View allAll Photos Tagged Include
Action from the Jaguar Experience at the Goodwood Festival of Speed - Exciting, I'm sure, but not sure my stomach could deal with ride.
Sgt. Maj. of the Army Raymond F. Chandler, III recently visited the Camp Zama installation on a tour of Japan and Korea. Chandler met with Camp Zama’s senior leaders to include Gen. James C. Boozer and Command Sgt. Maj. Eric C. Dostie, the commander and command sergeant major of U.S. Army Japan and I Corps (Forward) respectively. Chandler spent time talking with Soldiers, USARJ and Japan Ground Self Defense Force senior leaders and touring the Edo Museum in Tokyo. Before departing Camp Zama, Chandler conducted a roundtable discussion with enlisted senior leaders to address the importance of leadership in the U.S. Army. (U.S. Army photos by Yuichi Imada)
To read more go to Rising Sun Online at www.army.mil/RisingSun.
To see more photos and videos from the USAG-J community, go to USAG-J Pinterest at www.pinterest.com/garrisonjapan/.
About the United States Army Garrison Japan:
The United States Army Garrison Japan and its 16 supported installation sites are located in the island of Honshu and Okinawa in Japan. The USAG Japan mission is to support the Headquarters, U.S. Army Japan / I Corps (fwd) to ensure mission readiness and the quality of life of the Army community in a sustainable, transforming joint and combined environment.
The USAG-J area of responsibility spans 1,500 miles from north to south of Japan. Camp Zama, home for both HQ USARJ and USAG-J is located approximately 25 miles southwest of Tokyo in the cities of Zama and Sagamihara in Kanagawa Prefecture, Japan. The Camp Zama base cluster includes Sagamihara Housing Area and Sagami General Depot.
Akasaka Press Center is located in the center of Tokyo. The Akizuki/Kure area near Hiroshima is an ammunition depot. Yokohama North Dock is a port facility in the city of Yokohama, a major commerce port and a popular shopping area. USAG Torii Station is located 980 miles southwest of Camp Zama on the island of Okinawa.
We are the Army's home in Japan and the "Garrison of Choice" for Soldiers, Civilians and their Family members. We are committed in becoming the leader in the U.S. Army Installation Management Command by providing world-class installation services.
-----
To learn more about USAG Japan, please visit:
Official Website - www.usagj.jp.pac.army.mil
Facebook - www.facebook.com/usagj
Google+ - plus.google.com/111160599639559783562#1111605996395597835...
Flickr - www.flickr.com/usagj
YouTube - www.youtube.com/usagjapan
Vimeo - www.vimeo.com/usagj
Twitter - www.twitter.com/usagjapan
Pinterest- www.pinterest.com/garrisonjapan/
Slideshare - www.slideshare.net/usagj
A blog post that includes these photos lives here: likeafishinwater.com/2012/12/04/shanghai-metro-zhongshan-...
My company: www.thirdplacemedia.com - Content and communications strategy develoment focusing on transit, walkability, placemaking and environment
My blog: likeafishinwater.com
A bench by the River Adur - with views across the river to Shoreham Airport, the Old Tollbridge, Ricardo's Bridge Works and Lancing College. One for this week's challenge of "a place to sit"
Includes:
Unisex
4 tattoos that can be used individually or as a whole piece
4 options for the tattoo (Fade / Fresh / Fade red / Fresh red)
I include the "Death Star Droid" with the imperials since he is an Imperial droid, and as a kid I used him with my bad guys.
I had all this same stuff as a kid. A case could be made for including Boba Fett in this group, since he was available in 1979 and sold on a Star Wars card originally, (in fact the one I had as a child was on such a card) but I since that character is more closely associated with ESB, I included him with that group of figures.
The Lower Trout Lake Bathhouse Complex and Contact Station includes five Mid-Century Modern resources, located on
two separate land parcels, in the same section of the Bald Mountain Recreation Area in Orion Township. The Lower Trout Lake Bathhouse Complex and Contact Station was designed in the mid-1960s by internationally renowned Michigan
architect Gunnar Birkerts. The larger of the two parcels of land contains a bathhouse complex of four closely spaced circular buildings – Men’s and Women’s Bathhouses, a Concession Stand, and a Pump House – all grouped within a large
circular pad of concrete pavement set back from the beach at Lower Trout Lake. The nomination also includes a small round Contact Station or “control booth” located about 4,600 feet away on the entrance road into this southern section of
the Bald Mountain Recreation Area. The buildings are closely related by their circular forms, concrete construction, and,
before vandals stripped them, copper roofs.
The Lower Trout Lake Bathhouse Complex and Contact Station is significant under criteria A and C. It is a set of Park
Service Modern buildings inspired by the nationwide Mission 66 program. The buildings were designed by world renowned architect Gunnar Birkerts who is known for his high-style modern structures. The Lower Trout Lake Bathhouse Complex and Contact Station’s structures are examples of two complimentary forms of mid-century modern design; one, a style of park building known as Park Service Modern, made popular by the National Park Service and the Mission 66 program architects; the other, the distinctive architectural style produced by Gunnar Birkerts at the time, during the beginning of the busiest point in his career. The buildings are less than fifty years old, yet because of their unique design, association with a
nation-wide program, and were designed by a master architect; they are eligible for nomination to the National Register of Historic Places at the National level.
The Lower Trout Lake Bathhouse Complex and
Contact Station was listed in the National Register of HIstoric Places on September 3, 2013.
This Video include 20 tracks of Various Artists. Every day a new compilation of Christmas songs! Subscribe for free to stay connected to our channel and easily access our video updates! goo.gl/CLdGjC Tip: click on the time and listen your favorite song Track list: Twelve Days of Christmas music [Six Geese A-laying] --------------------------------- 1 | 00:00 | Dickie Valentine - Christmas Island 2 | 02:41 | Claus Reindex Team - Here Comes Santa Klaus 3 | 07:08 | Eddie Dunstedter - Adeste Fideles 4 | 09:57 | Bing Crosby - Happy Holiday 5 | 12:25 | The King's College Choir Of Cambridge - A Virgin Most Pure 6 | 15:20 | Jazz Alchemy - Blue Christmas 7 | 19:14 | Nat King Cole - Hark! The Herald Angels Sing 8 | 21:06 | Alfred Deller - Down In Yon Forest 9 | 23:31 | Mario Lanza - I Saw Three Ships 10 | 24:53 | The Mormon Tabernacle Choir - Christmas Day 11 | 31:45 | Dj Noel - Ave Maria 12 | 38:16 | Hugo Winterhalter and His Orchestra - Carol of the Bells 13 | 40:55 | Diana Decker - I'm a Little Christmas Cracker 14 | 42:51 | The Chipmunks - Frosty the Snowman 15 | 44:52 | The Joy of Christmas - God Rest Ye Merry, Gentlemen 16 | 47:40 | Lawrence Welk - Good King Wenceslas 17 | 49:12 | The Mormon Tabernacle Choir - Deck the Halls 18 | 50:07 | Carmen Dragon - Cantique De Noel (O Holy Night) 19 | 53:29 | The Louvin Brothers - Away in a Manger 20 | 55:50 | Dick Haymes - Cradle Song of the Virgin --------------------------------- Playlist Santa's Countdown to Christmas: goo.gl/cxNuUf --------------------------------- Subscribe Channel We cant wait for Christmas, and so we have made this the biggest and best Christmas Music Advent calendar used to count the days of Advent in anticipation of Christmas Channel for the sharing of best Christmas songs in the world. Ride your playlist and get touched with these beautiful songs about the best and blessed time of year. Happy Christmas! Subscribe for free to stay connected to our channel and easily access our video updates! Facebook: goo.gl/4cTAQs Twitter: twitter.com/Santa_ClausXmas Instagram: goo.gl/MqnnxT Tumblr: goo.gl/BgVQhr Pinterest: goo.gl/9KzAgQ Flickr: goo.gl/V4QCMr Wordpress Blog: goo.gl/6Zvoxk Blogger: goo.gl/8Uh53Z --------------------------------- ® 2017 Santa Claus Xmas Songs youtu.be/VCJp1qKPaJ0
The Blue Tits are nesting in the lifebuoy by the pond at Woods Mill. There seemed to be plenty of food coming in.
ROCKTROPOLIS is a progressive rock band that is like a volcano ready to explode upon your ears. Members include guitarist ROCKTROPOLIS, Bassist and Keyboardist Sam Metropoulos and Drummer Marc Stemmler. Influences are Dream Theater, Rush, Yngwie, Yes, Deep Purple and Iron Maiden to name a few. Guitarist ROCKTROPOLIS has worked with The Process, Gabe Gonzalez (George Clinton) and former drummer John Macaluso (Yngwie Malmsteen, ARK and VOX). Multi instrumentalist Sam Metropoulos has collaborated on several albums with The Process, played with John Macaluso and has opened for Yngwie Malmsteen. Akin to the pillars of the great Parthenon, drummer Marc Stemmler provides the foundation for which ROCKTROPOLIS bridges the hemispheres between classical and progressive rock music. ROCKTROPOLIS is a Nominee of the 2013 Detroit Music Awards.
ROCKTROPOLIS is represented by Howard Hertz/Joseph Bellanca (Hertz Schram, p.c.) Mr. Hertz’s impressive roster includes George Clinton, Sippie Wallace, The Romantics, The Bass Brothers, Eminem, Marilyn Manson, Russell Simmons, O-Town, Pantera, Marcus Belgrave, The GO, Mike Posner, Elmore Leonard, Warner Tamerlane and Atlantic Records.
ROCKTROPOLIS is currently recording/producing their debut album, with Chris Lewis as their recording engineer (Fire Hyena Studio). Projected release date is summer 2013. Be prepared to own a collection of brilliant compositions that are melodic, epic and infectious to the soul.
www.RocktropolisMusic.com (c) 2012
Balanced Budget 2014 includes forecast surpluses in all three years of the fiscal plan and modest investments in priority areas. While the fiscal plan shows continued spending discipline, modest surpluses allow government to make choices and ensure new spending is put into priority areas. Within the balanced budget, government is providing additional funding of $415 million to benefit BC families, help make life more affordable, and help stimulate economic growth and job creation.
Learn more: www.bcbudget.gov.bc.ca/2014/default.htm
Save on Pentax Optio WG2 16 MP Digital Camera (Azure Blue)Super Bundle Includes 16GB Memory Card Reader Battery Case Tripod Floating Wrist Strap Screen Protectors Lens Cleaning Kit. Saving, Order Now! Want it delivered within 1 day? Choose One-Day Shipping at checkout.Pentax Optio WG2 16 MP Digital Camera (Azure Blue)Super Bundle Includes 16GB Memory Card Reader Battery Case Tripod Floating Wrist Strap Screen Protectors Lens Cleaning Kit. See More Detail at this Link: Read Full Detail | Compare
Pentax Optio WG2 16 MP Digital Camera (Azure Blue)Super Bundle Includes 16GB Memory Card Reader Battery Case Tripod Floating Wrist Strap Screen Protectors Lens Cleaning Kit.
includes an old piece of the former labyrinth
________
Built by Marty Kermeen of Labyrinths In Stone: labyrinthsinstone.com
Humpback whales are rorquals (Balaenopteridae, a family that includes the blue, fin, Bryde's, sei, and minke whales). The rorquals are believed to have diverged from the other families of the suborder Mysticeti as long ago as the middle Miocene. The sole member of its genus, the humpback was first identified as baleine de la Nouvelle Angleterre off the coast of New England by Mathurin Jacques Brisson in his Regnum Animale of 1756. The common name is derived from the curving of their backs when diving. The generic name Megaptera comes from the Greek mega-/μεγα- ("giant") and ptera/πτερα ("wing") and refers to their large front flippers.
Genetic research in mid-2014 by the British Antarctic Survey confirmed that the separate populations in the North Atlantic, North Pacific, and Southern Oceans are more distinct than previously thought. Some biologists believe that these should be regarded as separate, independently evolving subspecies.
Humpbacks have a stocky body, obvious hump, and black dorsal colouring. The head and lower jaw are covered in tubercles, knobby hair follicles characteristic of the species. Humpbacks have 270-400 dark baleen plates on each side of their mouths. The plates measure from 46 centimetres in the front to almost a metre in the back. About 14-22 wide ventral grooves run from the lower jaw to the umbilicus. The female has a hemispherical lobe about 15 centimetres in diameter in her genital region. Fully grown males average 13-14 metres and females are slightly larger at 15-16 metres; one large recorded specimen was 19 metres long and had pectoral fins measuring 6 metres each. Body mass is typically around 25-30 metric tons, with large specimens weighing over 40 metric tons.
The long black and white tail fin can be up to a third of body length. The varying patterns on the tail flukes distinguish individual animals. During a study using data from 1973 to 1998 on whales in the North Atlantic, a photographic catalogue of all known North Atlantic whales was developed; it's maintained by the College of the Atlantic. Several hypotheses attempt to explain the humpback's pectoral fins, proportionally the longest fins of any cetacean, such as higher maneuverability and increased surface area for temperature control when migrating between warm and cold climates.
Whales produce a three-metre-long, heart-shaped blow through the blowholes. They don't generally sleep at the surface but must continue to breathe: it's possible that only half of their brain sleeps at one time, allowing the other half to manage the surface/blow/dive process.
The lifespan of rorquals ranges from 45 to 100 years. Females reach sexual maturity at age five, achieving full adult size a little later. Males reach sexual maturity around seven years of age. Courtship rituals take place during the winter months, following migration toward the equator from summer feeding grounds closer to the poles. Competition is usually fierce. Unrelated males, or "escorts," frequently trail single cows and cow-calf pairs. Males gather into "competition groups" around a female and fight for the right to mate with her. Groups shrink and grow as unsuccessful males retreat and others arrive. Behaviors include breaching, spy-hopping, lob-tailing, tail-slapping, pectoral fin-slapping, peduncle throws, charging, and parrying.
Both male and female humpback whales vocalize, but only males produce the long, loud, complex song for which the species is famous. Each song consists of several sounds in a low register, varying in amplitude and frequency and typically lasting from 10 to 20 minutes. Individuals may sing continuously for more than 24 hours. Cetaceans have no vocal cords, instead forcing air through their massive nasal cavities (blowholes).
Whales within a large area sing a single song: all North Atlantic humpbacks sing the same song, while those of the North Pacific sing a different song. Each population's song changes slowly over a period of years without repeating. Many of the whales observed to approach a singer are other males, often resulting in conflict: singing may, therefore, be a challenge to other males as well as a way to impress females. Some scientists have hypothesized the song may serve an echolocative function. During the feeding season, humpbacks make unrelated vocalizations to herd fish into their bubble nets and they use other sounds to communicate, such as grunts, groans, "thwops," snorts, and barks.
Females typically breed every two or three years. The gestation period is 11.5 months. The peak months for birth are January, February (northern hemisphere), July, and August (southern hemisphere). Females wait for one to two years before breeding again. Recent research on mitochondrial DNA reveals that groups living in proximity to each other may represent distinct breeding pools.
A newborn calf is roughly the length of its mother's head. At birth, calves measure six metres and two tons. They nurse for about six months, then mix nursing and independent feeding for around six months more. Humpback milk is pink and 50% fat.
Humpbacks have a loosely knit social structure: individuals usually live alone or in small, transient groups that disband after a few hours. Groups may stay together longer in summer to forage and feed cooperatively. Longer-term relationships of months or even years between pairs or small groups have occasionally been observed, and some females might create lifelong bonds through cooperative feeding.
Humpbacks inhabit all major oceans, in a wide band running from the Antarctic ice edge to 77° N latitude. The four distinct tribes are the North Pacific, Atlantic, Southern Ocean, and Indian Ocean populations. Whales were once uncommon in the eastern Mediterranean or the Baltic Sea but have increased their presence in both waters as global populations have recovered. They have also returned to Scotland, Skagerrak, and Kattegat, as well as Scandinavian fjords such as Kvænangen, where they had not been observed for decades. Since November 2015, Hachijo-jima has been recognized as the northernmost breeding ground in the world.
Humpbacks typically migrate up to 25,000 kilometres each year. A 2007 study identified seven individuals wintering off the Pacific coast of Costa Rica as having traveled from the Antarctic—around 8,300 kilometres. Identified by their unique tail patterns, these animals made the longest mammalian migration ever documented.
The humpback's range overlaps with other whale and dolphin species. Humpbacks are friendly and interact with other cetaceans such as bottlenose dolphins and right whales. These behaviors have been recorded in all oceans, and humpback whales regularly appear in mixed groups with other species, such as the blue, fin, minke, gray, and sperm whales. Humpback and southern right whales demonstrating what were interpreted to be mating behaviors have been observed off the Mozambique and Brazilian coasts. A male humpback whale was seen singing to a fin whale at Rarotonga in 2014, and another individual was observed playing with a bottlenose dolphin in Hawaiian waters. Incidents of humpback whales protecting other species of animals such as seals and other whales from killer whales have also been documented.
Humpbacks feed primarily in summer and live off fat reserves during winter, when they feed only rarely and opportunistically. The humpback is an energetic hunter, taking krill and small schooling fish such as herring, salmon, capelin, and American sand lance, as well as Atlantic mackerel, pollock, and haddock in the North Atlantic. Pleated grooves in the whale's mouth allow water to easily drain out, filtering out the prey. The humpback has the most diverse hunting repertoire of all baleen whales, sometimes stunning prey by hitting the water with pectoral fins or flukes. Its most inventive technique is known as bubble net feeding, in which a group of up to a dozen whales swims in a shrinking circle below a school of prey and traps it in a cylinder of bubbles. The ring can start out about 30 metres in diameter. Some whales blow the bubbles, some dive deeper to drive fish toward the surface, and others herd prey into the trap by vocalizing. The whales then all suddenly swim up, swallowing thousands of fish.
The technique of lobtail feeding, observed in the North Atlantic, involves slapping the surface of the ocean with the tail up to four times before creating the bubble net. Based on network-based diffusion analysis, researchers believe that these whales learned the behavior from other whales in the group over a period of 27 years in response to a change in the primary form of prey.
Visible scars indicate that killer whales can prey upon juvenile humpbacks. Mothers and (possibly related) adults escort neonates to deter such predation. It's believed that orcas turned to other prey when humpbacks suffered near-extinction during the whaling era but are now resuming their former practice.
Humpback whales were hunted by humans on a commercial level as early as the 18th century. By the 19th century, many nations (the United States in particular) were hunting the animal heavily in the Atlantic and to a lesser extent in the Indian and Pacific oceans. The explosive harpoon introduced in the late 19th century, along with the extension of hunting into the Antarctic ocean from 1904, drastically reduced whale populations. During the 20th century, over 200,000 humpbacks were taken, reducing the global population by over 90%. North Atlantic populations dropped to as low as 700 individuals.
In 1946, the International Whaling Commission (IWC) was founded: they imposed hunting regulations and seasons. To prevent extinction, IWC banned commercial humpback whaling in 1966, by which time the global population had been reduced to around 5,000 animals (around 90% having been exterminated). The Soviet Union deliberately under-recorded its catches; the Soviets reported catching 2,820 whales between 1947 and 1972, but the true number was over 48,000.
As of 2004, hunting was restricted to a few animals each year off the Caribbean island of Bequia in the nation of St. Vincent and the Grenadines. The take is not believed to threaten the local population. Japan's announcement that it planned to kill 50 humpbacks in the 2007/08 season under its JARPA II "research" program sparked global protests and a visit to Tokyo by the IWC chair, and the Japanese whaling fleet agreed to take no humpback whales during the two years it would take to reach a formal agreement. In 2010, the IWC authorized Greenland's native population to hunt a few humpback whales for the following three years.
In Japan, humpback, minkes, sperm, and many other smaller Odontoceti, including critically endangered species such as North Pacific right, western gray, and northern fin whales, have been targets of illegal captures. Humpback meat can be found on the markets. Harpoons are used to hunt dolphins or intentionally drive whales into nets, reporting them as cases of entanglement. Unknown numbers of humpbacks have been illegally hunted in the Exclusive Economic Zones of anti-whaling nations such as off Mexico and South Africa.
Because they're easily approachable, curious, identifiable as individuals, and display many interesting behaviors, they have become the mainstay of whale tourism around the world. Analyses of whale songs in the 1960s led to worldwide media interest and convinced the public that whales were highly intelligent, aiding the anti-whaling advocates. Humpbacks are popular with whale-watchers because of their distinctive surface behaviors: they frequently breach, throwing two-thirds or more of their bodies out of the water and splashing down on their backs. Some humpbacks, referred to as "friendlies," often stay under or near whale-watching boats for many minutes.
While whaling no longer threatens the species, individuals are vulnerable to collisions with ships, entanglement in fishing gear, and noise pollution. Like other cetaceans, humpbacks can be injured by excessive noise. In the 19th century, two humpback whales were found dead near sites of repeated oceanic sub-bottom blasting, with traumatic injuries and fractures in the ears.
The species was listed as vulnerable in 1996 and endangered as recently as 1988. In August 2008, the IUCN changed humpback's status from "vulnerable" to "least concern," although two subpopulations remain endangered. Most monitored stocks have rebounded since the end of commercial whaling and now reach around 80,000 worldwide. Though the North Atlantic stocks are believed to be approaching pre-hunting level, the species is still considered endangered in some countries, including the United States.
Jaeger Gauges include a Clock on the far left, followed by Fuel & Ammeter gauges. A "Left-Hand Sweep" Tachometer is nearer the Driver, just to the left of the Steering Wheel. Controls on the Steering Wheel most likely include a Throttle control, Distributor Advance/Retard and a Carburetor Choke control.
Two Windshield Wipers ae connected by a visible connecting bar, and driven by 1 motor attached through the windshield to the left hand wiper. A switch can be seen on the back side of the Wiper Motor, facing the Passenger Seat. The electrical power cable can be seen coming from under the Dash up to the Wiper Motor.
Transmission is a 4-Speed with Reverse.
________________________________________________
The campus includes a Historic District, which comprises ten buildings that are each listed on the National Register of Historic Places. The three anchors of the Historic District are the Robert O. Wilder Building also known as "The Mansion," Woodworth Chapel, and Brownlee Gymnasium. Standing in the center of the campus, "The Mansion" overlooks the ensemble of buildings forming the College's historic core. The Mansion, constructed in 1860, as the home of John W. Boddie, a wealthy cotton planter and the centerpiece of his 2,000-acre (8.1 km2) plantation, became the nucleus for Tougaloo College and is the oldest building on campus. It is presently being restored.
Woodworth Chapel, originally known as Woodworth Church, was built in 1901, by dedicated students under the direction of Walker Frazier, head carpenter. It was restored and rededicated in 2002. In September 2004, the National Trust for Historic Preservation awarded Tougaloo College the National Preservation Honor Award for the restoration of Woodworth Chapel. The restoration was also recognized by the Mississippi Chapter of the American Institute of Architects who bestowed its Honor Award. Located in the heart of the campus beside Woodworth Chapel is the third anchor of the Historic District, Brownlee Gymnasium. Built in 1947, the building was named in honor of Dr. Fred L. Brownlee, former general secretary of the American Missionary Association.
This is a photograph from the Forest Marathon festival 2013 which was held in the beautiful Coillte forest of Portumna in Co. Galway, Ireland on Saturday 15th June 2013. The event includes a 10k, a full marathon, a half marathon and two ultra-running events - a 50k and 100k race. The races started at 08:00 with the 100KM, the 50KM at 10:00, and subsequent races at two hour intervals onwards. All events started and finished within the forest with the exception of the half marathon and marathon which started outside of the forest. All events see participants complete 5KM loops of the forest which start and end at the car-park/amenity end of the forest. There is an official Refreshment/Handling Zones at this point on the loop.
The event was organised by international coach Sebastien Locteau from SportsIreland.ie and his fantastic team of volunteers from Galway and beyond. Congratulations to Seb on organising a very professionally run event and an event which is growing bigger and more prestigious with each passing year. There was an incredible atmosphere amongst the runners, the spectators, and the organisers. Hats off to everyone involved.
The marathon, 50KM, and 100KM events are sanctioned by Athletics Ireland and AIMS (the Association of International Marathons and Distance Races). The event has also achieved IAU (International Association of Ultrarunners) Bronze Label status for 2013.
Electronic timing was provided by RedTagTiming: www.redtagtiming.com/
Energy Bars, Gels, Drinks etc were provided by Fuel4Sport: www.fuel4sport.ie/
This is a set of photographs taken at various points on the 5KM loop in the Forest and contains photographs of competitors from all of the events except the 10KM race.
Viewing this on a smartphone device?
If you are viewing this Flickr set on a smartphone and you want to see the larger version(s) of this photograph then: scroll down to the bottom of this description under the photograph and click the "View info about this photo..." link. You will be brought to a new page and you should click the link "View All Sizes".
Overall Race Summary
Participants: Approximately 600 people took part across all of the events which were staged: 10km, half marathon, marathon, 50km, and 100KM.
Weather: The weather was unfortunately not what a summer's day in June should be like - there was rain, some breeze, but mild temperatures.
Course: This is a fast flat course depending on your event. The course is left handed around the Forest and roughly looks like a figure of 8 in terms of routing.
Location Map: Start/finish area on Google StreetView [goo.gl/maps/WWTgD] are inside the parklands and trails
Refreshments: There are no specific refreshments but the race organizers provide very adequate supplies for all participants.
Some Useful Links
Official Race Event Website: www.forestmarathon.com/
The Boards.ie Athletics Forum Thread for the 2013 Event: www.boards.ie/vbulletin/showthread.php?t=2056874371
A GPS Garmin Trace of the Course Profile (from the 50KM event) connect.garmin.com/activity/189495781
Our Flickr Photographs from the 2012 Events: www.flickr.com/photos/peterm7/sets/72157630146344494/
Our Flickr Photographs from the 2011 Events: www.flickr.com/photos/peterm7/sets/72157626865466587/
Title Sponsors Sports Ireland Website: sites.google.com/a/sportsireland.ie/welcome-sports-irelan...
A VIDEO of the Course: www.youtube.com/watch?feature=player_embedded&v=2FLxE...
Google StreetView of the Entrance to Portuma Forest: goo.gl/maps/MX62O
Wikipedia: Read about Portumna and Portumna Forest Park: en.wikipedia.org/wiki/Portumna#Portumna_Forest_Park
Coilte Ourdoors Website: www.coillteoutdoors.ie/?id=53&rec_site=115
Portumna Forest on EveryTrails: www.everytrail.com/guide/portumna-forest-park-woodland-tr...
More about the IAU Bronze Label: www.iau-ultramarathon.org/index.asp?menucode=h07&tmp=...
How can I get a full resolution copy of these photographs?
All of the photographs here on this Flickr set have a visible watermark embedded in them. All of the photographs posted here on this Flickr set are available offline, free, at no cost, at full image resolution WITHOUT watermark. We take these photographs as a hobby and as a contribution to the running community in Ireland. Our only "cost" is our request that if you are using these images: (1) on social media sites such as Facebook, Tumblr, Pinterest, Twitter,LinkedIn, Google+, etc or (2) other websites, web multimedia, commercial/promotional material that you provide a link back to our Flickr page to attribute us. This also extends the use of these images for Facebook profile pictures. In these cases please make a separate wall or blog post with a link to our Flickr page. If you do not know how this should be done for Facebook or other social media please email us and we will be happy to help suggest how to link to us.
Please email petermooney78 AT gmail DOT com with the links to the photographs you would like to obtain a full resolution copy of. We also ask race organisers, media, etc to ask for permission before use of our images for flyers, posters, etc. We reserve the right to refuse a request.
In summary please remember - all we ask is for you to link back to our Flickr set or Flickr pages. Taking the photographs and preparing them for online posting does take a significant effort. We are not posting photographs to Flickr for commercial reasons. If you really like what we do please spread the link around your social media, send us an email, leave a comment beside the photographs, send us a Flickr email, etc.
If you would like to contribute something for your photograph(s)?
Many people offer payment for our photographs. As stated above we do not charge for these photographs. We take these photographs as our contribution to the running community in Ireland. If you feel that the photograph(s) you request are good enough that you would consider paying for their purchase from other photographic providers we would suggest that you can provide a donation to any of the great charities in Ireland who do work for Cancer Care or Cancer Research in Ireland.
I ran in the race - but my photograph doesn't appear here in your Flickr set! What gives?
As mentioned above we take these photographs as a hobby and as a voluntary contribution to the running community in Ireland. Very often we have actually ran in the same race and then switched to photographer mode after we finished the race. Consequently, we feel that we have no obligations to capture a photograph of every participant in the race. However, we do try our very best to capture as many participants as possible. But this is sometimes not possible for a variety of reasons:
►You were hidden behind another participant as you passed our camera
►Weather or lighting conditions meant that we had some photographs with blurry content which we did not upload to our Flickr set
►There were too many people - some races attract thousands of participants and as amateur photographs we cannot hope to capture photographs of everyone
►We simply missed you - sorry about that - we did our best!
You can email us petermooney78 AT gmail DOT com to enquire if we have a photograph of you which didn't make the final Flickr selection for the race. But we cannot promise that there will be photograph there. As alternatives we advise you to contact the race organisers to enquire if there were (1) other photographs taking photographs at the race event or if (2) there were professional commercial sports photographers taking photographs which might have some photographs of you available for purchase. You might find some links for further information above.
Don't like your photograph here?
That's OK! We understand!
If, for any reason, you are not happy or comfortable with your picture appearing here in this photoset on Flickr then please email us at petermooney78 AT gmail DOT com and we will remove it as soon as possible. We give careful consideration to each photograph before uploading.
I want to tell people about these great photographs!
Great! Thank you! The best link to spread the word around is probably www.flickr.com/peterm7/sets
Celebration event for young people on the Give & Take Scheme, who gained new skills and qualifications with the support of Include Youth staff, at Parliament Buildings, Stormont, June 2011.
The Give & Take Scheme is based throughout Northern Ireland. The Scheme has just been independently evaluated and found to be a model of good practice for engaging with young people who are NEET.
This is a photograph from the Forest Marathon festival 2013 which was held in the beautiful Coillte forest of Portumna in Co. Galway, Ireland on Saturday 15th June 2013. The event includes a 10k, a full marathon, a half marathon and two ultra-running events - a 50k and 100k race. The races started at 08:00 with the 100KM, the 50KM at 10:00, and subsequent races at two hour intervals onwards. All events started and finished within the forest with the exception of the half marathon and marathon which started outside of the forest. All events see participants complete 5KM loops of the forest which start and end at the car-park/amenity end of the forest. There is an official Refreshment/Handling Zones at this point on the loop.
The event was organised by international coach Sebastien Locteau from SportsIreland.ie and his fantastic team of volunteers from Galway and beyond. Congratulations to Seb on organising a very professionally run event and an event which is growing bigger and more prestigious with each passing year. There was an incredible atmosphere amongst the runners, the spectators, and the organisers. Hats off to everyone involved.
The marathon, 50KM, and 100KM events are sanctioned by Athletics Ireland and AIMS (the Association of International Marathons and Distance Races). The event has also achieved IAU (International Association of Ultrarunners) Bronze Label status for 2013.
Electronic timing was provided by RedTagTiming: www.redtagtiming.com/
Energy Bars, Gels, Drinks etc were provided by Fuel4Sport: www.fuel4sport.ie/
This is a set of photographs taken at various points on the 5KM loop in the Forest and contains photographs of competitors from all of the events except the 10KM race.
Viewing this on a smartphone device?
If you are viewing this Flickr set on a smartphone and you want to see the larger version(s) of this photograph then: scroll down to the bottom of this description under the photograph and click the "View info about this photo..." link. You will be brought to a new page and you should click the link "View All Sizes".
Overall Race Summary
Participants: Approximately 600 people took part across all of the events which were staged: 10km, half marathon, marathon, 50km, and 100KM.
Weather: The weather was unfortunately not what a summer's day in June should be like - there was rain, some breeze, but mild temperatures.
Course: This is a fast flat course depending on your event. The course is left handed around the Forest and roughly looks like a figure of 8 in terms of routing.
Location Map: Start/finish area on Google StreetView [goo.gl/maps/WWTgD] are inside the parklands and trails
Refreshments: There are no specific refreshments but the race organizers provide very adequate supplies for all participants.
Some Useful Links
Official Race Event Website: www.forestmarathon.com/
The Boards.ie Athletics Forum Thread for the 2013 Event: www.boards.ie/vbulletin/showthread.php?t=2056874371
A GPS Garmin Trace of the Course Profile (from the 50KM event) connect.garmin.com/activity/189495781
Our Flickr Photographs from the 2012 Events: www.flickr.com/photos/peterm7/sets/72157630146344494/
Our Flickr Photographs from the 2011 Events: www.flickr.com/photos/peterm7/sets/72157626865466587/
Title Sponsors Sports Ireland Website: sites.google.com/a/sportsireland.ie/welcome-sports-irelan...
A VIDEO of the Course: www.youtube.com/watch?feature=player_embedded&v=2FLxE...
Google StreetView of the Entrance to Portuma Forest: goo.gl/maps/MX62O
Wikipedia: Read about Portumna and Portumna Forest Park: en.wikipedia.org/wiki/Portumna#Portumna_Forest_Park
Coilte Ourdoors Website: www.coillteoutdoors.ie/?id=53&rec_site=115
Portumna Forest on EveryTrails: www.everytrail.com/guide/portumna-forest-park-woodland-tr...
More about the IAU Bronze Label: www.iau-ultramarathon.org/index.asp?menucode=h07&tmp=...
How can I get a full resolution copy of these photographs?
All of the photographs here on this Flickr set have a visible watermark embedded in them. All of the photographs posted here on this Flickr set are available offline, free, at no cost, at full image resolution WITHOUT watermark. We take these photographs as a hobby and as a contribution to the running community in Ireland. Our only "cost" is our request that if you are using these images: (1) on social media sites such as Facebook, Tumblr, Pinterest, Twitter,LinkedIn, Google+, etc or (2) other websites, web multimedia, commercial/promotional material that you provide a link back to our Flickr page to attribute us. This also extends the use of these images for Facebook profile pictures. In these cases please make a separate wall or blog post with a link to our Flickr page. If you do not know how this should be done for Facebook or other social media please email us and we will be happy to help suggest how to link to us.
Please email petermooney78 AT gmail DOT com with the links to the photographs you would like to obtain a full resolution copy of. We also ask race organisers, media, etc to ask for permission before use of our images for flyers, posters, etc. We reserve the right to refuse a request.
In summary please remember - all we ask is for you to link back to our Flickr set or Flickr pages. Taking the photographs and preparing them for online posting does take a significant effort. We are not posting photographs to Flickr for commercial reasons. If you really like what we do please spread the link around your social media, send us an email, leave a comment beside the photographs, send us a Flickr email, etc.
If you would like to contribute something for your photograph(s)?
Many people offer payment for our photographs. As stated above we do not charge for these photographs. We take these photographs as our contribution to the running community in Ireland. If you feel that the photograph(s) you request are good enough that you would consider paying for their purchase from other photographic providers we would suggest that you can provide a donation to any of the great charities in Ireland who do work for Cancer Care or Cancer Research in Ireland.
I ran in the race - but my photograph doesn't appear here in your Flickr set! What gives?
As mentioned above we take these photographs as a hobby and as a voluntary contribution to the running community in Ireland. Very often we have actually ran in the same race and then switched to photographer mode after we finished the race. Consequently, we feel that we have no obligations to capture a photograph of every participant in the race. However, we do try our very best to capture as many participants as possible. But this is sometimes not possible for a variety of reasons:
►You were hidden behind another participant as you passed our camera
►Weather or lighting conditions meant that we had some photographs with blurry content which we did not upload to our Flickr set
►There were too many people - some races attract thousands of participants and as amateur photographs we cannot hope to capture photographs of everyone
►We simply missed you - sorry about that - we did our best!
You can email us petermooney78 AT gmail DOT com to enquire if we have a photograph of you which didn't make the final Flickr selection for the race. But we cannot promise that there will be photograph there. As alternatives we advise you to contact the race organisers to enquire if there were (1) other photographs taking photographs at the race event or if (2) there were professional commercial sports photographers taking photographs which might have some photographs of you available for purchase. You might find some links for further information above.
Don't like your photograph here?
That's OK! We understand!
If, for any reason, you are not happy or comfortable with your picture appearing here in this photoset on Flickr then please email us at petermooney78 AT gmail DOT com and we will remove it as soon as possible. We give careful consideration to each photograph before uploading.
I want to tell people about these great photographs!
Great! Thank you! The best link to spread the word around is probably www.flickr.com/peterm7/sets
From Sunday's action at Airbourne - the Eastbourne Airshow. The Matadors slide in unison across the sky
Includes:
✿︎ Sparkling floor - HUD (40colors)
✿︎Sparkling floor with different speed
♡︎P.S. The script does not change (you can change the object but not scripts)
✿︎Land impact from 2 or more, depending on the size.
This is my portfolio on which i have tried to include some of my works that i have done in college and outside it. I like all the projects that I did during the course because each of them had problems to solve that led to an improvement in my skills. What I preferred best was the drawing of 3D plans for building concepts and the construction of the maquettes because those related directly to what I want to study for afterward.
One of my favourite 3D projects was ``Bridge project``. The aim of this project was to create a bridge using skeleton shapes, so I had to do some observational drawings that could help me on my further stages for creating a linking bridge for Stanmore College. My first experimental work was with paper and there were simple ribs form. Next experimental work had more a bridge form and the material were cartoon. These practical works helped me a lot understanding how to create shapes of a 3D maquette, and also taking ideas from each experimental work for my final piece. Next stage of my bridge project was finding the location of where my bridge would be placed on with measurements of it and to do my final design. Then I set up my final maquette of my bridge. I used different materials inspired by different artists like Wood-inspired by Frank LLoyd Alter and Glass- inspired by Zaha Hadid. After I built it I photoshoped between two buildings of the College.
The last project was FMP (Final Major Project), and it was about creating something on my own, using techniques and artists that we had worked on our previous projects. So, I thought doing something architectural, but first I did some material experimental works, so I would-be well-prepared working with them and would manage to finish it on time. This was the most challenging project as we were in lockdown and I had to work with materials that I had at home. So, the first experimental work was using wood inspired by FRANK Lloyd Wright, and the second experimental work was using glass inspired by Zaha Hadid. These simple experimental works helped me a lot on working with the materials and treating my project on the right way so I could finish it on time and on a perfect shape. I followed Frank Lloyd Wright way of working for my FMP and It helped me a lot as it was a step-by-step work (From 2D drawing and planning to 3D maquette.) So, for my final one I chose to transform the location of London Eye to a maquette but adding something an extra part like a playground by myself. On each project I try to take pictures with a good light source so a lot of details would be better shown. I feel so proud of that project, because I did my best and I learnt a lot of new things.
My favourite type of drawing is Perspective drawing. I enjoyed a lot practicing it. From lessons I learnt how to draw objects from observation using the horizon line and finding the vanishing points of it.
Also i have included some of my personal works that i have done in my free time like drawing and painting and some AutoCad just to practise myself on it.
This is a photograph from the Forest Marathon festival 2013 which was held in the beautiful Coillte forest of Portumna in Co. Galway, Ireland on Saturday 15th June 2013. The event includes a 10k, a full marathon, a half marathon and two ultra-running events - a 50k and 100k race. The races started at 08:00 with the 100KM, the 50KM at 10:00, and subsequent races at two hour intervals onwards. All events started and finished within the forest with the exception of the half marathon and marathon which started outside of the forest. All events see participants complete 5KM loops of the forest which start and end at the car-park/amenity end of the forest. There is an official Refreshment/Handling Zones at this point on the loop.
The event was organised by international coach Sebastien Locteau from SportsIreland.ie and his fantastic team of volunteers from Galway and beyond. Congratulations to Seb on organising a very professionally run event and an event which is growing bigger and more prestigious with each passing year. There was an incredible atmosphere amongst the runners, the spectators, and the organisers. Hats off to everyone involved.
The marathon, 50KM, and 100KM events are sanctioned by Athletics Ireland and AIMS (the Association of International Marathons and Distance Races). The event has also achieved IAU (International Association of Ultrarunners) Bronze Label status for 2013.
Electronic timing was provided by RedTagTiming: www.redtagtiming.com/
Energy Bars, Gels, Drinks etc were provided by Fuel4Sport: www.fuel4sport.ie/
This is a set of photographs taken at various points on the 5KM loop in the Forest and contains photographs of competitors from all of the events except the 10KM race.
Viewing this on a smartphone device?
If you are viewing this Flickr set on a smartphone and you want to see the larger version(s) of this photograph then: scroll down to the bottom of this description under the photograph and click the "View info about this photo..." link. You will be brought to a new page and you should click the link "View All Sizes".
Overall Race Summary
Participants: Approximately 600 people took part across all of the events which were staged: 10km, half marathon, marathon, 50km, and 100KM.
Weather: The weather was unfortunately not what a summer's day in June should be like - there was rain, some breeze, but mild temperatures.
Course: This is a fast flat course depending on your event. The course is left handed around the Forest and roughly looks like a figure of 8 in terms of routing.
Location Map: Start/finish area on Google StreetView [goo.gl/maps/WWTgD] are inside the parklands and trails
Refreshments: There are no specific refreshments but the race organizers provide very adequate supplies for all participants.
Some Useful Links
Official Race Event Website: www.forestmarathon.com/
The Boards.ie Athletics Forum Thread for the 2013 Event: www.boards.ie/vbulletin/showthread.php?t=2056874371
A GPS Garmin Trace of the Course Profile (from the 50KM event) connect.garmin.com/activity/189495781
Our Flickr Photographs from the 2012 Events: www.flickr.com/photos/peterm7/sets/72157630146344494/
Our Flickr Photographs from the 2011 Events: www.flickr.com/photos/peterm7/sets/72157626865466587/
Title Sponsors Sports Ireland Website: sites.google.com/a/sportsireland.ie/welcome-sports-irelan...
A VIDEO of the Course: www.youtube.com/watch?feature=player_embedded&v=2FLxE...
Google StreetView of the Entrance to Portuma Forest: goo.gl/maps/MX62O
Wikipedia: Read about Portumna and Portumna Forest Park: en.wikipedia.org/wiki/Portumna#Portumna_Forest_Park
Coilte Ourdoors Website: www.coillteoutdoors.ie/?id=53&rec_site=115
Portumna Forest on EveryTrails: www.everytrail.com/guide/portumna-forest-park-woodland-tr...
More about the IAU Bronze Label: www.iau-ultramarathon.org/index.asp?menucode=h07&tmp=...
How can I get a full resolution copy of these photographs?
All of the photographs here on this Flickr set have a visible watermark embedded in them. All of the photographs posted here on this Flickr set are available offline, free, at no cost, at full image resolution WITHOUT watermark. We take these photographs as a hobby and as a contribution to the running community in Ireland. Our only "cost" is our request that if you are using these images: (1) on social media sites such as Facebook, Tumblr, Pinterest, Twitter,LinkedIn, Google+, etc or (2) other websites, web multimedia, commercial/promotional material that you provide a link back to our Flickr page to attribute us. This also extends the use of these images for Facebook profile pictures. In these cases please make a separate wall or blog post with a link to our Flickr page. If you do not know how this should be done for Facebook or other social media please email us and we will be happy to help suggest how to link to us.
Please email petermooney78 AT gmail DOT com with the links to the photographs you would like to obtain a full resolution copy of. We also ask race organisers, media, etc to ask for permission before use of our images for flyers, posters, etc. We reserve the right to refuse a request.
In summary please remember - all we ask is for you to link back to our Flickr set or Flickr pages. Taking the photographs and preparing them for online posting does take a significant effort. We are not posting photographs to Flickr for commercial reasons. If you really like what we do please spread the link around your social media, send us an email, leave a comment beside the photographs, send us a Flickr email, etc.
If you would like to contribute something for your photograph(s)?
Many people offer payment for our photographs. As stated above we do not charge for these photographs. We take these photographs as our contribution to the running community in Ireland. If you feel that the photograph(s) you request are good enough that you would consider paying for their purchase from other photographic providers we would suggest that you can provide a donation to any of the great charities in Ireland who do work for Cancer Care or Cancer Research in Ireland.
I ran in the race - but my photograph doesn't appear here in your Flickr set! What gives?
As mentioned above we take these photographs as a hobby and as a voluntary contribution to the running community in Ireland. Very often we have actually ran in the same race and then switched to photographer mode after we finished the race. Consequently, we feel that we have no obligations to capture a photograph of every participant in the race. However, we do try our very best to capture as many participants as possible. But this is sometimes not possible for a variety of reasons:
►You were hidden behind another participant as you passed our camera
►Weather or lighting conditions meant that we had some photographs with blurry content which we did not upload to our Flickr set
►There were too many people - some races attract thousands of participants and as amateur photographs we cannot hope to capture photographs of everyone
►We simply missed you - sorry about that - we did our best!
You can email us petermooney78 AT gmail DOT com to enquire if we have a photograph of you which didn't make the final Flickr selection for the race. But we cannot promise that there will be photograph there. As alternatives we advise you to contact the race organisers to enquire if there were (1) other photographs taking photographs at the race event or if (2) there were professional commercial sports photographers taking photographs which might have some photographs of you available for purchase. You might find some links for further information above.
Don't like your photograph here?
That's OK! We understand!
If, for any reason, you are not happy or comfortable with your picture appearing here in this photoset on Flickr then please email us at petermooney78 AT gmail DOT com and we will remove it as soon as possible. We give careful consideration to each photograph before uploading.
I want to tell people about these great photographs!
Great! Thank you! The best link to spread the word around is probably www.flickr.com/peterm7/sets
Plenty of little lizards about in Corsica - must scurry off at the first sign of movement, but this one posed for me
Robbins’ contract includes the 8 m diameter Double Shield TBM, back-up, cutters, spares, and continuous conveyor system.
A productive afternoon removing the non-functional heater from the Alfa. The blower fan motor is definitely knackered,so I will have to get a new one. The heater matrix wasn't even connected to engine's coolant system - so no chance of it working. I will need to check the heater matrix and work out how the missing hoses should be connected. The whole thing was covered in South African sandy dirt
First outing for the new club laptop - a Zoom only club meeting. The planned hybrid meeting from the hall was called-off due to the ice/snow.
Belated added to the group
Soon to be leaving North Weald for either Scotland or France.
Former owners include the Royal Canadian Air Force 1559 ( www.ody.ca/~bwalker/RCAF_post_1549_1592_detailed.html ), Sagittair Limited (Air Taxi's) , Eastern Seaboard Limited & Shackleton Aviation Limited.
YAD: Youths take centre stage in reproductive health education.
.
The youths always include a skit about domestic violence in their performances because they say they see so much of it in their communities. Other topics include protection from HIV/AIDS and STDs and contraception. Girls like Hap, 18, (facing Sokleng, 23) are becoming more confident to discuss reproductive-health issues that adults in her community tend to shy away from. She says the education she received on menstruation and hygiene is helpful for understanding the changes girls experience during puberty.
Ryan Seacrest currently lives in New York City. His talents are many and include being the host of American Idol and also the Los Angeles radio station KIIS. He is extremely involved in philanthropy. Ryan also finds himself on the board of many charities. Click next for more information on Ryan Van Wyk, and Ryan Van Wagenen. Visit: en.wikipedia.org/wiki/Ryan_Seacrest
The true OG of mushrooms, this powerful catalyst of ancient tribal ritual still has many worlds to reveal to modern psilocybin enthusiasts. Effects include creativity, euphoria, joy, spiritual, and visual hallucinations.
Includes photos from the David Thompson Highway 11 Rocky Mountains Alberta near Nordegg and the David Thompson Resort
The main PCB includes a signal relay to switch the CD changer's audio lines and control circuitry to open and close the drawer.
From a Sunday trip to Richmond Park - early morning mist, fallow deer, dewy spider webs and cyclists were the main features
{This pack includes with and without garters, There is also a single version stand alone without the garters as well}
**Item Shown**
marketplace.secondlife.com/p/DpD-Thigh-School-Socks-BlkPi...
**Socks ONLY Version**
marketplace.secondlife.com/p/DpD-Thigh-School-Socks-BlkPi...
**Marketplace**
marketplace.secondlife.com/stores/140627
**Follow Us On Facebook**
****INDIVIDUAL ITEMS SOLD SEPARATELY IN WORLD****
Includes:
⚫Box Couch (Adult)
⚫Box Arm Chair (Adult)
⚫Coffee Table
⚫Texture Hud
⚫Ceiling Lamp (Click for On/Off) (Adjustable for lower ceilings)
⚫Wood Burner (Click for flame+sound On/Off)
⚫Lemonade Jug (Giver) ([AV]menu Click for wearable drinks)
⚫Lemonade Jug+Glass (Decor)
⚫Lemons+Mint (Decor)
⚫Mother-in-Law's Tongue Plant (Decor)
---------------------------------------------------------
Box Couch;
Animations:
⚫6 Single Sits M&F
⚫6 Hugs + Sequence
⚫24 Sex(16 sitting + 8 laying) W/ Speed Control + 2 Sequences
---------------------------------------------------------
Box Arm Chair;
Animations:
⚫6 Single Sits M&F
⚫6 Hugs + Sequence
⚫16 Sex W/ Speed Control + Sequence
Both Compatible with:
⚫Physics Cock & V Bento
⚫MyStory (+5% Energy/+5%Happiness/+5%Social)
Lemonade:
There is a decor version and a scripted version of the Lemonade.
the scripted version uses [AV]menu, (For auto-attach add the Avsitter experience to your land) Anyone can touch and get a drink from the menu (Bento hold or drink animations) and it will auto-detach after 5 mins.
Texture hud with 3 sections, 1 part for the couch, 1 part for the arm chair and the middle has the coffee table textures.
Land Impact:
⚫Box Couch 12 Prim
⚫Box Arm Chair 6 Prim
⚫Coffee Table 2 Prim
⚫Texture Hud
⚫Ceiling Lamp 1 Prim
⚫Wood Burner 5 Prim
⚫Lemonade Jug 2 Prim
⚫Lemons+Mint 2 Prim
⚫Mother-in-Law's Tongue Plant 1 Prim
Copy/Mod
Original Mesh
Demo:
maps.secondlife.com/secondlife/Tealeaf/247/37/33
Marketplace:
marketplace.secondlife.com/p/Cazaz-Box-Couch-Set-Adult/25...
More from last weekend's Eastbourne Airshow (Airbourne) - the Breitling Wing Walkers doing their stuff
Here you will find Curator Adriano Pedrosa amazing list of participating artist for Venice Biennale 2024 and the thematic :
---------------------
Biennale participants include the MAHKU—Movimento dos Artistas Huni Kuin collective from Brazil, the Mataaho Collective from Aotearoa (New Zealand), Erica Rutherford, Isaac Chong Wai, Elyla, Violeta Quispe, Louis Fratino, Dean Sameshima, and Evelyn Taocheng Wang, as well as three historical outsider female artists, Madge Gill, Anna Zemánková, and Aloïse Corbaz.
The “Nucleo Contemporaneo” will include a section dedicated to the Disobedience Archive, a project founded by Milan curator Marco Scotini .This section itself is divided into two sections “Diaspora activism” and “Gender Disobedience,”
Bona Pieyre de Mandiargues, Toro Nuziale, 1958.
112 artists from the Global South, primarily ones from Latin America, Africa, the Middle East, and Asia.
Among the artists are Selwyn Wilson, Cícero Dias, Yédemaria, Laura Rodig, Rómulo Rozo, Grace Salome Abra Kwami, Lee Qoede, Gerard Sekoto, and Inji Efflatoun, who was also shown in Okwui Enwezor’s 2015 Venice Biennale exhibition.
artists in the abstraction section include Samia Halaby, Eduardo Terrazas, Sandy Adsett, Fanny Sanín, and Etel Adnan, w
Mohamed Chabâa,
List for the 2024 Venice Biennale.
Pacita Abad, Mariam Abdel-Aleem. Etel AdnanSandy Adsett, Wairoa, New Zealand
Affandi. Zubeida Agha, Dia al-Azzawi,Claudia Alarcón & Silät
,Rafa al-Nasiri, Miguel Alandia Pantoja,. Aloïse, Giulia Andreani,Claudia Andujar, María Aranís ValdiviaAravani Art Project ,Iván Argote,. Karimah Ashadu,Dana Awartani, Aycoobo (Wilson Rodríguez),. Margarita AzurdiaLeilah Babirye,Libero Badii, Ezekiel Baroukh Baya , Aly Ben Salem, Semiha Berksoy, Gianni Bertini,Lina Bo Bardi, Maria Bonomi , Bordadoras de Isla Negra ,Victor Brecheret , Huguette Caland Sol Calero Elda Cerrato , Mohammed Chebaa , Georgette Chen Galileo ChiniKudzanai Chiurai , Isaac Chong Wai , Saloua Raouda Choucair , Chaouki Choukini , Chua Mia Tee Claire FontaineManauara Clandestina , River Claure Julia Codesido , Liz Collins , Jaime Colson , Waldemar Cordeiro , Monika Correa ,Beatriz Cortez ,Olga Costa Miguel Covarrubias ,Victor Juan Cúnsolo ,. Andrés Curruchich ,Rosa Elena Curruchich janira da Motta e Silva , Olga De Amaral , Filippo de Pisis , Juan Del Prete ,Pablo Delano ,Emiliano Di Cavalcanti ,Danilo Di Prete , Cícero Dias , Disobedience Archive – Marco Scotini
with Ursula Biemann, Black Audio-Film Collective, Seba Calfuqueo, Simone Cangelosi, Cinéastes pour les sans-papiers, Critical Art Ensemble, Snow Hnin Ei Hlaing, Marcelo Expósito, Maria Galindo & Mujeres Creando, Barbara Hammer, mixrice, Khaled Jarrar, Sara Jordenö, Bani Khoshnoudi, Maria Kourkouta & Niki Giannari, Pedro Lemebel, LIMINAL & Border Forensics, Angela Melitopoulos, Jota Mombaça, Carlos Motta, Zanele Muholi, Pınar Öğrenci, Daniela Ortiz, Thunska Pansittivorakul, Anand Patwardhan, Pilot TV Collective, Queerocracy, Oliver Ressler and Zanny Begg, Carole Roussopoulos, Güliz Sağlam, Irwan Ahmett & Tita Salina, Tejal Shah, Chi Yin Sim, Hito Steyerl, Sweatmother, Raphaël Grisey and Bouba Touré, Nguyễn Trinh Thi, James Wentzy, Želimir Žilnik ,Juana Elena Diz ,. Tarsila do Amaral , Saliba Douaihy , Dullah , . Inji Efflatoun , Uzo Egonu , Mohammad Ehsaei , Hatem El Mekki , Aref El Rayess , Ibrahim El-Salahi ,. Elyla , Ben Enwonwu , Romany Eveleigh , Hamed Ewais , Beni Soueif, Egypt, Dumile Feni , Alessandra Ferrini , Cesare Ferro Milone ,Raquel Forner , Simone Forti ,. Victor Fotso Nyie , Louis Fratino , Paolo Gasparini ,Ṣàngódáre Gbádégẹsin Àjàlá , Umberto Giangrandi , Madge Gill , Marlene Gilson , Luigi Domenico Gismondi , Domenico Gnoli , Gabrielle Goliath , Brett Graham Fred Graham , Enrique Grau Araújo , Oswaldo Guayasamín , Nedda Guidi ,Hendra Gunawan , Antonio Jose Guzman & Iva Jankovic
Marie Hadad , Samia Halaby ,Tahia Halim , Lauren Halsey , Nazek Hamdi , Mohamed Hamidi , Faik Hassan , Kadhim Hayder , Gilberto Hernández Ortega ,. Carmen Herrera , Evan Ifekoya , Julia Isídrez , Mohammed Issiakhem , Elena Izcue Cobián , María Izquierdo , Nour Jaouda , Rindon Johnson , Joyce Joumaa* , Mohammed Kacimi , Frida Kahlo , Nazira Karimi* , George Keyt , Bhupen Khakhar Bouchra Khalili , Kiluanji Kia Henda ,Linda Kohen ,Shalom Kufakwatenzi , Ram Kumar ,Fred Kuwornu Grace Salome Kwami , Lai Foong Moi , Wifredo Lam , Judith Lauand , Maggie Laubser ,Simon Lekgetho Celia Leyton Vidal , Lim Mu Hue , Romualdo Locatelli , Bertina Lopes , Amadeo Luciano Lorenzato ,Anita Magsaysay-Ho ,MAHKU ,Esther Mahlangu , Anna Maria Maiolino ,Anita Malfatti , Ernest Mancoba , Edna Manley , Josiah Manzi , Teresa Margolles , Maria Martins , María Martorell , Mataaho Collective ,Naminapu Maymuru-White , Mohamed Melehi , Carlos Mérida , Gladys Mgudlandlu ,Omar Mismar , Sabelo Mlangeni , Tina Modotti , Bahman Mohasses ,Roberto Montenegro ,Camilo Mori Serrano ,. Ahmed Morsi , Effat Naghi , Ismael Nery , Malangatana Valente Ngwenya , Paula Nicho , Costantino Nivola , Taylor Nkomo , Marina Núñez del Prado , Philomé Obin ,. Sénèque Obin , Alejandro Obregón , Tomie Ohtake , Uche Okeke , Marco Ospina , Samia Osseiran Junblatt , Daniel Otero Torres ,. Lydia Ourahmane , Pan Yuliang , Dalton Paula ,Amelia Peláez , George Pemba , Fulvio Pennacchi , Claudio Perna , Emilio Pettoruti , Lê Phổ , Bona Pieyre De Mandiargues , Ester Pilone , 230. La Chola Poblete ,Charmaine Poh , Maria Polo ,Candido Portinari , 234. Sandra Poulson* ,B. Prabha , Lidy Prati ,Puppies Puppies (Jade Guanaro Kuriki-Olivo) , 8. Lee Qoede Agnes Questionmark,Violeta Quispe , Alfredo Ramos Martinez , Sayed Haider Raza , Armando Reverón , Emma Reyes , Diego Rivera , Juana Marta Rodas , Laura Rodig Pizarro , Abel Rodríguez , Aydeé Rodriguez Lopez , 0. Freddy Rodriguez , Miguel Ángel Rojas , Rosa Rolanda , Jamini Roy ,. Rómulo Rozo ,. Erica Rutherford , José Sabogal , Mahmoud Sabri , Syed Sadequain , Nena Saguil , Mahmoud Saïd , Kazuya Sakai , Ione Saldanha ,Dean Sameshima , Zilia Sán, Bárbara Sánchez-Kane ,. Nenne Sanguineti Poggi , Fanny Sanín , Aligi Sassu ,Greta Schödl , Ana Segovia , Gerard Sekoto , Jewad Selim ,Lorna Selim , Joshua Serafin , Kang Seung Lee , Gino Severini , Amrita Sher-Gil , Anwar Jalal Shemza , Yinka Shonibare , Doreen Sibanda , Fadjar Sidik ,Gazbia Sirry , Lucas Sithole , Francis Newton Souza , Joseph Stella , Irma Stern , Leopold Strobl , Emiria Sunassa , 290. Armodio Tamayo , Maria Taniguchi , Evelyn Taocheng Wang , Lucy Tejada , Mariana Telleria ,Güneş Terkol ,Eduardo Terrazas Clorindo Testa ,. Salman Toor , Frieda Toranzo Jaeger , Horacio Torres , Joaquin Torres-García , Mario Tozzi , Twins Seven Seven ,Ahmed Umar , Arpillera ,Rubem Valentim ,. Edoardo Daniele Villa , Eliseu Visconti , Alfredo Volpi , Kay WalkingStick , WangShui , Agnes Waruguru , Nairobi, Kenya,
Barrington Watson , Osmond Watson , Susanne Wenger , Emmi Whitehorse , Selwyn Wilson , Chang Woosoung , Celeste Woss y Gil , Xiyadie ,. Rember Yahuarcani ,Santiago Yahuarcani , Nil Yalter , Joseca Mokahesi Yanomami , André Taniki Yanomami , Yêdamaria , Ramses Younan , Kim YunShin , Fahrelnissa Zeid , Anna Zemánková , Bibi Zogbé ,
------
Lifetime Achievement Awards Go to Nil Yalter, Anna Maria Maiolino edition featuring Beatriz Cortez, Olga De Amaral, Hito Steyerl , Simone Forti, Samia Halaby, Lauren Halsey, Rindon Johsnon, Bouchra Khalili, Teresa Margolles, Ahmed Morsi, Puppies Puppies (Jade Guanaro Kuriki), Zilia Sánchez, Ana Segovia, Yinka Shonibare, Salman Toor, Kay WalkingStick, and WangShui.
But there will also be a number of well-known historical artists and recently deceased artists this time, such as Pacita Abad, Etel Adnan, Huguette Caland, Tarsila do Amaral, Carmen Herrera, María Izquierdo, Frida Kahlo, Wifredo Lam, Judith Lauand, Tina Modotti, Tomie Ohtake, Diego Rivera, Freddy Rodriguez, Jewad Selim, Joaquin Torres-García, and Rubem Valentim.
the title of “Stranieri Ovunque – Foreigners Everywhere,” which borrows its title from a series of neon works by Palermo-based French artist collective Claire Fontaine
Pedrosa is the artistic director of the Museu de Arte de São Paulo,Pedrosa said the guiding theme of the “Nucleo Contemporaneo” is an expansive definition of “foreigner” that also includes “the queer artist,
Renzo Martens and the art collective of Congolese plantation workers will represent the Netherlands at the next Venice Biennale.
AustraliaArtist: Archie Moore
Curator: Ellie Buttrose
AustriaArtist: Anna Jermolaewa
Curator: Gabriele SpindlerBelgium
Artists: Simona Denicolai and Ivo Provoost
Curator: Antoinette Jattio
Benin
Artists: Ishola Akpo, Moufouli Bello, Romuald Hazoumè, and Chloé Quenum
Curator: Azu Nwagbogu
Brazil
Artist: Glicéria Tupinambá
Curators: Arissana Pataxó, Denilson Baniwa, and Gustavo Caboco Wapichana
Canada
Artist: Kapwani Kiwanga
Curator: Gaëtane Verna
Cyprus
Artists: LLC, Endrosia, and Haig Aivazian
Curator: None
Croatia
Artist: Vlatka Horvat
Curator: Antonia Majača
Denmark
Artist: Inuuteq Storch
Curator: Louise Wolthers
John Akomfrah to Represent Great Britain at Venice Biennale 2024
Estonia
Artist: Edith Karlson
Curator: No official curator
Ethiopia
Artist: Tesfaye Urgessa
Curator: Lemn Sissay
Finland
Artists: Pia Lindman, Vidha Saumya, and Jenni-Juulia Wallinheimo-Heimonen
Curators: Yvonne Billimore and Jussi Koitela
Germany
Curator: Çağla Ilk
Great Britain
Artist: John Akomfrah
Trevor Yeung to Represent Hong Kong at Venice Biennale 2024
Hong Kong
Artist: Trevor Yeung
Curator: Olivia Chow
Hungary
Artist: Márton Nemes
Curator: Róna Kopeczky
Iceland
Artist: Hildigunnur Birgisdóttir
Curator: Dan Byers
Ireland
Artist: Eimar Walshe
Curator: Sara Greavu
Italy
Artist: Massimo Bartolini
Curator: Luca Cerizza
Japan
Artist: Yuko Mohri
Curator: Sook-Kyung Lee
Kosovo
Artist: Doruntina Kastrati
Curator: Erëmira Krasniq
Latvia
Artist: Amanda Ziemele
Curator: Adam Budak
Lebanon
Artist: Mounira Al-Solh
Curators: Nada Ghandour and Dina Bizri
Lithuania
Artists: Pakui Hardware (Neringa Cerniauskaite and Ugnius Gelguda) and Marija Teresė Rožanskaitė
Luxembourg
Artists: Andrea Mancini and the Every Island collective
Curator: Joel Valabrega
Malta
Artist: Matthew Atard
Curators: Sara Dolfi Agostini and Elyse Tonna.
Netherlands
Artists: Renzo Martens and Cercle d'Art des Travailleurs de Plantation Congolaise (CATPC)
Curator: Hicham Khalidi
Nigeria
Artists: Tunji Adeniyi-Jones, Ndidi Dike, Onyeka Igwe, Toyin Ojih Odutola, Abraham Oghobase, Precious Okoyomon, Yinka Shonibare CBE (RA), and Fatimah Tuggar.
Curator: Aindrea Emelife
Nordic Countries
Artists: Lap-See Lam (Sweden), Kholod Hawash (Finland), and Tze Yeung Ho (Norway)
Curator: Asrin Haidari
Philippines
Artist: Mark Savlatus
Curator: Carlos Quijon Jr.
Poland
Artist: Ignacy Czwartos
Curators: Piotr Bernatowicz and Dariusz Karłowicz
Portugal
Artist-curators: Mónica de Miranda, Sónia Vaz Borges, and Vânia Gala
San Marino
Artist: Eddie Martinez
Curator: Alison M. Gingeras
Saudi Arabia
Artist: Manal AlDowayan
Curators: Jessica Cerasi and Maya El Khalil with assistant curator Shadin AlBulaihed
Singapore
Artist: Robert Zhao Renhui
Curator: Haeju Kim
South Korea
Artist: Koo Jeong A
Curators: Jacob Fabricius and Lee Seol-hui
Spain
Artist: Sandra Gamarra
Curator: Agustín Pérez Rubio
Switzerland
Artist: Guerreiro do Divino Amor
Curator: Andrea Bellini
Taiwan
Artist: Yuan Goang-Ming
Curator: Abby Chen
Turkey
Artist: Gülsün Karamustafa
Curator: Esra Sarıgedik Öktem
United Arab Emirates
Artist: Abdullah Al Saadi
Curator: Tarek Abou El Fetouh
United States
Artist: Jeffrey Gibson
Curators: Kathleen Ash-Milby and Abigail Winograd
—-----
------------about Venice Biennale history from wikipedia ---------
curators previous
* 1948 – Rodolfo Pallucchini
* 1966 – Gian Alberto Dell'Acqua
* 1968 – Maurizio Calvesi and Guido Ballo
* 1970 – Umbro Apollonio
* 1972 – Mario Penelope
* 1974 – Vittorio Gregotti
* 1978 – Luigi Scarpa
* 1980 – Luigi Carluccio
* 1982 – Sisto Dalla Palma
* 1984 – Maurizio Calvesi
* 1986 – Maurizio Calvesi
* 1988 – Giovanni Carandente
* 1990 – Giovanni Carandente
* 1993 – Achille Bonito Oliva
* 1995 – Jean Clair
* 1997 – Germano Celant
* 1999 – Harald Szeemann
* 2001 – Harald Szeemann
* 2003 – Francesco Bonami
* 2005 – María de Corral and Rosa Martinez
* 2007 – Robert Storr
* 2009 – Daniel Birnbaum
* 2011 – Bice Curiger
* 2013 – Massimiliano Gioni
* 2015 – Okwui Enwezor
* 2017 – Christine Macel[19]
* 2019 – Ralph Rugoff[20]
—-------------
#art #artist #artistic #artists #arte #artwork
#artcontemporain contemporary art Giardini Arsenal
venice Veneziako Venecija Venècia Venedig Venetië Veneetsia Venetsia Venise Venecia VenedigΒενετία( Venetía HungarianVelence Feneyjar Venice Venezia Venēcija Venezja Venezia Wenecja Veneza VenețiaVenetsiya BenátkyBenetke Venecia Fenisוועניס Վենետիկ ভেনি স威尼斯 (wēinísī) 威尼斯 ვენეციისવે નિસवेनिसヴェネツィアವೆನಿಸ್베니스வெனிஸ்వెనిస్เวนิซوینس Venetsiya
art umjetnost umění kunst taideτέχνη művészetList ealaínarte māksla menasartiKunst sztuka artăumenie umetnost konstcelfקונסטարվեստincəsənətশিল্প艺术(yìshù)藝術 (yìshù)ხელოვნებაकलाkos duabアートಕಲೆសិល្បៈ미술(misul)ສິນລະປະകലकलाအတတ်ပညာकलाකලාවகலைఆర్ట్ศิลปะ آرٹsan'atnghệ thuậtفن (fan)אומנותهنرsanat artist
other Biennale :(Biennials ) :
Venice Biennial , Documenta Havana Biennial,Istanbul Biennial ( Istanbuli),Biennale de Lyon ,Dak'Art Berlin Biennial,Mercosul Visual Arts Biennial ,Bienal do Mercosul Porto Alegre.,Berlin Biennial ,Echigo-Tsumari Triennial .Yokohama Triennial Aichi Triennale,manifesta ,Copenhagen Biennale,Aichi Triennale .Yokohama Triennial,Echigo-Tsumari Triennial.Sharjah Biennial ,Biennale of Sydney, Liverpool , São Paulo Biennial ; Athens Biennale , Bienal do Mercosul ,Göteborg International Biennial for Contemporary Art ,DOCUMENTA KASSEL ATHEN ,Dakar; Biennalist
kritik[edit] kritikaria kritičar crític kritiker criticus kriitik kriitikko critique crítico Kritiker κριτικός(kritikós) kritikus Gagnrýnandi léirmheastóir critico kritiķis kritikas kritiku krytyk crítico critic crítico krytyk beirniad קריטיקער
BasqueVeneziako Venecija[edit] Catalan Venècia Venedig Venetië Veneetsia Venetsia Venise Venecia Venedig Βενετία(Venetía) Hungarian Velence Feneyjar Venice Venezia Latvian Venēcija Venezja Venezia Wenecja Portuguese Veneza Veneția Venetsiya Benátky Benetke Venecia Fenis וועניס Վենետիկ ভেনিস 威尼斯 (wēinísī) 威尼斯 Georgian ვენეციის વેનિસ वेनिस ヴェネツィア ವೆನಿಸ್ 베니스 வெனிஸ் వెనిస్ เวนิซ وینس Venetsiya
—-----
Institutional Critique
Identity Politics Post-War Consumerism, Engagement with Mass Media, Performance Art, The Body, Film/Video, Political, Collage, Cultural Commentary, Self as Subject, Color Photography, Related to Fashion, Digital Culture, Photography, Human Figure, Technology
Racial and Ethnic Identity, Neo-Conceptualism, Diaristic
Contemporary Re-creations, Popular Culture, Appropriation, Contemporary Sculpture,
Culture, Collective History, Group of Portraits, Photographic Source
Endurance Art, Film/Video,, Conceptual Art and Contemporary Conceptualism, Color Photography, Human Figure, Cultural Commentary
War and Military, Political Figures, Social Action, Racial and Ethnic Identity, Conflict
Personal Histories, Alter Egos and Avatars
Use of Common Materials, Found Objects, Related to Literature, Installation, Mixed-Media, Engagement with Mass Media, Collage,, Outdoor Art, Work on Paper, Text,Photographic Source
Appropriation (art) Art intervention Classificatory disputes about art Conceptual art Environmental sculpture Found object Interactive art Modern art Neo-conceptual art Performance art Sound art Sound installation Street installations Video installation
Conceptual art Art movements Postmodern art Contemporary art Art media Aesthetics Conceptualism
Post-conceptualism Anti-anti-art Body art Conceptual architecture Contemporary art Experiments in Art and Technology Found object Happening Fluxus Information art Installation art Intermedia Land art Modern art Neo-conceptual art Net art Postmodern art Generative Art Street installation Systems art Video art Visual arts ART/MEDIA conceptual artist
en.wikipedia.org/wiki/Thierry_Geoffroy