomwa, Kudzanai Violet Hwami.
Venue: Istituto Provinciale per L’infanzia “Santa Maria Della Pietà”. Calle della Pietà Castello n. 3701 (ground floor)
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invited artist :
Lawrence Abu Hamdan (Jordan / Beirut)
Njideka Akunyili Crosby (Nigeria / USA),Halil Altındere (Turkey),Michael Armitage (Kenya / UK),Korakrit Arunanondchai (Thailand / USA),Alex Gvojic (USA),Ed Atkins (UK / Germany / Denmark),Tarek Atoui (Lebanon / France),
Darren Bader (USA),Nairy Baghramian (Iran / Germany,
Neïl Beloufa (France),Alexandra Bircken (Germany),Carol Bove (Switzerland / USA,
Christoph Büchel (Switzerland / Iceland,
Ludovica Carbotta (Italy / Barcelona),Antoine Catala (France / USA),Ian Cheng (USA),George Condo (USA
Alex Da Corte (USA),Jesse Darling (UK / Germany),Stan Douglas (Canada),Jimmie Durham (USA / Germany),Nicole Eisenman (France / USA,
Haris Epaminonda (Cyprus / Germany),Lara Favaretto (Italy),Cyprien Gaillard (France / Germany), Gill (India),Dominique Gonzalez-Foerster (France),Shilpa Gupta (India),Soham Gupta (India),Martine Gutierrez (USA),Rula Halawani (Palestine),Anthea Hamilton (UK),Jeppe Hein (Denmark / Germany),Anthony Hernandez (USA),Ryoji Ikeda (Japan / France),Arthur Jafa (USA),Cameron Jamie (USA / France / Germany),Kahlil Joseph (USA),Zhanna Kadyrova (Ukraine),Suki Seokyeong Kang (South Korea),Mari Katayama (Japan),Lee Bul (South Korea),Liu Wei (China),Maria Loboda (Poland / Germany),Andreas Lolis (Albania / Greece),Christian Marclay (USA / London),Teresa Margolles (Mexico / Spain),Julie Mehretu (Ethiopia / USA),Ad Minoliti (Argentina),Jean-Luc Moulène (France),Zanele Muholi (South Africa),Jill Mulleady (Uruguay / USA),Ulrike Müller (Austria / USA),Nabuqi (China),Otobong Nkanga (Nigeria / Belgium),Khyentse Norbu (Bhutan / India),Frida Orupabo (Norway),Jon Rafman (Canada).Gabriel Rico (Mexico),Handiwirman Saputra (Indonesia),Tomás Saraceno (Argentina / Germany),Augustas Serapinas (Lithuania),Avery Singer (USA),Slavs and Tatars (Germany),Michael E. Smith (USA),Hito Steyerl (Germany),Tavares Strachan (Bahamas / USA),Sun Yuan and Peng Yu (China),Henry Taylor (USA),Rosemarie Trockel (Germany),Kaari Upson (USA),Andra Ursuţa (Romania),Danh Vō (Vietnam / Mexico),Kemang Wa Lehulere (South Africa),Apichatpong Weerasethakul (Thailand) and Tsuyoshi Hisakado (Japan),Margaret Wertheim and Christine Wertheim (Australia / USA) ,Anicka Yi (South Korea/ USA),Yin Xiuzhen (China),Yu Ji (China / Austria)
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other Biennale :(Biennials ) :Venice Biennial , Documenta Havana Biennial,Istanbul Biennial ( Istanbuli),Biennale de Lyon ,Dak'Art Berlin Biennial,Mercosul Visual Arts Biennial ,Bienal do Mercosul Porto Alegre.,Berlin Biennial ,Echigo-Tsumari Triennial .Yokohama Triennial Aichi Triennale,manifesta ,Copenhagen Biennale,Aichi Triennale
Yokohama Triennial,Echigo-Tsumari Triennial.Sharjah Biennial ,Biennale of Sydney, Liverpool , São Paulo Biennial ; Athens Biennale , Bienal do Mercosul ,Göteborg International Biennial for Contemporary Art
وینس Venetsiya
art umjetnost umění kunst taide τέχνη művészetList ealaín arte māksla menasarti Kunst sztuka artă umenie umetnost konstcelfקונסטարվեստincəsənətশিল্প艺术(yìshù)藝術 (yìshù)ხელოვნებაकलाkos duabアートಕಲೆសិល្បៈ미(misul)ສິນລະປະകലकलाအတတ်ပညာकलाකලාවகலைఆర్ట్ศิลปะ آرٹsan'atnghệ thuậtفن (fan)אומנותهنرsanat artist
venice biennale Venezia Venedig biennalen Bienal_de_Venecia Venise Venecia Bienalo Bienal Biënnale Venetië Veneza Μπιενάλε της Βενετίας ヴェネツィ ア・ビエンナーレ 威尼斯双年展 Venedik Bienali Venetsian biennaali Wenecji biennial #venicebiennale #venicebiennial biennalism
Veneziako Venecija Venècia Venetië Veneetsia Venetsia VenedigΒ ενετία Velence Feneyjar Venice Venēcija Venezja Venezia Wenecja VenezaVeneția Venetsiya Benátky Benetke Fenisוועניס Վենետիկ ভেনি স威尼斯 威尼斯 ვენეციისવે નિસवेनिसヴ ェネツィアವೆನಿಸ್베니스வெனிஸ்వెనిస్เวนิซوینس Venetsiya Italy italia
Ralph Rugoff Ralph_Rugoff #RalphRugoff RalphRugoff 2019
pavilion giardini artcontemporain contemporary kunst modern #artcontemporain art artsenal gallery gallerie museum
artist curator commissaire country contemporary ultracontemporary art kunst perfomance sport jogging emergency room urgency panic saving artist role responsability
#art #artist #artistic #artists #arte #artwork
Thierry Geoffroy / Colonel
From a quick visit to Sheffield Park (NT), to view the Autumn colours before they disappeared. Not the right light for wide views, so I went for a mainly macro approach
Includes:
( 1 ) Battery
( 1 ) Atomizer
( 1 ) Glass Tank
( 1 ) Mouthpiece Cap
( 1 ) USB Charger
( 1 ) Instruction Manual
Common Names include:
ENGLISH: Golden Rat Tail
ITALIAN (Italiano): Coda di scimmia
SPANISH (Español): Cola de rata, Cola de rata dorada, Cola de ratón, Cactus cola de rata dorado
SWEDISH (Svenska): Bronskaktus
Description: Cleistocactus winteri, often labelled Hildewintera aureispina, is a branching columnar cactus of fairly rapid growth that resembles a very robust version of the popular peanut cactus (Lobivia chamaecereus). It forms soon tangled scrubs of long golden coloured drooping stems and produces vivid orange to salmon-pink flowers. They are repetitively and freely produced on mature plants from spring till frost and can last for several days.
Stems: Cylindrical, spreading, arching, pendant, or trailing that can grow up to 1,5 metres long and 2.5-6 cm wide with many branches.
Ribs: 16-17.
Areoles: Brown closely set.
Spines: About 50 bristly, flexible, straight, golden-yellow to brownish that literally cover the surface of the stems. The 20 or more, powerful central spines are 5 to 10 mm long. The 30 radiating spines are 4 to 10 mm long.
Flowers: Funnel-shaped, tubular, upturned vivid orange to salmon-pink, 4 to 6 cm in length, 5 cm across and very showy. Scale on the tube orange. Outer tepals radiating and bent back, inner ones shorter end upright. Stamens and style exerted.
The Yarkon National Park includes the sources of the Yarkon River. The Yarkon River springs have a variety of flora and fauna.
Action from Friday at the Goodwood Festival of Speed. Contrary to the forecast, dry and virtually sunny all day. Planes, bikes and cars aplenty doing their stuff on the hillclimb, the forest rally stage, GAS arena and in the skies above.
A motocrosser shows his skills in GAS arena
Post-processing includes a radial graduation from full-color to pure black and white. (Unfortunately, there is some banding at the sky in the thumbnail view here. At larger sizes -- choose Actions:View All Sizes -- it looks fine, and I'd assume it will print well, also.)
Shot at the Neon Museum.
This photo is available as a fine art print or for download for your own personal use (EG, desktop background), but is currently not available for any other use or redistribution. Contact me directly for further details.
Dude grabbed this before we could. But he let several people take pictures of it. This setlist doesn't include the encore songs, which are listed below.
setlist.
music.
State Theater, Falls Church, Virginia.
June 29, 2009.
... Read my blog at ClintJCL.wordpress.com
... View the list of every concert I've ever been to at clint.sheer.us/media/concerts.htm
... View my songkick gigography at www.songkick.com/users/ClintJCL/gigography
BACKSTORY: It kicked ass to see The Church a 2nd time, after waiting 19 yrs! We were at the very front and center of the stage! We got to meet Steve Kilbey and Marty Willson-Piper, as well as getting pictures with both, and Marty's autograph! They also liked that I was wearing a 19-year-old shirt from their 1990 Gold Afternoon Fix tour!
Setlist:
Tantalized
Block
Day 5
North, South, East And West
Happenstance
After Everything
Almost With You
A Month Of Sundays
Deadman's Hand
Pangaea
You Took
Operetta
Reptile
ENCORE: An Interlude
Space Savior
Hotel Womb
For my other links related to The Church: delicious.com/clintjcl/thechurch
For this show's songkick page: www.songkick.com/concerts/2341196-church-at-state-theatre
I also took some videos, but the audio is very distorted (less so for Under The Milky Way) so they are only worth watching if you are an avid church fan: Under The Milky Way, Almost With You, and North, South, East & West.
Title: ILGWU Local 91 class on the social interpretation of literature, New York City, February 6, 1935. Includes Belle Horensen (Horenstein) in the second row, second from the right.
Date: 1935
Photographer: Unknown
Photo ID: 5780PB10F2B
Collection: International Ladies Garment Workers Union Photographs (1885-1985)
Repository: The Kheel Center for Labor-Management Documentation and Archives in the ILR School at Cornell University is the Catherwood Library unit that collects, preserves, and makes accessible special collections documenting the history of the workplace and labor relations. www.ilr.cornell.edu/library/kheel
Notes: Information written on image front. No additional information available.
Copyright: The copyright status of this image is unknown. It may also be subject to third party rights of privacy or publicity. Images are being made available for purposes of private study, scholarship, and research. The Kheel Center would like to learn more about this image and hear from any copyright owners who are not properly identified so that we may make the necessary corrections.
Tags: Kheel Center for Labor-Management Documentation and Archives,Cornell University Library,Education, Local, Women
Tokyo Dome City (formerly known as Big Egg City prior to January 1, 2000) is an entertainment complex in Bunkyo, Tokyo, Japan.
It includes the world's largest roofed baseball stadium known as Tokyo Dome (nicknamed "Big Egg"), an amusement park known as Tokyo Dome City Attractions (formerly Kōrakuen Yūenchi), and Korakuen Hall. In May 2003, a spa resort known as LaQua opened for business near Tokyo Dome City Attractions. It also hosts character shows for the Super Sentai series.
The Tokyo Dome City contains the Tokyo Dome Hotel, a 43-story hotel that is easily visible from the street and from the Tokyo Subway Suidobashi Station, which is only two blocks away.
The Hilton was added to a boycott list that already includes the Grand Hyatt, The Palace, the Westing St. Francis and the W
More info at
AFL-CIO President Richard Trumka spoke at a rally
www.aflcio.org/aboutus/thisistheaflcio/leaders/officers_t...
He then marched to the San Francisco Hilton and participated in a sit-in at the entrance. He was arrested with former Board of Supervisors President Aaron Peskin, Unite Here! president John Wilhelm, Board of Supervisors candidates Debra Walker (D6) and Rafael Mandelman (D8), and over 100 others
A video on the events leading up to today
www.unitehere.org/detail.php?ID=3172 (there is an email list on the lower right and a link to their facebook group)
Some of these photos are at
www.demotix.com/news/216914/afl-cio-president-richard-tru...
Media coverage (click on the labor collection to see more of my photos of Local 2 actions)
blog.aflcio.org/2010/01/06/hotel-workers-trumka-arrested-...
abclocal.go.com/kgo/story?section=news/local/san_francisc...
www.ktvu.com/news/22144977/detail.html
www.sfgate.com/cgi-bin/article.cgi?f=/c/a/2010/01/05/BU65...
Includes:
Unisex
4 tattoos that can be used individually or as a whole piece
4 options for the tattoo (Fade / Fresh / Fade red / Fresh red)
Fragment that includes part of the name and one of the titles of Queen Hetephernebty, "Great of the hetes-scepter" (wr.t-ht = s), wife of Djeser.
• Dinastía III. 2. Reinado de Djeser (Horus Netjerykhet).
• Procedencia: Herliópolis. Capilla del rey Djeser.
Excavaciones de Schiaparelli, 1903-1906
• Material: piedra calcárea
• Dimensiones:
• Conservación: Turín. Museo delle Antichità Egizio.
BIBLIOGRAFÍA:
- William Stevenson Smith, “A History of Egyptian Sculpture and Painting in the Old Kingdom” 1946.
ENLACES:
REFERENCIAS:
Texto: Juan Rodríguez Lázaro.
Dibujo de: Weill nº 11 sin corrección, en William Stevenson Smith, “A History of Egyptian Sculpture and Painting in the Old Kingdom” 1946. Fig. 52
The bridge includes a shared bicycle-pedestrian path named Wonders' Way in memory of Garrett Wonders. Wonders was a navy ensign stationed in Charleston and was in training for the 2004 Olympics before he died in a bicycle-vehicle collision.[2] The path was included in design of the new bridge because of grassroots efforts by groups such as the fifth grade class at a local elementary school.[3]
View includes The Lake and Jacqueline Kennedy Onassis Reservoir in Central Park and the Solow Building on West 57th Street.
Taken from the Top of the Rock observation deck at the top of the GE Building. The views are awesome and much better than those from the Empire State Building.
PC180202
FMA Vancouver
photos by Ron Sombilon Gallery
FMA 2008 promo trailer
www.FMAvancouver.com/2008promo
This Charity Benefitting Concert Gala is the premier red carpet event of Western Canada. Not just a fashion show, not just a concert, FMA Vancouver is a fusion of catwalk and concert set against the backdrop of one of the world’s most beautiful and trend setting cities.
Canadian comedian and actress Ellie Harvie and ET Canada’s Erin Cebula are hosting this year’s FMA Vancouver. The media duo will present 'Sky 360', the airy incarnation of fashion runway, live music and art performance held on September 27, 2008 at The Centre in Vancouver for the Performing Arts. Sky 360 re-lives the old world glamour of travel as each segment celebrates the excitement of jet-setting and far away destinations along with an eco-green theme.
The whole venue at The Centre will be transformed into an exhilarating airport scene with staff in ’60s and ’70s-inspired airline uniforms designed by Jolie Chan of Jolie Couture.
Terminal 1 – Trans Canada - an exclusively Canadian roster of designers, musicians and artists.
Terminal 2 – Mile High - a provocative selection of lingerie and bathing suits.
Terminal 3 – Eco Green - featuring designers who are taking eco-couture to the next level.
Terminal 4 – Elite Star - first class finale of high profile designers.
International designers include Betsey Johnson, Wolford and Calvin Klein, while national stars join their ranks such as TV’s 'Making it Big' winner Jason Matlo, Bikini-designer extraordinaire, Anna Kosturova, Canada’s Project Runway designer judge Shawn Hewson's 'Bustle', winner Evan Biddell, and runner-up Carlie Wong. Further locally-based stars include Nicole Bridger, Elroy Apparel, Evan & Dean, Odd Molly, Jacqueline Conoir and Mellinda Mae Harlingten. Also featuring top graduates from Kwantlen University College and Helen Lefeaux School of Fashion Design.
This year’s beneficiary is the Canadian Make Poverty History as part of Bono and Bob Geldof's international campaign to eradicate global poverty, and The WordLoveWorldLove Project that connects Canadian children with children in developing countries who have been impacted by crisis.
Bolton Abbey, Wharfedale, North Yorkshire, England, takes its name from the ruins of the 12th-century Augustinian monastery now known as Bolton Priory. The priory, closed in the 1539 Dissolution of the Monasteries ordered by King Henry VIII, is in the Yorkshire Dales, next to the village of Bolton Abbey. The estate is open to visitors, and includes many miles of all-weather walking routes. The Embsay & Bolton Abbey Steam Railway terminates at Bolton Abbey station one and a half miles/2.5 km from Bolton Priory.
The monastery was founded at Embsay in 1120. Led by a prior, Bolton Abbey was technically a priory, despite its name. It was founded in 1154 by the Augustinian order, on the banks of the River Wharfe. The land at Bolton, as well as other resources, were given to the order by Lady Alice de Romille of Skipton Castle in 1154. In the early 14th century Scottish raiders caused the temporary abandonment of the site and serious structural damage to the priory. The seal of the priory featured the Blessed Virgin Mary and the Child and the phrase sigillum sancte Marie de Bolton.The nave of the abbey church was in use as a parish church from about 1170 onwards, and survived the Dissolution of the Monasteries. Building work was still going on at the abbey when the Dissolution of the Monasteries resulted in the termination of the priory in January 1540. The east end remains in ruins. A tower, begun in 1520, was left half-standing, and its base was later given a bell-turret and converted into an entrance porch. Most of the remaining church is in the Gothic style of architecture, but more work was done in the Victorian era, including windows by August Pugin. It is still a working priory today, holding services on Sundays and religious holidays. Bolton Abbey churchyard contains the war grave of a Royal Flying Corps officer of the First World War.
The Craven Heifer
The Domesday Book lists Bolton Abbey as the caput manor of a multiple estate including 77 carucates of ploughland (around 9240 acres/3850 ha) belonging to Edwin, Earl of Mercia. The estate then comprised Bolton Abbey, Halton East, Embsay, Draughton; Skibeden, Skipton, Low Snaygill, Thorlby; Addingham, Beamsley, Holme, Gargrave; Stainton, Otterburn, Scosthrop, Malham, Anley; Coniston Cold, Hellifield and Hanlith. They were all laid waste in the Harrying of the North after the defeat of the rebellion of Edwin, Earl of Mercia and classified as the Clamores (disputed land) of Yorkshire until around 1090, when they were transferred to Robert de Romille, who moved its administrative centre to Skipton Castle. The Romille line died out around 1310, and Edward II granted the estates to Robert Clifford. In 1748 Baroness Clifford married William Cavendish and Bolton Abbey Estate thereafter belonged to the Dukes of Devonshire, until a trust was set up by the 11th Duke of Devonshire turning it over to the Chatsworth Settlement Trustees to steward.
Today, the 33,000 acre (134 km2) estate contains six areas designated as Sites of Special Scientific Interest, including Strid Wood, an ancient woodland (mainly oak), which contains the length of the River Wharfe known as The Strid, and a marine fossil quarry. The estate encompasses 8 miles (13 km) of river, 84 farms, 84 buildings of architectural interest, and four Grade I listed buildings; and is currently home to 27 businesses from tearooms to bookshops. The iconic stepping stones cross the River Wharfe near the Abbey ruins. The estate includes extensive grouse moors, including Barden Moor on the west side of Wharfedale and Barden Fell on the east side of the dale. There is also a pheasant shoot. Apart from people employed within these businesses, the estate employs about 120 staff to work on the upkeep of the estate. Much of the estate is open to the public. A charge is made for car parking. The Dales Way passes through the estate on a permissive path. Barden Moor and Barden Fell, which includes the prominent crag of Simon's Seat, are on access land, and permissive paths lead up to the moors. Access to the moors may be closed to the public during the shooting season.
Bolton Abbey Hall, originally the gatehouse of the priory, was converted into a house by the Cavendish family. The hall is a Grade II* listed building.As well as Bolton Abbey, the Cavendish family also own the Chatsworth (Derbyshire, England) and Lismore Castle (Waterford, in the Republic of Ireland) estates. In the early nineteenth century, a cow known as the Craven Heifer was bred on the Bolton Abbey estate. Weighing 312 stone (1.98 tonnes), and measuring 11 ft 4ins in length and over 7 ft in height, she to this day remains Britain's largest ever cow.