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Sesttle at Night: City Lights Panorama From Kerry Park by Joe Wolf

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Includes downtown and to the south/right the SODO district and the Port of Seattle.

***SOLD*** - £420gbp - A-Line MNF TAN Chloe with Rakeru Sensei Face-Up by Jaime Reeves

***SOLD SOLD SOLD SOLD***

£420gbp ($550usd)

Which Includes Worldwide shipping with Tracking, from the U.K

(Insurance is extra if you want it)

~Up for Sale/Trade is my Fairyland Tan Minifee Chloe.

She has a gorgeous face-up by Rakeru Sensei and comes on the Active-Line body, with cutie legs and small chest.

~She will come Nude and Bald. No wigs, eyes or clothes.

~She never came to me with a CoA from her first owner, but she has her original FL box and will come in that, and I can provide some sort of proof of legitimacy if needed <3

~She's in wonderful condition and poses beautifully.

She does have some tiny chipping to the tan colour around her right ankle (The actual resin is Not chipped, just the colour - Please see photo)

...And her Over-All Tan colour is not quite as pink as it was before, but it's not really very noticeable and it doesn't show in photos...Hence my lower asking price.

No other marks/damage that I can see, and I have thoroughly checked her all over <3

***Prefer a Quick Sale A.S.A.P, But I can take a short layaway with a Deposit.

(Flexible - Can be discussed)

***No Holds without a Deposit (Non-Refundable)

***No Splits

***I will Only consider Offers if you can pay in Full

***I will look at a Trade/Part Trade for another Minifee. Preferably Tanned skin, but will look at NS too. Happy to look at Moe-line, but would prefer Active-line or Fairy-line. I'd prefer a faceup, eyes and maybe a wig/extras. But not necessary. I'll happily look at any sculpt, but I may be fussy <3

Other dolls i'm looking for...

~A Reborn Baby Doll - Willing to look at any, but I will be fussy.

(Prefer Full legs & arms, and prefer with a tummy/back plate and rooted hair. Ideally preemie or Newborn size, but happy to look at anything)

~Littlefee Ante Elf version (NS or TS)

~Realfee Pano with Human & Fantasy Parts (NS or TS)

~Pukifee Zoe (NS or TS)

~Camellia Dynasty Sage (Open to Colours and Markings e.t.c),

~SOOM NappyChoo Dalang.

~AileenDoll Violet, Pico Baby Lapis or Pico Baby Rot

(All Ideally with egg, blanket & pacifier!)

~AileenDoll Rot ver.2

~Wings & Connector Parts from the Fairyland R-Line Hippogriff event (Any colour!)

...I may also consider other dolls/parts, especially Fairyland dolls from Pukifee to Minifee Size (maybe F60...but depends on the price you want)

Offers welcome! :)

All dolls must come with their original box and come with CoA or some kind of Proof of Authenticity (if offering a Legit).

I require tracking and full insurance for both parties when shipping (unless I know you and have dealt with you before).

Please message me if interested in Adopting her or if you have any serious enquiries. Thanks so much <3

Brocéliande forest. by HSSand

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Paimpont forest, also known as Brocéliande, is in the French commune of Paimpont, near the city of Rennes in Brittany. As Brocéliande it had a reputation in the Medieval imagination as a place of magic and mystery. It is the setting of a number of adventures in Arthurian legend, notably Chrétien de Troyes's Yvain, the Knight of the Lion, and locals claim the tree in which the Lady of the Lake supposedly imprisoned Merlin can still be seen today. Other legendary places said to lie within the forest include the Val sans Retour, the tomb of Merlin, the Fountain of Youth, and Hotié de Vivianne (castle of the Lady of the Lake). The medieval chronicler Wace visited the forest but left disappointed:

"...I went there in search of marvels; I saw the forest and the land and looked for marvels, but found none. I came back as a fool and went as a fool. I went as a fool and came back as a fool. I sought foolishness and considered myself a fool."

For those living close to Paimpont, the Arthurian legend is very strong. Many names in the legend can be translated into Breton or French, for example the name Lancelot translates as "wanderer" or "vagabond" in Breton. There is also a strong influence from the Druids, and all around Brittany are standing stones or alignments, the most famous of which are nearby at Carnac; a group of the alignments at Kerlescan are nicknamed "the soldiers of Arthur."

Paimpont is a forest of broadleaf trees, oaks and beeches mainly, with areas of conifers either inside after clear-felling or on the periphery as transition with the moor, for example towards the west in the sector of Tréhorenteuc and the Val-sans-Retour (= Valley of no Return) which was devastated by several fires in particular in 1976, a year of great drought. It occupies mainly the territory of the commune of Paimpont, but extends to bordering communes, mainly Guer and Beignon in the south, Saint-Péran in the northeast, and Concoret in north. The forest of Paimpont is the largest remnant of an ancient forest occupying Argoat, the interior region of Brittany. It was more often called the forest of Brécélien, but its ancient character and other qualities underlined by many authors decided on its name of "forest of Brocéliande," tallying of the adventures of the legend of the Round Table. This flattering designation was reinforced by the birth of the Pays de Brocéliande at the end of the 20th century, an institution intended to facilitate the development of the communes of the west of the département.

The relative altitude of the forested massif contributes to give it a climate close to the oceanic climate of the coasts of Finistere. This mode, where west and south-west winds carry of clouds and regular rain supports the vegetation, dominates. The surplus of water feeds the many brooks occupying the bottoms of small valleys before flowing into the river Aff, then the Vilaine, to the area around Redon in the south of the department. The highest point is at 256 m in the western part called Haute forêt. Altitude decreases regularly while offering viewpoints towards the department of Morbihan; viewpoints which one finds the equivalents in the north on the commune of Mauron, port of the Côtes-d'Armor. It is not far from there that the Paimpont Biological Station of the University of Rennes 1, built in 1966 and 1967, dominates the lake of Chatenay. The varied forest and its surroundings constitute a framework favorable to many training courses in which the Rennes 1 biology students as well as foreign researchers take part. These buildings can accommodate approximately 70 people, and researchers work all the year on subjects generally very far away from the local biotope such as behavior of primates, represented by Cercopithecus, whose cries are familiar for the area but surprising to the walker little accustomed to this exotic fauna. The first researchers lengthily studied the ecology of the Armorican moors, the grounds, and the hydrology.

The forest belongs mainly to owners who maintain it and exploit it for timber and hunting; only in the north-eastern part, a small part (10%) is "domanial" and is managed by the National Forestry Commission. This situation prevents freedom of movement in the forest even with the access to the borough and its pond. The owners, however, signed a convention authorizing, from April 1 to the end of September, the use of some hiking trails in the forest. Among the responsibilities of the forest guards are watching for behaviors that threaten the forest, its flora, and its fauna. For example, behaviors that pose the risk of fire, and those that endanger the game, like dogs running loose. The gathering of mushrooms is not absolutely prohibited, but it is only tolerated near the approved trails. Because of its importance before the French Revolution, the forest was the responsibility of a royal jurisdiction called the National Forestry Commission, as the traditional jurisdictions of the seigneurs did not occupying itself with forest management. The wood was excessively exploited for the power supply of the charcoal blast furnaces for the nearby industry, at least in the 17th and 18th centuries; the assignment of the trees of first choice to the navy was a marginal role.

An extract of the files of the correctional court of Montfort:

"Having left the forging mills of Paimpont on Monday morning, he passed by the workshop of the carpenter who was far away from the forging mills but in the middle of the forest, he drank there with Julien Auffray his cousin and foreman of the carpenters." (Foreman of the carpenters and sawyers on contract to the naval yards elsewhere). Auffray interrogation, 1826.

The Matter of Britain is a name given collectively to the legends that concern the Celtic and legendary history of Great Britain, especially those focused on King Arthur and the knights of the Round Table. The 12th century French poet Jean Bodel created the name in the following lines of his epic Chanson de Saisnes:

Ne sont que III matières à nul homme atandant,

De France et de Bretaigne, et de Rome la grant.

The name distinguishes and relates the Matter of Britain from the mythological themes taken from classical antiquity, the "matter of Rome", and the tales of the paladins of Charlemagne and their wars with the Moors and Saracens, which constituted the "matter of France". While Arthur is the chief subject of the Matter of Britain, other lesser-known legendary history of Great Britain, including the stories of Brutus of Britain, Old King Cole, King Lear, and Gogmagog, is also included in the Matter of Britain: see Legendary Kings of the Britons.

Legendary history of Britain

It could be said that the legendary history of Britain was created in part to form a body of patriotic myth for the island. Several agendas thus can be seen in this body of literature.

The Historia Britonum, the earliest known source of the story of Brutus of Britain, may have been devised to create a distinguished genealogy for a number of Welsh princes in the 9th century. Traditionally attributed to Nennius, its actual compiler is unknown; it exists in several recensions. This tale went on to achieve greater currency because its inventor linked Brutus to the diaspora of heroes that followed the Trojan War, and thus provided raw material which later mythographers such as Geoffrey of Monmouth, Michael Drayton, and John Milton could draw upon, linking the settlement of Britain to the heroic age of Greek literature, for their several and diverse literary purposes. As such, this material could be used for patriotic mythmaking just as Virgil linked the mythical founding of Rome to the Trojan War in The Æneid. Geoffrey of Monmouth also introduced the fanciful claim that the Trinovantes, reported by Tacitus as dwelling in the area of London, had a name he interpreted as Troi-novant, "New Troy".

More speculative claims link Celtic mythology with several of the rulers and incidents compiled by Geoffrey of Monmouth in his Historia Regum Britanniæ. It has been suggested, for instance, that Leir of Britain, who later became Shakespeare's King Lear, was originally the Welsh sea-god Llŷr (see also the Irish sea-god Lir). Various Celtic deities have been identified with characters from Arthurian literature as well: Morgan le Fay was often thought to have originally been the Welsh goddess Modron (cf. the Irish goddess Mórrígan). Many of these identifications come from the speculative comparative religion of the late 19th century, and have been questioned in more recent years.

William Shakespeare seems to have been deeply interested in the legendary history of Britain, and to have been familiar with some of its more obscure byways. Shakespeare's plays contain several tales relating to these legendary kings, such as King Lear and Cymbeline. It has been suggested that Shakespeare's Welsh schoolmaster Thomas Jenkins introduced him to this material, and perhaps directed him to read Geoffrey of Monmouth[citation needed]. These tales also figure in Raphael Holinshed's The Chronicles of England, Scotland, and Ireland, which also appears in Shakespeare's sources for Macbeth. A Welsh schoolmaster appears as the character Sir Hugh Evans in The Merry Wives of Windsor.

Other early authors also drew from the early Arthurian and pseudo-historical sources of the Matter of Britain. The Scots, for instance, formulated a mythical history in the Picts and the Dál Riata royal lines. While they do eventually become factual lines, unlike those of Geoffrey, their origins are vague and often incorporate both aspects of mythical British history and mythical Irish history. The story of Gabhran especially incorporates elements of both those histories.

The Arthurian cycle

"Parsifal before the Castle of the Grail" - inspired by Richard Wagner's Opera Parsifal - painted in Weimar Germany 1928 by Hans Werner Schmidt (1859-1950)

The Arthurian literary cycle is the best known part of the Matter of Britain. It has succeeded largely because it tells two interlocking stories that have intrigued many later authors. One concerns Camelot, usually envisioned as a doomed utopia of chivalric virtue, undone by the fatal flaws of Arthur and Sir Lancelot. The other concerns the quests of the various knights to achieve the Holy Grail; some succeed (Galahad, Percival), and others fail (Lancelot).

The medieval tale of Arthur and his knights is full of Christian themes; those themes involve the destruction of human plans for virtue by the moral failures of their characters, and the quest for an important Christian relic. Finally, the relationships between the characters invited treatment in the tradition of courtly love, such as Lancelot and Guinevere, or Tristan and Iseult. In more recent years, the trend has been to attempt to link the tales of King Arthur and his knights with Celtic mythology, usually in highly romanticized, early twentieth century reconstructed versions.

Additionally, it is possible to read the Arthurian literature in general, and that concerned with the Grail tradition in particular, as an allegory of human development and spiritual growth (a theme explored by mythologist Joseph Campbell amongst others).

Sources wikipedia

Week 6: Willows at Willow Grove Day Camp by Willow Grove Day Camp

At this time in the camp season each child has found his/her favorite activities, which include Basketball, Soccer, Nature, Boating/Fishing, Tennis, Mini-Golf, Dance, etc.. Another favorite activity is when the Willows ride the Big Wheels. Everyone really loves racing their cars around the track. Of course, all The Willows love swimming and riding “Magic,” the pony.

Last week ended on a tasty note with our campers making Tie Dye bread in Cooking. After the bread was dyed, it was turned into grilled cheese or toast. Everyone found it yummy!

On Tuesday the Tadpoles and Minnows went to Woodcraft where they painted bird houses. They really enjoyed choosing their favorite colors. The Willows really love participating in big kid activities.

Our theme this week was “Up, Up and Away.” In Camper Creations, the children had fun making and decorating refrigerator kite magnets. They can’t wait to display them at home! In Ceramics, the children enjoyed adorning their ceramic bathing suits. These projects will be painted and sent home before the end of camp. We hope you enjoyed your child’s

ceramic hands/foot prints and ceramic faces.

While Carnival was postponed on Thursday the day was full of terrific rainy day activities. Our theme was “Harry the Dirty Dog” and we made a special snack, read the book, watched the movie and made our furry friends.

This fun filled week ended as the campers were thrilled to participate in the annual Carnival on Friday. It was a huge success and everyone had a terrific time. The campers played games, went on rides, ate lots of goodies and won prizes at various booths. Also on Friday was “Puttin’ on the Hits” where The Willows danced to the “Banana” song from “Despicable Me.”

About Willow Grove Day Camp

Willow Grove Day Camp provides summer fun for kids who live in Willow Grove, Abington, Blue Bell, Hatboro, Horsham, Huntingdon Valley, Lafayette Hill, Philadelphia, Plymouth Meeting, Southampton and the surrounding areas. For more information on the Willows at Willow Grove Day Camp please visit: willowgrovedaycamp.com/willows/

The Museum of Somerset - Taunton Castle by Elliott Brown

A visit to the Museum of Somerset.

The museum tells the remarkable story of Somerset's history. Located at Taunton Castle, which was created from the 12th century onwards, and owned by the powerful bishops of Winchester.

The museum has deep roots. The successor to Somerset's County Museum, which was created by the Somerset Archaeological and Natural History Society. The society bought the castle in 1874. Since 1958 the museum has been managed and funded by Somerset County Council. A new gallery opened in 1974 called the Somerset Military Museum.

Museum of Somerset

The Museum of Somerset is located in the 12th-century great hall of Taunton Castle, in Taunton in the county of Somerset, England. The museum is run by South West Heritage Trust, an independent charity, and includes objects initially collected by the Somerset Archaeological and Natural History Society who own the castle.

Until 2008 the museum was known as the Somerset County Museum. Heritage Lottery Fund support was obtained to improve the museum, and the new museum reopened at the end of September 2011.

Exhibits include the Frome Hoard, the Low Ham Roman Mosaic, the bronze-age South Cadbury shield and a range of other objects relating to the history of the county.

A look around Taunton Castle from the outside.

Grade I listed building (apart from the modern extensions).

Taunton Castle: Standing Buildings of the Inner Court

Summary

The standing buildings of the inner court at Taunton Castle (excluding the Wyndham Galleries, the Welcome Building, and the East and West Passages). Established by the Bishops of Winchester in the late Anglo-Saxon period, with successive periods of remodelling in the medieval and post-medieval periods. Later alterations, rebuilding and repairs in the late C18 by Sir Benjamin Hammet, and in the C19 and mid-C20. A museum since 1899 which underwent substantial refurbishment in early C21.

The ruins, earthwork and buried remains of the castle, including those of both the inner and outer baileys, are a scheduled monument.

Description

The standing buildings of the inner court at Taunton Castle (excluding the Wyndham Galleries, the Welcome Building and East and West Passages). Established by the Bishops of Winchester in the late Anglo-Saxon period, with successive periods of remodelling in the medieval and post-medieval periods. Later alterations, rebuilding and repairs in the late C18 by Sir Benjamin Hammet, and in the C19 and mid-C20. A museum since 1899 which underwent substantial refurbishment in early C21. The ruins, earthwork and buried remains of the castle, including those of both the inner and outer baileys, are a scheduled monument.

The history, evolution and a detailed description of Taunton Castle is beyond the scope of this document and is covered in Webster (2016) from which the following summary draws heavily.

MATERIALS

The buildings are constructed of random freestone rubble, Hamstone, chert and some brick under plain-tiled pitched and hipped roofs, with metal sheeting and glazing to the roofs of the early-C21 additions. The dressings are mostly Hamstone and there are tall stone and brick stacks to Castle House. The fenestration is of various styles and dates, and includes mullion and transom windows and timber sashes with glazing bars.

PLAN

The buildings form three sides of a roughly triangular-shaped courtyard. The north range contains the Great Hall; a shorter west range formerly housed the bishop’s chamber, while the south range contained a chapel and lodgings, and has a gatehouse at its centre. Castle House forms the east half of the south range.

DESCRIPTION

The NORTH RANGE/GREAT HALL appears to have originally been a C12/C13 first-floor hall with an undercroft which was altered to a ground-floor hall in the mid-C13. Alterations were also carried out in the C16/C17 when it was also extended to the east; with further alterations, including re-roofing, taking place in the C19 relating to its use as courts, and again in the mid-C20. The external (north) wall incorporates a length of C12 curtain wall and reduces in thickness at the eaves level of the medieval hall. It has a chamfered plinth to all but the west end, four shallow buttresses, all in Hamstone, and a further buttress towards the eastern end of different materials. The westernmost buttress overlies a blocked window, and to its left is the stone jamb of a medieval window. Set high in the wall are heavily-repaired, mullion and transom Hamstone windows of four and five lights under catslide dormers which appear to be C16 or C17, though two are C20 replacements. The eastern end of the range was rebuilt in the C16/C17, but the north-east corner appears to be original and retains a Hamstone clasping buttress. To the far left, in the set-back, upper part of the wall is an infilled oval window within a surround of brick headers. It is one of six that were added to this elevation in the C18; the others are no longer visible externally or not extant. The east elevation of the hall has a pair of timber mullion and transom windows of C16/C17 date which appear to have been re-sited here. The south elevation, facing onto the courtyard, has five oval windows set high in the wall, dating from around 1700 and repaired in the C20. A sixth window has been replaced by a doorway (infilled). Most of the hall elevation is obscured by the 1930s former museum entrance block and the flanking single-storey lean-to additions which were substantially rebuilt in the early C21, however, a number of former door and window openings of various dates are visible from within these buildings.

INTERIOR: the Great Hall is a single open space with an early-C21 steel-framed gallery at first-floor level. The roof dates principally to 1816, though the central truss may be mid-C19, and it consists of king post trusses with angled struts, strengthened by modern timbers.

The WEST RANGE is a rectangular, two-storey block, formerly comprising the Bishop’s apartment or Camera and an undercroft, which structurally forms part of the Great Hall. It has C12 origins and was extended to the south (the Gray Room) probably in the mid-C13, although on a slightly different alignment on its west side. It was raised in height in the C18 and underwent substantial refurbishment in the late C18. Its shorter, north elevation has a plinth which is a continuation of the plinth on the Great Hall, clasping corner buttresses, an inserted, late-C18 ground-floor window with wooden Y-tracery set within a round-arched brick surround and a crenellated parapet. At first-floor level are two lancets; one has been restored and the other rebuilt in the late C19. At the north-east corner is a square stair turret which breaks forwards slightly and has slit windows; its upper section was rebuilt in the mid-C20. The plinth continues along the west elevation which has been re-faced in chert and has two short buttresses; the southern one aligning with quoin stones and a vertical joint in the masonry which marks the earlier extent of the range. There is a tall round-headed opening which has a panelled door surmounted by a window with vertical glazing bars, all set within a brick surround, and accessed via stone steps with metal handrails. To the right is a pointed-arched sash window, previously a doorway, also approached from similar flight of steps. The first floor has four sash windows in Hamstone surrounds. The courtyard (north-east) elevation has a high parapet and C12 buttresses. The C19 entrance, which occupies the position of an earlier doorway, has paired wooden doors and strap hinges set within a recessed semi-circular surround with engaged columns and cushion capitals. The first floor was lit originally by four narrow windows with deep reveals; of which one window and the jamb of another are visible externally. A larger C18 window of four lights which contains fragments of earlier windows has been inserted in the position of one of the original windows. There is a drip mould and a relieving arch above. The original entrance located in the south-east wall is visible internally, but is not centrally placed relative to the structure and this may indicate the presence of an external stair to the first-floor room.

INTERIOR: the undercroft has an inserted barrel-vaulted ceiling and a mid-C20 concrete floor. Two fireplaces have previously been uncovered in the west wall; one is probably C17 and has Hamstone jambs with chamfer and roll stops, and the other is a late C18/early C19 insertion. A segmental-arched doorway in the south wall leads into the mid-C13 extension (the Gray Room) to the south. The room over the undercroft (the Somerset Room) has splayed stone reveals for three of the four original windows in its east wall; the larger fourth reveal is that of an inserted C18 window. The reveals of the two tall lancets in the north wall are also visible. The range has a flat, sheet-metal roof of early-C21 date.

The SOUTH RANGE/CHAPEL BLOCK to the west of the gatehouse is rectangular on plan and built on the line of the south curtain wall. It dates largely to around 1500, as evinced by the roof timbers, although it has earlier origins. It originally contained a first-floor chapel which was converted in the late C18 to a dining room for the judges (the Adam Library). To the south-west corner is a probable late-C13 circular tower which butts against the wall of the Gray Room to the north-east. Between the south range and the gatehouse is a narrow block of one bay which is for the most part later, probably post-medieval, infill. The south range was substantially remodelled in the late C18, at which time the tower was largely rebuilt. The outer (south) wall is faced in chert and has a battered plinth. The tower has late-C18, pointed-arched sash windows to both floors, and the conical roof was re-slated in the late C20. To the right (east) of the tower, the ground floor has a mullion window of two lights, three mullion windows with Caernarfon surrounds which were inserted in 1874 and 1910, and the remains of an earlier square-headed, two-light window (infilled). To the upper floor are a late-C18 quatrefoil window and a three late-C18 sashes. To the far right, at ground- and first-floor level are further blocked openings. The ground floor of the courtyard (north) elevation has two mullion windows of three lights which appear to be C16 and were reset here in the late C18. To the right is a blocked single window, an altered medieval doorway with modern timber doors and a relieving arch above, and a C13 lancet which may have been lowered. Four relieving arches are visible at first-floor level, and to the far right is a re-used Perpendicular window of four lights with a drip mould to the right-hand end. The narrow infill bay which is adjacent to the gatehouse has a pointed-arched doorway with chamfered jambs, traces of a window to the right of this, and a mullion window with leaded lights set in a square-headed surround of Hamstone to the upper floors.

INTERIOR: the interior of the south range is accessed from the altered medieval doorway at the east end of the range and also from the door in the narrow infill bay to the west. The main ground-floor room (the Coin Room) has a brick-built east wall which contains an infilled fireplace and a round-headed niche. At the west end of the range is a C18 open-string staircase which has slender, turned newels, a ramped handrail and metal balusters. The principal first-floor room (the Adam Library) is accessed from doorways at either end of the room. The door in the east wall dates probably to the C15 and has a stone surround with roll mouldings and a segmental pointed head. The room itself has late-C18 decorative scheme with an Adam-style fireplace at the east end, blind arcading of three arches carried on four wooden, fluted pillars to the west wall, and a barrel-vaulted ceiling with plasterwork panels and radial fluting to the tympanum at either end. The wagon roof dates to around 1500; it has been strengthened with additional timbers and a small section is exposed at the west end of the range. The first floor of the tower has a decorative plasterwork scheme, including a dentilled cornice, moulded dado with fluting, raised architrave and shutters to the windows and a fireplace with a decorative surround that has a frieze with foliate festoons and a central classical figure and a Greek key moulding and fluting to the mantel. The ground floor of the infill bay to the east has a short corridor containing an early-C20 cast-iron spiral staircase. A door in the corridor’s south wall leads into a brick-vaulted former strongroom that was inserted in 1910. The spiral staircase leads to the first floor, but not to the second floor, although a late-C19 plan shows a circular stair in the thickness of the south wall. It is now accessed from the gatehouse. The roof to the infill bay was previously hipped, but was replaced with a gabled roof prior to 1933.

The south elevation of the GATEHOUSE has a C13 or C14 plain chamfered, segmental-pointed archway with a portcullis slot. The upper part was rebuilt in 1495-1496 by Bishop Langton whose arms are displayed in a plaque above the arch. The first floor has an inserted, probably late C18, square-headed, two-light window with moulded jambs and a drip mould. Inset into the parapet is a further, repaired plaque containing a much-eroded relief carving of the arms of Henry VII. The passage has a blocked doorway in its east wall and a flat, plaster ceiling. The courtyard (north) elevation appears to be late C15 and of one build. There is a plaque over the archway and a blocked opening above this. The stair turret was rebuilt in blue lias in the 1880s. It has a chamfered plinth and lancet windows to each floor, rising to a string course and crenellated parapet. To the west wall of the turret is a doorway above which is a stone plaque that records the rebuilding.

INTERIOR: the room above the gateway is entered from the stair turret and also from the south range. It retains a boarded-over fireplace with moulded timber surround and mantel and a low, panelled wooden partition screen with a door at one end which divides the room.

CASTLE HOUSE is to the east of the gatehouse and lies along the inner face of the south curtain wall. It is a two-storey, four-and a half-bay range that was built as lodgings in the late C15, upgraded and converted to the single dwelling in the mid-C16, and remodelled around 1700. At the south end of the building is a cross wing that is considered to date from the second half of the C16 (Keystone, see SOURCES). It seems likely that it was originally two storeys, possibly a kitchen range with accommodation above, which was raised to three storeys around 1700. A two-storey extension (East Block) under a hipped roof was added in the C18. Castle House underwent sympathetic repairs and renovation in the early C21. The entrance front of the former lodgings faces onto the courtyard and was originally symmetrically fenestrated. It has a two-stage plinth to all except the left-hand bay and the scars of two buttresses. A third buttress is buried in the return wall of the cross wing. The entrance is to the right of centre and has a C18 door frame and C19 paired doors. The early mid-C18 shell canopy on carved brackets above the entrance does not align with the doorway. There is also evidence that the doorway been widened. To the left of the entrance is an inserted window of five lights under a concrete lintel and to the right are two, C20 two-light windows and a late-C19 mullion window of two lights. The stone jamb of an earlier window is visible to the right of the entrance. To the first floor, above and to either side of the door are three square-headed, Hamstone windows with arched lights and spandrel carving, which are probably late C15. The two other first-floor windows are post-1874 copies. The rear (south) elevation of the lodgings has two ground-floor timber mullion and transom windows of around 1700 with ogee moulding to the inner faces and a single timber window. To the far left, there is a 1930s two-light window in a Doutling stone frame. The parapet is crenellated. The cross wing breaks forwards of the former lodgings. It has windows of various styles and dates, including timber-framed mullion and transom windows of around 1700, as well as late-C19 and early-C20 copies and early-C19 sash windows. Most of the elevations of both the former lodgings range and the cross wing retain evidence of earlier openings that have been infilled or partially overlaid with inserted windows.

INTERIOR: the former lodgings has a good survival of fixtures and fittings which pre-date the refurbishment of around 1700, and its principal first-floor room (formerly two rooms) retains the best-surviving evidence of the building’s early history. It has a mid- to late-C16 fireplace with moulded surround, and to the left of this, set low in the wall, is a pointed-arched recess which has re-used C12 beakhead decoration to its north (inner) face. A fragment of a C16 wall painting is exposed in the west wall. A C15 doorway within this wall has a C20 door. Elsewhere, within the lodgings are C15 and C16 deeply-chamfered axial ceiling beams, some with stepped stops, though some have been re-used. A small closet on the ground floor contains oak small field panelling, some re-used, of early- to mid-C17 date. The lower two floors of the cross wing also retain some early fittings such as C16 chamfered ceiling beams and a large fireplace with timber lintel. Throughout the entire building there are fixtures and fittings dating from the refurbishment of about 1700. These include the main staircase located in the cross wing which has an open string, plain newels and a flat-moulded handrail; the balusters are turned except for the upper part which has stick balusters. In addition, there are bolection-moulded fireplace surrounds, one with a later C18 hob grate; timber bolection-moulded wall panelling; round-headed doorcases with panelled jambs, moulded imposts and keystones; moulded plaster cornices and two-panelled doors with H-hinges. There is also some C18 joinery such as fielded panelled doors and architrave. The roof timbers of the lodgings have been dated by dendrochronology to 1480 to 1482. They consist of three arch-braced trusses, with cranked collars to the outer trusses, a flat-topped collar to the central one which was formerly a closed truss and trenched purlins. The cross wing has late-C17/early-C18 collared trusses and a single row of purlins.

The former museum ENTRANCE BLOCK in front of the Great Hall was constructed in 1931-1932 on the site of the early-C19 Jury Room which had an open-colonnaded ground floor, but was found to have significant structural problems. The replacement building was designed by Stone and Francis and is a symmetrical composition in the neo-Georgian style, with a central entrance under a Hamstone triangular pediment, two timber mullion and transom casements both sides of this, and five matching first-floor windows. There is currently (2018) a café on the ground floor along with a rotative beam engine (museum exhibit), and the upper floor contains office accommodation.

Pursuant to s1 (5A) of the Planning (Listed Buildings and Conservation Areas) Act 1990 ('the Act'), it is declared that the late-C20 portrait bust of Baron Harding of Petherton, the mid-C20 Wyndham Galleries and the early-C21 Welcome Building and East and West Passages are not of special architectural or historic interest.

History

From the late Anglo-Saxon period Taunton was the administrative centre for one of the largest estates of the Bishops of Winchester. Although the early origins of Taunton Castle are unclear, it is probable (Webster, see SOURCES) that the site initially comprised a minster church and a fortified episcopal residence. The early defences of the site, probably a motte castle and inner and outer baileys, may have been built by William Giffard, who was Bishop of Winchester 1100-1129. The castle underwent various phases of remodelling and repairs, being strengthened by Bishop Henry de Blois during the civil war between King Stephen and the Empress Matilda in the mid-C12. The overall form of the castle appears to have been in place by the beginning of the C13. Although it maintained the title and appearance of a castle, it seems to have served more as a centre for the estate than as a power base. That said, it was besieged in the mid-C15 and was garrisoned in 1497 during the Warbeck Rebellion of 1491-1499.

The castle appears to have fallen out of use by the early C16, but remained sufficiently defensible to become a Parliamentarian stronghold during the Civil War, and was besieged unsuccessfully by the Royalists in 1644. In 1649, it was confiscated from the Bishop of Winchester and was slighted on the orders of Charles II in 1662. It was, however, subsequently used as a prison and court, with the assizes and quarter sessions held in the Great Hall. In 1685, the trials following the quelling of the Monmouth Rebellion were conducted there. In around 1700 the eastern half of the south range was updated to provide substantial accommodation for the castle’s bailiffs and was renamed Castle House. In 1786 Sir Benjamin Hammet, MP for Taunton, acquired the castle and carried out extensive alterations in the Gothic style. Many of the walls were re-faced with chert and pointed-arched windows were added. The Great Hall was reordered and the judges’ lodgings in the west and south ranges were refashioned. Castle House entered a period of decline after the late Georgian period, with a succession of owners and tenants; its ground floor being used by a variety of schools from 1782 to 1901, but when the assize courts moved to the new Shire Hall in 1858, the castle lost its main role. The buildings subsequently fell into disrepair and the site was sold to the Somerset Archaeological and Natural History Society in 1874 which developed the museum. Repairs were carried out in the early C20 and new purpose-built galleries were added in front of and to the east (Wyndham Galleries) of the Great Hall in the 1930s. A major programme of refurbishment was undertaken in 2009-2010, together with building recording, archaeological watching briefs and historical research.

More detail on the history and evolution of Taunton Castle can be found in Webster’s 2016 publication (see SOURCES).

Reasons for Listing

The buildings of the inner court of Taunton Castle are listed at Grade I for the following principal reasons:

Architectural interest:

* as a remarkably complete example of a high status residence combining domestic and military architecture of the medieval and post-medieval periods;

* a significant proportion of historic fabric survives, providing evidence of the form and layout of the inner court and illustrating significant phases in the castle’s development;

* for the extensive range of high quality fixtures and fittings, especially those within Castle House.

Historic interest:

* for the site’s long documented history as an episcopal residence and administrative centre of the bishops of Winchester;

* the history and evolution of these buildings is illuminated by historical documentation and recent scholarship, and together with the abundant surviving archaeological evidence, they form a resource of great significance.

Group value:

* the inner court buildings have strong group value with the scheduled elements of the castle site, and with a number of other listed buildings including the two bays of the almshouses (Grade II) within the inner court, the former Grammar School (Grade II*), Castle Hotel (Grade II), Castle Lodge (Grade II), the Winchester Arms (Grade II) and, to the north-east, Ina Cottage (Grade II).

Sign near the entrance.

High park koh samui October 2018 events photos by Andrew Maurer

Samuians gather to celebrate Adam Matson Birthday this Sunday October 7th!

And anybody needing a tan, seeking an adventure, looking to chill by a pool, drink and dance, we got what you need at

High Park Koh Samui

Attractions include;

15 meter slide

Infinity pool with panoramic chaweng beach and lake view

Spacewalk (underwater walk)

Pool tables, ping-pong

Dance floors…

Entertainment brought to you by;

DJ Adam Matson

DJ Vladislav Sarmat

DJ Fabian Dresens

2016 – Idea by Benjamin Niznik

4

KC;SYNOPSIS

#include

#cleanupyouract

double sqrt(double X);

float sqrtf(float X);

DESCRIPTION

sqrt computes the positive square root of the argument...

RETURNS

On success, the square root is returned. If X is real and positive...

$ perldoc -f sqrt ;youcan’thide

sqrt EXPR no charge

sqrt #Return the square root of EXPR. If EXPR is omitted, returns

#square root of $_. Only works on non-negative operands, unless

#you've loaded the standard

#you've free'd your mind

Math::Complex module.

#unlimited

#cookies Sincerely, B N

—

2 of 4

Work by Benjamin Niznik

Bluebells - Patching Woods (35) by Malcolm Bull

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A burst of sunshine on the Bluebells at Patching

W Hoboken Hotel by Richard Johnson

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W Hoboken

225 River Street

Hoboken, New Jersey

The two story reception area with the far wall holding artist Ann Carrington's "Manhattan Mettle'' - a metal-and-magnet mosaic. The metal is scrap metal apllied to a magnetic wall (26 feet x 16 1/2 feet). The mosaic was constructed on site and took two weeks. According to the artist the thousands of metallic objects include dollars and dimes, New York subway tokens, spanners, saws, ship building nails and chains.

------------------

The W Hoboken Hotel & Residences opened in the spring of 2009. The 26 story condo-hotel has 225 hotel rooms and 40 condominium residences. The $150 million hotel sits on the Hudson riverfront in Hoboken, New Jersey - named after the Old Dutch word Hoebuck, meaning high bluff) - facing mid-town Manhattan. This type of condo-hotel property is generally found in splashy cities such as Miami or Hong Kong. It took Hoboken talent, the Applied Development Company based in Hoboken, to find the wherewithal to develop such an ambitious and hip hotel for Hoboken.

Applied Development Company has extensive ownership and management experience in Hoboken’s apartment market, having built many residential and mix use projects. The principals of Applied Development Company (other legal entities are 225 River Street LLC and Ironstate Development Co.) are David and Michael Barry. Their father Walter and older brother Joseph started Applied Development in 1970 and helped develop Hoboken's gritty riverside into a desired residential area teeming with restaurants, shops and young professionals. Walter has passed the business to two younger sons, David and Michael. In 2004 Joseph Barry was sentenced to two years in federal prison for making kickbacks to county executives.

Applied recently completed the Pier Village, a mix use project in Long Branch, NJ which includes a boutique 40-room hotel - The Bungalow. The Bungalow is a very hip, yet luxury hotel which town planners say revitalized the Jersey Shore town of Long Branch. Also, the Barry brothers are in the early development stage for a W Hotel in Marrakech, Morocco.

The architect was Gwathmey Siegel & Associates Architects - a NYC firm which also designed the W New York - Downtown Hotel and Residential Condominiums located next to the World Trade Center Memorial Site and The Setai Fifth Avenue in NYC, a 57-story hotel and residential tower containing 157 hotel rooms, 57 hotel apartments.

The W Hoboken was designed with a wedge-shaped tower - this to maximize the number of hotel rooms that would have Manhattan/Hudson River views. The 225 hotel rooms are located in the 14-story mid-section of the tower with the upper 9 floors containing the 40 condominium residences.

It was reported that the 40 condos were sold out quickly and at record prices for Hoboken. According to realdeal.com the average condo price in the building was $1,075 per square foot or upwards of $2 million for a 1,900 sq. ft. two-bedroom.

There were early opponents to the construction of the hotel. In 2004 the Hoboken City Council approved the hotel's construction by a narrow vote of 5-4. Many felt the 26-story glass tower did not fit into the fabric of what Hoboken's waterfront looks like. The W Hoboken, a metal and glass building, contrasts sharply with the existing mid-rise, masonry buildings on the river front.

Barry Sternlicht, the founder of Starwood Hotels, is credited with the creation of W Hotels. Following Starwood’s acquisition of Westin Hotels in 1994 he determined there was a need for a "smaller but urban" Westin Brand - therefore the name W Hotel. Starwood's first W Hotel opened in 1998 with the W New York, a multi-million dollar conversion of the Doral Inn hotel at 541 Lexington Avenue in Manhattan.

As stated in the hotel's opening press release - "the W Hoboken provides a contemporary cool environment for both international jetsetters and local loyalists".

The first two floors of the building houses The Chandelier Room lounge and Zylo Steakhouse, W's Living Room with 40 foot ceilings, a Bliss spa, fitness facility, a wood-paneled multi-purpose ballroom, and multiple conference rooms.

The hotel's all-day dining room is Zylo. The restaurant is operated by Cornerstone Restaurant Group (operators of Michael Jordan-brand restaurants). The opening chef was Troy Unruh. In May 2011 Seadon Shouse was appointed Executive Chef. Shouse previously was the Sous Chef with Morgan’s Hotel Group at the Hudson Hotel.

The hotel's 2nd floor indoor/outdoor cocktail lounge is the Chandelier Room. W Hoboken owners Michael and David Barry contracted with the EMM Group’s Eugene Remm, Mark Birnbaum and Michael Hirtenstein to conceptualize and operate the destination, high-energy bar. EMM is well-known for the success of their Manhattan club - Tenjune.

Anna MacDiarmid is the general manager for the W Hotel in Hoboken. She is quoted saying the focus of the hotel is on personalized service and “whatever a guest wants whenever they want it as long as it is legal.”

W Hoboken appointed Katie Donald to Director of Sales and Marketing in January 2012. She previously served as the Director of Sales and Marketing for Starwood at The Westin Auckland in her native New Zealand.

All photos and text by Dick Johnson

January 2011

richardlloydjohnson@hotmail.com

212-832-0098

Wood Anemone - Spithandle Lane (23) by Malcolm Bull

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Down among the Bluebells and Wood Anemones at Spithandle Lane

Rocking the Concorde by Malcolm Bull

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Nancy Doll from the Sex Pissed Dolls on stage at the Concorde 2, Brighton.

A subtle re-work of an image uploaded back in April

tantra-massage-in-la by sriyant13xc

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Tantric Massage is one small part of the wide ranging Tantric Arts. Some of the other disciplines include Tantric Yoga, Tantric Meditation and Tantric Breathing.

It is also difficult to define Tantric Massage. Since there are no real standards, every therapist may do something different. So you can never quite be sure what you are getting when you hear the term "Tantric Massage". Often it is used as a "buzz-word" for a simple sensual or sexual massage. That is not the case here.

One of the primary purposes of Tantra (and Tantric Massage) is to awaken the Kundalini. The Kundalini is a very powerful, intense and healing form of energy that (for most people) is lying dormant at the base of the spine (the sacrum). To fully awaken this powerful energy can take years of devoted practice in the various disciplines of the Tantric Arts.

Sri Yantra Hindu Sacred Symbols: www.sriyantras.com

Once awakened, the Kundalini will rise from its resting-place under the sacrum and move up the spine, energizing and healing, eventually re-circulating throughout the entire body. The Kundalini is known to infuse a tremendous amount of energy into a person, and has an incredible ability to heal almost any affliction, be it physical, emotional or spiritual.

The reason that the Tantric Arts are gaining such popularity in our culture recently is due to one of the more pleasurable side affects. When the Kundalini is awakened, or drawn out, it also awakens the sexual energy in the body. The Kundalini is different and distinct from the sexual energy, but the two are connected & intertwined. So as the Kundalini is awakened and drawn out of hibernation, so also is the sexual energy in the body. Along with the Kundalini, it is channeled and circulated throughout the entire body. Needless to say, this can be very pleasurable, but it is important to keep in mind that this is only a side effect, secondary to the healing power of the Kundalini.

Sri Yantra Hindu Sacred Symbols: www.sriyantras.com

Sunday Experiment Highlights NASA's MMS Mission: Join us from 1-3 PM on Sunday, March 16 at Goddard's Visitors Center : NASA's Magnetospheric Multiscale (MMS) mission via brief presentations from MMS scientists, hands-on activities that include spacecraft by NASA Goddard Space Flight Center

Sunday Experiment Highlights NASA's MMS Mission: Join us from 1-3 PM on Sunday, March 16 at Goddard's Visitors Center : NASA's Magnetospheric Multiscale (MMS) mission via brief presentations from MMS scientists, hands-on activities that include spacecraft modeling (LEGO, paper), NASA Apps and iPad Teacher Tools, magnetism, mission career videos and more!

Credit: NASA/Goddard/Bill Hrybyk

Sunday Experiment Highlights NASA's MMS Mission: Join us from 1-3 PM on Sunday, March 16 at Goddard's Visitors Center : NASA's Magnetospheric Multiscale (MMS) mission via brief presentations from MMS scientists, hands-on activities that include spacecraft by NASA Goddard Space Flight Center

NASA Goddard Space Flight Center enables NASA’s mission through four scientific endeavors: Earth Science, Heliophysics, Solar System Exploration, and Astrophysics. Goddard plays a leading role in NASA’s accomplishments by contributing compelling scientific knowledge to advance the Agency’s mission.

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20180710-RD-LSC-0045 by U.S. Department of Agriculture

Mt. Desert Island and Ellsworth area, Maine, on July 10, 2018. The island includes the towns of Bar Harbor, Northeast Harbor and more. Just offshore, outside the Mt Desert harbor, is Bear Island. Ferries and water taxis transport mail, supplies, residents and tourists to the nearby Cranberry Isles (Great Cranberry, Islesford (Little Cranberry), and Sutton. Cranberry Isles are the five islands of Great Cranberry, Islesford (Little Cranberry), Sutton, Baker and Bear. Buoys dot the surrounding waters where lobster fisherman haul their catch in the morning and afternoons. The communities on these islands are home to many of the fishermen. Cranberry Isles received a U.S. Department of Agriculture (USDA) Rural Development (RD) Community Connect Grant in the amount of $1,320,370. This is the first Community Connect Grant a Maine community has received in over a decade. Rural Development funds will be used to construct a combination fiber-to-the-premises (FTTP) and fixed wireless system providing service to the unserved islands of Great Cranberry, Islesford (FTTP service) and Sutton (fixed wireless), Maine. Approximately 141 year-round residents will benefit from the funded system, though in the summer population increases to 1,260. The proposed system will bring increased economic, educational, and health care opportunities to the island. Residents will be able to access a Community Center with Internet service for a period of at least two years. On Islesford the Cranberry Isles Fishermen’s Co-op who rely on stable computer connections pay the fishermen for their catch and sell the products in their stores. Islesford Artisans, operated by Katy Fernald, displays and sells art work from her family of Danny and Malcolm; and the community of more than 30 artisans on the island. The faster and reliable internet connection makes it easy to update and maintain their web site for online sales. A recent sell went to a buyer in England. Residents such as Dr. Ralph ‘Skip’ Stevens, can now can grade his university students’ work from home. In the past, especially in winter he would have to make his way through the snow to the island’s library “Neighborhood House” to do his work. For years the library had been then only high speed connection with a wifi router so people could be in or near the building and get connected. On February, 2018, Dr. Stevens can now stay at home to communicate with his students and grade their work. USDA Photo by Lance Cheung.

Sunday Experiment Highlights NASA's MMS Mission: Join us from 1-3 PM on Sunday, March 16 at Goddard's Visitors Center : NASA's Magnetospheric Multiscale (MMS) mission via brief presentations from MMS scientists, hands-on activities that include spacecraft modeling (LEGO, paper), NASA Apps and iPad Teacher Tools, magnetism, mission career videos and more!

Credit: NASA/Goddard/Bill Hrybyk

Sunday Experiment Highlights NASA's MMS Mission: Join us from 1-3 PM on Sunday, March 16 at Goddard's Visitors Center : NASA's Magnetospheric Multiscale (MMS) mission via brief presentations from MMS scientists, hands-on activities that include spacecraft by NASA Goddard Space Flight Center

NASA Goddard Space Flight Center enables NASA’s mission through four scientific endeavors: Earth Science, Heliophysics, Solar System Exploration, and Astrophysics. Goddard plays a leading role in NASA’s accomplishments by contributing compelling scientific knowledge to advance the Agency’s mission.

Follow us on Twitter

Like us on Facebook

Find us on Instagram

Sunday Experiment Highlights NASA's MMS Mission: Join us from 1-3 PM on Sunday, March 16 at Goddard's Visitors Center : NASA's Magnetospheric Multiscale (MMS) mission via brief presentations from MMS scientists, hands-on activities that include spacecraft modeling (LEGO, paper), NASA Apps and iPad Teacher Tools, magnetism, mission career videos and more!

Credit: NASA/Goddard/Bill Hrybyk

A narrow passage inside Castle de Haar , Kasteel de Haar near the suburb of Vleuten that includes village of Haarzuilen rebuild by architect Pierre Cuyper Project was finished in around 1912 took 20 years to be finished , Martin’s photograph , Utrecht by MartinoG52

NASA Goddard Space Flight Center enables NASA’s mission through four scientific endeavors: Earth Science, Heliophysics, Solar System Exploration, and Astrophysics. Goddard plays a leading role in NASA’s accomplishments by contributing compelling scientific knowledge to advance the Agency’s mission.

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Like us on Facebook

Find us on Instagram

Coots - Monks Park (43) by Malcolm Bull

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Another day of wall to wall sunshine. I took a stroll around New Monks Farm Park late in the afternoon.

Street Talks by NEoN Digital Arts

Various Artists

Wednesday 6 - Friday 8 November, Check listing for times

Various Locations

Street Talks is a series of quickfire public talks, part of the Re@ct: Social Change Art Technology Symposium. Rather than your typical poster session, these talks will take place on the streets of Dundee in various locations. Free speech is essential to political and social change – these artists are quite literally taking it to the streets to share their creative practices.

Luisa Charles & Elke Reinhuber –Wednesday 6th November, 2pm, Slessor Gardens

Luisa Charles – discusses the intersections of disability and design, and how novel bespoke design practices could offer a solution to designing for all needs, where universal design could not. These design ideologies, that include co-design, individual centred design, mass customisation, and mass personalisation, are exemplified by case studies from pop culture design media, such as the Fixperts and BBC’s Big Life Fix. She analyses the social, technological, and economical shifts that are required for these practices to become mainstream, and the capability of bespoke design to cause enough disruption within the design economy to create a shift in capitalism.

Elke Reinhuber – The Urban Beautician moved recently from the speckless city state of Singapore, where she already developed her retirement plans, across the South China Sea, to protest-ridden Hong Kong. There, she observed how much effort the cleaners put up to keep these megapolises scrubbed and tidy. As they are frequently overlooked, the Urban Beautician captured some of them during their relentless daily routine. While they have adapted themselves to their particular duties, their skills are hardly ever honoured or even acknowledged. Paying homage to their Sisyphean challenge, they can be positioned now anywhere through Augmented Reality and venerated as perpetualised sculptures of our everyday heroes.The Urban Beautician tries to improve neglected details in our urban environment with interventions in public space and performances to camera. Since more than a decade she cares for things most people are oblivious to.

Ibarieze Abani and Daisy Abbott & Anders Zanichkowsky – Thursday 7th November, 1:30pm, Albert Square, by McManus Gallery Steps

Ibarieze Abani and Daisy Abbott – Transmedia storytelling uses multiple delivery channels to convey a narrative in order to provide a more immersive entertainment experience (Jenkins, 2009). Transmedia activism can be very broadly defined as using storytelling to “effect social change by engaging multiple stakeholders on multiple platforms to collaborate toward appropriate, community-led social action” (Srivastava, 2009). Activism depends on participation and collaboration within a community to avoid unsustainable or inappropriate top-down interventions. A similar concept, transmedia mobilization, uses transmedia storytelling to engage “the social base of a movement in participatory media making practices across multiple platforms” (Constanza-Chock, 2013) and also requires interaction from diverse voices from within the community.

Anders Zanichkowsky –“I Am in Your Hands: Smartphones and the erotics of the future”Social media artist and queer anarchist Anders Zanichkowsky will present excerpts and reflections from his current Grindr project, “Queen of Hearts,” as well as other recent projects reading Tarot cards on hookup apps and go-go dancing for a remote audience on Instagram. During this talk, Anders will use the same social media platforms that are the subject of his presentation, inviting you into the theory behind the work, and into the work itself. Equal parts cultural criticism, performance art, and experimental public speaking, this street talk will level the hierarchy of physical presence over virtual appearance, and scandalously suggest how thirst traps and sexting with strangers can indeed point us towards a radical future of queer intimacy and counterculture.

Mohammad Namazi & Matteo Preabianca – Friday 8th November, 1:30pm, Wellgate Centre, Victoria Road entrance

Mohammad Namazi – An Archive of Audio Disobedience, intervenes into the public realm, and collaborates with individuals, to construct a live-event. The event manifests through utilising a net-based sound archive, capable of involving participants in a collective form of sound-action, -publication, -demonstration, -performance, and -play.

The archive comprises various audio effects, sound segments, words, and computer-generated speeches – to stage a critical symphony, rooted in and derived from, socio-political concerns.

Matteo Preabianca – Mantra Marx is the eighth album for the NonMiPiaceIlCirco! Project. NonMiPiaceIlCirco! is a musical project that has been on since 2004, the year of the first album. Since then, the line-up has been in a constant change, with Matteo Preabianca the only member from the beginning. So they took The Capital from the shelf to read again. But who remembers it, especially young people? Let’s get rid of guitars and songs to give a didactic approach to the music. 25 tracks, one for each of the First Book’s 25 chapters. They use the lyrics as Hinduist mantras, where repetition is the key for a deep understanding of our life, and Marx as well. Its music, besides being lo-fi and badly made, is just an excuse. The lyrics are a summarized version of the aforementioned book, spoken by 25 different Mandarin native voices, completely unaware of the reason behind the recording. Still time to die as a Marxist(?). Developed and recorded in China.

About the Artists

Daisy Abbott is an interdisciplinary researcher and research developer based in the School of Simulation and Visualisation at The Glasgow School of Art. Daisy’s current research focusses on game-based learning, 3D visualisation, and issues surrounding digital interaction, documentation, preservation, and interpretation in the arts and humanities. She also collaborates with artists on works aiming to explore the nature of digital interactivity and digital art.

Luisa Charles is an interaction designer, multidisciplinary artist, and filmmaker. Having been exhibited in the Science Museum, Science Gallery London, London Design Festival, and various film festivals, amongst others, her work spans many themes across science and technology, social politics, and personal narratives. She specialises in installation design and physical computing, experience design, fabrication, and videography, and her work often comes under the umbrella of speculative and critical design. Her work focuses heavily on research processes, and forms itself organically through investigation and experimentation.

Ibarieze Abani is a recent Masters graduate in Serious Games and Virtual Reality at the Glasgow School of Art, where she has carried out projects about cultural heritage, gender inequality, transmedia storytelling and climate policy. She is an advocate of the capabilities of interactive digital media as a tool for opening up dialogues surrounding large scale themes such as climate justice, social justice and intersectionality. She has a keen interest in working with people using digital media to make meaningful and tangible differences on a societal scale.

Mohammad Namazi (b. 1981. Tehran) is an artist, educator and researcher based in London. Mohammad works through means of de-construction, collaboration, process, unlearning, and telematics systems within social and cultural realms. The studio operates as a research-lab for inter-disciplinary projects that can span video, sound, liveevents, graphics, photography, sculptural structures, and internet-based projects. He received his doctorate from UAL research in 2019, and currently teaches as visiting lecturer at Wimbledon, and Chelsea College of Arts. Mohammad is a member of research cluster Critical Practice.

Matteo Preabianca- Music and Languages…Music and Languages? How come? Matteo starts playing violin when he was a child, but he did not like it, especially when he tried to beat it on the table. It did not make any good sound. So, better drumming, right? Meanwhile playing and spending a lot his mum’s money to buy records he realised even speaking other languages was not so bad. Especially when he invented his own. Step by step, he turned into a music and languages teacher.

Elke Reinhuber is not your average artist, because she became a specialist on choice, decision making and counterfactual thoughts in media arts. Currently, Reinhuber teaches and researches at the School of Creative Media, CityU Hing Kong and is affiliated with the School of Art, Design and Media at NTU in Singapore. In her artistic practice, she investigates on the correlation between decisions and emotions and explores different strategies of visualisation and presentation, working with immersive environments, mixed reality, imaging technologies and performance. In addition, her alter ego, the ‘Urban Beautician’ is pursuing a life which Elke didn’t follow.

Anders Zanickowsky is an American artist and activist who uses platforms like Grindr and Instagram as actual sites for performances about desire, uncertainty, and vulnerability. He is committed to José Esteban Muñoz’s concept of queer futurity in which artists refuse the oppressive confines of the present and reach instead towards what can only be imagined. He has an MFA from the University of Wisconsin-Madison (2019) and was a resident with The Arctic Circle program in Svalbard (2016). Since 2008 he has worked in movements for housing justice, prison abolition, and HIV/AIDS.

Photography Kathryn Rattray

China - Yunnan - Miao Woman Doing Needle Work by Manfred Sommer

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The Miao is an ethnic group recognized by the government of China as one of the 55 official minority groups. Miao is a Chinese term and does not reflect the self-designations of the component groups of people, which include (with some variant spellings) Hmong, Hmub, Xong (Qo-Xiong), and A-Hmao.

The Chinese government has grouped these people and other non-Miao peoples together as one group, whose members may not necessarily be either linguistically or culturally related, though the majority are members of Miao-Yao language family, which includes the Hmong, Hmub, Xong, and A-Hmao and the majority do share cultural similarities. Because of the previous given reasons, many Miao peoples cannot communicate with each other in their mother tongues, and have different histories and cultures. A few groups designated as Miao by the PRC do not even agree that they belong to the ethnic group, though most Miao groups, such as the Hmong and Hmub, do agree with the collective grouping as a single ethnic group – Miao.

The Miao live primarily in southern China's mountains, in the provinces of Guizhou, Hunan, Yunnan, Sichuan, Guangxi, Hainan, Guangdong, and Hubei. Some members of the Miao sub-groups, most notably the Hmong people, have migrated out of China into Southeast Asia (northern Vietnam, Laos, Burma (Myanmar) and Thailand). Following the communist takeover of Laos in 1975, a large group of Hmong refugees resettled in several Western nations, mainly in the United States, France, and Australia. There has been a recent tendency by Hmong Americans to group all Miao peoples together under the term Hmong because of their disdain for the Chinese term Miao. This however fails to recognize that the Hmong are only a subgroup within the broader linguistic and cultural family of Miao people and the vast majority of Miao people do not classify themselves as Hmong and have their own names for themselves.

NOMENCLATURE: MIAO AND HMONG

The term "Miao" gained official status in 1949 as a minzu (ethnic group) encompassing a group of linguistically-related ethnic minorities in Southwest China. This was part of a larger effort to identify and classify minority groups to clarify their role in the national government, including establishing autonomous administrative divisions and allocating the seats for representatives in provincial and national government.

Historically, the term "Miao" had been applied inconsistently to a variety of non-Han peoples. Early Western writers used Chinese-based names in various transcriptions: Miao, Miao-tse, Miao-tsze, Meau, Meo, mo, miao-tseu etc. In Southeast Asian contexts words derived from the Chinese "Miao" took on a sense which was perceived as derogatory by the Hmong subgroup living in that region. In China, however, the term has no such context and is used by the Miao people themselves, of every group.

The later prominence of Hmong people in the West has led to a situation where the entire Miao linguistic/cultural family is sometimes referred to as Hmong in English language sources. Following the recent increased interaction of Hmong in the West with Miao in China it is reported that some upwardly aspiring non-Hmong Miao have even begun to identify themselves as Hmong. However, most non-Hmong Miao in China are unfamiliar with the term as referring to their entire group and continue to use "Miao", or their own separate ethnic self-designations.

Though the Miao themselves use various self-designations, the Chinese traditionally classify them according to the most characteristic colour of the women's clothes. The list below contains some of these self-designations, the colour designations, and the main regions inhabited by the four major groups of Miao in China:

Ghao Xong/Qo Xiong; Xong; Red Miao; Qo Xiong Miao: west Hunan

Gha Ne/Ka Nao; Hmub; Black Miao; Mhub Miao: southeast Guizhou

A-Hmao; Big Flowery Miao: west Guizhou and northeast Yunnan

Gha-Mu; Hmong, Mong; White Miao, Green/Blue Miao, Small Flowery Miao; south and east Yunnan, south Sichuan and west Guizhou

DEMOGRAPHICS

According to the 2000 census, the number of Miao in China was estimated to be about 9.6 million. Outside of China, members of the Miao linguistic/cultural family sub-group or nations of the Hmong live in Thailand, Laos, Vietnam and Burma due to outward migrations starting in the 18th century. As a result of recent migrations in the aftermath of the Indochina and Vietnam Wars from 1949–75, many Hmong people now live in the United States, French Guiana, France and Australia. Altogether, there are approximately 8 million speakers in the Miao language family. This language family, which consists of 6 languages and around 35 dialects (some of which are mutually intelligible) belongs to the Hmong/Miao branch of the Hmong–Mien (Miao–Yao) language family.

The Hmong live primarily in the northern mountainous reaches of Southeast Asia including Thailand, Laos and Vietnam, and in far Southwest China mostly in the provinces of Yunnan, Guangxi, and to a very limited extent in Guizhou. There are about 1.5–2 million Hmong in China.

Note: The Miao areas of Sichuan province became part of the newly created Chongqing Municipality in 1997.

Most Miao currently live in China. Miao population growth in China:

1953: 2,510,000

1964: 2,780,000

1982: 5,030,000

1990: 7,390,000

3,600,000 Miao, about half of the entire Chinese Miao population, were in Guizhou in 1990. The Guizhou Miao and those in the following six provinces make up over 98% of all Chinese Miao:

Hunan: 1,550,000

Yunnan: 890,000

Sichuan: 530,000

Guangxi: 420,000

Hubei: 200,000

Hainan: 50,000 (known as Miao but ethnically Yao and Li)

In the above provinces, there are 6 Miao autonomous prefectures (shared officially with one other ethnic minority):

Qiandongnan Miao and Dong Autonomous Prefecture (黔东南 : Qiándōngnán), Guizhou

Qiannan Buyei and Miao Autonomous Prefecture (黔南 : Qiánnán), Guizhou

Qianxinan Buyei and Miao Autonomous Prefecture (黔西南 : Qiánxīnán), Guizhou

Xiangxi Tujia and Miao Autonomous Prefecture (湘西 : Xiāngxī), Hunan

Wenshan Zhuang and Miao Autonomous Prefecture (Hmong) (文山 : Wénshān), Yunnan

Enshi Tujia and Miao Autonomous Prefecture (恩施 : Ēnshī), Hubei

There are in addition 23 Miao autonomous counties:

Hunan:Mayang (麻阳 : Máyáng), Jingzhou (靖州 : Jīngzhōu), and Chengbu (城步 : Chéngbù)

Guizhou: Songtao (松桃 : Sōngtáo), Yingjiang (印江 : Yìnjiāng), Wuchuan (务川 : Wùchuān), Daozhen (道真 : Dǎozhēn), Zhenning (镇宁 : Zhènníng), Ziyun (紫云 : Zǐyún), Guanling (关岭 : Guānlíng), and Weining (威宁 : Wēiníng)

Yunnan: Pingbian (屏边 : Píngbiān), Jinping (金平 : Jīnpíng), and Luquan (禄劝 : Lùquàn)

Chongqing: Xiushan (秀山 : Xiùshān), Youyang (酉阳 : Yǒuyáng), Qianjiang (黔江 : Qiánjiāng), and Pengshui (彭水 : Péngshuǐ)

Guangxi: Rongshui (融水 : Róngshuǐ), Longsheng (龙胜 : Lóngshēng), and Longlin (隆林 : Lōnglín) (including Hmong)

Hainan Province: Qiong (琼中 : Qióngzhōng) and Baoting (保亭 : Bǎotíng)

Most Miao reside in hills or on mountains, such as

Wuling Mountain by the Qianxiang River (湘黔川边的武陵山 : Xiāngqián Chuān Biān Dí Wǔlíng Shān)

Miao Mountain (苗岭 : Miáo Líng), Qiandongnan

Yueliang Mountain (月亮山 : Yuèliàng Shān), Qiandongnan

Greater and Lesser Ma Mountain (大小麻山 : Dà Xiǎo Má Shān), Qiannan

Greater Miao Mountain (大苗山 : Dà Miáo Shān), Guangxi

Wumeng Mountain by the Tianqian River (滇黔川边的乌蒙山 : Tiánqián Chuān Biān Dí Wūmēng Shān)

Several thousands of Miao left their homeland to move to larger cities like Guangzhou and Beijing. There are 2,000,000 Hmong spread throughout northern Vietnam, Laos, Burma, and on other continents. 174,000 live in Thailand, where they are one of the six main hill tribes.

HISTORY

History according to Chinese legend and other considerations

According to Chinese legend, the Miao who descended from the Jiuli tribe led by Chiyou (Chinese: 蚩尤 pinyin: Chīyóu) were defeated at the Battle of Zhuolu (Chinese: 涿鹿 pinyin: Zhuōlù, a defunct prefecture on the border of present provinces of Hebei and Liaoning) by the military coalition of Huang Di (Chinese: 黃帝 pinyin: Huángdì) and Yan Di, leaders of the Huaxia (Chinese: 華夏 pinyin: Huáxià) tribe as the two tribes struggled for supremacy of the Yellow River valley.

ARCHEOLOGICAL DISCOVERIES

According to André-Georges Haudricourt and David Strecker's claims based on limited secondary data, the Miao were among the first people to settle in present-day China. They claim that the Han borrowed a lot of words from the Miao in regard to rice farming. This indicated that the Miao were among the first rice farmers in China. In addition, some have connected the Miao to the Daxi Culture (5,300 – 6,000 years ago) in the middle Yangtze River region. The Daxi Culture has been credited with being amongst the first cultivators of rice in the Far East by Western scholars. However, in 2006 rice cultivation was found to have existed in the Shandong province even earlier than the Daxi Culture.

A western study mention that the Miao (especially the Miao-Hunan) have some DNA from the Northeast people of China, but has origins in southern china. Recent DNA samples of Miao males contradict this theory. The White Hmong have 25% C, 8% D, & 6% N(Tat) yet they have the least contact with the Han population.

CHU

In 2002, the Chu language has been identified as perhaps having influence from Tai–Kam and Miao–Yao languages by researchers at University of Massachusetts Amherst.

QIN AND HAN DYNASTIES

The term Miao was first used by the Han Chinese in pre-Qin times (in other words, before 221 BC) for designating non-Han Chinese groups in the south. It was often used in combination: "nanmiao", "miaomin", "youmiao" and "sanmiao" (三苗; pinyin: Sānmiáo)

MING AND QING DYNASTIES

During the Ming and Qing dynasties (1368–1911) 'miao' and 'man' were both used, the second possibly to designate the Yao (傜 Yáo) people. The Yuan, Ming, and Qing Dynasties could neither fully assimilate nor control the indigenous people.

During the Miao Rebellions, when Miao tribes rebelled, Ming troops, including Han Chinese, Hui people, and Uyghurs crushed the rebels, killing thousands of them. Mass castrations of Miao boys also took place.

During the Qing Dynasty the Miao fought three wars against the empire. In 1735 in the southeastern province of Guizhou, the Miao rose up against the government's forced assimilation. Eight counties involving 1,224 villages fought until 1738 when the revolt ended. According to Xiangtan University Professor Wu half the Miao population were affected by the war.

The second war (1795–1806) involved the provinces of Guizhou and Hunan. Shi Sanbao and Shi Liudeng led this second revolt. Again, it ended in failure, but it took 11 years to quell the uprising.

The greatest of the three wars occurred from 1854 to 1873. Zhang Xiu-mei led this revolt in Guizhou until his capture and death in Changsha, Hunan. This revolt affected over one million people and all the neighbouring provinces. By the time the war ended Professor Wu said only 30 percent of the Miao were left in their home regions. This defeat led to the Hmong people migrating out of China.

During Qing times, more military garrisons were established in southwest China. Han Chinese soldiers moved into the Taijiang region of Guizhou, married Miao women, and the children were brough up as Miao. In spite of rebellion against the Han, Hmong leaders made allies with Han merchants.

Politically and militarily, the Miao continued to be a stone in the shoe of the Chinese empire. The imperial government had to rely on political means to ensnare Hmong people, they created multiple competing positions of substantial prestige for Miao people to participate and assimilate into the Qing government system. During the Ming and Qing times, the official position of Kiatong was created in Indochina. The Miao would employ the use of the Kiatong government structure until the 1900s when they entered into French colonial politics in Indochina.

20th CENTURY

During the founding of the People's Republic of China (PRC), the Miao played an important role in its birth when they helped Mao Zedong to escape the Kuomintang in the Long March with supplies and guides through their territory.

In Vietnam, a powerful Hmong named Vuong Chinh Duc, dubbed the king of the Hmong, aided Ho Chi Minh's nationalist move against the French, and thus secured the Hmong's position in Vietnam. During the Vietnam War, Miao fought on both sides, the Hmong in Laos primarily for the US, across the border in Vietnam for the North-Vietnam coalition, the Chinese-Miao for the Communists. However, after the war the Vietnamese were very aggressive towards the Hmong who suffered many years of reprisals and genocide. Most Hmong in Thailand also supported a brief Communist uprising during the war.

HAN CHINESE ORIGIN MIAO CLANS

A great number of Hmong lineage clans were founded by Chinese men who married Hmong women, these distinct Chinese descended clans practice Chinese burial customs instead of Hmong style burials.

The Hmong children of Hmong women who married Chinese men was the origin of numerous China and South East Asia based Hmong lineages and clans, these were called "Chinese Hmong" ("Hmong Sua") in Sichuan, the Hmong were instructed in military tactics by fugitive Chinese rebels.

Marriages between Hmong women and Han Chinese men is the origin of a lot of Hmong lineages and clans.

Hmong women married Han Chinese men to found new Hmong lineages which use Chinese names.

Chinese men who married into Hmong clans have established more Hmong clans than the ritual twelve, Chinese "surname groups" are comparable to the Hmong clans which are patrilineal, and practice exogamy.

Hmong women married Han Chinese men who pacified Ah rebels who were fighting against the Ming dynasty, and founded the Wang clan among the Hmong in Gongxian county, of Sichuan's Yibin district.

Hmong women who married Chinese men founded a new Xem clan in a Hmong village (among Northern Thailand's Hmong), fifty years later in Chiangmai two of their Hmong boy descendants were Catholics. A Hmong woman and a Chinese man married and founded the Lauj clan in Northern Thailand.

A marriage between a Hmong woman and a Chinese man resulted in northern Thailand's Lau2 clan being founded, another Han Chinese with the family name Deng founded another Hmong clan, Han Chinese men's marriages with Hmong women has led some ethnographers to conclude that Hmong clans in the modern era have possible all or partly have been founded in this matter.

Jiangxi Han Chinese are claimed by some as the forefathers of the southeast Guizhou Miao, and Miao children were born to the many Miao women married Han Chinese soldiers in Taijiang in Guizhou before the second half of the 19th century.

Imperially commissioned Han Chinese chieftancies "gon native", with the Miao and were the ancestors of a part of the Miao population in Guizhou.

The Hmong Tian clan in Sizhou began in the seventh century as a migrant Han Chinese clan.

Non-han women such as Miao women became wives of Han Chinese male soldiers who fought against the Miao rebellions during the Qing and Ming dynasties since Han women were not available.

The Ming dynasty Hongwu Emperor sent troops to Guizhou whose descendants became the Tunbao. The origin of the Tunbao people traces back to when the Ming dynasty sent 300,000 Han Chinese male soldiers in 1381 to conquer Yunnan and the men married Yao and Miao women.

The presence of women presiding over weddings was a feature noted in "Southeast Asian" marriages, such as in 1667 when a Miao woman in Yunnan married a Chinese official.

Some Sinicization occurred, in Yunnan a Miao chief's daughter married a scholar in the 1600s who wrote that she could read, write, and listen in Chinese and read Chinese classics.

The Sichuan Hmong village of Wangwu was visited by Nicholas Tapp who wrote that the "clan ancestral origin legend" of the Wang Hmong clan, had said that several times they were married into the Han Chinese and possibly one of these was their ancestor Wang Wu, there were two tpes of Hmong, "cooked" who sided with Chinese and "raw" who rebelled against the Chinese, the Chinese were supported by the Wang Hmong clan. A Hmong woman was married by the non-Hmong Wang Wu according to The Story of the Ha Kings in Wangwu village.

DISTRIBUTION

The 2000 Chinese census recorded 8,940,116 Miao in mainland China.

CUISINE

Miao Fish (苗鱼 miáo yǘ)

Miao fish is a special way of cooking a fish by Miao people. It has been recognized as a local featured cuisine with its tasty flavor: the mixture of fish, green peppers, ginger slices and garlic provided people with great eating experience.

WIKIPEDIA

GlamCab Girls - Goodwood Revival (0264) by Malcolm Bull

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I gave the colours of this image of the GlamCab Girls a tweak, to give it a vintage feel

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A narrow passage inside Castle de Haar , Kasteel de Haar near the suburb of Vleuten that includes village of Haarzuilen rebuild by architect Pierre Cuyper Project was finished in around 1912 took 20 years to be finished , Martin’s photograph , Utrecht , the Netherlands , June 5. 2019

A outside service walk way inside the castle

Fireplace with beautiful screen and mantel

Beautiful formal gardens with piramide shaped trees

Beautiful staircase

Beautiful staircase in castle , Kasteel de Haar

Staircase

Narrow passage inside the castle

Formal gardens

Stairway critters sculptures in Castle

Stairway sculptures

Spiral stairway

Central Station in Amsterdam , build by architect Pierre Cuyper

de Rijks Museum in Amsterdam build by architect Pierre Cuyper

de Rijks Museum in Amsterdam

Central Station in Amsterdam

Amsterdam

Lavet bad tub

Lavet bad tub and washing machine

main door

Beautiful staircase

Kasteel de Haar near the suburb of Vleuten that includes village of Haarzuilen

architect Pierre Cuyper

Martin’s photograph

Utrecht

the Netherlands

Nederland

June 2019

Favourites

IPhone 6

Village of Haarzuilen

Kasteel de Haar

Castle the Haar

Kasteel de Haar was rebuild by architect Pierre Cuyper Project was finished in around 1912 took 20 years to be finished

city of Utrecht in the province Utrecht

Beautiful staircase in Kasteel de Haar

Door knocker

Beautiful window and seating

Scottish Wild Cat - BWC (063) by Malcolm Bull

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Scottish Wild Cats at the British Wildlife Centre. Hilda's kitten having a scratch

19 Albany Street, Edinburgh by FotoFling Scotland

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Selective Previous Residents include:

1829 visit by by Felix Mendelssohn

Composer see:

1828 – 1831 George and Georgina (neé Thomson) Hogarth + daughter Catherine Hogarth (later Mrs Charles Dickens)George Hogarth (photo) studied law and music at the University of Edinburgh, and, in 1810, became a solicitor (WS). His main area of law was with trusts and estates, and one of his clients was Walter Scott, who sought Hogarth’s advice following his financial failure in the mid-1820s. However, Hogarth’s passion was music and literature. He was a violoncellist and a composer, and contributed to a wide range of periodicals. In 1815, he was involved in organising the first Edinburgh Music Festival and the second, in 1819, consisted of six concerts attended by over 8.526 people. A fourth festival took place in 1831, and included three concerts by the famous violinist, Paganini.

In 1814, George married Georgina Thomson. He probably met her through her father, George Thomson who was an amateur musician. In the 1790s, Thomson had commissioned Beethoven, Haydn and other German composers to compose piano accompaniments for Scottish songs. In one of his letters to his daughter, Thomson wrote: ‘let Mr Hogarth know that I have got the music he wanted, and two or three pretty things for the Piano Forte, Violin and Violoncello, which I hope we shall enjoy together in a short time. No concerts of 100 performers are to be compared to our own little domestic parties!’ In 1815, the Hogarth’s first child, Catherine, was born and by the time the Hogarths moved to Albany Street, they had eight children, aged from one to fourteen. the year they moved here, George was approached by James Ballantyne [who later lived opposite at Number 18] asking for permission to marry Hogarth’s sister, Christian. Hogarth insisted on proof that James was debt-free before agreeing to his sister’s marriage, and being assured Ballantyne was solvent, agreed. A couple of years later Hogarth, his brother-in-law James and Walter Scott jointly bought the Edinburgh Weekly Journal.

Hogarth was the music critic for The Harmonicon in the 1820s and well-connected with European musicians, so in 1829, the twenty year old German composer, Felix Mendelssohn stayed with the Hogarths for a few nights during his visit to Scotland. It was at this time that he started composing Scottish Symphony. For more on Mendelssohn's visit see Music.

All seemed well at Number 19, but unfortunately Hogarth’s legal practice was in trouble – what he later called his ‘evil days.’ Soon his financial position worsened to such an extent that he was unable to pay his bills. Writing to the publisher William Blackwood at the end of August 1830,, Hogarth refers to this financial crisis and offers to replay a debt of £30 by ‘some service in a literary way’- quite a change from four years earlier when Hogarth had been able to lend Blackwood £300. Hogarth’s financial situation made it problematic for him to continue to succeed in Edinburgh’s competitive legal marketplace, and anyway he was interested in a change of career. Hogarth had heard that the post of Editor of the London Courier was vacant and that there was interest in his applying for the position. So he wrote to Sir Walter Scott, who himself was struggling to pay off debts, seeking a recommendation. However, his application for the post was unsuccessful, but six months later, he successfully applied to be the Editor of the Exeter newspaper, The Western Luminary. So he and his large family moved Exeter.

1897 – 1942 George Keppie PatersonDr George Keppie Paterson moved here from Number 22,. The house, with stables and coach-house, cost him £1,300. After studying at Edinburgh university with honours in 1882, Paterson undertook further studies in Berlin and Vienna. In 1891, he became a member of the Royal College of Physicians of Edinburgh and in 1895 a Fellow. For ten years he was assistant to Sir Alexander Young Simpson, the holder of the chair of midwifery and diseases of women in Edinburgh University. Paterson was one of the oldest members of the British Medical Association, his membership extending over 58 years. In 1903, he became Honorary Secretary of the old Edinburgh North-East Division, an appointment he held until 1911, and, later, Chairman,of the new Edinburgh and Leith Division. For more than half a century he was associated with the Livingstone Dispensary in the Cowgate (photo 1931), of which he was consulting obstetrician and physician for maternity welfare at the time of his death.

One of Dr Paterson's greatest interests was medical missions. He travelled extensively in North Africa, Egypt, Palestine, and the West Indies. He joined the Edinburgh Medical Missionary-Society in 1890, and was for several years its Hon. Treasurer and Vice-President. He also served as was Vice-President of the Edinburgh Obstetrical Society for a time. He had a keen interest in music, including running a choir in his dispensary.

He died here in 1942. [info

1999 Edinburgh Gay Escorts

Advertised as providing escorts throughout Scotland. Walking tours of Edinburgh. Member of the International Gay and Lesbian Travel Association

[Info: Barclay Prive]

Sunday Experiment Highlights NASA's MMS Mission: Join us from 1-3 PM on Sunday, March 16 at Goddard's Visitors Center : NASA's Magnetospheric Multiscale (MMS) mission via brief presentations from MMS scientists, hands-on activities that include spacecraft by NASA Goddard Space Flight Center

Sunday Experiment Highlights NASA's MMS Mission: Join us from 1-3 PM on Sunday, March 16 at Goddard's Visitors Center : NASA's Magnetospheric Multiscale (MMS) mission via brief presentations from MMS scientists, hands-on activities that include spacecraft modeling (LEGO, paper), NASA Apps and iPad Teacher Tools, magnetism, mission career videos and more!

Credit: NASA/Goddard/Bill Hrybyk

Sunday Experiment Highlights NASA's MMS Mission: Join us from 1-3 PM on Sunday, March 16 at Goddard's Visitors Center : NASA's Magnetospheric Multiscale (MMS) mission via brief presentations from MMS scientists, hands-on activities that include spacecraft by NASA Goddard Space Flight Center

NASA Goddard Space Flight Center enables NASA’s mission through four scientific endeavors: Earth Science, Heliophysics, Solar System Exploration, and Astrophysics. Goddard plays a leading role in NASA’s accomplishments by contributing compelling scientific knowledge to advance the Agency’s mission.

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Sunday Experiment Highlights NASA's MMS Mission: Join us from 1-3 PM on Sunday, March 16 at Goddard's Visitors Center : NASA's Magnetospheric Multiscale (MMS) mission via brief presentations from MMS scientists, hands-on activities that include spacecraft modeling (LEGO, paper), NASA Apps and iPad Teacher Tools, magnetism, mission career videos and more!

Credit: NASA/Goddard/Bill Hrybyk

2014 nonprofit Cedar Tree Institute Annual MidSummer Celebration and BBQ Marquette, MI 7-16-14 by Greg Peterson

NASA Goddard Space Flight Center enables NASA’s mission through four scientific endeavors: Earth Science, Heliophysics, Solar System Exploration, and Astrophysics. Goddard plays a leading role in NASA’s accomplishments by contributing compelling scientific knowledge to advance the Agency’s mission.

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India - Kerala - Backwater - 15 by Manfred Sommer

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The Kerala backwaters are a chain of brackish lagoons and lakes lying parallel to the Arabian Sea coast (known as the Malabar Coast) of Kerala state in southern India. The network includes five large lakes linked by canals, both manmade and natural, fed by 38 rivers, and extending virtually half the length of Kerala state. The backwaters were formed by the action of waves and shore currents creating low barrier islands across the mouths of the many rivers flowing down from the Western Ghats range.

The Kerala Backwaters are a network of interconnected canals, rivers, lakes and inlets, a labyrinthine system formed by more than 900 km of waterways, and sometimes compared to the American Bayou. In the midst of this landscape there are a number of towns and cities, which serve as the starting and end points of backwater cruises. National Waterway No. 3 from Kollam to Kottapuram, covers a distance of 205 km and runs almost parallel to the coast line of southern Kerala facilitating both cargo movement and backwater tourism.

The backwaters have a unique ecosystem - freshwater from the rivers meets the seawater from the Arabian Sea. In certain areas, such as the Vembanad Kayal, where a barrage has been built near Kumarakom, salt water from the sea is prevented from entering the deep inside, keeping the fresh water intact. Such fresh water is extensively used for irrigation purposes.

Many unique species of aquatic life including crabs, frogs and mudskippers, water birds such as terns, kingfishers, darters and cormorants, and animals such as otters and turtles live in and alongside the backwaters. Palm trees, pandanus shrubs, various leafy plants and bushes grow alongside the backwaters, providing a green hue to the surrounding landscape.

Vembanad Kayal is the largest of the lakes, covering an area of 200 km², and bordered by Alappuzha (Alleppey), Kottayam, and Ernakulam districts. The port of Kochi (Cochin) is located at the lake's outlet to the Arabian Sea. Alleppey, "Venice of the East", has a large network of canals that meander through the town. Vembanad is India’s longest lake.

HOUSE BOATS

The kettuvallams (Kerala houseboats) in the backwaters are one of the prominent tourist attractions in Kerala. More than 2000 kettuvallams ply the backwaters, 120 of them in Alappuzha. Kerala government has classified the tourist houseboats as Platinum, Gold and silver.

The kettuvallams were traditionally used as grain barges, to transport the rice harvested in the fertile fields alongside the backwaters. Thatched roof covers over wooden hulls, 30 m in length, provided protection from the elements. At some point in time the boats were used as living quarters by the royalty. Converted to accommodate tourists, the houseboats have become floating cottages having a sleeping area, with western-style toilets, a dining area and a sit out on the deck. Most tourists spend the night on a house boat. Food is cooked on board by the accompanying staff – mostly having a flavour of Kerala. The houseboats are of various patterns and can be hired as per the size of the family or visiting group. The living-dining room is usually open on at least three sides providing a grand view of the surroundings, including other boats, throughout the day when it is on the move. It is brought to a standstill at times of taking food and at night. After sunset, the boat crew provide burning coils to drive away mosquitoes. Ketuvallams are motorised but generally proceed at a slow speed for smooth travel. All ketuvallams have a generator and most bedrooms are air-conditioned. At times, as per demand of customers, electricity is switched off and lanterns are provided to create a rural setting.

While many ketuvalloms take tourists from a particular point and bring them back to around the same point next morning there are some specific cruises mostly in the Alappuzha area, such as the one night cruise from Alappuzha to Thotapally via Punnamada Lake two nights cruise from Alappuzha to Alumkavadi,[8] one night cruise from Alappuzha to Kidangara, and one night cruise from Alappuzha to Mankotta. There are numerous such cruises.

Beypore, located 10 km south of Kozhikode at the mouth of the Chaliyar River, is a famous fishing harbour, port and boat building centre. Beypore has a 1,500 year-tradition of boatbuilding. The skill of the local shipwrights and boat builders are widely sought after. There is a houseboat-building yard at Alumkadavu, in Ashtamudi Kayal near Kollam.

FERRY SERVICES

Regular ferry services connect most locations on both banks of the backwaters. The Kerala State Water Transport Department operates ferries for passengers as well as tourists. It is the cheapest mode of transport through the backwaters.

ECONOMIC SIGNIFICANCE

Connected by artificial canals, the backwaters form an economical means of transport, and a large local trade is carried on by inland navigation. Fishing, along with fish curing is an important industry.

Kerala backwaters have been used for centuries by the local people for transportation, fishing and agriculture. It has supported the efforts of the local people to earn a livelihood. In more recent times, agricultural efforts have been strengthened with reclamation of some backwater lands for rice growing, particularly in the Kuttanad area. Boat making has been a traditional craft, so has been the coir industry.

Kuttanad is crisscrossed with waterways that run alongside extensive paddy fields, as well as fields of cassava, banana and yam. A unique feature of Kuttanad is that many of these fields are below sea level and are surrounded by earthen embankments. The crops are grown on the low-lying ground and irrigated with fresh water from canal and waterways connected to Vembanad lake. The area is similar to the dikes of the Netherlands where land has been reclaimed from the sea and crops are grown.

WIKIPEDIA

IMG_9140 by Alec Frazier

Statue of Admiral David G. Farragut

•U.S. National Register of Historic Places

•Contributing Property to U.S. Historic District

•Part of: Civil War Monuments in Washington, D.C.

•NRHP Reference #: 78000257

•Added to NRHP: September 20, 1978

•Location: Farragut Square, Washington, D.C., United States

•Coordinates: 38.901944°N 77.038972°W

•Designer: Vinnie Ream

•Material: Bronze (sculpture); Granite (base)

•Length: 3 feet (0.91 m)

•Width: 3 feet (0.91 m)

•Height: 10 feet (3.0 m)

•Opening date: April 25, 1881

•Dedicated to: David Farragut

Admiral David G. Farragut is a statue in Washington, D.C. honoring David Farragut, a career military officer who served as the first admiral in the United States Navy. The monument is sited in the center of Farragut Square, a city square in downtown Washington, D.C. The statue was sculpted by female artist Vinnie Ream, whose best known works include a statue of Abraham Lincoln and several statues in the National Statuary Hall Collection. The monument was dedicated in 1881 in an extravagant ceremony attended by President James A. Garfield, members of his cabinet, and thousands of spectators. It was the first monument erected in Washington, D.C. in honor of a naval war hero.

The statue is one of eighteen Civil War monuments in Washington, D.C., which were collectively listed on the National Register of Historic Places in 1978. The bronze statue, which rests on a granite base, was cast from the USS Hartford bronze propellers and not from enemy cannon like most Civil War monuments in the city. The monument and surrounding park are owned and maintained by the National Park Service, a federal agency of the Interior Department.

History

Background

David Farragut (1801–1870) was a career military officer who first saw combat during the War of 1812 at the age of 9. He served on the USS Essex and was captured by the British. After the war, Farragut fought pirates in the West Indies on the ship USS Ferret, his first command of a United States Navy vessel. He also fought in the Mexican–American War and oversaw the construction of the Mare Island Naval Shipyard in San Francisco. Although Farragut and his wife were Southerners, they remained loyal to the United States during the Civil War. His success in capturing New Orleans resulted in Farragut being honored with a new title created by the Navy, rear admiral. He continued to have great success in defeating Confederate forces, most notably at the Battle of Mobile Bay, where he uttered his famous phrase “Damn the torpedoes! Full speed ahead!” Following the war, President Andrew Johnson promoted Farragut to admiral, the first U.S. naval officer to receive the title.

Soon after Farragut’s death in 1870, there were calls for a memorial to honor the naval hero. Representative Nathaniel P. Banks introduced a resolution in Congress for the erection of a monument to Farragut. The resolution stated that the statue was to be “after a design molded from life”, a subtle caveat intended to assist someone Banks already had in mind to create the statue, sculptor Horatio Stone of Washington, D.C., who claimed to have met Farragut and had already begun working on a statue. Bank’s resolution was referred to the Joint Committee on Public Buildings and Grounds, where the committee chose to hold a competition, much to the dismay of Stone. Sculptors were only given sixty days to submit models of the statue, but when the congressional act approving the monument passed on April 16, 1872, the resolution was amended and the deadline for design submissions was extended by nine months.

Vinnie Ream (1847–1914), a sculptor who at age nineteen had received the first government commission ever granted a female artist when she created a bust of President Abraham Lincoln, began working on a bust of Farragut, whom she had met several times. Farragut’s widow, Virginia, admired Ream’s design and became a strong advocate for the artist’s model to be selected. Virginia wrote letters of endorsement to committee members and supplied Ream with the names of Farragut’s friends so that they too would offer their endorsements to the committee. There were thirteen artists who submitted models with Ream being the only woman. Their designs were displayed in the basement of the United States Capitol and several were severely criticized by the press, most notably the models by J. Wilson MacDonald, Randolph Rogers, and Edward Watson.

Stone and Ream’s model received the most praise. Stone’s model was praised by several naval officers who called it “true to life” and “unsurpassed by similar works.” Ream’s model received praise from several high profile individuals, most notably President Ulysses S. Grant, who called it “first rate”. Admiral David Dixon Porter said the model “of Miss Vinnie Ream is the only likeness in the lot.” General William Tecumseh Sherman, who was reportedly infatuated with Ream, also became a strong advocate for her model. He wrote to the committee that “the plaster model of Vinnie Ream struck me decidedly as the best likeness, and recalled the memory of the Admiral’s face and figure more perfectly than any other model there on exhibition.” The decision by the committee ultimately ended in a three-way tie between Ream, Stone, and MacDonald. The project stalled until the next Congress convened in 1874. A commission to select the winning model was created and consisted of Virginia, Sherman, and Secretary of the Navy George M. Robeson. Virginia and Sherman voted to approve Ream’s design, though Robeson refused to accept the result and tried in vain to convince Virginia to change her mind. Two months after the vote, Robeson relented and Ream’s model was officially selected.

Ream was awarded $20,000 for the design and worked on the statue for the next few years. She consulted Virginia and incorporated her suggestions, much to the delight of Virginia. In 1879, Ream announced that the model was ready to be cast and that the process would take place at the Washington Navy Yard, which had never before cast such a large statue. She continued to perfect the model while at the Navy Yard, much to the delight of the sailors. Although many of the city’s statues of military heroes were cast from captured enemy cannon, Farragut’s statue was cast from the USS Hartford bronze propellers that were removed and shipped to the Navy Yard. The amount of bronze yielded from the propellers was enough not only for the statue, but the four mortars on the corners of the statue base.

The site chosen for the statue was Farragut Square, a park renamed in honor of the admiral shortly after his death. The original dedication date, March 4, 1881, was pushed back because the statue base wasn’t ready. The base did not arrive until April 20, five days before the dedication, resulting in Ream’s husband, Lieutenant Richard L. Hoxie, working around the clock with a crew of workers to make sure the site was ready. The base was completed and statue erected just hours before the ceremony began.

Dedication

The statue was dedicated at 1 pm on April 25, 1881, becoming the first monument erected in Washington, D.C. in honor of a naval war hero. Government employees were dismissed at noon, the same time a procession began at the base of Capitol Hill. The military contingent, led by Commodore Charles H. Baldwin, moved west on Pennsylvania Avenue, where houses were decorated with bunting, and past the White House, before heading north on Connecticut Avenue. The homes surrounding the square were decorated with streamers and flags. Nearly 4,000 invited guests, including members of the Grand Army of the Republic and fellow sailors who served alongside Farragut, listened to John Philip Sousa conduct the Marine Band as they filled three temporary stands that were built on three sides of the statue. Distinguished guests included President James A. Garfield and his wife, Lucretia, members of the President’s cabinet, Virginia Farragut, and Ream.

An opening prayer was led by Reverend Arthur Brooks followed by the statue being unveiled by two members of Farragut’s Hartford crew, Quartermaster C. B. Knowles and Boatswain James Wiley. When the statue was unveiled, the Marine Band began playing a march and a seventeen gun salute was fired from nearby Lafayette Square. Secretary of the Navy William H. Hunt then introduced the President, who formally accepted the statue on behalf of the American people and gave a brief address. He stated: “Today we come to hail this hero, who comes from the sea, down from the shrouds of his flagship, wreathed with the smoke and glory of victory, bringing 60 years of national life and honor, to take his place as an honored compatriot and perpetual guardian of his Nation’s glory. In the name of the Nation I accept this noble statue, and his country will guard it as he guarded his country.” Speeches were then given by former Postmaster General Horace Maynard and Senator Daniel W. Voorhees followed by the Marine Band playing “Hail to the Chief” and another seventeen gun salute. At the conclusion of the ceremony, the military procession saluted the statue as they marched back down Connecticut Avenue, past the White House, and down Pennsylvania Avenue.

Later History

The Farragut statue is one of eighteen Civil War monuments in Washington, D.C., which were collectively listed on the National Register of Historic Places on September 20, 1978, and the District of Columbia Inventory of Historic Sites on March 3, 1979. It is one of the few Civil War monuments that is a not an equestrian sculpture. The others are the Dupont Circle Fountain, Stephenson Grand Army of the Republic Memorial, Nuns of the Battlefield, the Peace Monument, and statues of Brigadier General Albert Pike and General John A. Rawlins. The monument and park are owned and maintained by the National Park Service, a federal agency of the Interior Department.

Design and Location

The statue is located in the center of Farragut Square, a park in downtown Washington, D.C., bordered by K Street (north), I Street (south), and 17th Street NW (east and west). Two sidewalks bisect the park from the northwest to southeast corners, running along either side of the statue, on axis with Connecticut Avenue. Another sidewalk leads from the northeast to southwest corners and runs along the statue. A small, ornamental iron fence surrounds the statue base.

The bronze statue measures 10 ft (3.0 m) tall, 3 ft (0.91 m) wide, and 3 ft (0.91 m) long. Farragut is depicted in his military uniform and standing on the deck of his ship, facing south towards the White House. His right knee is bent as his right foot rests on a capstan. He is holding a telescope with both hands. The base, made of granite from Rockland, Maine, is 16 ft (4.9 m) tall, 18 ft (5.5 m) long, and 24 ft (7.3 m) wide. It is a square, three-tiered base with a chopped mortar on each corner. The inscription “FARRAGUT” is on the front of the base. Inside the base is a box containing documents related to Farragut’s career, a history of the sculpture, a copy of the Army and Navy Register, and a bronze model of the propeller used to cast the statue and mortars.

Jon Magnuson, Executive Director of the nonprofit Cedar Tree Institute in Marquette, Michigan

906-2285494

magnusonx2@charter.net

www.earthkeepersup.org

www.cedartreeinstitute.org

EarthKeepers II (EK II) Project Coordinator Kyra Fillmore Ziomkowski explains creating 30 interfaith community gardens (2013-2014) across the Upper Peninsula of Michigan that include vegetables and native species plants that encourage and help pollinators like bees and butterflies.

The video was shot on April 5, 2013 at the Big Bay Point Lighthouse Bed and Breakfast in Big Bay, MI during a meeting of EK II representatives.

An Interfaith Energy Conservation and Community Garden Initiative Across the Upper Peninsula of Michigan to Restore Native Plants and Protect the Great Lakes from Toxins like Airborne Mercury in cooperation with the EPA Great Lakes Restoration Initiative, U.S. Forest Service, 10 faith traditions and Native American tribes such as Keweenaw Bay Indian Community

10 faiths: Roman Catholic" "Episcopal" "Jewish" "Lutheran" "Presbyterian" "United Methodist" "Bahá'í" "Unitarian Universalist" "American Friends" "Quaker" "Zen Buddhist" "

EK II website

EarthKeepersUP.org

Nonprofit Cedar Tree Institute

Marquette, MI

www.CedarTreeInstitute.org

Great Lakes Restoration Initiative

www.greatlakesrestoration.us

www.epa.gov

Deborah Lamberty

Program Analyst

U.S. Environmental Protection Agency

Great Lakes National Program Office

Chicago, IL

Lamberty.Deborah@epa.gov

312-886-6681

Pastor Albert Valentine II

Manistique, MI

Manistique Presbyterian Church of the Redeemer

Gould City Community Presbyterian Church

Presbytery of Mackinac

www.presbymac.org

Rev. Christine Bergquist

Bark River United Methodist Church

First UMC of Hermansville

United Methodist Church Marquette District

www.mqtdistrict.com

Rev. Elisabeth Zant

Eden Evangelical Lutheran Church

Munising, MI

www.edenevangelical.org

Evangelical Lutheran Church in America (ELCA) Northern Great Lakes Synod

www.nglsynod.org

Heidi Gould

Marquette, MI

Marquette Unitarian Universalist Congregation

www.mqtuu.org

twitter.com/Heidi_Gould

Rev. Pete Andersen

Marquette, MI

ELCA

Helen Grossman

Temple Beth Sholom

Jewish Synagogue

Rev. Stephen Gauger

Calvary Lutheran Church

Rapid River, MI

ELCA

Jan Schultz, Botanist

U.S. Forest Service (USFS)

Eastern Region 9

EK II Technical Advisor for Community Gardens

Milwaukee, WI

USFS

www.fs.fed.us/wildflowers/nativegardening

www.fs.fed.us/wildflowers

www.wildlifeforever.org

Pollinator photos by Nancy Parker Hill

www.nancyhillphoto.com

Rev. David Van Kley, Senior Pastor

Rev. Amanda Kossow, Associate Pastor

www.marquettelutherans.org

Messiah Lutheran Church

Evangelical Lutheran Church in America

Marquette, Michigan

Rev. David Van Kley, Senior Pastor

Rev. Amanda Kossow, Associate Pastor

www.marquettelutherans.org

NMU EK II Student Team

Katelin Bingner

Tom Merkel

Adam Magnuson

EK II social sites

www.youtube.com/EarthKeepersII

vimeo.com/EarthKeepersII

EarthKeepersII.blogspot.com

EarthKeepersII.wordpress.com

www.facebook.com/EarthKeepersII

www.twitter.com/EarthKeeperTeam

pinterest.com/EarthKeepersII

pinterest.com/EarthKeepersII/Great-Lakes-Restoration-Init...

pinterest.com/EarthKeepersII/EarthKeepers-II-and-the-EPA-...

Lake Superior Zendo

Zen Buddhist Temple

Marquette, Michigan

Rev. Tesshin Paul Lehmberg

906 226-6407

plehmber@nmu.edu

Dr. Michael Grossman, representing Jewish Temple Beth Sholom in Ishpeming, MI

Helen Grossman, representing Jewish Temple Beth Sholom in Ishpeming, MI

906-475-4009 (hm)

906-475-4127 (wk)

www.templebethsholom-ishpeming.org

www.templebethsholom-ishpeming.org/tikkun

www.templebethsholom-ishpeming.org/aboutus

Wild Rice: 8 videos

www.learningfromtheearth.org/video-interviews/wild-rice-m...

Birch – 2 videos

www.learningfromtheearth.org/video-interviews/paper-birch...

Photos (click on each name or topic to see the respective photo galleries):

www.learningfromtheearth.org/photo-gallery

www.picasaweb.google.com/Yoopernewsman/JonReport?authuser...

www.picasaweb.google.com/100329402090002004302/JonReport?...

“Albert Einstein speculated once that if bees disappeared off the surface of the earth, then humans would have only four years of life left.”

the late Todd Warner, KBIC Natural Resource Director

Links:

Zaagkii Wings and Seeds Project website:

www.wingsandseeds.org

Cedar Tree Institute: Zaagkii Project

www.cedartreeinstitute.org/2010/07/wings-seeds-zaagkii-pr...

www.cedartreeinstitute.org/2009/01/wings-seeds-the-zaagki...

Zaagkii Project Videos on youtube (also uploaded to dozens of internet sites):

www.indiancountrytodaymedianetwork.com/ictarchives/2008/0...

KBIC Pollinator Preservation

Zaagkii Project Indigenous Plants Help Give New Face to Sand Point on Keweenaw Bay www.indiancountrytodaymedianetwork.com/ictarchives/2008/0...

Zaagkii Project 2010: U.S. Forest Service & Keweenaw Bay Indian Community Native Plants Greenhouse

www.youtube.com/watch?v=Hoq5xXHDF4E

United States Forest Service sponsored Zaagkii Project featured on Pollinator Live

www.youtube.com/watch?v=8P3DPfxx7Jw

2009 Zaagkii Project Vid #9: Teens Painting Mason Bee Houses in Northern Michigan

www.youtube.com/watch?v=QIIV6jrlT20

2009 Zaagkii Project Vid #8: Marquette, Michigan Teens Build Mason Bee Houses

www.youtube.com/watch?v=c3MBfV7ION8

Zaagkii Project Butterfly Houses: Keweenaw Bay Indian Community, U.S. Forest Service

www.youtube.com/watch?v=JlIgsuTFSuM

2009 Zaagkii Project Vid #6: "The Butterfly Lady" Susan Payant teaches teens about Monarchs

2009 Zaagkii Project Vid #5: Terracotta half-life, Marquette, MI band supports environment projects

www.youtube.com/watch?v=JqlFCHwW30o

2009 Zaagkii Video #4: Michigan teens meet 150,000 swarming honeybees with beekeeper Jim Hayward

www.youtube.com/watch?v=U2B4MEzM7w4

2009 Zaagkii Video #3: Michigan teens give away mason bee houses, honor supporters

www.youtube.com/watch?v=dqfWeEgDxTY

2009 Zaagkii Project #2: Historic KBIC native plants greenhouse, USFS protects pollinators

www.youtube.com/watch?v=vg8H5nhvzzc

2009 Zaagkii Project #1: Students make bee houses, plant native species plants

www.youtube.com/watch?v=E8jqJAQyXwE

Zaagkii Project Butterfly Houses: Keweenaw Bay Indian Community, U.S. Forest Service:

www.youtube.com/watch?v=VoPJOXHt7pI

Zaagkii Wings & Seeds Project: Northern Michigan teens, KBIC tribal youth protect pollinators

Zaagkii Project – Northern Michigan University:

www.webb.nmu.edu/Centers/NativeAmericanStudies/SiteSectio...

Native Village stories: Beautiful Layout by Owner Gina Boltz:

Zaagkii Wings and Seeds Project: A Project by Ojibwe Students from the Keweenah Bay Indian Community

www.nativevillage.org/Messages%20from%20the%20People/KBIC...

NMU Students Join Pollinator Protection Initiative

www.nativevillage.org/Messages%20from%20the%20People/KBIC...

KBIC Tribal youth protect pollinators

www.nativevillage.org/Messages%20from%20the%20People/KBIC...

Teens Help with Sweet Nature Project

www.nativevillage.org/Messages%20from%20the%20People/KBIC...

USFS Success Stories:

Restoring Native Plants on the Enchanted Island

www.fs.fed.us/r9/ssrs/story?id=6274

Keweenaw Bay Indian Community Native Plant Greenhouse & Workshop

www.fs.fed.us/r9/ssrs/story?id=5499

Intertribal Nursery Council Annual Meeting a Success

www.fs.fed.us/r9/ssrs/story?id=6276

New Greenhouse for KBIC Restoration

www.fs.fed.us/r9/ssrs/story?id=5336

Zaagkii Wings & Seeds - An Update

www.fs.fed.us/r9/ssrs/story?id=5076

Zaagkii Wings & Seeds Project

www.fs.fed.us/r9/ssrs/story?id=4025

News Stories:

U.P. teens build butterfly houses, grow 26,000 indigenous plants

www.miningjournal.net/page/content.detail/id/519835.html?...

Effort to protect pollinators launched

www.miningjournal.net/page/content.detail/id/512810.html

Marquette Monthly (Sept. 2009):

www.mmnow.com/mm_archive_folder/09/0909/feature.html

As bees die, Keweena Bay Indian Community adults, teens actively protect pollinators

www.nativetimes.com/index.php?option=com_content&view...

Michigan Teens Build Butterfly Houses and Plant 26,000 Native Plants through the Zaagkii Wings and Seeds Project

www.treehugger.com/culture/michigan-teens-build-butterfly...

Examples of numerous Gather.com articles with lots of photos/videos:

Zaagkii Wings and Seeds Project: Northern Michigan teens and KBIC tribal youth are protecting pollinators by building butterfly houses and planting native plants

www.gather.com/viewArticle.action?articleId=281474977550233

Zaagkii Wings & Seeds Project: Protecting Pollinators

www.gather.com/viewArticle.action?articleId=281474977428640

2009 Zaagkii Project #2: Keweenaw Bay Indian Community in 2010 to build first Native American native species plants greenhouse on tribal property in U.S.

www.gather.com/viewArticle.action?articleId=281474978040745

2009 Zaagkii Project #1: Northern Michigan Teens Protect Pollinators with U.S. Forest Service, Keweenaw Bay Indian Community, NMU Center for Native American Studies: Build mason bee houses, butterfly houses, distribute thousands of native species plants

www.gather.com/viewArticle.action?articleId=281474978040729

Zaagkii Project Internet sites – blogs, photos, videos etc.:

ZaagkiiProject on flickr

www.flickr.com/photos/zaagkiiproject

www.flickr.com/people/zaagkiiproject

Zaagkii on youtube:

www.zaagkiiproject.wordpress.com

Zaagkii on bliptv:

www.zaagkiitv.blip.tv

Zaagkii on word press:

Zaagkii on Blogger:

www.zaagkiiproject.blogspot.com

Zaagkii on Photobucket:

www.photobucket.com/ZaagkiiProjectWingsSeeds

www.photobucket.com/ZaagkiiProjectWingsSeeds/?start=all

Zaagkii Wings and Seeds Project website:

wingsandseeds.org

Cedar Tree Institute: Zaagkii Project

cedartreeinstitute.org/2010/07/wings-seeds-zaagkii-project

cedartreeinstitute.org/2009/01/wings-seeds-the-zaagkii-pr...

Zaagkii Project Videos on youtube (also uploaded to dozens of internet sites):

indiancountrytodaymedianetwork.com/ictarchives/2008/08/15...

KBIC Pollinator Preservation

Zaagkii Project Indigenous Plants Help Give New Face to Sand Point on Keweenaw Bay indiancountrytodaymedianetwork.com/ictarchives/2008/09/03...

Zaagkii Project 2010: U.S. Forest Service & Keweenaw Bay Indian Community Native Plants Greenhouse

www.youtube.com/watch?v=Hoq5xXHDF4E

United States Forest Service sponsored Zaagkii Project featured on Pollinator Live

www.youtube.com/watch?v=8P3DPfxx7Jw

2009 Zaagkii Project Vid #9: Teens Painting Mason Bee Houses in Northern Michigan

www.youtube.com/watch?v=QIIV6jrlT20

2009 Zaagkii Project Vid #8: Marquette, Michigan Teens Build Mason Bee Houses

www.youtube.com/watch?v=c3MBfV7ION8

Zaagkii Project Butterfly Houses: Keweenaw Bay Indian Community, U.S. Forest Service

www.youtube.com/watch?v=JlIgsuTFSuM

2009 Zaagkii Project Vid #6: "The Butterfly Lady" Susan Payant teaches teens about Monarchs

2009 Zaagkii Project Vid #5: Terracotta half-life, Marquette, MI band supports environment projects

www.youtube.com/watch?v=JqlFCHwW30o

2009 Zaagkii Video #4: Michigan teens meet 150,000 swarming honeybees with beekeeper Jim Hayward

www.youtube.com/watch?v=U2B4MEzM7w4

2009 Zaagkii Video #3: Michigan teens give away mason bee houses, honor supporters

www.youtube.com/watch?v=dqfWeEgDxTY

2009 Zaagkii Project #2: Historic KBIC native plants greenhouse, USFS protects pollinators

www.youtube.com/watch?v=vg8H5nhvzzc

2009 Zaagkii Project #1: Students make bee houses, plant native species plants

www.youtube.com/watch?v=E8jqJAQyXwE

Zaagkii Project Butterfly Houses: Keweenaw Bay Indian Community, U.S. Forest Service:

www.youtube.com/watch?v=VoPJOXHt7pI

Zaagkii Wings & Seeds Project: Northern Michigan teens, KBIC tribal youth protect pollinators

Zaagkii Project – Northern Michigan University:

webb.nmu.edu/Centers/NativeAmericanStudies/SiteSections/A...

Native Village stories: Beautiful Layout by Owner Gina Boltz:

Zaagkii Wings and Seeds Project: A Project by Ojibwe Students from the Keweenah Bay Indian Community

www.nativevillage.org/Messages%20from%20the%20People/KBIC...

NMU Students Join Pollinator Protection Initiative

www.nativevillage.org/Messages%20from%20the%20People/KBIC...

KBIC Tribal youth protect pollinators

www.nativevillage.org/Messages%20from%20the%20People/KBIC...

Teens Help with Sweet Nature Project

www.nativevillage.org/Messages%20from%20the%20People/KBIC...

USFS Success Stories:

Restoring Native Plants on the Enchanted Island

www.fs.fed.us/r9/ssrs/story?id=6274

Keweenaw Bay Indian Community Native Plant Greenhouse & Workshop

www.fs.fed.us/r9/ssrs/story?id=5499

Intertribal Nursery Council Annual Meeting a Success

www.fs.fed.us/r9/ssrs/story?id=6276

New Greenhouse for KBIC Restoration

www.fs.fed.us/r9/ssrs/story?id=5336

Zaagkii Wings & Seeds - An Update

www.fs.fed.us/r9/ssrs/story?id=5076

Zaagkii Wings & Seeds Project

www.fs.fed.us/r9/ssrs/story?id=4025

News Stories:

U.P. teens build butterfly houses, grow 26,000 indigenous plants

www.miningjournal.net/page/content.detail/id/519835.html?...

Effort to protect pollinators launched

www.miningjournal.net/page/content.detail/id/512810.html

Marquette Monthly (Sept. 2009):

mmnow.com/mm_archive_folder/09/0909/feature.html

As bees die, Keweena Bay Indian Community adults, teens actively protect pollinators

nativetimes.com/index.php?option=com_content&view=art...

Michigan Teens Build Butterfly Houses and Plant 26,000 Native Plants through the Zaagkii Wings and Seeds Project

www.treehugger.com/culture/michigan-teens-build-butterfly...

Examples of numerous Gather.com articles with lots of photos/videos:

Zaagkii Wings and Seeds Project: Northern Michigan teens and KBIC tribal youth are protecting pollinators by building butterfly houses and planting native plants

www.gather.com/viewArticle.action?articleId=281474977550233

Zaagkii Wings & Seeds Project: Protecting Pollinators

www.gather.com/viewArticle.action?articleId=281474977428640

2009 Zaagkii Project #2: Keweenaw Bay Indian Community in 2010 to build first Native American native species plants greenhouse on tribal property in U.S.

www.gather.com/viewArticle.action?articleId=281474978040745

2009 Zaagkii Project #1: Northern Michigan Teens Protect Pollinators with U.S. Forest Service, Keweenaw Bay Indian Community, NMU Center for Native American Studies: Build mason bee houses, butterfly houses, distribute thousands of native species plants

www.gather.com/viewArticle.action?articleId=281474978040729

Zaagkii Project Internet sites – blogs, photos, videos etc.:

ZaagkiiProject on flickr

www.flickr.com/photos/zaagkiiproject

www.flickr.com/people/zaagkiiproject

Zaagkii on youtube:

zaagkiiproject.wordpress.com

Zaagkii on bliptv:

www.zaagkiitv.blip.tv

Zaagkii on word press:

Zaagkii on Blogger:

zaagkiiproject.blogspot.com

Zaagkii on Photobucket:

photobucket.com/ZaagkiiProjectWingsSeeds

photobucket.com/ZaagkiiProjectWingsSeeds/?start=all

7th Precinct 3rd floor locker room by Soundwave_sw

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includes shower, lockers, toilet, sink and urinal. no peeking!

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Essential Accessory Kit For Canon SX40 HS, SX30 IS, G1 X, G1X, SX520 HS, SX530 HS, SX50 HS, SX50HS, SX60 HS, Powershot G15, Canon Powershot G16 Digital Camera Includes 50 Tripod + Rugged Camera Bag / Case + 7 Flexible Tripod + Screen Protectors + More:

www.shoppingsecurelyonline.com/essential-accessory-kit-fo...

Oxon Hill Farm, Oxon Hill, Maryland by Ken Lund

Oxon Cove Park and Oxon Cove Farm is a national historic district that includes a living farm museum operated by the National Park Service, and located at Oxon Hill, Prince George's County, Maryland. It was listed on the National Register of Historic Places in 2003.

The park provides an excellent resource for environmental studies, wildlife observing, fishing, and other recreational activities made possible by easy access to the Potomac River. Fourteen buildings and two structures are located in the historic district and associated with the property's sequential development as a plantation, an institutional agricultural complex, and a farm museum.

The Oxon Hill Farm includes the Mount Welby home, Farm Museum, barns, a stable, feed building, livestock buildings and a visitor activity barn. Farm animals include cows, horses and chickens. Visitors can view the animals up close daily and learn about the workings of a farm. The Farm Museum building displays historical farm equipment dating from the late 19th century.

The district also includes a hexagonal frame outbuilding; ca. 1830 brick root cellar; ca. 1973 frame hog house; ca. 1890 frame horse and pony barn; ca. 1991 frame chicken house; ca. 1970 steel-frame implement shed; ca. 1980 frame visitor barn; ca. 1970 steel-frame windmill; ca. 1940 frame hay barn; ca. 1890 frame feed building; ca. 1830 brick stable; ca. 1970 frame tool shed; ca. 1980 frame "sorghum sirip" shed; and a ca. 1980 frame dairy barn, and ca. 1940 tile silo. From the 1890s to 1950s, under the ownership of St. Elizabeth's Hospital, the site was used as a therapeutic treatment center for the mentally ill known as Godding Croft. The Oxon Cove Farm historic district is located on the crest of a ridge overlooking the Potomac River, north of I-95.

The principal dwelling, known as "Mount Welby," is a ca. 1807-1811 two-story three-bay brick structure laid in Flemish bond with Italianate detailing and sheltered by a shed roof, and visible to motorists crossing the interstate Woodrow Wilson Bridge. The house was built by Irish immigrant Dr. Samuel DeButts. It was entrusted to the National Park Service in 1959 in order to protect its resources from increased development. From 1891 to 1950, the property was used as a therapeutic farm by St. Elizabeths Hospital, and was known as Godding Croft.

The house is operated as a historic house museum, with exhibits about period life in the early 19th century for the owners and slaves on the plantation. Other exhibits focus on the home's role at Godding Croft.

en.wikipedia.org/wiki/Oxon_Cove_Park_and_Oxon_Hill_Farm

en.wikipedia.org/wiki/Wikipedia:Text_of_Creative_Commons_...

India - Kerala - Backwaters - 1 by Manfred Sommer

The Kerala backwaters are a chain of brackish lagoons and lakes lying parallel to the Arabian Sea coast (known as the Malabar Coast) of Kerala state in southern India. The network includes five large lakes linked by canals, both manmade and natural, fed by 38 rivers, and extending virtually half the length of Kerala state. The backwaters were formed by the action of waves and shore currents creating low barrier islands across the mouths of the many rivers flowing down from the Western Ghats range.

The Kerala Backwaters are a network of interconnected canals, rivers, lakes and inlets, a labyrinthine system formed by more than 900 km of waterways, and sometimes compared to the American Bayou. In the midst of this landscape there are a number of towns and cities, which serve as the starting and end points of backwater cruises. National Waterway No. 3 from Kollam to Kottapuram, covers a distance of 205 km and runs almost parallel to the coast line of southern Kerala facilitating both cargo movement and backwater tourism.

The backwaters have a unique ecosystem - freshwater from the rivers meets the seawater from the Arabian Sea. In certain areas, such as the Vembanad Kayal, where a barrage has been built near Kumarakom, salt water from the sea is prevented from entering the deep inside, keeping the fresh water intact. Such fresh water is extensively used for irrigation purposes.

Many unique species of aquatic life including crabs, frogs and mudskippers, water birds such as terns, kingfishers, darters and cormorants, and animals such as otters and turtles live in and alongside the backwaters. Palm trees, pandanus shrubs, various leafy plants and bushes grow alongside the backwaters, providing a green hue to the surrounding landscape.

Vembanad Kayal is the largest of the lakes, covering an area of 200 km², and bordered by Alappuzha (Alleppey), Kottayam, and Ernakulam districts. The port of Kochi (Cochin) is located at the lake's outlet to the Arabian Sea. Alleppey, "Venice of the East", has a large network of canals that meander through the town. Vembanad is India’s longest lake.

HOUSE BOATS

The kettuvallams (Kerala houseboats) in the backwaters are one of the prominent tourist attractions in Kerala. More than 2000 kettuvallams ply the backwaters, 120 of them in Alappuzha. Kerala government has classified the tourist houseboats as Platinum, Gold and silver.

The kettuvallams were traditionally used as grain barges, to transport the rice harvested in the fertile fields alongside the backwaters. Thatched roof covers over wooden hulls, 30 m in length, provided protection from the elements. At some point in time the boats were used as living quarters by the royalty. Converted to accommodate tourists, the houseboats have become floating cottages having a sleeping area, with western-style toilets, a dining area and a sit out on the deck. Most tourists spend the night on a house boat. Food is cooked on board by the accompanying staff – mostly having a flavour of Kerala. The houseboats are of various patterns and can be hired as per the size of the family or visiting group. The living-dining room is usually open on at least three sides providing a grand view of the surroundings, including other boats, throughout the day when it is on the move. It is brought to a standstill at times of taking food and at night. After sunset, the boat crew provide burning coils to drive away mosquitoes. Ketuvallams are motorised but generally proceed at a slow speed for smooth travel. All ketuvallams have a generator and most bedrooms are air-conditioned. At times, as per demand of customers, electricity is switched off and lanterns are provided to create a rural setting.

While many ketuvalloms take tourists from a particular point and bring them back to around the same point next morning there are some specific cruises mostly in the Alappuzha area, such as the one night cruise from Alappuzha to Thotapally via Punnamada Lake two nights cruise from Alappuzha to Alumkavadi,[8] one night cruise from Alappuzha to Kidangara, and one night cruise from Alappuzha to Mankotta. There are numerous such cruises.

Beypore, located 10 km south of Kozhikode at the mouth of the Chaliyar River, is a famous fishing harbour, port and boat building centre. Beypore has a 1,500 year-tradition of boatbuilding. The skill of the local shipwrights and boat builders are widely sought after. There is a houseboat-building yard at Alumkadavu, in Ashtamudi Kayal near Kollam.

FERRY SERVICES

Regular ferry services connect most locations on both banks of the backwaters. The Kerala State Water Transport Department operates ferries for passengers as well as tourists. It is the cheapest mode of transport through the backwaters.

ECONOMIC SIGNIFICANCE

Connected by artificial canals, the backwaters form an economical means of transport, and a large local trade is carried on by inland navigation. Fishing, along with fish curing is an important industry.

Kerala backwaters have been used for centuries by the local people for transportation, fishing and agriculture. It has supported the efforts of the local people to earn a livelihood. In more recent times, agricultural efforts have been strengthened with reclamation of some backwater lands for rice growing, particularly in the Kuttanad area. Boat making has been a traditional craft, so has been the coir industry.

Kuttanad is crisscrossed with waterways that run alongside extensive paddy fields, as well as fields of cassava, banana and yam. A unique feature of Kuttanad is that many of these fields are below sea level and are surrounded by earthen embankments. The crops are grown on the low-lying ground and irrigated with fresh water from canal and waterways connected to Vembanad lake. The area is similar to the dikes of the Netherlands where land has been reclaimed from the sea and crops are grown.

WIKIPEDIA

Tynemouth Castle and Abbey by Kevin Norman

1

Tynemouth Castle is located on a rocky headland (known as Pen Bal Crag), overlooking Tynemouth Pier.

The moated castle-towers, gatehouse and keep are combined with the ruins of the Benedictine priory where early kings of Northumbria were buried.

The coat of arms of the town of Tynemouth still includes three crowns commemorating the tradition that the Priory had been the burial place for three kings.

Little is known of the early history of the site. Some Roman stones have been found there, but there is no definite evidence that it was occupied by the Romans.

The Priory was founded early in the 7th century, perhaps by Edwin of Northumbria. In 651 Oswin, king of Deira was murdered by the soldiers of King Oswiu of Bernicia, and subsequently his body was brought to Tynemouth for burial.[1] He became St Oswin and his burial place became a shrine visited by pilgrims. He was the first of the three kings buried at Tynemouth.

In 792 Osred II, who had been king of Northumbria from 789 to 790 and then deposed, was murdered. He also was buried at Tynemouth Priory.[1] Osred was the second of the three kings buried at Tynemouth.

The third king to be buried at Tynemouth was Malcolm III, king of Scotland, who was killed at the Battle of Alnwick in 1093.[1] (This is the same Malcolm who appears in Shakespeare's Macbeth.) The king's body was sent north for reburial, in the reign of his son Alexander I, at Dunfermline Abbey, or possibly Iona.

In 800 the Danes plundered Tynemouth Priory,[1] and afterwards the monks strengthened the fortifications sufficiently to prevent the Danes from succeeding when they attacked again in 832. However, in 865 the church and monastery were destroyed by the Danes. At the same time, the nuns of St Hilda, who had come there for safety, were massacred. The priory was again plundered by the Danes in 870. The priory was destroyed by the Danes in 875.

Norman rule

Earl Tostig made Tynemouth his fortress during the reign of Edward the Confessor. By that time, the priory had been abandoned and the burial place of St Oswin had been forgotten. According to legend, St Oswin appeared in a vision to Edmund, a novice, who was living there as a hermit. The saint showed Edmund where his body lay and so the tomb was re-discovered in 1065.

Tostig was killed at the Battle of Stamford Bridge in 1066 and so was not able to re-found the monastery as he had intended.

In 1074 Waltheof II, Earl of Northumbria, last of the Anglo-Saxon earls, granted the church to the monks of Jarrow together with the body of St Oswin (Oswine of Deira), which was transferred to that site for a while.

In 1090 Robert de Mowbray, Earl of Northumberland decided to re-found Tynemouth Priory, but he was in dispute with William de St-Calais, the Bishop of Durham and so placed the priory under the jurisdiction of the priory of St Albans. Monks were sent from St Albans in 1090 to colonise the new monastery.

However, when the abbot of St Albans visited in 1093, Prior Thurgot of Durham met him and prevented the usurpation of the rights of Durham.

In 1091, seamen from William II's ships plundered Tynemouth and one victim appealed to St. Oswin, whose shrine was in the priory, and the next day the ships were all lost on the rocks of Coquet Island in fair weather. Thereafter, William Rufus held St. Oswin in great reverence.

In 1093 Malcolm III of Scotland invaded England and was killed at Alnwick by Robert de Mowbray. Malcolm's body was buried at Tynemouth Priory for a time, but it is believed that he was subsequently reburied in Dunfermline Abbey, in Scotland.

In 1095 Robert de Mowbray took refuge in Tynemouth Castle after rebelling against William II. William besieged the castle and captured it after two months. Mowbray escaped to Bamburgh Castle, but subsequently returned to Tynemouth. The castle was re-taken and Mowbray was dragged from there and imprisoned for life for treason. In 1110 a new church was completed on the site.

Tynemouth Priory viewed from Tynemouth pier shows the strategic and dramatic nature of its headland setting

It is believed that at the time of Robert Mowbray's capture in 1095 there was a castle on the site consisting of earthen ramparts and a wooden stockade.

In 1296 the prior of Tynemouth was granted royal permission to surround the monastery with walls of stone, which he did. In 1390 a gatehouse and barbican were added on the landward side of the castle.

Much remains of the priory structure as well as the castle gatehouse and walls which are 3200 feet (975 m) in length. The promontory was originally completely enclosed by a curtain wall and towers, but the north and east walls fell into the sea, and most of the south wall was demolished; the west wall, the gatehouse and a section of the south wall (with original wall walk) remain in good condition.

Edward II

In 1312 King Edward II took refuge in Tynemouth Castle together with his favourite Piers Gaveston, before fleeing by sea to Scarborough Castle. These events were dramatised by Christopher Marlowe in his play Edward II, published in 1594. Act 2 Scene 2 of the play is set 'Before Tynemouth Castle'; Act 2 Scene 3 is set 'Near Tynemouth Castle'; and Act 2 Scene 4 is set 'In Tynemouth Castle'.

Tynemouth Priory was also the resting place of Edward's illegitimate son Adam FitzRoy. FitzRoy accompanied his father in the Scottish campaigns of 1322, and died shortly afterwards on 18 September 1322, of unknown causes, and was buried at Tynemouth Priory on 30 September 1322; his father paid for a silk cloth with gold thread to be placed over his body.[2]

The Oratory of St Mary, or Percy Chapel

In 1538 the monastery of Tynemouth was suppressed when Robert Blakeney was the last prior of Tynemouth. At that time, apart from the prior, there were fifteen monks and three novices in residence.

The priory and its attached lands were taken over by King Henry VIII who granted them to Sir Thomas Hilton. The monastic buildings were dismantled leaving only the church and the Prior's house. The castle, however, remained in royal hands.

New artillery fortifications were built from 1545 onwards, with the advice of Sir Richard Lee and the Italian military engineers Gian Tommaso Scala and Antonio da Bergamo. The medieval castle walls were updated with new gunports.[3] The castle was the birthplace of Henry Percy, 9th Earl of Northumberland in 1564, during the period when his father, the 8th Earl, was guardian of the castle.

In May 1594 George Selby and Thomas Power, lieutenant of Tynemouth Castle, captured two fugitives from the court of Anne of Denmark who had stolen some of her jewels. Power kept Jacob Kroger, a German goldsmith, and Guillaume Martyn, a French stableman, as prisoners at Tynemouth for five weeks until they were returned to Edinburgh for summary trial and execution.[4]

Parish church

The church remained in use as a parish church until 1668 when a new church was built nearby. The ruins of the church can still be seen. Beneath them is a small (18 feet by 12 feet) chapel, the Oratory of St Mary or Percy Chapel. Its notable decorative features include a painted ceiling with numerous coats of arms and other symbols, stained-glass side windows, and a small rose window in the east wall, above the altar.

Tynemouth priory, 1867 proof engraving by William Miller after J M W Turner. The lighthouse, since demolished, stands on the far right of the promontory.

For some time a navigation light, in the form of a coal-fired brazier, had been maintained on top of one of the turrets at the east end of the Priory church. It is not known when this practice began, but a source of 1582 refers to: "the kepinge of a continuall light in the night season at the easte ende of the churche of Tinmouthe castle ... for the more safegarde of such shippes as should passe by that coast".[5] As Governor of Tynemouth Castle, Henry Percy, 8th Earl of Northumberland is recorded as having responsibility for the light's maintenance; and he and his successors in that office were entitled to receive dues from passing ships in return.

In 1559, however, the stairs leading to the top of the turret collapsed, preventing the fire from being lit.[5] In 1665, therefore, the then Governor (Colonel Villiers) had a purpose-built lighthouse erected on the headland (within the castle walls, using stone taken from the priory); it was rebuilt in 1775.[6] Like its predecessor, the lighthouse was initially coal-fired, but in 1802 an oil-fired argand light was installed and by 1871 it displayed a revolving red light. In 1841 William Fowke (a descendant of Villiers and his successor as Governor) sold the lighthouse to Trinity House, London.[6] It remained in operation until 1895, when it was replaced by St. Mary's Lighthouse in Whitley Bay to the north. Tynemouth Castle Lighthouse was subsequently demolished, in 1898.[7]

At the end of the 19th century the castle was used as a barracks with several new buildings being added. Many of these were removed after a fire in 1936. The castle played a role during World War I and World War II[8] when it was used as a coastal defence installation covering the mouth of the river Tyne. The restored sections of the coastal defence emplacements are open to the public. These include a guardroom and the main armoury, where visitors can see how munitions were safely handled and protected.

More recently the site has hosted the modern buildings of Her Majesty's Coastguard; however the new coastguard station, built in 1980 and opened by Prince Charles, was closed in 2001.[9]

Present-day

Tynemouth Castle and Priory is now managed by English Heritage, which charges an admission fee.

In 2002, it doubled as a castle for a tourist advert for the Isle of Mull.

The image of the car window includes it by max max

2 1

Dusk when I was reflected in the rear window…

Yes, is it good?

Sunday Experiment Highlights NASA's MMS Mission: Join us from 1-3 PM on Sunday, March 16 at Goddard's Visitors Center : NASA's Magnetospheric Multiscale (MMS) mission via brief presentations from MMS scientists, hands-on activities that include spacecraft by NASA Goddard Space Flight Center

Sunday Experiment Highlights NASA's MMS Mission: Join us from 1-3 PM on Sunday, March 16 at Goddard's Visitors Center : NASA's Magnetospheric Multiscale (MMS) mission via brief presentations from MMS scientists, hands-on activities that include spacecraft modeling (LEGO, paper), NASA Apps and iPad Teacher Tools, magnetism, mission career videos and more!

Credit: NASA/Goddard/Bill Hrybyk