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The Lidl Run Kildare Events 2013 were held at the Curragh Racecourse, Newbridge, Co. Kildare, Ireland on Sunday 12th May 2013. There were three events: a 10KM, a half marathon, and a full marathon. This is a selection of photographs which includes all events. The photographs are taken from the start and finish of the marathon, the finish of the 10KM, and the finish of the half marathon. Due to the large numbers participating we did not manage to photograph everyone - which was not helped by the weather. Congratulations to Jo Cawley and her RunKildare crew for another great event. The weather didn't dampen the spirits of the many happy participants.
Electronic timing was provided by Red Tag Timing [www.redtagtiming.com/]
Overall Race Summary
Participants: There were approximately 3,000 participants over the 3 race events - there were runners, joggers, and walkers participating.
Weather: A cold breezy morning with heavy rain at the start. The weather dried up for the 10KM and the Half Marathon races
Course: This is an undulating course with some good flat stretches on the Curragh.
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Some Useful Links
GPS Garmin Trace of the Kildare Marathon Route: connect.garmin.com/activity/175709313
Homepage of the Lidl Run Kildare Event: www.kildaremarathon.ie/index.html
Facebook Group page of the Lidl Run Kildare Event: www.facebook.com/RunKildare
Boards.ie Athletics Discussion Board pages about the race series: www.boards.ie/vbulletin/showthread.php?t=2056815306
Our photographs from Run Kildare 2012: www.flickr.com/photos/peterm7/sets/72157629707887620/
Our photographs from Run Kildare 2011: www.flickr.com/photos/peterm7/sets/72157626725200956/
A small selection of photographs from Run Kildare 2010: www.flickr.com/photos/peterm7/sets/72157623899845567/ (first event)
Can I use the photograph with the watermark?
Yes! Absolutely - you can post this photograph to your social networks, blogs, micro-blogging, etc.
How can I get a full resolution, no watermark, copy of these photographs?
All of the photographs here on this Flickr set have a visible watermark embedded in them. All of the photographs posted here on this Flickr set are available, free, at no cost, at full resolution WITHOUT watermark. We take these photographs as a hobby and as a contribution to the running community in Ireland. We do not know of any other photographers who operate such a policy. Our only "cost" is our request that if you are using these images: (1) on social media sites such as Facebook, Tumblr, Pinterest, Twitter,LinkedIn, Google+, etc or (2) other websites, web multimedia, commercial/promotional material that you provide a link back to our Flickr page to attribute us. This also extends the use of these images for Facebook profile pictures. In these cases please make a separate wall or blog post with a link to our Flickr page. If you do not know how this should be done for Facebook or other social media please email us and we will be happy to help suggest how to link to us.
Please email petermooney78 AT gmail DOT com with the links to the photographs you would like to obtain a full resolution copy of. We also ask race organisers, media, etc to ask for permission before use of our images for flyers, posters, etc. We reserve the right to refuse a request.
In summary please remember - all we ask is for you to link back to our Flickr set or Flickr pages. Taking the photographs and preparing them for online posting does take a significant effort. We are not posting photographs to Flickr for commercial reasons. If you really like what we do please spread the link around, send us an email, leave a comment beside the photographs, send us a Flickr email, etc.
If you would like to contribute something for your photograph(s)?
Some people offer payment for our photographs. We do not charge for these photographs. We take these photographs as our contribution to the running community in Ireland. If you feel that the photograph(s) you request are good enough that you would pay for their purchase from other photographic providers we would suggest that you can provide a donation to any of the great charities in Ireland who do work for Cancer Care or Cancer Research in Ireland.
I ran in the race - but my photograph doesn't appear here in your Flickr set! What gives?
As mentioned above we take these photographs as a hobby and as a voluntary contribution to the running community in Ireland. Very often we have actually ran in the same race and then switched to photographer mode after we finished the race. Consequently, we feel that we have no obligations to capture a photograph of every participant in the race. However, we do try our very best to capture as many participants as possible. But this is sometimes not possible for a variety of reasons:
►You were hidden behind another participant as you passed our camera
►Weather or lighting conditions meant that we had some photographs with blurry content which we did not upload to our Flickr set
►There were too many people - some races attract thousands of participants and as amateur photographs we cannot hope to capture photographs of everyone
►We simply missed you - sorry about that - we did our best!
You can email us petermooney78 AT gmail DOT com to enquire if we have a photograph of you which didn't make the final Flickr selection for the race. But we cannot promise that there will be photograph there. As alternatives we advise you to contact the race organisers to enquire if there were (1) other photographs taking photographs at the race event or if (2) there were professional commercial sports photographers taking photographs which might have some photographs of you available for purchase. You might find some links for further information above.
Don't like your photograph here?
That's OK! We understand!
If, for any reason, you are not happy or comfortable with your picture appearing here in this photoset on Flickr then please email us at petermooney78 AT gmail DOT com and we will remove it as soon as possible. We give careful consideration to each photograph before uploading.
I want to tell people about these great photographs!
Great! Thank you! The best link to spread the word around is probably www.flickr.com/peterm7/sets
NARMADA PARIKRAMA
The Narmada also called the Rewa, is a river in central India and the fifth longest river in the Indian subcontinent. It is the third longest river that flows entirely within India, after the Godavari and the Krishna. It is also known as "Life Line of Madhya Pradesh" for its huge contribution to the state of Madhya Pradesh in many ways. It forms the traditional boundary between North India and South India and flows westwards over a length of 1,312 km (815.2 mi) before draining through theGulf of Khambhat into the Arabian Sea, 30 km (18.6 mi) west of Bharuch city of Gujarat. It is one of only three major rivers in peninsular India that run from east to west (longest west flowing river), along with the Tapti River and the Mahi River. It is the one of the rivers in India that flows in a rift valley, flowing west between the Satpura and Vindhya ranges. The other rivers which flows through rift valley include Damodar River in Chota Nagpur Plateau and Tapti. The Tapti River and Mahi River also flow through rift valleys, but between different ranges. It flows through the states of Madhya Pradesh(1,077 km (669.2 mi)), and Maharashtra, (74 km (46.0 mi))– (35 km (21.7 mi)) then along the border between Madhya Pradesh and Maharashtra (39 km (24.2 mi) and the border between Madhya Pradesh and Gujarat and in Gujarat (161 km (100.0 mi)).
The Periplus Maris Erythraei (c. 80 AD) calls it the Nammadus, and theBritish Raj called it the Nerbudda or Narbada. Narmadā is a Sanskrit word meaning "the Giver of Pleasure".
To Hindus the Narmada is one of the five holy rivers of India; the other four beingGanges, Yamuna, Godavari and Kaveri. It is believed that a dip in any of these five rivers washes one's sins away. According to a legend, the river Ganges, polluted by millions of people bathing in it, assumes the form of a black cow and comes to the Narmada to bathe and cleanse itself in its holy waters. Legends also claim that the Narmada River is older than the river Ganges.
The river was mentioned by Ptolemy in the second century AD as Namade and by the author of the Periplus. The Ramayana, the Mahabharat, and thePuranas refer to it frequently. The Rewa Khand of Vayu Purana and the Rewa Khand of Skanda Purana are entirely devoted to the story of the birth and the importance of the river, and hence Narmada is also called the Rewa.
There are many fables about the origin of the Narmada. According to one of them, once Lord Shiva, the Destroyer of the Universe, meditated so hard that he started perspiring. Shiva's sweat accumulated in a tank and started flowing in the form of a river – the Narmada. Another legend has it that two teardrops that fell from the eyes of Lord Brahma, the creator of the universe, yielded two rivers – the Narmada and the Son.
Legends also say that for Lord Shiva, the Hindu God, the river is especially sacred on account of its origin, and it is often called Shankari, i.e., daughter of Shankar (Lord Shiva). All the pebbles rolling on its bed are said to take the shape of his emblem with the saying, "Narmada Ke Kanker utte Sankar" (a popular saying in the Hindi belt of India), which means that 'pebble stones of Narmada get a personified form of Shiva'. These lingam shaped stones (cryptocrytalline quartz), calledBanalinga also called (Banashivalingas) are much sought after for daily worship by the Hindus. The Brihadeeswara Temple in Thanjavur, Tamil Nadu, constructed by Rajaraja Chola, has one of the biggest Banalingas. Adi Shankara met his guru Govinda Bhagavatpada on the banks of the river Narmada.
Narmada is also said to have been in love with the Sonbhadra, another river flowing on the Chota Nagpur Plateau. According to the Puranas, the Narmada is also called the Rewa, from its leaping motion (from the root 'rev') through its rocky bed.
Important religious places and Ghats along the course of the river, starting from its origin at Narmadakhund at Amarkantakhill, are a) the Amarkantak (in Sanskrit: Neck of Shiva) or Teertharaj (the King of Pilgrimages), b) Omkareshwar, Maheshwar, and Mahadeo temples, Nemawar Siddeshwar Mandir in the middle reach of the river – all named after Shiva, c) Chausath Yogini (sixty four yoginis) temple, d) Chaubis Avatar temple, e) Bhojpur Shiva temple and Bhrigu Rishi temple in Bharuch. The Narmada River is also worshipped as mother goddess by Narmadeeya Brahmins.
The importance of the Narmada River as sacred is testified by the fact that the pilgrims perform a holy pilgrimage of aparikrama or circumambulation of the river.[17] The Narmada Parikrama, as it is called, is considered to be a meritorious act that a pilgrim can undertake. Many sadhus and pilgrims walk on foot from the Arabian Sea at Bharuch in Gujarat, along the river, to the source in Maikal Mountains (Amarkantak hills) in Madhya Pradesh and back along the opposite bank of the river. It is a 2,600-kilometre (1,600 mi) walk.[18] Important towns of interest in the valley are Jabalpur, Barwani, Hoshangabad, Harda, Narmada Nagar, Omkareshwar, Dewas (Nemavar, Kity, Pipri), Mandla and Maheshwar in Madhya Pradesh, andRajpipla and Bharuch in Gujarat. Some places of historical interest are Joga Ka Quilla, Chhatri of Baji Rao Peshwa andBhimbetka, and among the falls are the Dugdhdhara, Dhardi falls, Bheraghat, Dhuandhara, Kapiladhara and Sahastradhara. By Kailash Mansarovar Foundation Swami Bikash Giri www.sumeruparvat.com , www.naturalitem.com
NARMADA PARIKRAMA
The Narmada also called the Rewa, is a river in central India and the fifth longest river in the Indian subcontinent. It is the third longest river that flows entirely within India, after the Godavari and the Krishna. It is also known as "Life Line of Madhya Pradesh" for its huge contribution to the state of Madhya Pradesh in many ways. It forms the traditional boundary between North India and South India and flows westwards over a length of 1,312 km (815.2 mi) before draining through theGulf of Khambhat into the Arabian Sea, 30 km (18.6 mi) west of Bharuch city of Gujarat. It is one of only three major rivers in peninsular India that run from east to west (longest west flowing river), along with the Tapti River and the Mahi River. It is the one of the rivers in India that flows in a rift valley, flowing west between the Satpura and Vindhya ranges. The other rivers which flows through rift valley include Damodar River in Chota Nagpur Plateau and Tapti. The Tapti River and Mahi River also flow through rift valleys, but between different ranges. It flows through the states of Madhya Pradesh(1,077 km (669.2 mi)), and Maharashtra, (74 km (46.0 mi))– (35 km (21.7 mi)) then along the border between Madhya Pradesh and Maharashtra (39 km (24.2 mi) and the border between Madhya Pradesh and Gujarat and in Gujarat (161 km (100.0 mi)).
The Periplus Maris Erythraei (c. 80 AD) calls it the Nammadus, and theBritish Raj called it the Nerbudda or Narbada. Narmadā is a Sanskrit word meaning "the Giver of Pleasure".
To Hindus the Narmada is one of the five holy rivers of India; the other four beingGanges, Yamuna, Godavari and Kaveri. It is believed that a dip in any of these five rivers washes one's sins away. According to a legend, the river Ganges, polluted by millions of people bathing in it, assumes the form of a black cow and comes to the Narmada to bathe and cleanse itself in its holy waters. Legends also claim that the Narmada River is older than the river Ganges.
The river was mentioned by Ptolemy in the second century AD as Namade and by the author of the Periplus. The Ramayana, the Mahabharat, and thePuranas refer to it frequently. The Rewa Khand of Vayu Purana and the Rewa Khand of Skanda Purana are entirely devoted to the story of the birth and the importance of the river, and hence Narmada is also called the Rewa.
There are many fables about the origin of the Narmada. According to one of them, once Lord Shiva, the Destroyer of the Universe, meditated so hard that he started perspiring. Shiva's sweat accumulated in a tank and started flowing in the form of a river – the Narmada. Another legend has it that two teardrops that fell from the eyes of Lord Brahma, the creator of the universe, yielded two rivers – the Narmada and the Son.
Legends also say that for Lord Shiva, the Hindu God, the river is especially sacred on account of its origin, and it is often called Shankari, i.e., daughter of Shankar (Lord Shiva). All the pebbles rolling on its bed are said to take the shape of his emblem with the saying, "Narmada Ke Kanker utte Sankar" (a popular saying in the Hindi belt of India), which means that 'pebble stones of Narmada get a personified form of Shiva'. These lingam shaped stones (cryptocrytalline quartz), calledBanalinga also called (Banashivalingas) are much sought after for daily worship by the Hindus. The Brihadeeswara Temple in Thanjavur, Tamil Nadu, constructed by Rajaraja Chola, has one of the biggest Banalingas. Adi Shankara met his guru Govinda Bhagavatpada on the banks of the river Narmada.
Narmada is also said to have been in love with the Sonbhadra, another river flowing on the Chota Nagpur Plateau. According to the Puranas, the Narmada is also called the Rewa, from its leaping motion (from the root 'rev') through its rocky bed.
Important religious places and Ghats along the course of the river, starting from its origin at Narmadakhund at Amarkantakhill, are a) the Amarkantak (in Sanskrit: Neck of Shiva) or Teertharaj (the King of Pilgrimages), b) Omkareshwar, Maheshwar, and Mahadeo temples, Nemawar Siddeshwar Mandir in the middle reach of the river – all named after Shiva, c) Chausath Yogini (sixty four yoginis) temple, d) Chaubis Avatar temple, e) Bhojpur Shiva temple and Bhrigu Rishi temple in Bharuch. The Narmada River is also worshipped as mother goddess by Narmadeeya Brahmins.
The importance of the Narmada River as sacred is testified by the fact that the pilgrims perform a holy pilgrimage of aparikrama or circumambulation of the river.[17] The Narmada Parikrama, as it is called, is considered to be a meritorious act that a pilgrim can undertake. Many sadhus and pilgrims walk on foot from the Arabian Sea at Bharuch in Gujarat, along the river, to the source in Maikal Mountains (Amarkantak hills) in Madhya Pradesh and back along the opposite bank of the river. It is a 2,600-kilometre (1,600 mi) walk.[18] Important towns of interest in the valley are Jabalpur, Barwani, Hoshangabad, Harda, Narmada Nagar, Omkareshwar, Dewas (Nemavar, Kity, Pipri), Mandla and Maheshwar in Madhya Pradesh, andRajpipla and Bharuch in Gujarat. Some places of historical interest are Joga Ka Quilla, Chhatri of Baji Rao Peshwa andBhimbetka, and among the falls are the Dugdhdhara, Dhardi falls, Bheraghat, Dhuandhara, Kapiladhara and Sahastradhara. By Kailash Mansarovar Foundation Swami Bikash Giri www.sumeruparvat.com , www.naturalitem.com
NARMADA PARIKRAMA
The Narmada also called the Rewa, is a river in central India and the fifth longest river in the Indian subcontinent. It is the third longest river that flows entirely within India, after the Godavari and the Krishna. It is also known as "Life Line of Madhya Pradesh" for its huge contribution to the state of Madhya Pradesh in many ways. It forms the traditional boundary between North India and South India and flows westwards over a length of 1,312 km (815.2 mi) before draining through theGulf of Khambhat into the Arabian Sea, 30 km (18.6 mi) west of Bharuch city of Gujarat. It is one of only three major rivers in peninsular India that run from east to west (longest west flowing river), along with the Tapti River and the Mahi River. It is the one of the rivers in India that flows in a rift valley, flowing west between the Satpura and Vindhya ranges. The other rivers which flows through rift valley include Damodar River in Chota Nagpur Plateau and Tapti. The Tapti River and Mahi River also flow through rift valleys, but between different ranges. It flows through the states of Madhya Pradesh(1,077 km (669.2 mi)), and Maharashtra, (74 km (46.0 mi))– (35 km (21.7 mi)) then along the border between Madhya Pradesh and Maharashtra (39 km (24.2 mi) and the border between Madhya Pradesh and Gujarat and in Gujarat (161 km (100.0 mi)).
The Periplus Maris Erythraei (c. 80 AD) calls it the Nammadus, and theBritish Raj called it the Nerbudda or Narbada. Narmadā is a Sanskrit word meaning "the Giver of Pleasure".
To Hindus the Narmada is one of the five holy rivers of India; the other four beingGanges, Yamuna, Godavari and Kaveri. It is believed that a dip in any of these five rivers washes one's sins away. According to a legend, the river Ganges, polluted by millions of people bathing in it, assumes the form of a black cow and comes to the Narmada to bathe and cleanse itself in its holy waters. Legends also claim that the Narmada River is older than the river Ganges.
The river was mentioned by Ptolemy in the second century AD as Namade and by the author of the Periplus. The Ramayana, the Mahabharat, and thePuranas refer to it frequently. The Rewa Khand of Vayu Purana and the Rewa Khand of Skanda Purana are entirely devoted to the story of the birth and the importance of the river, and hence Narmada is also called the Rewa.
There are many fables about the origin of the Narmada. According to one of them, once Lord Shiva, the Destroyer of the Universe, meditated so hard that he started perspiring. Shiva's sweat accumulated in a tank and started flowing in the form of a river – the Narmada. Another legend has it that two teardrops that fell from the eyes of Lord Brahma, the creator of the universe, yielded two rivers – the Narmada and the Son.
Legends also say that for Lord Shiva, the Hindu God, the river is especially sacred on account of its origin, and it is often called Shankari, i.e., daughter of Shankar (Lord Shiva). All the pebbles rolling on its bed are said to take the shape of his emblem with the saying, "Narmada Ke Kanker utte Sankar" (a popular saying in the Hindi belt of India), which means that 'pebble stones of Narmada get a personified form of Shiva'. These lingam shaped stones (cryptocrytalline quartz), calledBanalinga also called (Banashivalingas) are much sought after for daily worship by the Hindus. The Brihadeeswara Temple in Thanjavur, Tamil Nadu, constructed by Rajaraja Chola, has one of the biggest Banalingas. Adi Shankara met his guru Govinda Bhagavatpada on the banks of the river Narmada.
Narmada is also said to have been in love with the Sonbhadra, another river flowing on the Chota Nagpur Plateau. According to the Puranas, the Narmada is also called the Rewa, from its leaping motion (from the root 'rev') through its rocky bed.
Important religious places and Ghats along the course of the river, starting from its origin at Narmadakhund at Amarkantakhill, are a) the Amarkantak (in Sanskrit: Neck of Shiva) or Teertharaj (the King of Pilgrimages), b) Omkareshwar, Maheshwar, and Mahadeo temples, Nemawar Siddeshwar Mandir in the middle reach of the river – all named after Shiva, c) Chausath Yogini (sixty four yoginis) temple, d) Chaubis Avatar temple, e) Bhojpur Shiva temple and Bhrigu Rishi temple in Bharuch. The Narmada River is also worshipped as mother goddess by Narmadeeya Brahmins.
The importance of the Narmada River as sacred is testified by the fact that the pilgrims perform a holy pilgrimage of aparikrama or circumambulation of the river.[17] The Narmada Parikrama, as it is called, is considered to be a meritorious act that a pilgrim can undertake. Many sadhus and pilgrims walk on foot from the Arabian Sea at Bharuch in Gujarat, along the river, to the source in Maikal Mountains (Amarkantak hills) in Madhya Pradesh and back along the opposite bank of the river. It is a 2,600-kilometre (1,600 mi) walk.[18] Important towns of interest in the valley are Jabalpur, Barwani, Hoshangabad, Harda, Narmada Nagar, Omkareshwar, Dewas (Nemavar, Kity, Pipri), Mandla and Maheshwar in Madhya Pradesh, andRajpipla and Bharuch in Gujarat. Some places of historical interest are Joga Ka Quilla, Chhatri of Baji Rao Peshwa andBhimbetka, and among the falls are the Dugdhdhara, Dhardi falls, Bheraghat, Dhuandhara, Kapiladhara and Sahastradhara. By Kailash Mansarovar Foundation Swami Bikash Giri www.sumeruparvat.com , www.naturalitem.com
NARMADA PARIKRAMA
The Narmada also called the Rewa, is a river in central India and the fifth longest river in the Indian subcontinent. It is the third longest river that flows entirely within India, after the Godavari and the Krishna. It is also known as "Life Line of Madhya Pradesh" for its huge contribution to the state of Madhya Pradesh in many ways. It forms the traditional boundary between North India and South India and flows westwards over a length of 1,312 km (815.2 mi) before draining through theGulf of Khambhat into the Arabian Sea, 30 km (18.6 mi) west of Bharuch city of Gujarat. It is one of only three major rivers in peninsular India that run from east to west (longest west flowing river), along with the Tapti River and the Mahi River. It is the one of the rivers in India that flows in a rift valley, flowing west between the Satpura and Vindhya ranges. The other rivers which flows through rift valley include Damodar River in Chota Nagpur Plateau and Tapti. The Tapti River and Mahi River also flow through rift valleys, but between different ranges. It flows through the states of Madhya Pradesh(1,077 km (669.2 mi)), and Maharashtra, (74 km (46.0 mi))– (35 km (21.7 mi)) then along the border between Madhya Pradesh and Maharashtra (39 km (24.2 mi) and the border between Madhya Pradesh and Gujarat and in Gujarat (161 km (100.0 mi)).
The Periplus Maris Erythraei (c. 80 AD) calls it the Nammadus, and theBritish Raj called it the Nerbudda or Narbada. Narmadā is a Sanskrit word meaning "the Giver of Pleasure".
To Hindus the Narmada is one of the five holy rivers of India; the other four beingGanges, Yamuna, Godavari and Kaveri. It is believed that a dip in any of these five rivers washes one's sins away. According to a legend, the river Ganges, polluted by millions of people bathing in it, assumes the form of a black cow and comes to the Narmada to bathe and cleanse itself in its holy waters. Legends also claim that the Narmada River is older than the river Ganges.
The river was mentioned by Ptolemy in the second century AD as Namade and by the author of the Periplus. The Ramayana, the Mahabharat, and thePuranas refer to it frequently. The Rewa Khand of Vayu Purana and the Rewa Khand of Skanda Purana are entirely devoted to the story of the birth and the importance of the river, and hence Narmada is also called the Rewa.
There are many fables about the origin of the Narmada. According to one of them, once Lord Shiva, the Destroyer of the Universe, meditated so hard that he started perspiring. Shiva's sweat accumulated in a tank and started flowing in the form of a river – the Narmada. Another legend has it that two teardrops that fell from the eyes of Lord Brahma, the creator of the universe, yielded two rivers – the Narmada and the Son.
Legends also say that for Lord Shiva, the Hindu God, the river is especially sacred on account of its origin, and it is often called Shankari, i.e., daughter of Shankar (Lord Shiva). All the pebbles rolling on its bed are said to take the shape of his emblem with the saying, "Narmada Ke Kanker utte Sankar" (a popular saying in the Hindi belt of India), which means that 'pebble stones of Narmada get a personified form of Shiva'. These lingam shaped stones (cryptocrytalline quartz), calledBanalinga also called (Banashivalingas) are much sought after for daily worship by the Hindus. The Brihadeeswara Temple in Thanjavur, Tamil Nadu, constructed by Rajaraja Chola, has one of the biggest Banalingas. Adi Shankara met his guru Govinda Bhagavatpada on the banks of the river Narmada.
Narmada is also said to have been in love with the Sonbhadra, another river flowing on the Chota Nagpur Plateau. According to the Puranas, the Narmada is also called the Rewa, from its leaping motion (from the root 'rev') through its rocky bed.
Important religious places and Ghats along the course of the river, starting from its origin at Narmadakhund at Amarkantakhill, are a) the Amarkantak (in Sanskrit: Neck of Shiva) or Teertharaj (the King of Pilgrimages), b) Omkareshwar, Maheshwar, and Mahadeo temples, Nemawar Siddeshwar Mandir in the middle reach of the river – all named after Shiva, c) Chausath Yogini (sixty four yoginis) temple, d) Chaubis Avatar temple, e) Bhojpur Shiva temple and Bhrigu Rishi temple in Bharuch. The Narmada River is also worshipped as mother goddess by Narmadeeya Brahmins.
The importance of the Narmada River as sacred is testified by the fact that the pilgrims perform a holy pilgrimage of aparikrama or circumambulation of the river.[17] The Narmada Parikrama, as it is called, is considered to be a meritorious act that a pilgrim can undertake. Many sadhus and pilgrims walk on foot from the Arabian Sea at Bharuch in Gujarat, along the river, to the source in Maikal Mountains (Amarkantak hills) in Madhya Pradesh and back along the opposite bank of the river. It is a 2,600-kilometre (1,600 mi) walk.[18] Important towns of interest in the valley are Jabalpur, Barwani, Hoshangabad, Harda, Narmada Nagar, Omkareshwar, Dewas (Nemavar, Kity, Pipri), Mandla and Maheshwar in Madhya Pradesh, andRajpipla and Bharuch in Gujarat. Some places of historical interest are Joga Ka Quilla, Chhatri of Baji Rao Peshwa andBhimbetka, and among the falls are the Dugdhdhara, Dhardi falls, Bheraghat, Dhuandhara, Kapiladhara and Sahastradhara. By Kailash Mansarovar Foundation Swami Bikash Giri www.sumeruparvat.com , www.naturalitem.com
E.K.Yap, the MPA & MPAS multi-award winning photographer, has created many iconic masterpieces and photographed covers & campaigns for influential publications & luxury brands. His projects include Patek Philippe, Breguet, Chopard, Bvlgari, Cartier, Chanel & Franck Muller to name a few.
With his wide-ranging experience in art as a creative director in the advertising & publishing industry, he consistently achieves the best results with his precision skill, specialising in luxury projects particularly jewellery, timepiece, product, interior, portrait & fashion.
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“I'm passionate in capturing more than just a beautiful image, I like to craft an inspiring masterpiece with soul & meaning”
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Advertising/Advertorial/ Editorial - MPA Far East
Architecture/ Cityscape/ Interior - MPA Far East
Illustrative & Creative - MPA Far East
Fashion - MPA Far East
Still Life - MPA Far East
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History of the Vienna Philharmonic
The orchestra of the Vienna Philharmonic was founded on March 28, 1842. It was founded by the German composer Otto Nicolai, whose creations include the opera "The Merry Wives of Windsor". Nearly a century later, the club was dissolved in December 1938 during the Nazi period by the law on the "transfer and incorporation of clubs, organizations and associations" for the time being and the assets fell to the State Theater and the Stage Academy of the City of Vienna. This was, however, a few days later at the urging of the conductor and musicologist Dr. Heinz Drewes largely reversed. Dr. Drewes was the leader of the "entire German musical life" and so he used his influence on the Reich propaganda minister Goebbels. Ultimately, Goebbels decreed in June 1939 that the Vienna Philharmonic as an association should retain their most extensive independence on the condition that the club is subject to his supervision and that the articles of association regarding the National Socialist principles is changed. Thus, the club's assets were released again.
In 1939, the idea of the New Year's Concert, at which time only the music of Johann Strauss was played, was born. This concert series of the New Year's Concert has become one of the cultural highlights of the year and is always broadcast live on television. The magnificent pictures from Vienna are accompanied, among other things, by fantastic flowers and dance performances by the Wiener Ballett. With the end of the Second World War, the Vienna Philharmonic Orchestra once again became completely independent and the orchestra played two major concert evenings right after the liberation of Vienna in April 1945. A special focus is still the position of the conductor at the Vienna Philharmonic. Because until 1933, the orchestra was directed by a single conductor every season. From 1933 there were only guest conductors. Great merits in the early years had especially the conductors Arturo Toscanini from 1933 to 1937 and intermittently from 1933 to 1954 Wilhelm Furtwängler. Herbert von Karajan, Karl Böhm, Paul Hindemith and Daniel Barenboim are among the famous guest conductors. Also as a guest conductor conducted from 1966, the later honorary member Leonard Bernstein repeatedly the orchestra. One of Leonard Bernstein's most outstanding works in collaboration with the Vienna Philharmonic is, for example, the adaptation of the works of Gustav Mahler, who himself had directed the orchestra from 1898 to 1901 for three years as a subscription conductor to the Vienna Philharmonic.
Vienna Philharmonic coins
Appropriately to the Vienna Philharmonic, the Austrian Mint, which mints all coins in Austria, has been issuing a bullion every year since 1989, which after the orchestra precisely is called the Vienna Philharmonic. At first, the coins were pure gold. Since 2008 there is also an annual silver version. Their value does not correspond to the nominal value, but the Vienna Philharmonic is a bullion coin whose value depends on the current precious metal value. The motif of the Vienna Philharmonic is always the same. The front of the Vienna Philharmonic Münze designed by Thomas Pesendorfer shows some of the classical orchestral instruments such as bassoon, horn, harp and four violins, as well as a cello in the middle. The reverse shows the organ, which is located in the Golden Hall of the Wiener Musikverein. Only the respective year is changed. The coin is now available in four sizes. As a special coinage, a 1000-ounce coin, the so-called "Big Phil", was released in 2004 on the occasion of the 15th anniversary, and another coin in 2009 for the 20th anniversary. Both are traded as collectors' items because of the limited edition and are therefore more expensive than the actual precious metal value.
Geschichte der Wiener Philharmoniker
Das Orchester der Wiener Philharmoniker wurde am 28. März 1842 gegründet. Ins Leben gerufen hatte es der deutsche Komponist Otto Nicolai, aus dessen Feder unter anderem die Oper "Die lustigen Weiber von Windsor" stammt. Knapp ein Jahrhundert später wurde der Verein im Dezember 1938 in der NS-Zeit durch das Gesetz zur "Überleitung und Eingliederung von Vereinen, Organisationen und Verbänden" vorerst aufgelöst und das Vermögen fiel dem Staatstheater und der Bühnenakademie der Stadt Wien zu. Dies wurde jedoch wenige Tage später auf Drängen des Dirigenten und Musikwissenschaftlers Dr. Heinz Drewes größtenteils wieder rückgängig gemacht. Dr. Drewes war der Leiter des "gesamten deutschen Musiklebens" und so nutzte er seinen Einfluss auf den Reichspropagandaminister Goebbels. Letztlich verfügte Goebbels im Juni 1939, dass die Wiener Philharmoniker als Verein ihre weitestgehende Selbständigkeit behalten sollten unter der Bedingung, dass der Verein seiner Aufsicht unterstellt wird dass die Vereinssatzung hinsichtlich der nationalsozialistischen Grundsätze geändert wird. Damit wurde auch das Vereinsvermögen wieder frei gegeben.
Im Jahr 1939 entstand zugleich die Idee des Neujahrskonzerts, bei dem damals ausschließlich die Musik von Johann Strauss gespielt wurde. Diese Konzertreihe des Neujahrskonzerts ist inzwischen einer der kulturellen Höhepunkte des Jahres und wird immer live im Fernsehen übertragen. Die prächtigen Bilder aus Wien werden unter anderem untermalt durch phantastische Blumen und Tanzeinlagen des Wiener Balletts. Mit dem Ende des Zweiten Weltkriegs wurde der Verein der Wiener Philharmoniker wieder komplett unabhängig und das Orchester spielte gleich nach der Befreiung von Wien im April 1945 zwei große Konzertabende. Ein ganz besonderer Augenmerk gilt noch der Stelle des Dirigenten bei den Wiener Philharmonikern. Denn bis zum Jahr 1933 wurde das Orchester jede Saison von einem einzigen Dirigenten geleitet. Ab 1933 gab es nur noch Gastdirigenten. Große Verdienste hatten in den Anfangsjahren vor allem die Dirigenten Arturo Toscanini von 1933 bis 1937 und mit Unterbrechungen von 1933 bis 1954 Wilhelm Furtwängler. Zu den berühmten Gastdirigenten zählen unter anderem Herbert von Karajan, Karl Böhm, Paul Hindemith oder Daniel Barenboim. Ebenfalls als Gastdirigent leitete ab 1966 das spätere Ehrenmitglied Leonard Bernstein mehrfach das Orchester. Zu den herausragendsten Werken von Leonard Bernstein in Zusammenarbeit mit den Wiener Philharmonikern zählt beispielsweise die Bearbeitung der Werke von Gustav Mahler, der von 1898 bis 1901 selbst drei Jahre lang als Abonnementdirigent der Wiener Philharmoniker das Orchester geleitet hatte.
Wiener Philharmoniker Münzen
Passend zu den Wiener Philharmonikern gibt die Münze Österreich, die alle Münzen in Österreich prägt, seit dem Jahr 1989 jedes Jahr eine Anlagemünze heraus, die nach dem Orchester eben der Wiener Philharmoniker genannt wird. Zunächst waren die Münzen aus reinem Gold. Seit 2008 gibt es auch eine jährliche Silberversion. Ihr Wert entspricht nicht dem reinen Nennwert, sondern der Wiener Philharmoniker ist eine Bullionmünze, deren Wert sich nach dem aktuellen Edelmetallwert richtet. Das Motiv des Wiener Philharmoniker ist immer gleich. Die Vorderseite der von Thomas Pesendorfer gestalteten Wiener Philharmoniker Münze zeigt einige der klassischen Orchesterinstrumente wie Fagott, Horn, Harfe und dazu vier Geigen sowie in der Mitte ein Cello. Die Rückseite zeigt die Orgel, die sich im Goldenen Saal vom Wiener Musikverein befindet. Geändert wird nur das jeweilige Prägejahr. Die Münze gibt es inzwischen in vier Größen zu kaufen. Als Sonderprägungen erschien 2004 zum 15-jährigen Jubiläum eine 1000-Unzen-Münze, der sogenannte "Big Phil", und 2009 zum 20-jährigen Jubiläum eine weitere Münze. Beide werden wegen der limitierten Auflage als Sammlerobjekte gehandelt und sind daher teurer als der eigentliche Edelmetallwert.
www.geschichte-oesterreich.com/musik/wiener_philharmonike...
The instruments include various hooks, blades, probes, knifes, forceps, but also a balance, boxes, a sponge, flasks and sachets, two amulets in shape of the wadjet eyes, and a case for instruments. The whole set apparently forms part of medical realia, used by ancient Egyptian (and Roman) physicians in their practice.
Some scholars (Porter, Moss 1939: 180 (no. 228), Hölbl 2000: 96–97) have attributed this scene to the reign of Emperor Marcus Aurelius (161–180 CE), but since the name of the pharaoh depicted is nowhere mentioned on the relief, this is far from certain.
Source: COPPENS, FILIP, and HANA VYMAZALOVÁ. "MEDICINE, MATHEMATICS AND MAGIC UNITE IN A SCENE FROM THE TEMPLE OF KOM OMBO (KO 950)." Anthropologie (1962-) 48, no. 2 (2010)
This is a Kinetic Photograph which includes Poe, one of my cats; some of my furniture; a candle; a lamp; and my television screen. Viewed at original size it's a hoot!
One shot SOOC.
Want more? See my new set, "Drawing with Light:"
www.flickr.com/photos/motorpsiclist/sets/72157630589237982/
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Kinetic: Relating to, caused by, or producing motion.
These are called “Kinetic” photographs because there is motion, energy, and movement involved, specifically my and the camera’s movements.
I choose a light source and/or subject, set my camera for a long exposure (typically around 4 seconds), focus on my subject and push the shutter button. When the shutter opens I move the camera around with my hands...large, sweeping, dramatic movements. And then I will literally throw the camera several feet up into the air, most times imparting a spinning or whirling motion to it as I hurl it upward. I may throw the camera several times and also utilize hand-held motion several times in one photo. None of these are Photoshopped, layered, or a composite photo...what you see occurs in one shot, one take.
Aren’t I afraid that I will drop and break my camera? For regular followers of my photostream and this series you will know that I have already done so. This little camera has been dropped many times, and broken once when dropped on concrete outside. It still functions...not so well for regular photographs, but superbly for more kinetic work.
To read more about Kinetic Photography click the Wikipedia link below:
en.wikipedia.org/wiki/Kinetic_photography
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Albeit supremely risky this is one of my favorite ways to produce abstract photographs.
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My photographs and videos and any derivative works are my private property and are copyright © by me, John Russell (aka “Zoom Lens”) and ALL my rights, including my exclusive rights, are reserved. ANY use without my permission in writing is forbidden by law.
The word Rahmat includes in it worldly provisions necessary to keep living beings alive, appointment of night for rest and day for earning livelihood, compassion and mercy towards parents, love and tranquility derived from mates, the Qur'an and Prophet Mohammad SAWS following whom makes the worldly life and the hereafter successful, paradise the greatest benefit and forgiveness of sins the greatest mercy. Rahmat is an item of enjoyment opposite to loss, punishment, harm, evil and destruction. Rahmat, therefore conveys the sense of benefit, reward, safety out of mercy, good and construction. Rahmat being constructive, beneficial, full of mercy, etc., is also supported by the fact that the Arabic word for womb, where the child develops, is Raham from the same root alphabets used for Rahmat. The child in the womb is provided with all that is necessary for its growth by the mother without its demanding it and it is carefully protected from all harmful things - the feeling of the mother towards the child is that of compassion, beneficence, mercy, safety, etc., and these feelings explain the term Rahmat about which Allah states in Al Qur'an:
He has prescribed Rahmat on himself (Chapter 6: Verse 12)
My Rahmat extends towards everything (Chapter 7: Verse 156)
In view of the above let us try to understand the Attributes Ar Rahman and Ar Raheem which exhibit Rahmat.
The Quran in (Chapter 17: Verse 82) and Prophet Mohammad SAWS (Chapter 21: Verse 107) are said to be Rahmat and the Attribute associated with the teaching of the Quran is Ar Rahman.
Ar Rahman, He taught the Quran (Chapter 55: Verses 1-2)
All believers know that the greatest benefit for mankind is implementing the Quran practically in their lives in accordance with the instructions given by Prophet Mohammad SAWS. The Attribute associated with the source of achieving this greatest benefit, i.e., the Quran, is Ar Rahman.
The Forsterer of the skies and the earth and that which is between them, Ar Rahman... (Chapter 78: Verse 37)
The Attribute associated with the fostering of the universe, which is beneficial for the creation and without which the universe cannot exist, is again Ar Rahman. In view of this Ar Rahman can be translated as The Beneficent, it is the first Attributes used with Allah's name.
The frequent association of the Attribute Ar Rahman with Al Gafoor (Protector and forgiver of sins), Al Tawwab (Acceptor of repentance) and Ar Raoof (one full of pity), indicates that Allah's mercy in exhibited through it, therefore it can be translated as The Merciful, it is the second Attribute used with Allah's name.
Annual music festival that includes hot air balloons. The launch on Sunday morning is FREE to watch.
The festival celebrates the finest in both gardening and food. Visitors can expect stunning show gardens and nursery displays alongside a bounty of food producers, shopping and top tips from garden experts and celebrity chefs.
Set against the picturesque Malvern Hills, show gardens are always a number one destination, with five designers being awarded with RHS Gold Medals in 2016.
The Floral Marquee is bursting with examples of the finest nurseries in the UK and abroad, with many old favourites and new varieties on sale.
The foodie hotspot, Festival Food and Drink Pavilion, is a lively market of food producers offering a variety of artisan produce. At the heart is a Kitchen Theatre where celebrity guests and local producers showcase their skills and produce.
Other festival favourites include the School Gardens, Get Going Get Growing pavilion and Family Day (Sunday).
RHS Malvern Spring Festival is a joint partnership with the Royal Horticultural Society and Three Counties Agricultural Society.
An entirely new vision brings RHS Malvern Spring Festival into full bloom for 2017, taking inspiration from the event’s Spa town heritage. The landmark four-day spectacle, taking place from Thursday 11 – Sunday 14 May at the Three Counties Showground, welcomes all new features and exhibits and a vibrant line up of the finest in gardening, food and lifestyle.
Jane Furze, Head of RHS Malvern Spring Festival, said: “We are so excited to share the glorious plans that are afoot for RHS Malvern Spring Festival 2017. It really is going to be a sensational year for our leading event with plenty for everyone. Whether you’re a newcomer to gardening, a veteran horticulturalist or simply looking for a family day out, RHS Malvern Spring Festival has it all. We look forward to welcoming visitors to our stunning showcase of spring in May.”
The new vision for RHS Malvern Spring Festival takes inspiration from Malvern Spa’s Victorian heyday as a fashionable health resort – a place where day-trippers descended to take advantage of the clean air and to enjoy the health giving waters amongst the romantic beauty of the hills and into a town of pleasure gardens, assembly rooms and numerous eating-places.
Promising a bountiful day out for everyone, visitors can expect:
NEW FOR 2017
FLORAL MARQUEE
RHS Malvern Spring Festival boasts the UK’s longest Floral Marquee at over 195 metres – the equivalent length of four Olympic swimming pools. The Floral Marquee welcomes more than 65 leading UK and international nurseries, setting the horticultural standards with impressive displays of prized blooms and new varieties. Exhibitors in the Floral Marquee represent the very best in plants and advice available. Here visitors can browse and buy from the very best.
JOE SWIFT’S PLANT HUNTER PARLOUR
BBC Gardeners’ World presenter and acclaimed garden expert, Joe Swift brings to life a new centerpiece of the Floral Marquee – Joe’s Plant Hunter Parlour. This immersive experience like no other features daily talks from award winning nurseries and welcomes budding gardeners big and small to discover, learn and indulge their inner plant hunter.
LIVE WELL
Newly introduced for the very first time, this dedicated zone interprets and explores the theme of health and wellbeing in the 21st century.
JEKKA MCVICAR’S HEALTH & WELLBEING GARDEN
The centrepiece of the Live Well zone, British Queen of Herbs, Jekka McVicar designs and builds a specially commissioned permanent garden, bringing to life the role gardens continue to play in our health and sense of wellbeing. Jekka’s garden is a living working space for mind, body and senses.
The garden is both a tranquil seating space where visitors can spend time amongst the aromatic herb beds, and a place to learn and explore what living well meant in yesteryear and what it means today. Visitors are invited to join daily ‘herbal conversations’ with Jekka herself and explore the awe-inspiring world of alternative therapies. The garden is in support of Pathways, a day service for adults with learning disabilities and difficulties.
GROW
A horticultural experience by Jon Wheatley, RHS Gold Medal winning gardener and Chairman of RHS South West in Bloom, Grow takes inspiration from interactive Country gardens and wildflower borders, showcasing a variety of edible beds and bountiful Grow To Show competitions.
SPA GARDENS
A brand new category introduced for the very first time to RHS Malvern Spring Festival, offering a unique platform for emerging gardening talent. Glorious gardens from up and coming designers bring to life the new vision and reflect the thirst for knowledge, new horizons and innovative technology at the heart of Malvern’s Victorian heritage. Gold Medal winning Chelsea garden designer, Jo Thompson is mentoring the new talent as they embark on this exciting new challenge. The Spa Gardens category also features one garden from an international designer supported by the esteemed Moscow Flower Show. This is part of a newly introduced exchange programme, which in return offers one selected British Spa Garden designer the once in a lifetime chance to showcase at Moscow Flower Show in July.
INDOOR SHOPPING ARCADES
A premium quality shopping experience, it is here that visitors can pick up unique pieces in fashion, furniture, homewares, horticulture, gifts and more from independent designers, craftsmen, artisans and artists.
PLANT ARCADES
An exciting open-air shopping experience with over 35 nurseries, each showcasing a wonderful array of plants. Plant steals aplenty can be found here, especially during the famous sell-off on Sunday.
MAKING A WELCOME RETURN
FESTIVAL GREEN
The heart of RHS Malvern Spring Festival featuring a colourful array of pleasure gardens, a bandstand of live music, an impressive collection of classic cars, an array of global flavours from the International Street Food Market, and plenty of places to picnic. It is here visitors rediscover the Victorian love of amusement, surprise and delight, alongside enjoying unique show gardens unlike any other.
FESTIVAL THEATRE
Hosted by RHS Malvern Spring Festival favourite and award winning writer and broadcaster, James Alexander-Sinclair, the Festival Theatre plays host to a lively line up of leading experts and familiar faces. Visitors may take a seat and enjoy demonstrations, talks and exciting features as personalities share their knowledge and passion for all things gardening and food. Confirmed experts include Carol Klein, Joe Swift, Jekka McVicar and Jon Wheatley with plenty more to be announced soon.
SHOW GARDENS
The highest standard of garden design is showcased in the Show Gardens of RHS Malvern Spring Festival 2017. Leading designers create awe-inspiring gardens as they compete for prestigious RHS accolades including Gold medals and the coveted Best In Show. RHS Malvern Spring Festival is famed as the show that raises the bar for design and horticultural talent with numerous RHS Gold medals awarded in 2016. This year is tipped to be no exception.
FOOD & DRINK PAVILION
A foodie hotspot, the Food & Drink Pavilion is a magnificent celebration of British tastes with bountiful offerings from the country’s best-loved artisan producers. Expect the freshest field produce, big cheeses, bread of heaven, specialty gins, decadent bakes and more.
KITCHEN GARDEN THEATRE
This animated live kitchen, hosted by Mark Diacono, showcases a line up of delicious cookery demonstrations from culinary experts and the country’s top chefs. Mark shares advice from his home farm cookery school, Otter Farm and experience as head gardener at River Cottage.
YOUNG GARDENER
A hive of activity tailored to inspire the next generation of gardeners and horticulturalists with fun hands-on activities to help children learn and explore the wonderful world of plants and gardens.
FAMILY DAY
Budding gardeners great and small are invited to get green fingered with a dedicated Family Day on the Sunday of RHS Malvern Spring Festival. This exciting and educational day with plenty of hands on activities is the ideal opportunity to engage children in the fun of gardening and the great outdoors. Expect Kids Cookery demonstrations, make and take crafts, Kids Plant and Grow workshops with BBC Blue Peter Gardener, Chris Collins and more.
SCHOOL GARDENS
RHS Malvern Spring Festival is one of the only RHS Shows in the UK to have a collection of Show Gardens designed and built entirely by young people. This year sees over 12 schools and educational groups from across the three counties taking part, led by BBC Blue Peter Gardener, Chris Collins.
RHS Malvern Spring Festival 2017 will take place from Thursday 11 May until Sunday 14 May. For more information, please call 01684 584900 or visit
British Queen of Herbs, Jekka McVicar will unveil the first ever specially commissioned permanent garden at RHS Malvern Spring Festival 2017. A magnificent centrepiece of the celebrated event’s all-new Live Well zone, Jekka’s garden will bring to life the contribution horticulture continues to make to our health and wellbeing in today’s bustling modern world. The Health & Wellbeing Garden will be launched when the show opens its gates on Thursday 11 May at the Three Counties Showground.#
RHS Ambassador for Health through Horticulture, Jekka McVicar said: “I am delighted to have been asked to create a lasting garden for RHS Malvern Spring Festival. I want the Health & Wellbeing Garden to be a usable and beautiful space that is embraced by people of all ages – a space for growth, education and reflection. With the Malvern Hills as a dramatic backdrop, RHS Malvern Spring Festival is such a beautiful place and because it’s at the start of the summer, it’s always a time of such optimism. It is a real privilege to bring this garden to life as part of such a dynamic and exciting show.”
Jekka’s Health & Wellbeing garden, as the focus for the new Live Well Zone, is inspired by the increasing need for reflection and escape from the stresses of modern life. It also seeks to preserve and share the vital knowledge of how horticulture and its associated therapies can help the mind, body and soul. The garden will be a living, working space with a tranquil seating area, where visitors can immerse themselves amongst the aromatic herb beds, and also educate themselves on the place that herbs and horticulture play in today’s society.
Head of RHS Malvern Spring Festival, Jane Furze said: “It is a real pleasure to be working with Jekka to build a garden not only for this year’s event, but also for the future. Jekka’s designs look spectacular and we cannot wait to see these brought to life and shared with our many visitors. The Health & Wellbeing Garden will no doubt be a real highlight of RHS Malvern Spring Festival 2017 and for many years to come.”
Throughout the 4-days of RHS Malvern Spring Festival, Jekka will host daily ‘herb conversations’ in the garden, unearthing hidden gems from the world of alternative therapies, food and gardening. Jekka will also provide insights into herbs as the foundation of modern medicine, seeking to preserve the knowledge that over time is danger of being lost.
The Health & Wellbeing Garden is in support of Pathways, a work-focused day service for adults with learning disabilities and difficulties. Pathways use gardening and the environment as an educational tool to introduce young adults to the working world. Clients of Pathways benefit from gaining vital skills for entering the working world, these include trust, communication, interaction with peers, taking direction and responsibility for themselves and others.
Leaving a legacy, Jekka’s garden will provide Pathways with a nurturing space to continue their works in encouraging clients to grow. Throughout the show times, Pathways will sell plants and refreshments from the garden. Funds raised from these sales go towards covering the costs of the residential trip taken twice each year for clients of Pathways, a vital retreat for clients that contributes to their sense of wellbeing. Outside of show days, Pathways and local schools will host sessions in the garden. The garden aims to inspire visitors of all ages and abilities with engaging elements tailored for all.
Jekka’s design will incorporate the unique and flexible WoodBlocX system, specially selected to provide permanent raised bed structures to house the garden’s vast selection of herbs and edibles. The centrepiece of the garden contains four large planted sections featuring smooth curves constructed from the unique WoodBlocX system. WoodBlocX use sustainable, long-lasting, organic and FSC accredited wooden bricks, which can be used to create any shape such as the naturally fluid curves seen in Jekka’s elegant design.
Considered an unmatched expert by the UK’s top chefs and horticulturalists, Jekka McVicar is an enterprising British herb grower, organic gardening expert, author and broadcaster. Jekka’s Herb Farm, in nearby South Gloucestershire, boasts the largest collection of culinary herbs in the UK with more than 500 different varieties.
Alongside her RHS Ambassadorship for Health through Horticulture, Jekka’s accolades include 62 RHS Gold Medals, Garden Media Guild Lifetime Achievement Award and the RHS Lawrence Medal for the best exhibit shown at any RHS show in 2009. Jekka is also a Vice President of the RHS, Vice President of the Herb Society, is a founder member of the RHS Herb advisory group, and a member of the RHS Three Counties Agricultural Society Joint Committee. Jekka has herself exhibited at RHS Malvern Spring Festival since 1993 and has been a vital contributor to the team at Three Counties for over a decade.
RHS Malvern Spring Festival 2017 will take place from Thursday 11 May until Sunday 14 May. Tickets are now on sale. For more information and to book tickets, please call
Includes reviews on 'Blood On The Cats' & Revenge Of The Killer Pussies'.
Including The Meteors, Guana Batz, The Sting-Rays & The Escalators
Rodanthe is an unincorporated community located in Dare County, North Carolina, on Hatteras Island, part of North Carolina's Outer Banks. Rodanthe, along with Waves and Salvo, are part of the settlement of Chicamacomico. Rodanthe includes the original Chicamacomico Life-Saving Station, decommissioned in 1954, but now a museum.
Rodanthe is served by North Carolina Highway 12 which runs north/south through town. The Chicamacomico area is bordered to the north by Pea Island NWR and to the south by Cape Hatteras NS, a situation which limits potential growth. The town is bordered by the Atlantic Ocean to the East and the Pamlico Sound to the West.
Rodanthe is the easternmost point of North Carolina. It is famous for its observation of "Old Christmas" on January 6, formerly Christmas, December 25, by the Julian Calendar, a custom held over from the original English settlers who still used the "Old Style" calendar. A mythical beast, "Old Buck"—possibly related to Belsnikel or Krampus who are Companions of Saint Nicholas in Central European Christmas festivities—is said to appear at the celebration.
Many of Rodanthe's restaurants, shops and markets are seasonal with many closing during the winter months and reopening the following spring. Many of these are family-owned, rather than chain franchises. Provisions can still be purchased on the Outer Banks during the winter months, but a short drive south to the town of Avon or north to Nags Head is required.
There are only two motels within the larger settlement of Chicamacomico. There are, however, three inns or bed and breakfasts on the island of Hatteras ("The Inn on Pamlico Sound", "Cape Hatteras Bed and Breakfast", and the "Seaside Inn".) There are numerous rental houses, large and small, as well as numerous campgrounds ranging from deluxe to rustic ("Camp Hatteras", "Ocean Waves", "Cape Hatteras KOA", etc.). Several smaller campgrounds cater to water sports enthusiasts. Local water sports include fishing, kayaking (both ocean and sound-side), swimming, sailboarding and kiteboarding, among others.
en.wikipedia.org/wiki/Rodanthe,_North_Carolina
en.wikipedia.org/wiki/Wikipedia:Text_of_Creative_Commons_...
Challenge: Upcycle. Must include elements of quilting, be made from recycled materials and use 2 elements not intended for quilt or clothing.
Season Goal: larger, functional quilts.
This quilt is made from old blue jeans and a few other clothes. The top is raw edge applique. The backing and binding are pieces of a plastic billboard covering. The quilt is secured with a hand-forged s-hook and some rescued ribbon.
The quilt measures 44x64 inches. And was made near St Louis, MO.
More details on my blog. twasbrilligand.blogspot.com/2014/01/project-quilting-52-l...
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They are also in public domain in the European Union, where the "shorter term" rule applies to foreign works, and foreign documents which are already in public domain in their home country are not further protected.[2]
The advertising material inserted by a company in a magazine usually does not have a copyright notice. It is sincerely believed by the Camera-wiki members who discussed this question that the copyright notice which might appear on the magazine itself, on behalf of its publisher, does not extend to the advertisements, on which the publishing company owns no right and which would be the property of the advertising company if it wanted to claim its rights.
[1] Copyright Term and the Public Domain in the United States, 1 January 2007, by Peter B. Hirtle.
Further reading on US copyright law: Circular 1:Copyright Basics (1.1Mb PDF) from United States Copyright office
As always NEoN celebrates its festival with a late night party. Acts include Plastique Fantastique, Verity Brit & Musician U, Fallope & The Tubes and Resident DJ RHL. With a pop up bar and performances amongst our large group exhibition the vast factory space West Ward Works, this night promises to be a visual audible delight.
Plastique Fantastique (UK)
A performance fiction envisaged as a group of human and non-human avatars delivering communiqués from the past and the future. The communiqués are channelled through installations, writing, comics and sound and moving image work and performances, addressing technology, popular and mass media and sacred cultures and also human-machine animals and non-human entities and agents. Over several years, numerous people have produced Plastique Fantastique but there is also a core group producing the performance fiction. Plastique Fantastique was first presented by David Burrows and Simon O’Sullivan and developed with long-term collaborators Alex Marzeta and Vanessa Page, and more recently with Mark Jackson. For NE0N 2017, this group will call forth and trap a bit-coin-fairy-spirit to ask it seems questions. The performance – Plastique Fantastique Protocols for the Society for Cutting Up Mun-knee-snakers (S.C.U.M.): I-Valerie-Solaris-AKA-@32ACP-Amazon.co.uk-recommends-‘Pacific-Rim’ may/may-not shoot b1t-c0in-f@iry-sp1r1t) – uses drone-folk-songs, moving image projection, reliquaries and ritual to manifest the block-chain-spirit.
David Burrows, Alex Marzeta, Vanessa Page and Mark Jackson will be performing.
Rites of the Zeitgeber, Verity Brit & Musician ‘U’ (UK)
9 channel video installation, live score performed by musician ‘U’
The Zeitgeber (‘time giver’ or ‘synchroniser’) is honoured by a triadic henge of stacked CRT monitors in which past durations collide with future vacuums. Strange extra-terrestrial topographies are traversed across geological time and the internet. Curious substances are unearthed and lost languages resurrected. Fragments from Mina Loy, J. G. Ballard and Henri Bergson emerge amongst an archaeology of media from Super 8, VHS, to HD. Time bends from matter, history is up-set and the clock is obsolete.
Verity Birt an artist based in London. She studied an MA in Moving Image at the Royal College of Art (2013–2015) and BA in Art Practice at Goldsmiths University of London (2008–2011). She is involved with collaborative research groups; The Future is a Collective Project, Reconfiguring Ruins and a founding member of women artists collective Altai. This summer, Verity was artist in residence at BALTIC and The Newbridge Project in Newcastle. Previous exhibitions include: Our House of Common Weeds; Res. Gallery, London (2017); Relics from the De-crypt | Gossamer Fog Gallery London (2017), Altai in Residence, Experiments in Collective Practice, Dyson Gallery, London (2017); Chemhex Extract, Peacock Visual Arts, Aberdeen (2016); Feeling Safer, IMT Gallery, London and Gallery North, New York (2016); Come to Dust, Generator Projects, Dundee (2016)
Fallopé & The Tubes (UK)
A weirdo-punk performance band. Each live show features live humans! film and visuals! costumes! sculpture! visual props! and music/a sequence of sounds!
Fallopé and The Tubes is a fluctuating live musical and performative event with contributions from Sarah Messenger, Ruby Pester, Nadia Rossi, Rachel Walker, Catherine Weir, Emma McIntyre and Skye Renee Foley. The group are made up of Scottish based artists and musicians that are also filmmakers, festival organisers, librarians, boatbuilders and more who work collaboratively to devise live performances. Drawing influence from a wide range of fringe and mainstream musical genres, exploring sexuality, elements of social satire, self promotion and leftist political ideologies.
The group was established in January 2014 at Insriach Bothy, Aviemore and have developed their practice during numerous residency experiences across Scotland. By living and working together ‘off grid’ the group have developed experimental techniques to create a collective energy. Fallopé & The Tubes draw influence from a wide range of fringe and mainstream musical genres, as well as sexuality, elements of social satire and self promotion and leftist political ideologies. Soakin Records
DJ RHL (UK)
Resident NEoN DJ has been entertaining us since 2010. Djing for about 25 years, he predominately plays Techno but you often find him playing anything dance music related. Spinning old school vinyl sets containing an eclectic mix of old and new stuff. RHL just likes making people dance. Check here for past performances.
Accompanying DJ RHL is ‘The Wanderer‘ aka Naomi Lamb. Naomi works layers of diverse video loops into an ever evolving collage colours textures and shape and intuitively mixies visuals live. She improvises, freestyles and channels the room, customising the ephemeral moving collage in response to the tone of the happening.
For the past 20 years Naomi has been a prolific live video art performer utilising techniques and process that is often associated with the ever growing subculture of VJing and presents under the name of ‘The Wander’. Naomi has an intimate knowledge of not only the process of live video performance but also an wide reaching connections within the VJ community and has performed at many of the leading outdoor music and art festivals in New Zealand with a debut at two English Festivals this summer and she is super please for her first time mixing it up in Scotland to be at NEoN. “
AGK Booth
Yuck ’n Yum hereby invites you to attend the Annual General Karaoke booth at this year’s NEoN at Night. The AGK is a fiercely contested karaoke video competition, getting creative types to make videos that will shock, delight and confound its audience. First staged back in 2010, over the years the AGK has built up a sizeable back catalogue of singalong anthems encompassing everything from pop classics to the most extreme avant garde out there. Now Yuck ’n Yum will bring the AGK archive to NEoN revellers in an audiovisual extravaganza that will overturn everything you ever thought you knew about karaoke convention. This November, Yuck ’n Yum together with NEoN are making a song and dance about it.
About the Artists Yuck ‘n Yum is a curatorial collective formed in Dundee 2008. Until 2013 its main raison d’etre was to make zines and distribute art. The AGK booth is the first of three projects that will kick start a period of activity after a couple of years of hibernation.
Yuck ‘n Yum are Andrew Maclean, Gayle Meikle, Ben Robinson, Alexandra Ross, Alex Tobin, Becca Clark and Morgan Cahn.
WEST WARD WORKS
Guthrie Street
DD1 5BR
Images: NEoN
This is a photograph from the East of Ireland Marathon Series Marathon which was held in Longwood Village, Co. Meath, Ireland on Saturday 25th January 2014 at 09:00. There were 75 participants in the marathon which completed 8 loops of a 5KM route (and a additional 2KM) with Longwood GAA club acting as Race Headquarters, Start, Finish, and refreshments area. The weather turned particularly nasty for about an hour and the participants were lashed with gale-force winds, severe hailstones, and then rain. However this didn't stop everyone enjoying the day. Thanks to the folks at Longwood GAA who provided excellent hospitality and facilities for all participants. There was a great atmosphere at the race and everyone enjoyed another trip to the countryside for an EOIM.
Despite the weather there were a few PBs and fast inidividual times. The course is a nice fast flat 5KM loop. It is used every year as the Longwood GAA 5KM Road Race (see links below). The marathon loop followed the reverse of the race route for safety reasons as the roads were fully opened for the EOIM event. There is a total elevation gain of 20ft and an elevation loss of 23ft. The sources of elevation gain are only very small rises on the road and aren't really noticeable. Part of the route includes a kilometer on a boreen which is nicely sheltered and with good road surface. The road surface is excellent for the entire route. There were some puddles and mud on the boreen section of the route due to agricultural traffic.
Thanks must be extended to the Longwood GAA club and committee for the use of their fine facilities which allowed participants to have some refreshments afterwards and hot showers and changing rooms were also available.
This is the second East of Ireland Marathon Series race which has been held outside Dublin. The previous race which was held outside Dublin was held in Stapelstown, Co. Kildare in September 2013. (See links to pictures on Flickr from that race). Whilst Longwood is a rural venue it is easily accessible from all parts of Ireland due to it's close proximity to the N4 and the M4 Motorways.
We have an extensive set of photographs from today's event on the following Flickr Photoset Page: http://www.flickr.com/photos/peterm7/sets/72157640099311556/
Tell me more about the East of Ireland Marathon Series
This race event was part of the East of Ireland Marathon Series. The East Of Ireland Marathon Series aims to make marathons affordable and convienient for the runners of Ireland. The series organisers aim to promote marathon running and to make the process as stress free and enjoyable as possible. All courses are measured to full AAI standards and have a minimum of 10 Entrants. The marathons are self sufficent to a degree although there are limited supplies of water available on the day of the race. There will be no extra frills like chip timing and finish gantrys. However all finishing times are accurately and officially recorded and each marathon counts as an official marathon. Overall, this approach to marathon organisation helps to keep the price down and allows these races to be run in as an economically affordable manner as possible. The East of Ireland Marathon series is all inclusive and welcomes runners who are new to marathon running as well as experienced veterans. So if you are thinking of your 1st marathon, your 10th marathon, or your 100th the East of Ireland Marathon Series will provide a very friendly and low-cost environment for to become part of Ireland's marathon running community.
Viewing this on a smartphone device?
If you would like to see a larger version of this photograph and if you are viewing this Flickr set on a smartphone: scroll down to the bottom of this description under the photograph and click the "View info about this photo..." link. You will be brought to a new page and you should click the link "View All Sizes".
Some useful Internet links
East of Ireland Marathons Facebook Group Page: www.facebook.com/groups/130592073780072/ (you will need a Facebook account to view this)
East of Ireland Marathons Website: www.eastofirelandmarathons.com/
Race Website with Route Description: www.peterm7.com/longwood/
Garmin GPS Trace of the Marathon Route (main loop) connect.garmin.com/activity/401171615
East of Ireland Marathon Series - Stapelstown, Co. Kildare - September 2013: www.flickr.com/photos/peterm7/sets/72157635665725976/
We use Creative Commons Licensing
We use the Creative Commons Attribution-ShareAlike License for all our photographs here in this photograph set. What does this mean in reality?
The explaination is very simple.
Attribution- anyone using our photographs gives us an appropriate credit for it. This ensures that people aren't taking our photographs and passing them off as their own.
ShareAlike – anyone can use these photographs, and make changes if they like, or incorporate them into a bigger project, but they must make those changes available back to the community under the same terms.
Creative Commons aims to encourage creative sharing. See some examples of Creative Commons photographs on Flickr: www.flickr.com/creativecommons/
Can I use these photographs directly from Flickr on my social media account(s)?
Yes - of course you can! Flickr provides several ways to share this and other photographs in this Flickr set. You can share to: email, Facebook, Pinterest, Twitter, Tumblr, LiveJournal, and Wordpress and Blogger blog sites. Your mobile, tablet, or desktop device will also offer you several different options for sharing this photo page on your social media outlets.
We take these photographs as a hobby and as a contribution to the running community in Ireland. Our only "cost" is our request that if you are using these images: (1) on social media sites such as Facebook, Tumblr, Pinterest, Twitter,LinkedIn, Google+, etc or (2) other websites, blogs, web multimedia, commercial/promotional material that you must provide a link back to our Flickr page to attribute us.
This also extends the use of these images for Facebook profile pictures. In these cases please make a separate wall or blog post with a link to our Flickr page. If you do not know how this should be done for Facebook or other social media please email us and we will be happy to help suggest how to link to us.
How can I get full resolution, print-quality, copies of these photographs?
If you just need these photographs for online usage then they can be used directly once you respect their Creative Commons license and provide a link back to our Flickr set if you use them. For offline usage and printing all of the photographs posted here on this Flickr set are available free, at no cost, at full image resolution.
Please email petermooney78 AT gmail DOT com with the links to the photographs you would like to obtain a full resolution copy of. We also ask race organisers, media, etc to ask for permission before use of our images for flyers, posters, etc. We reserve the right to refuse a request.
In summary please remember when requesting photographs from us - If you are using the photographs online all we ask is for you to provide a link back to our Flickr set or Flickr pages. You will find the link above clearly outlined in the description text which accompanies this photograph. Taking these photographs and preparing them for online posting does take a significant effort and time. We are not posting photographs to Flickr for commercial reasons. If you really like what we do please spread the link around your social media, send us an email, leave a comment beside the photographs, send us a Flickr email, etc. If you are using the photographs in newspapers or magazines we ask that you mention where the original photograph came from.
I would like to contribute something for your photograph(s)?
Many people offer payment for our photographs. As stated above we do not charge for these photographs. We take these photographs as our contribution to the running community in Ireland. If you feel that the photograph(s) you request are good enough that you would consider paying for their purchase from other photographic providers or in other circumstances we would suggest that you can provide a donation to any of the great charities in Ireland who do work for Cancer Care or Cancer Research in Ireland.
I ran in the race - but my photograph doesn't appear here in your Flickr set! What gives?
As mentioned above we take these photographs as a hobby and as a voluntary contribution to the running community in Ireland. Very often we have actually ran in the same race and then switched to photographer mode after we finished the race. Consequently, we feel that we have no obligations to capture a photograph of every participant in the race. However, we do try our very best to capture as many participants as possible. But this is sometimes not possible for a variety of reasons:
►You were hidden behind another participant as you passed our camera
►Weather or lighting conditions meant that we had some photographs with blurry content which we did not upload to our Flickr set
►There were too many people - some races attract thousands of participants and as amateur photographs we cannot hope to capture photographs of everyone
►We simply missed you - sorry about that - we did our best!
You can email us petermooney78 AT gmail DOT com to enquire if we have a photograph of you which didn't make the final Flickr selection for the race. But we cannot promise that there will be photograph there. As alternatives we advise you to contact the race organisers to enquire if there were (1) other photographs taking photographs at the race event or if (2) there were professional commercial sports photographers taking photographs which might have some photographs of you available for purchase. You might find some links for further information above.
Don't like your photograph here?
That's OK! We understand!
If, for any reason, you are not happy or comfortable with your picture appearing here in this photoset on Flickr then please email us at petermooney78 AT gmail DOT com and we will remove it as soon as possible. We give careful consideration to each photograph before uploading.
I want to tell people about these great photographs!
Great! Thank you! The best link to spread the word around is probably http://www.flickr.com/peterm7/sets
This is a photograph from the East of Ireland Marathon Series Marathon which was held in Longwood Village, Co. Meath, Ireland on Saturday 25th January 2014 at 09:00. There were 75 participants in the marathon which completed 8 loops of a 5KM route (and a additional 2KM) with Longwood GAA club acting as Race Headquarters, Start, Finish, and refreshments area. The weather turned particularly nasty for about an hour and the participants were lashed with gale-force winds, severe hailstones, and then rain. However this didn't stop everyone enjoying the day. Thanks to the folks at Longwood GAA who provided excellent hospitality and facilities for all participants. There was a great atmosphere at the race and everyone enjoyed another trip to the countryside for an EOIM.
Despite the weather there were a few PBs and fast inidividual times. The course is a nice fast flat 5KM loop. It is used every year as the Longwood GAA 5KM Road Race (see links below). The marathon loop followed the reverse of the race route for safety reasons as the roads were fully opened for the EOIM event. There is a total elevation gain of 20ft and an elevation loss of 23ft. The sources of elevation gain are only very small rises on the road and aren't really noticeable. Part of the route includes a kilometer on a boreen which is nicely sheltered and with good road surface. The road surface is excellent for the entire route. There were some puddles and mud on the boreen section of the route due to agricultural traffic.
Thanks must be extended to the Longwood GAA club and committee for the use of their fine facilities which allowed participants to have some refreshments afterwards and hot showers and changing rooms were also available.
This is the second East of Ireland Marathon Series race which has been held outside Dublin. The previous race which was held outside Dublin was held in Stapelstown, Co. Kildare in September 2013. (See links to pictures on Flickr from that race). Whilst Longwood is a rural venue it is easily accessible from all parts of Ireland due to it's close proximity to the N4 and the M4 Motorways.
We have an extensive set of photographs from today's event on the following Flickr Photoset Page: http://www.flickr.com/photos/peterm7/sets/72157640099311556/
Tell me more about the East of Ireland Marathon Series
This race event was part of the East of Ireland Marathon Series. The East Of Ireland Marathon Series aims to make marathons affordable and convienient for the runners of Ireland. The series organisers aim to promote marathon running and to make the process as stress free and enjoyable as possible. All courses are measured to full AAI standards and have a minimum of 10 Entrants. The marathons are self sufficent to a degree although there are limited supplies of water available on the day of the race. There will be no extra frills like chip timing and finish gantrys. However all finishing times are accurately and officially recorded and each marathon counts as an official marathon. Overall, this approach to marathon organisation helps to keep the price down and allows these races to be run in as an economically affordable manner as possible. The East of Ireland Marathon series is all inclusive and welcomes runners who are new to marathon running as well as experienced veterans. So if you are thinking of your 1st marathon, your 10th marathon, or your 100th the East of Ireland Marathon Series will provide a very friendly and low-cost environment for to become part of Ireland's marathon running community.
Viewing this on a smartphone device?
If you would like to see a larger version of this photograph and if you are viewing this Flickr set on a smartphone: scroll down to the bottom of this description under the photograph and click the "View info about this photo..." link. You will be brought to a new page and you should click the link "View All Sizes".
Some useful Internet links
East of Ireland Marathons Facebook Group Page: www.facebook.com/groups/130592073780072/ (you will need a Facebook account to view this)
East of Ireland Marathons Website: www.eastofirelandmarathons.com/
Race Website with Route Description: www.peterm7.com/longwood/
Garmin GPS Trace of the Marathon Route (main loop) connect.garmin.com/activity/401171615
East of Ireland Marathon Series - Stapelstown, Co. Kildare - September 2013: www.flickr.com/photos/peterm7/sets/72157635665725976/
We use Creative Commons Licensing
We use the Creative Commons Attribution-ShareAlike License for all our photographs here in this photograph set. What does this mean in reality?
The explaination is very simple.
Attribution- anyone using our photographs gives us an appropriate credit for it. This ensures that people aren't taking our photographs and passing them off as their own.
ShareAlike – anyone can use these photographs, and make changes if they like, or incorporate them into a bigger project, but they must make those changes available back to the community under the same terms.
Creative Commons aims to encourage creative sharing. See some examples of Creative Commons photographs on Flickr: www.flickr.com/creativecommons/
Can I use these photographs directly from Flickr on my social media account(s)?
Yes - of course you can! Flickr provides several ways to share this and other photographs in this Flickr set. You can share to: email, Facebook, Pinterest, Twitter, Tumblr, LiveJournal, and Wordpress and Blogger blog sites. Your mobile, tablet, or desktop device will also offer you several different options for sharing this photo page on your social media outlets.
We take these photographs as a hobby and as a contribution to the running community in Ireland. Our only "cost" is our request that if you are using these images: (1) on social media sites such as Facebook, Tumblr, Pinterest, Twitter,LinkedIn, Google+, etc or (2) other websites, blogs, web multimedia, commercial/promotional material that you must provide a link back to our Flickr page to attribute us.
This also extends the use of these images for Facebook profile pictures. In these cases please make a separate wall or blog post with a link to our Flickr page. If you do not know how this should be done for Facebook or other social media please email us and we will be happy to help suggest how to link to us.
How can I get full resolution, print-quality, copies of these photographs?
If you just need these photographs for online usage then they can be used directly once you respect their Creative Commons license and provide a link back to our Flickr set if you use them. For offline usage and printing all of the photographs posted here on this Flickr set are available free, at no cost, at full image resolution.
Please email petermooney78 AT gmail DOT com with the links to the photographs you would like to obtain a full resolution copy of. We also ask race organisers, media, etc to ask for permission before use of our images for flyers, posters, etc. We reserve the right to refuse a request.
In summary please remember when requesting photographs from us - If you are using the photographs online all we ask is for you to provide a link back to our Flickr set or Flickr pages. You will find the link above clearly outlined in the description text which accompanies this photograph. Taking these photographs and preparing them for online posting does take a significant effort and time. We are not posting photographs to Flickr for commercial reasons. If you really like what we do please spread the link around your social media, send us an email, leave a comment beside the photographs, send us a Flickr email, etc. If you are using the photographs in newspapers or magazines we ask that you mention where the original photograph came from.
I would like to contribute something for your photograph(s)?
Many people offer payment for our photographs. As stated above we do not charge for these photographs. We take these photographs as our contribution to the running community in Ireland. If you feel that the photograph(s) you request are good enough that you would consider paying for their purchase from other photographic providers or in other circumstances we would suggest that you can provide a donation to any of the great charities in Ireland who do work for Cancer Care or Cancer Research in Ireland.
I ran in the race - but my photograph doesn't appear here in your Flickr set! What gives?
As mentioned above we take these photographs as a hobby and as a voluntary contribution to the running community in Ireland. Very often we have actually ran in the same race and then switched to photographer mode after we finished the race. Consequently, we feel that we have no obligations to capture a photograph of every participant in the race. However, we do try our very best to capture as many participants as possible. But this is sometimes not possible for a variety of reasons:
►You were hidden behind another participant as you passed our camera
►Weather or lighting conditions meant that we had some photographs with blurry content which we did not upload to our Flickr set
►There were too many people - some races attract thousands of participants and as amateur photographs we cannot hope to capture photographs of everyone
►We simply missed you - sorry about that - we did our best!
You can email us petermooney78 AT gmail DOT com to enquire if we have a photograph of you which didn't make the final Flickr selection for the race. But we cannot promise that there will be photograph there. As alternatives we advise you to contact the race organisers to enquire if there were (1) other photographs taking photographs at the race event or if (2) there were professional commercial sports photographers taking photographs which might have some photographs of you available for purchase. You might find some links for further information above.
Don't like your photograph here?
That's OK! We understand!
If, for any reason, you are not happy or comfortable with your picture appearing here in this photoset on Flickr then please email us at petermooney78 AT gmail DOT com and we will remove it as soon as possible. We give careful consideration to each photograph before uploading.
I want to tell people about these great photographs!
Great! Thank you! The best link to spread the word around is probably http://www.flickr.com/peterm7/sets
Movies include Mickey Blue Eyes, Les Miserables, The Family Man, Election, From Russia with Love, Pushing Tin, Pearl Harbor, The Avengers, Maid in Manhattan, A Knight's Tale, Brown Sugar, The Cutting Edge, Babe, Shiloh, Stuart Little, K Pax, Head over Heels, Tomb Raider, Peter Pan, The ten commandments, America's Sweethearts, Kate and Leopold, Bartok, A Christmas Carol, Prince of Egypt, Spy Kids, Sleeping Beauty, The bible, Gone with the Wind, and The Thomas Crown Affair.
The text says:
(Valid only on the day)
Special Place of Scenic Beauty
Group Adult ¥250
Ishakawa Prefecture
---------------------------------
Kenroku-en Garden
Coordinates: 36°33′43″N 136°39′45″E
From Wikipedia, the free encyclopedia
Kenroku-en (Japanese: 兼六園, Garden of Six Attributes), located in Kanazawa, Ishikawa, Japan, is a strolling style garden constructed during the Edo period by the Maeda clan.[1]
Along with Kairaku-en and Kōraku-en, Kenroku-en is considered one of the Three Great Gardens of Japan and is noted for its beauty across all seasons, particularly in winter.
Spread over nearly 25 acres, features of the landscape include meandering paths, a large pond, several tea houses, and one of Japan's oldest fountains.
First opening to the public in 1871, the garden was later designated a National Site of Scenic Beauty in 1922, and subsequently received status as a National Site of Special Scenic Beauty in 1985.[3] The grounds are open through paid admission year-round during daylight hours.[4]
History
Kenroku-en was developed from the 1620s to the 1840s by the Maeda clan, the daimyōs (feudal lords) who ruled the former Kaga Domain.
While the date of initial development of the garden that would become known as Kenrokuen is rather unclear, one version of the garden's origins can perhaps be marked by the completion of the Tatsumi water channel in 1632 by Maeda Toshitsune, the third daimyō of the powerful Maeda clan and ruler of the Kaga Domain from 1605 to 1639, as this feature would be later incorporated into creating the garden's twisting waterways in 1822.
Conversely, in other versions of the garden's inception, it is said to have originated when the 5th daimyō Tsunanori [r. 1645–1723] built in 1676 the Renchiochin house on the slope facing Kanazawa Castle, and gave its garden the name Renchitei (蓮池庭, lotus pond), also spelled Renchi-tei.
The garden is located outside the gates of Kanazawa Castle where it originally formed the outer garden, and covers 114,436.65 m2 (over 25 acres). It began in 1676 when the 5th daimyō Maeda Tsunanori moved his administration to the castle and began to landscape a garden in this vicinity. This garden was, however, destroyed by the fire in 1759.
Not much is known about Renchitei in the years after it was named, principally as about eighty years after its creation, nearly the entire garden was destroyed by a massive fire in 1759.
However, it is known from documents of the period that before the fire, the garden was often used and enjoyed by successive lords and retainers for "different banquet occasions such as viewing the moon ... enjoying colorful maples",[8] and for admiring horses.[8] Furthermore, local legend suggests that the Sacred Well of Kenroku-en – arguably the oldest object in the garden if the legend is true – suggests that:
1,200 years ago a peasant named Togoro stopped to wash his potatoes at the well. Suddenly, flakes of gold began to bubble up from the well, giving Kanazawa – meaning 'Marsh of Gold' – its name. Water from the well runs to the purification basin at the nearby Shinto shrine, and many people come to the Sacred Well for water for the tea ceremony.[9]
The Shigure-tei teahouse – constructed in 1725 – miraculously survived the fire of 1759, and it offers evidence that not only was the tea ceremony present before the fire, but more importantly so was the culture associated with this elaborate ritual as it had a significant effect on garden design.
Following the fire, the teahouse continued to be used and was completely restored during the Meiji period. It can still be seen today in the Renchitei section of the garden.
Another object that existed in or around the garden before the fire of 1759 was the Kaiseki Pagoda (海石塔, Kaiseki-tō), which is currently situated in Kenroku-en on an island near the center of Hisago Pond (瓢池, Hisago-ike).
Not only is this object of considerable interest due to the theories which suggest its origin, but it also requires extra consideration due to the fact it "was erected by the third lord Toshitsune" who lived from 1594 to 1658, as it provides evidence that perhaps it predates the initial creation of Renchitei.
Of course, this depends upon one's interpretation regarding both when the garden was initially created, along with the two theories regarding its origin.
The first theory suggests it was formerly part of a "13-tiered pagoda that was once in the Gyokusen-in garden in Kanazawa Castle".
The second theory suggests the pagoda was "brought back from Korea by Kato Kiyomasa when he came back from a military incursion there, and that it was presented to Toyotomi Hideyoshi, and then passed on by him to the first lord Maeda Toshiie".[attribution needed][11]
Since these military incursions by Kato Kiyomasa probably took place between 1592 and 1598, and as Hideyoshi died in 1598, if the second theory is true, then the pagoda probably entered Japan and into the hands of Maeda Toshiie between 1592 and 1598.
Moreover, both theories regarding its origin could be true, which could propose a third theory behind the pagoda's origin. It is possible that Maeda Toshiie received from Hideyoshi a 13-tiered pagoda, placed it in Gyokusen-in garden in Kanazawa Castle, and a subsequent daimyō placed the pagoda where it stands today in its current form. However, as there isn't any evidence suggesting this third theory, this claim cannot be substantiated.
The garden restoration was begun in 1774 by the 11th daimyō Harunaga, who created the Emerald Waterfall (Midori-taki) and Yugao-tei (夕顔亭), a teahouse. Improvements continued in 1822 when the 12th daimyō Narinaga created the garden's winding streams with water drawn from the Tatsumi Waterway. The 13th daimyō Nariyasu subsequently added more streams and expanded the Kasumi Pond. With this, the garden's current form was complete. The garden was opened to the public on May 7, 1874.
The Six Attributes
The garden was named by Matsudaira Sadanobu in 1822 and literally translates as "Combined" (Ken) "Six" (roku) "Garden" (en) to mean the "Garden of Six Attributes." Sadanobu drew inspiration from the classical Chinese text "Chronicles of the Famous Luoyang Gardens" (洛陽名園記), which outlined the six attributes of a perfect landscape: spaciousness, seclusion, artifice, antiquity, waterways, and panoramas.[12] Attaining all six within one landscape was said to be difficult because they form contrasting pairs:
There are six features that make a garden outstanding. If one tries to introduce an impression of vastness, any atmosphere of quietude and intimacy will be lost; if artificial elements are introduced, any impression of antiquity will be weakened; if a lot of flowing water is introduced, distant views are not possible.[12]
The landscape design and layout of Kenroku-en can be interpreted to demonstrate how it overcomes the challenge of these contrasting attributes, and achieves balance of all six to represent an ideal landscape. Certain areas of the garden, like those around Kasumige-ike Pond, lend themselves to a sense of openness, while other areas, such as those around Tokiwaoka Hill, create a sense of seclusion.[13] Artificial elements of bridges, lanterns, and pagodas were designed to fit seamlessly into the surrounding natural elements of rock, plants, and water.[14] Panoramic viewpoints within the garden overlook the Japan Sea and Iozan mountains, while simultaneously allowing views of many of the garden's water features.[15]
Kenroku-en contains roughly 8,750 trees, and 183 species of plants in total. Among the garden's points of special interest are the oldest fountain in Japan, operating by natural water pressure.
\Yūgao-tei, a teahouse, the oldest building in the garden, built 1774
Shigure-tei, a rest House that was originally built by the 5th lord Tsunanori, reconstructed at its present location in 2000.
Karasaki Pine, planted from seed by the 13th lord Nariyasu from Karasaki, near Lake Biwa.
Kotoji-tōrō, a stone lantern with two legs, said to resemble the bridge on a koto. This lantern is emblematic of Kenroku-en and Kanazawa.
Flying Geese Bridge (Gankō-bashi), made of eleven red stones, laid out to resemble geese in a flying formation
Kaiseki Pagoda, said to have been donated to the Maeda by Toyotomi Hideyoshi
In winter, the park is notable for its yukitsuri — ropes attachReferencese
Renchi-tei garden”was often enjoyed by the line of lords.
The development of Kenroku-en started with the terrace across from the castle. The 5th lord Tsunanori relocated the construction office back to the castle grounds to build a villa for himself on the site as well as developing the garden around it. This is said to have been the beginning of the garden development.
The garden was called "Renchi-tei garden" at that time. The place was often used for different banquet occasions such as viewing the moon or enjoying colorful maples. The Renchi-tei garden was deeply loved by the line of lords and old retainers, but it was nearly burnt down except for only a small part by the great fires in 1759.
It is the 11th lord Harunaga, who restored the garden. With Midori-taki waterfall and Yugao-tei tea house built in 1774 and Uchihashi-tei tea house in 1776, the development of the garden was nearly completed.
The upper flat land over the Renchi-tei garden is called "Chitose-dai." Chitose-dai went through busy changes by how the line of lords wanted to use the place.
In 1792, some time after the middle of the domain ruling, Harunaga built domain schools called "Meirindo" and "Keibukan."
After Harunaga's death, his heir the 12th lord Narinaga relocated these schools to develop a retirement villa for himself called "Takezawa Goten" in 1822. In the same year, the name "Kenroku-en" was given to the place by Matsudaira Sadanobu, the lord of the Shirakawa Domain ruling the region in the northeastern Japan.
After Narinaga's death, the villa buildings with the great area of 13,224 square meters and with over 200 rooms were all torn down by his heir, the 13th lord Nariyasu.
Complete clearing of the site was finished in 1851. By extending the pond and planting good-shaped trees and by integrating the Chitose-dai land with Renchi-tei garden, Nariyasu developed the garden to a greater one.
Kenroku-en was fully opened to the public in 1874. With that many tea houses opened as well. "Meiji Monument" was erected in the memory of the war dead sent to the battle, which took place in the southern Japan in 1880.
Kenroku-en was designated a National Site of Scenic Beauty in 1922. It was rated higher to a National Site of Special Scenic Beauty in 1985, thus gaining the most honorable rank equivalent to a National Treasure.
In 1976 the free admission system implemented since Kenroku-en was opened to the public was stopped, and the entrance fee system had to be introduced to better manage the garden.
The "Hase-ike pond development program" was planned in 1994, and the development was completed in 2000.
With this development "Shigure-tei" and "Funano-ochin" tea houses, which were torn down in the early Meiji Period were reconstructed.
Two streams were also newly added to the garden, thus enriching the whole garden.
Faversham’s Magna Carta
Copies of this confirmation of Magna Carta granted in 1300, which includes the whole text of Magna Carta, were sent to many towns throughout the country. At the foot of this copy it is stated in Latin that it is for the barons of the Port of Faversham. Originally granted by King John 1215, Faversham’s version is a confirmation of the re-issue of 1225.
1300 Magna Carta.
Parchment, c. 59 × 44 (+32) cms. Decorated initial ‘E’. Great seal of Edward I on a replaced parchment tag.
Tann, Royal Charters of Faversham, pp. 102-111.
Translation
Edward by the grace of God king of England, Lord of Ireland and Duke of Aquitaine sends greeting to his archbishops, bishops, abbots, priors, earls, barons, sheriffs, reeves, ministers and all bailiffs and faithful people. We have inspected the charter of the lord Henry, our father, king of England (Henry III 1216-1272) about the liberties of England in these words:
Henry by the grace of God king of England, Duke of Normandy, Aquitaine and Count of Anjou sends greeting to his archbishops, bishops, earls, barons, sheriffs, reeves, ministers and all faithful people who will inspect the present charter. You may know that we by the instigation of God and for the salvation of our souls and the souls of our ancestors and descendants by our spontaneous and good will have, for the elevation of the Holy church and the bettering of our kingdom, given and granted to the archbishops, bishops, priors, earls, barons and ministers of our kingdom these liberties as are written below to be observed in our kingdom of England in perpetuity. Firstly we have conceded to God and we, by this our present charter, confirm for ourselves and for our heirs in perpetuity that the English church may be free and may hold all rights freely, fully and its liberties unquestioned; we have also granted and have given to all free men of our kingdom on behalf of ourself and of our heirs in perpetuity that they may have and hold the liberties as written below, by them and their heirs of us and our heirs in perpetuity. If any person of our earls or barons or of any other tenants who hold of us in chief through knight service may die and after his death and his heir shall be of full age and he owes relief, he may receive his inheritance through the old relief, that is to say an heir or the heirs of an earl by a hundred pounds for the entire Earldom, an heir or the heirs of a baron by a hundred marks for the full Barony, the heir or heirs by a hundred shillings for a full knights fee at the most and who has held less may give in accordance with the ancient custom of the fees. If however the heir of anyone of any such status should have been under age, the lord may not have custody of him nor of his land before he has taken his homage and afterwards such an heir who shall have been in custody, shall, when he has come of age, that is at twenty one years, receive his inheritance without relief and without a fine. Moreover that if he should have become a knight while he has been in custody, even so the land may remain in the keeping of his lords to the end of the aforesaid term. The guardian of the land of an heir of this nature, who has been under age, may not take anything from the heir’s land unless reasonable profits of that land. He ought to make report to us and if he, during his time of guardianship shall cause damage or commit waste then we will take it from him to be emended and the land may be committed to two trusted and honest men. And if we have given or sold the guardianship of the land to anyone of such nature and he then has caused damage or waste he shall loose that guardianship and it be handed over to two trusted and honest men of that fee who similarly may answer to us just as is aforesaid. However the guardian of the land has to accept a certain responsibility for the land in this manner: he will maintain the buildings, parks, fish ponds, stanks, mills and all things pertaining to that land out of the profits of the same land and when the heir shall come of full age he shall return his land completely stocked with ploughs and all other things in full just as he received it. All these things are to be observed concerning the custody of the lands of archbishops, bishops, abbots, priors, churches and vacant dignitaries which pertain to us, except when the guardianship in this manner ought to come to us. The heirs shall marry without disparagement, a widow at once after her husband’s death and she may have her marriage allowance and her inheritance without obstacle and may not give anything for her dowry nor for her marriage portion for the inheritance; that is any inheritance which she, the same widow and her husband held on the day of her husband’s death and she may remain in her husband’s capital messuage for forty days after her husband’s death, within which days her dowry may be assigned to her, unless it shall have been already assigned to her or unless that residence should be a castle and if she should depart from such castle, a suitable house may be provided at once for her in which she may honourably remain until her dowry be assigned to her, as it aforesaid and meanwhile she may have a reasonable maintenance grant from the community. However a third part of all her husband’s land may be assigned to her for her dowry which was hers during his life, unless she had been provided with less dowry at the church entrance. No widow may be pressurised to get married while she has wished to live without a husband. Then so that she may give assurance that she will not marry without our assent if she has held from us or without her lord’s assent if she has held from another. Indeed neither we, nor our bailiffs will seize any land or rent for any debt when certain present chattels of the debtor are sufficient to pay the debt and the debtor himself made be prepared to make satisfaction, nor shall the sureties of the same debtor be distrained when the chief debtor himself has sufficient for the payment of his own debt and if the chief debtor should default in payment of the debt, not having the funds to make repayment or being reluctant to make payment when he is able, the sureties for the debt may be responsible and if they should wish they may have the debtor’s lands and rents until he makes satisfaction to them about the debt which they have paid for him previously, unless the chief debtor has shown that he is quit towards his sureties. The city of London may have all is ancient liberties and customs; in addition we wish and concede that all other cities and boroughs and towns and the barons of the Cinque Ports and all ports may have all the liberties as their free customs. No one may be distrained to make more service for a knight’s fee nor for any other free tenement than that which is owing. The common pleas may not follow our court but shall be held in another particular place. Recognizances of Nova Disseisina and of Morte Antecessorum shall not be taken unless in their own counties. We, or if we should be out of the kingdom our chief justiciary, shall send our justiciaries into every county whatsoever once in a year, where, with the knights of the shires they may take the aforesaid assizes and those things which at his coming in the county cannot be terminated through our aforesaid justiciaries at the two assizes which were taken, shall be terminated by the same men elsewhere in their itinerary and those matters which by the same men could not be terminated on account of difficulty of other articles may be referred to the justiciaries of the Bench. The assizes of Ultima Presentacione are always taken before the justiciaries of the Bench and to be terminated there. A free man may not be amerced for a minor offence except according to the manner of the same man’s offence and for a more serious offence according to the extent of his delinquency, saving to the consideration of his status and a merchant in the same way according to his merchandise and a villein of another, rather than of ours, shall be amerced in the same way according to his weregeld should he happen to be placed into our mercy and none of the aforesaid amercements shall be imposed unless through the oath of trusted and law-abiding men of the neighbourhood and knights and barons shall not be amerced except through their peers and not unless according to the manner of the offence. No ecclesiastical person shall be amerced according to the quantity of his benefice but according to the quantity of his lay fee and according to the nature of his offence nor shall any villein or free man be distrained to build bridges at the waterways unless they had been obliged to do so from ancient times and by right. No defences shall be made for any river banks apart from those which had been made as defences in the time of king Henry our grandfather throughout the same places and under the same terms, just as they were accustomed to do in his time. No sheriff, constable, coroner or any other of our bailiffs may hold pleas of our crown. If any person holding a lay free of us shall have died and our sheriff or bailiff shall show our letters patent concerning our summons about the debt which shows what he owes to us, it may then be lawful for the sheriff or our bailiff to impound and evaluate all the deceased person’s goods and chattels found in that lay fee to the extent of that debt assessed by the valuation of trusted men. Thence nothing may be removed from there until the debt to us which was clearly shown shall be paid and the residue may be left to the executors in accordance with the deceased person’s will and if nothing may be owed to us by him and all his chattels shall yield to the deceased, saving to the wife and children of the same in reasonable share. No constable or a bailiff of his may take the corn or other chattels of anyone who is not of the town where the castle is situated unless he immediately pays money for them, or then he can have respite by the wish of the vendor. If however he is of that same town he may pay the price within forty days. No constable may distrain any knight to give him money for castle guard if he shall have been willing to do this in his own person or if for some good reason he is not able to perform this service through another trusted man; in addition, if we have led or sent him into the army, he may be exempt from service in accordance with the time during which through us he was in the army because of the fee for which he has done service in the host. No sheriff or our bailiff or any other person shall take the horses or carts of anyone to make a carriage unless he shall make the payment laid down in ancient statutes, that is to say ten pence per day for one cart with two horses and fourteen pence per day for one cart with three horses. No cart of the demesne of any ecclesiastical person or knight or of any other lord shall be taken by our bailiffs neither shall we, our bailiffs or anyone else take wood belonging to anyone else for our castles or for any other of our works unless by permission of the person to whom the wood belongs. We will not hold the lands of those persons convicted of felony longer than one year and one day and then those lands shall be returned to the lord of the fees. All fish kidells shall forthwith be removed from the Thames and Medway and throughout the whole of England unless upon the sea coast. The writ called Precipe in future shall not be granted to anyone of any free tenement, thence a free man may loose his court. There shall be one measure of wine throughout our whole kingdom and one measure of beer and one measure of corn, that is to say the quarter of London and one width of dyed cloth, of russets and halberjects, that is two ells within the selvedges. Concerning weights, these shall be the same as the measures. In future nothing may be given or taken from him who seeks the writ of the inquisition Concerning life and limbs but it shall be freely conceded and not denied. If anyone may hold of us in fee farm or socage or burgage and shall hold land from another by military service we will not have the custody of either his heir nor lands which he holds of another because of that fee -farm, socage or burgage, unless the fee farm owes that same man military service. We will not have custody of the heir or lands of anyone who holds from any other person lands by military service by reason of petty serjeantry which he holds of us by service of giving daggers or arrows or other similar things to us. Forthwith no bailiff shall place any man to his open law, not to an open oath upon his own simple affirmation without faithful witnesses brought for the purpose. No free man be taken or imprisoned nor dispossessed of his free tenement nor of his liberties or free customs nor outlawed nor exiled nor in any way brought to destruction nor shall we go upon him nor condemn him except through the lawful judgement of his peers or through the law of the land. We will not sell to anyone, nor will we not deny nor delay to anyone either right or justice. All merchants, unless they have received public prohibition, shall have safe and secure conduct to go from and come into England and to remain and to travel throughout England both by land and by water to buy and sell with no unjust exactions, in accordance with the ancient and right customs, except in time of war and if they should be from the country with which we are at war and such merchants are found in our land at the beginning of the war, they shall be apprehended with no loss to their persons or to their goods until it is made known to us or to our chief justiciary how the merchants of our land who may be found in that land which is at war with us are used and if our men were safe there, then those others shall be safe in our land. If anyone has held of another escheat, as of the honour of Wallingford, Boulogne, Nottingham, Lancaster or other escheats which are in our hands and which might be baronies and has died, his heir shall not give any relief nor perform any other service to us other than he may make to a baron, if that might be in a baron’s hands and we will hold it in the same manner by which the baron held it, nor by reason of such a barony or escheat will we have any escheat or custody of any of our men unless he who held the barony or escheat held otherwise of us in chief. In future no free man shall give or sell any more of his land but except that from the residue of his land he may be able to make the service owing to the lord of the fee which pertains to that fee. All the patrons of abbeys which have charters of the kings of England concerning the advowson or the ancient tenure or possessions may hold custody of them while they shall have been vacant just is they ought to have and just as is decreed above. No one shall be arrested or imprisoned by the appeal of a woman for the death of any man other than her husband. Henceforth no county court may be held except from month to month, and where the greater term was accustomed to be it may be greater, neither shall any sheriff or his bailiff make his turn throughout the hundred except on two occasions in a year and not unless in the due and accustomed place, that is to say once after Easter and again after the feast of Michaelmas and the view of frank pledge shall be then made at the same Michaelmas term with no obstacle, thus moreover that everyone may have his liberties which he had or was accustomed to have in the time of king Henry our grandfather or which things he has since acquired. However the view of frank pledge may be so done that our peace may be held and that the tything may be fully kept just as it was accustomed to be and that the sheriff may seek no perquisites and that he may be content with such as the sheriff was accustomed to have when he made his view at the time of king Henry our grandfather, nor in the future may it be lawful for any man to give his land to a religious house and to take that land to hold from the same house nor may it be lawful for a religious house to accept land of any man and to lease that land to him from whom it was received. Forthwith if anyone has so granted land to a religious house and upon this is convicted, his gift shall immediately be curtailed and that land returned to the lord of that fee. Forthwith scutage may be taken [as was customary] in the time of our grandfather king Henry and saving to the archbishops, bishops, abbots, priors, Templars, Hospitallers, earls, barons and all other persons both ecclesiastical and secular all the liberties and free customs which they first had. However all men of our kingdom, both clergy and laity shall observe all the customs and the aforesaid liberties [hole in MS which we have granted] in as much as pertains to us towards them in the way that these pertain towards them. However for this grant and concession of those liberties and other things contained in our charter concerning the liberties of the Forest the archbishops, bishops, abbots, priors, earls, barons and all people of our kingdom have given us a fifteenth part of all their moveable goods. We have granted also to the same people on our behalf and that of our heirs that neither we nor our heirs may request anything through which the liberties as contained in this charter may be violated or questioned and if any persons [may presume to commit such action] such may be worthless and set at nought. These are the witnesses: The lord S archbishop of Canterbury, E bishop of London, the bishops, J. Bath. P Winchester. H, Lincoln. R. Salisbury. W. Rochester, W.Worcester, J. Ely. H. Hereford. R. Chichester. W. Exeter, the abbot of Bury St Edmunds. The abbot of [hole], the abbot of Battle, the abbot of St Augustine’s Canterbury, the abbot of Evesham, the abbot of Westminster, the abbot of Peterborough, the abbot of Reading, the abbot of Abingdon, the abbot of Malmesbury, the abbot of Winchcombe, the abbot of Hythe, the abbot of Chertsey, the abbot of Shirbourne. The abbot of [hole] the abbot of Aylesbury. the abbot of Middleton., the abbot of Selby, the abbot of Cirencester, Hubert de Burgh our justiciar, H. earl of Chester and Lincoln, W. earl of Salisbury. W. earl Warenne. Gilbert de Clare earl of Gloucester and Hereford, W. de Ferrars earl of Derby, W de Mandeville earl of Essex, Hugh de Bigod earl of Norfolk, W. earl of Albermarle, H earl of Hereford. J Constable of Chester, R. de Ros, R son of Walter, R de Veteri Ponte, W. de Bruer. R. de Montfichet. P. fitz Herbert, W. de Aubeny son of Gresly, J de Munmue. J. Fitzalan, H de Mortimer, W de Beauchamp, W. de St John, P. de Malo lacu, Brian de Isham, Thomas de Multon, R. de Argentenn, G de Nevill, W. Manduit, J de Ballivi and others. Given at Westminster on the eleventh day of February in the ninth year of our reign, 1224/5. We however, having ratified the aforesaid grants and concessions freely concede and confirm them on behalf of ourself and of our heirs and renew them by the tenor of the present writings, desiring and granting for ourselves and our heirs that the aforesaid charter may be observed in all and each of its articles firmly and also unquestioned in perpetuity, if any articles contained in the same charter shall not previously have been observed. These are the witnesses: the venerable fathers * Robert archbishop of Canterbury, primate of all England, and bishops Anthony of Durham, Robert of London. Robert of Ely, Thomas of Exeter, Walter of Coventry and Lichfield, Simon of Salisbury, J (sic) Thomas of Rochester, John of Norwich and John of Llandaff, John elect of Lincoln, John de Warenne Earl of Surrey, Thomas Earl of Lancaster, Roger le Bygod Earl of Norfolk and Marshall of England, Henry de Lacy Earl of Lincoln, Ralph de Monte Hermern Earl of Gloucester and Hertford, Humphrey de Bohun Earl of Hereford and Essex, Guy de Beauchamp Earl of Warwick, Richard fitz Alan Earl of Arundel, Reginald de Grey, John de Hastings, Henry de Percy, Hugh le Despenser, Hugh de Veer, Robert de Tateshale, Hugh Bardolp, Hugh de Courteneye, John de Seagrave, Henry de Grey, William de Ros de Helmesleye, Alan la Zusche, Robert de Tony, Robert de Monte Alto, William de Breous, Thomas [hole]nall, John de Engaygne, Peter Corbet, William de Leyburn, William de Latymer, Walter de Beauchamp, steward of our lodgings, Walter de Huntercumbe and others. Given by our hand at Westminster on the twenty eighth day of March in the twenty eighth year of our reign. * Robert Winchelsey archbishop of Canterbury 1293-1313 Anthony Bek bishop of Durham 1283-1311 Robert Gravesend bishop of London 1280-1303 Robert de Walpole bishop of Ely1299-1302 Thomas de Bitton bishop of Exeter 1291-1307 Walter de Langeton bishop of Coventry and Lichfield 1296-1321 Simon of Ghent bishop of Salisbury 1297-1315 Thomas de Wouldham bishop of Rochester 1291-1317 John Salmon bishop of Norwich 1299-1325 John de Dalderby bishop elect of Lincoln 1300-1320. Elected 15th January 1300, consecrated 12 June 1300.
Written on fold of charter: For the Barons of the port of Faversham. Examined through Master Edmund of London
Luxor (Arabic: الأقصر, romanized: al-ʾuqṣur, lit. 'the palaces') is a city in Upper Egypt, which includes the site of the Ancient Egyptian city of Thebes. Luxor had a population of 1,333,309 in 2020, with an area of approximately 417 km2 (161 sq mi) and is the capital of the Luxor Governorate. It is among the oldest inhabited cities in the world.
Luxor has frequently been characterized as the "world's greatest open-air museum", as the ruins of the Egyptian temple complexes at Karnak and Luxor stand within the modern city. Immediately opposite, across the River Nile, lie the monuments, temples and tombs of the west bank Theban Necropolis, which includes the Valley of the Kings and Valley of the Queens. Thousands of tourists from all around the world arrive annually to visit Luxor's monuments, contributing greatly to the economy of the modern city. Yusuf Abu al-Haggag is the patron saint of Luxor.
Etymology
The name Luxor (Arabic: الأقصر, romanized: al-ʾuqṣur, lit. 'the palaces', pronounced /ˈlʌksɔːr, ˈlʊk-/, Egyptian Arabic pronunciation: [ˈloʔsˤoɾ], Upper Egyptian: [ˈloɡsˤor]) derives from the Arabic qasr (قصر), meaning "castle" or "palace". It may be equivalent to the Greek and Coptic toponym τὰ Τρία Κάστρα ta tria kastra and ⲡϣⲟⲙⲧ ⲛ̀ⲕⲁⲥⲧⲣⲟⲛ pshomt enkastron respectively, which both mean "three castles")
The Sahidic Coptic name Pape (Coptic: ⲡⲁⲡⲉ, pronounced Coptic pronunciation: [ˈpapə]), comes from Demotic Ỉp.t "the adyton", which, in turn, is derived from the Egyptian. The Greek forms Ἀπις and Ὠφιεῖον come from the same source. The Egyptian village Aba al-Waqf (Arabic: أبا الوقف, Ancient Greek: Ωφις) shares the same etymology.
The Greek name is Thebes (Ancient Greek: Θῆβαι) or Diospolis. The Egyptian name of the city is Waset, also known as Nut (Coptic: ⲛⲏ)
Luxor was the ancient city of Thebes, the capital of Upper Egypt during the New Kingdom, and the city of Amun, later to become the god Amun-Ra. The city was regarded in the ancient Egyptian texts as wAs.t (approximate pronunciation: "Waset"), which meant "city of the sceptre", and later in Demotic Egyptian as ta jpt (conventionally pronounced as "tA ipt" and meaning "the shrine/temple", referring to the jpt-swt, the temple now known by its Arabic name Karnak, meaning "fortified village"), which the ancient Greeks adapted as Thebai and the Romans after them as Thebae. Thebes was also known as "the city of the 100 gates", sometimes being called "southern Heliopolis" ('Iunu-shemaa' in Ancient Egyptian), to distinguish it from the city of Iunu or Heliopolis, the main place of worship for the god Ra in the north. It was also often referred to as niw.t, which simply means "city", and was one of only three cities in Egypt for which this noun was used (the other two were Memphis and Heliopolis); it was also called niw.t rst, "southern city", as the southernmost of them.
The importance of the city started as early as the 11th Dynasty, when the town grew into a thriving city. Montuhotep II, who united Egypt after the troubles of the First Intermediate Period, brought stability to the lands as the city grew in stature. The Pharaohs of the New Kingdom in their expeditions to Kush, in today's northern Sudan, and to the lands of Canaan, Phoenicia and Syria saw the city accumulate great wealth and rose to prominence, even on a world scale. Thebes played a major role in expelling the invading forces of the Hyksos from Upper Egypt, and from the time of the 18th Dynasty to the 20th Dynasty, the city had risen as the political, religious and military capital of Ancient Egypt.
The city attracted peoples such as the Babylonians, the Mitanni, the Hittites of Anatolia (modern-day Turkey), the Canaanites of Ugarit, the Phoenicians of Byblos and Tyre, the Minoans from the island of Crete. A Hittite prince from Anatolia even came to marry with the widow of Tutankhamun, Ankhesenamun. The political and military importance of the city, however, faded during the Late Period, with Thebes being replaced as political capital by several cities in Northern Egypt, such as Bubastis, Sais and finally Alexandria.
However, as the city of the god Amun-Ra, Thebes remained the religious capital of Egypt until the Greek period. The main god of the city was Amun, who was worshipped together with his wife, the Goddess Mut, and their son Khonsu, the God of the moon. With the rise of Thebes as the foremost city of Egypt, the local god Amun rose in importance as well and became linked to the sun god Ra, thus creating the new 'king of gods' Amun-Ra. His great temple at Karnak, just north of Thebes, was the most important temple of Egypt right until the end of antiquity.
Later, the city was attacked by Assyrian emperor Ashurbanipal who installed a new prince on the throne, Psamtik I. The city of Thebes was in ruins and fell in significance. However, Alexander the Great did arrive at the temple of Amun, where the statue of the god was transferred from Karnak during the Opet Festival, the great religious feast. Thebes remained a site of spirituality up to the Christian era, and attracted numerous Christian monks of the Roman Empire who established monasteries amidst several ancient monuments including the temple of Hatshepsut, now called Deir el-Bahri ("the northern monastery").
Following the Muslim conquest of Egypt, part of the Luxor Temple was converted from a church to a mosque. This mosque is currently known as the Abu Haggag Mosque today.
The 18th century saw an increase of Europeans visiting Luxor, with some publishing their travels and documenting its surroundings, such as Claude Sicard, Granger, Frederick Louis Norden, Richard Pococke, Vivant Denon and others. By the 20th century, Luxor had become a major tourist destination.
Archaeology
In April 2018, the Egyptian Ministry of Antiquities announced the discovery of the shrine of god Osiris- Ptah Neb, dating back to the 25th dynasty in the Temple of Karnak. According to archaeologist Essam Nagy, the material remains from the area contained clay pots, the lower part of a sitting statue and part of a stone panel showing an offering table filled with a sheep and a goose which were the symbols of the god Amun.
On the same day in November 2018, two different discoveries were announced. One was by the Egyptian Supreme Council of Antiquities that had found a 13th-century tomb on the West Bank belonging to Thaw-Irkhet-If, the overseer of the mummification shrine at the temple of Mut, and his wife. Five months of excavation work until this point had revealed colorful scenes of the family and 1,000 funerary statues or ushabti. The other discovery was of 1000 ushabti and two sarcophagi each containing a mummy in the TT33 complex by a joint team from the IFAO (French Institute of Oriental Archaeology, Cairo, Egypt) and the University of Strasbourg. One of the sarcophagi was opened in private by Egyptian antiquities officials, while the other, of a female 18th Dynasty woman named Thuya, was opened in front of international media.
In October 2019, Egyptian archaeologists headed by Zahi Hawass revealed an ancient "industrial area" used to manufacture decorative artefacts, furniture and pottery for royal tombs. The site contained a big kiln to fire ceramics and 30 ateliers. According to Zahi Hawass, each atelier had a different aim – some of them were used to make pottery, others used to produce gold artefacts and others still to churn out furniture. About 75 meters below the valley, several items believed to have adorned wooden royal coffins, such as inlaid beads, silver rings and gold foil were unearthed. Some artefacts depicted the wings of deity Horus.
In October 2019, the Egyptian archaeological mission unearthed thirty well-preserved wooden coffins (3,000 years old) in front of the Mortuary Temple of Hatshepsut in El-Assasif Cemetery. The coffins contained mummies of twenty-three adult males, five adult females and two children, who are believed to be from the middle class. According to Hawass, mummies were decorated with mixed carvings and designs, including scenes from Egyptian gods, hieroglyphs, and the Book of the Dead, a series of spells that allowed the soul to navigate in the afterlife. Some of the coffins had the names of the dead engraved on them.
On the 8th of April 2021, Egyptian archaeologists led by Zahi Hawass found Aten, a 3,400-year-old "lost golden city" near Luxor. It is the largest known city from Ancient Egypt to be unearthed to date. The site was said by Betsy Bryan, professor of Egyptology at Johns Hopkins University to be "the second most important archaeological discovery since the tomb of Tutankhamen". The site is celebrated by the unearthing crew for showing a glimpse into the ordinary lives of living ancient Egyptians whereas past archaeological discoveries were from tombs and other burial sites. Many artefacts are found alongside the buildings such as pottery dated back to the reign of Amenhotep III, rings and everyday working tools. The site is not completely unearthed as of the 10th of April 2021.
Landmarks
West bank
Valley of the Kings
Valley of the Queens
Medinet Habu (Mortuary Temple of Ramesses III, etc.)
The Ramesseum (memorial temple of Ramesses II)
Deir el-Medina (workers' village)
Tombs of the Nobles
Deir el-Bahari (Mortuary Temple of Hatshepsut, etc.)
Malkata (palace of Amenophis III)
Colossi of Memnon (memorial temple of Amenophis III)
Al-Asasif cemetery
East bank
Luxor Temple
Luxor International Airport
Karnak Temple
Luxor Museum
Mummification Museum
Winter Palace Hotel
Climate
Luxor has a hot desert climate (Köppen climate classification BWh) like the rest of Egypt. Aswan and Luxor have the hottest summer days of any other city in Egypt. Aswan and Luxor have nearly the same climate. Luxor is one of the sunniest and driest cities in the world. Average high temperatures are above 40 °C (104 °F) during summer (June, July, August). During the coolest month of the year, average high temperatures remain above 22 °C (71.6 °F) while average low temperatures remain above 5 °C (41 °F).
The climate of Luxor has precipitation levels lower than even most other places in the Sahara, with less than 1 mm (0.04 in) of average annual precipitation. The desert city is one of the driest ones in the world, and rainfall does not occur every year. The air in Luxor is more humid than Aswan but still very dry. There is an average relative humidity of 39.9%, with a maximum mean of 57% during winter and a minimum mean of 27% during summer.
The climate of Luxor is extremely clear, bright and sunny year-round, in all seasons, with a low seasonal variation, with about some 4,000 hours of annual sunshine, very close to the maximum theoretical sunshine duration.
In addition, Luxor, Minya, Sohag, Qena and Asyut have the widest difference of temperatures between days and nights of any city in Egypt, with almost 16 °C (29 °F) difference.
The hottest temperature recorded was on May 15, 1991, which was 50 °C (122 °F) and the coldest temperature was on February 6, 1989, which was −1 °C (30 °F).
Coptic Catholic Eparchy
The Coptic Catholic (Alexandrian Rite) minority established on November 26, 1895 an Eparchy (Eastern Catholic Diocese) of Luqsor (Luxor) alias Thebes, on territory split off from the Apostolic Vicariate of Egypt. Its episcopal see is a St. George cathedral in Luxor.
In turn, it lost territory on August 10, 1947 to establish the Eparchy of Assiut and again on 14 September 1981 to establish Sohag.
Suffragan Eparchs of Luxor
Ignazio Gladès Berzi (March 6, 1896 – died January 29, 1925)
Marc Khouzam (August 6, 1926 – August 10, 1947), also Apostolic Administrator of Alexandria of the Copts (Egypt) (December 30, 1927 – August 10, 1947); later Coptic Catholic Patriarch of Alexandria (10 August 10, 1947 – died February 2, 1958)
Isaac Ghattas (June 21, 1949 – May 8, 1967), later Archbishop-Bishop of Minya of the Copts (Egypt) (May 8, 1967 – died June 8, 1977)
Amba Andraos Ghattas, Lazarists (C.M.) (May 8, 1967 – June 9, 1986), also Apostolic Administrator of Alexandria of the Copts (Egypt) (February 24, 1984 – June 9, 1986), President of Synod of the Catholic Coptic Church (1985 – March 30, 2006), President of Assembly of the Catholic Hierarchy of Egypt (1985 – March 30, 2006), later Coptic Catholic Patriarch of Alexandria (June 23, 1986 – retired March 30, 2006), created Cardinal-Patriarch (February 21, 2001 – died January 20, 2009), also President of Council of Catholic Patriarchs of the East (2003–2006)
Aghnatios Elias Yaacoub, Jesuits (S.J.) (July 15, 1986 – died March 12, 1994), previously Coadjutor Eparch of Assiut of the Copts (Egypt) (May 19, 1983 – July 15, 1986)
Youhannes Ezzat Zakaria Badir (June 24, 1994 – December 27, 2015), previously Eparch (Bishop) of Ismayliah of the Copts (Egypt) (November 23, 1992 – June 23, 1994)
Emmanuel (Khaled Ayad) Bishay (April 16, 2016 -
Economy
The economy of Luxor, like that of many other Egyptian cities, is heavily dependent on tourism. Since 1988, Luxor is the only city that offers hot air balloon rides in Egypt, which is a common activity for tourists. Large numbers of people also work in agriculture, particularly sugarcane. There are also many industries, such as the pottery industry used in eating and many other uses.
The local economy was hit by the Luxor massacre in 1997, in which a total of 64 people (including 59 visiting tourists) were killed, at the time the worst terrorist attack in Egypt (before the Sharm el-Sheikh terrorist attacks). The massacre reduced tourist numbers for several years. Following the 2011 Arab Spring, tourism to Egypt dropped significantly, again affecting local tourist markets. Nineteen Asian and European tourists died when a hot air balloon crashed early on Tuesday, February 26, 2013 near Luxor following a mid-air gas explosion. It was one of the worst accidents involving tourists in Egypt. The casualties included French, British, Hungarian, Japanese nationals and nine tourists from Hong Kong.
To make up for shortfalls of income, many cultivate their own food. Goat's cheese, pigeons, subsidized and home-baked bread and homegrown tomatoes are commonplace among the majority of its residents.
Tourism development
A controversial tourism development plan aims to transform Luxor into the biggest vast open-air museum. The master plan envisions new roads, five-star hotels, glitzy shops, and an IMAX theatre. The main attraction is an 11 million dollar project to unearth and restore the 2.7 kilometres (1.7 miles) long Avenue of Sphinxes that once linked Luxor and Karnak temples. The ancient processional road was built by the pharaoh Amenhotep III and took its final form under Nectanebo I in 400 BCE. Over a thousand sphinx statues lined the road now being excavated which was covered by silt, homes, mosques and churches. Excavation started around 2004.
On 18 April 2019, the Egyptian Government announced the discovery of a previously unopened coffin in Luxor, dated back to 18th dynasty of Upper and Lower Egypt. According to the Minister of Antiquities Khaled al-Anani, it is the biggest rock-cut tomb to be unearthed in the ancient city of Thebes. It is one of the largest, well-preserved tombs ever found near the ancient city of Luxor. On 24 November 2018, this discovery was preceded by the finding of a well-preserved mummy of a woman inside a previously unopened coffin dating back more than 3,000 years.
Infrastructure
A bridge was opened in 1998, a few kilometres upstream of the main town of Luxor, allowing ready land access from the east bank to the west bank. Traditionally river crossings have been the domain of several ferry services. The so-called 'local ferry' (also known as the 'National Ferry') continues to operate from a landing opposite the Temple of Luxor.
Transport to sites on the west bank are serviced by taxi drivers who often approach ferry passengers.[citation needed] There are also local cars that reach some of the monuments for 2 L.E., although tourists rarely use them. Alternatively, motorboats line both banks of the Nile all day providing a quicker, but more expensive (50 L.E.), crossing to the other side.
The city of Luxor on the east bank has several bus routes used mainly by locals. Tourists often rely on horse carriages, called "calèches", for transport or tours around the city. Taxis are plentiful, and reasonably priced, and since the government has decreed that taxis older than 20 years will not be relicensed, there are many modern air-conditioned cabs. Recently, new roads have been built in the city to cope with the growth in traffic.
For domestic travel along the route of the Nile, a rail service operates several times a day. A morning train and sleeping train can be taken from the railway station situated around 400 metres (440 yd) from Luxor Temple. The line runs between several major destinations, including Cairo to the north and Aswan to the south.
Luxor University
Luxor University, founded in 2019, is a non-profit governmental university that provides programs and courses for students.
Twin towns – sister cities
United States Baltimore, United States
Brazil Brasília, Brazil
Georgia (country) Kakheti, Georgia
Bulgaria Kazanlak, Bulgaria
China Shenzhen, China
Italy Viterbo, Italy
China Yangzhou, China
Beautiful light in the spiral stairway at Castle de Haar , Kasteel de Haar near the suburb of Vleuten that includes village of Haarzuilen rebuild by architect Pierre Cuyper Project was finished in around 1912 took 20 years to be finished , Martin’s photograph , Utrecht , the Netherlands , June 5. 2019
Old steam heater
A outside service walk way inside the castle
Fireplace with beautiful screen and mantel
Beautiful formal gardens with piramide shaped trees
Beautiful staircase
Beautiful staircase in castle , Kasteel de Haar
Staircase
Narrow passage inside the castle
Formal gardens
Stairway critters sculptures in Castle
Stairway sculptures
Spiral stairway
Central Station in Amsterdam , build by architect Pierre Cuyper
de Rijks Museum in Amsterdam build by architect Pierre Cuyper
de Rijks Museum in Amsterdam
Central Station in Amsterdam
Amsterdam
Lavet bad tub
Lavet bad tub and washing machine
main door
Beautiful staircase
Kasteel de Haar near the suburb of Vleuten that includes village of Haarzuilen
architect Pierre Cuyper
Martin’s photograph
Utrecht
the Netherlands
Nederland
June 2019
Favourites
IPhone 6
Village of Haarzuilen
Kasteel de Haar
Castle the Haar
Kasteel de Haar was rebuild by architect Pierre Cuyper Project was finished in around 1912 took 20 years to be finished
city of Utrecht in the province Utrecht
Beautiful staircase in Kasteel de Haar
Door knocker
Beautiful window and seating
A small gable
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In spring of 2007, the Albertina also received the previously based in Salzburg "Batliner Collection" as unrestricted permanent loan. The collection of Rita and Herbert Batliner includes important works by modern masters, from French impressionism to German expressionism of the "Blue Rider" and the "bridge" to works of the Fauvist or the Russian avant-garde from Chagall to Malevich.
de.wikipedia.org / wiki / Albertina_ (Vienna)
The Albertina
The architectural history of the Palais
(Pictures you can see by clicking on the link at the end of page!)
Image: The oldest photographic view of the newly designed Palais Archduke Albrecht, 1869
"It is my will that the expansion of the inner city of Vienna with regard to a suitable connection of the same with the suburbs as soon as possible is tackled and at this on Regulirung (regulation) and beautifying of my Residence and Imperial Capital is taken into account. To this end I grant the withdrawal of the ramparts and fortifications of the inner city and the trenches around the same".
This decree of Emperor Franz Joseph I, published on 25 December 1857 in the Wiener Zeitung, formed the basis for the largest the surface concerning and architecturally most significant transformation of the Viennese cityscape. Involving several renowned domestic and foreign architects a "master plan" took form, which included the construction of a boulevard instead of the ramparts between the inner city and its radially upstream suburbs. In the 50-years during implementation phase, an impressive architectural ensemble developed, consisting of imperial and private representational buildings, public administration and cultural buildings, churches and barracks, marking the era under the term "ring-street style". Already in the first year tithe decided a senior member of the Austrian imperial family to decorate the facades of his palace according to the new design principles, and thus certified the aristocratic claim that this also "historicism" said style on the part of the imperial house was attributed.
Image: The Old Albertina after 1920
It was the palace of Archduke Albrecht (1817-1895), the Senior of the Habsburg Family Council, who as Field Marshal held the overall command over the Austro-Hungarian army. The building was incorporated into the imperial residence of the Hofburg complex, forming the south-west corner and extending eleven meters above street level on the so-called Augustinerbastei.
The close proximity of the palace to the imperial residence corresponded not only with Emperor Franz Joseph I and Archduke Albert with a close familial relationship between the owner of the palace and the monarch. Even the former inhabitants were always in close relationship to the imperial family, whether by birth or marriage. An exception here again proves the rule: Don Emanuel Teles da Silva Conde Tarouca (1696-1771), for which Maria Theresa in 1744 the palace had built, was just a close friend and advisor of the monarch. Silva Tarouca underpins the rule with a second exception, because he belonged to the administrative services as Generalhofbaudirektor (general court architect) and President of the Austrian-Dutch administration, while all other him subsequent owners were highest ranking military.
In the annals of Austrian history, especially those of military history, they either went into as commander of the Imperial Army, or the Austrian, later kk Army. In chronological order, this applies to Duke Carl Alexander of Lorraine, the brother-of-law of Maria Theresa, as Imperial Marshal, her son-in-law Duke Albert of Saxe-Teschen, also field marshal, whos adopted son, Archduke Charles of Austria, the last imperial field marshal and only Generalissimo of Austria, his son Archduke Albrecht of Austria as Feldmarschalil and army Supreme commander, and most recently his nephew Archduke Friedrich of Austria, who held as field marshal from 1914 to 1916 the command of the Austro-Hungarian troops. Despite their military profession, all five generals conceived themselves as patrons of the arts and promoted large sums of money to build large collections, the construction of magnificent buildings and cultural life. Charles Alexander of Lorraine promoted as governor of the Austrian Netherlands from 1741 to 1780 the Academy of Fine Arts, the Théâtre de Ja Monnaie and the companies Bourgeois Concert and Concert Noble, he founded the Academie royale et imperial des Sciences et des Lettres, opened the Bibliotheque Royal for the population and supported artistic talents with high scholarships. World fame got his porcelain collection, which however had to be sold by Emperor Joseph II to pay off his debts. Duke Albert began in 1776 according to the concept of conte Durazzo to set up an encyclopedic collection of prints, which forms the core of the world-famous "Albertina" today.
Image : Duke Albert and Archduchess Marie Christine show in family cercle the from Italy brought along art, 1776. Frederick Henry Füger.
1816 declared to Fideikommiss and thus in future indivisible, inalienable and inseparable, the collection 1822 passed into the possession of Archduke Carl, who, like his descendants, it broadened. Under him, the collection was introduced together with the sumptuously equipped palace on the Augustinerbastei in the so-called "Carl Ludwig'schen fideicommissum in 1826, by which the building and the in it kept collection fused into an indissoluble unity. At this time had from the Palais Tarouca by structural expansion or acquisition a veritable Residenz palace evolved. Duke Albert of Saxe-Teschen was first in 1800 the third floor of the adjacent Augustinian convent wing adapted to house his collection and he had after 1802 by his Belgian architect Louis de Montoyer at the suburban side built a magnificent extension, called the wing of staterooms, it was equipped in the style of Louis XVI. Only two decades later, Archduke Carl the entire palace newly set up. According to scetches of the architect Joseph Kornhäusel the 1822-1825 retreaded premises presented themselves in the Empire style. The interior of the palace testified from now in an impressive way the high rank and the prominent position of its owner. Under Archduke Albrecht the outer appearance also should meet the requirements. He had the facade of the palace in the style of historicism orchestrated and added to the Palais front against the suburbs an offshore covered access. Inside, he limited himself, apart from the redesign of the Rococo room in the manner of the second Blondel style, to the retention of the paternal stock. Archduke Friedrich's plans for an expansion of the palace were omitted, however, because of the outbreak of the First World War so that his contribution to the state rooms, especially, consists in the layout of the Spanish apartment, which he in 1895 for his sister, the Queen of Spain Maria Christina, had set up as a permanent residence.
Picture: The "audience room" after the restoration: Picture: The "balcony room" around 1990
The era of stately representation with handing down their cultural values found its most obvious visualization inside the palace through the design and features of the staterooms. On one hand, by the use of the finest materials and the purchase of masterfully manufactured pieces of equipment, such as on the other hand by the permanent reuse of older equipment parts. This period lasted until 1919, when Archduke Friedrich was expropriated by the newly founded Republic of Austria. With the republicanization of the collection and the building first of all finished the tradition that the owner's name was synonymous with the building name:
After Palais Tarouca or tarokkisches house it was called Lorraine House, afterwards Duke Albert Palais and Palais Archduke Carl. Due to the new construction of an adjacently located administration building it received in 1865 the prefix "Upper" and was referred to as Upper Palais Archduke Albrecht and Upper Palais Archduke Frederick. For the state a special reference to the Habsburg past was certainly politically no longer opportune, which is why was decided to name the building according to the in it kept collection "Albertina".
Picture: The "Wedgwood Cabinet" after the restoration: Picture: the "Wedgwood Cabinet" in the Palais Archduke Friedrich, 1905
This name derives from the term "La Collection Albertina" which had been used by the gallery Inspector Maurice von Thausing in 1870 in the Gazette des Beaux-Arts for the former graphics collection of Duke Albert. For this reason, it was the first time since the foundation of the palace that the name of the collection had become synonymous with the room shell. Room shell, hence, because the Republic of Austria Archduke Friedrich had allowed to take along all the movable goods from the palace in his Hungarian exile: crystal chandeliers, curtains and carpets as well as sculptures, vases and clocks. Particularly stressed should be the exquisite furniture, which stems of three facilities phases: the Louis XVI furnitures of Duke Albert, which had been manufactured on the basis of fraternal relations between his wife Archduchess Marie Christine and the French Queen Marie Antoinette after 1780 in the French Hofmanufakturen, also the on behalf of Archduke Charles 1822-1825 in the Vienna Porcelain Manufactory by Joseph Danhauser produced Empire furnitures and thirdly additions of the same style of Archduke Friedrich, which this about 1900 at Portois & Ffix as well as at Friedrich Otto Schmidt had commissioned.
The "swept clean" building got due to the strained financial situation after the First World War initially only a makeshift facility. However, since until 1999 no revision of the emergency equipment took place, but differently designed, primarily the utilitarianism committed office furnitures complementarily had been added, the equipment of the former state rooms presented itself at the end of the 20th century as an inhomogeneous administrative mingle-mangle of insignificant parts, where, however, dwelt a certain quaint charm. From the magnificent state rooms had evolved depots, storage rooms, a library, a study hall and several officed.
Image: The Albertina Graphic Arts Collection and the Philipphof after the American bombing of 12 März 1945.
Image: The palace after the demolition of the entrance facade, 1948-52
Worse it hit the outer appearance of the palace, because in times of continued anti-Habsburg sentiment after the Second World War and inspired by an intolerant destruction will, it came by pickaxe to a ministerial erasure of history. In contrast to the graphic collection possessed the richly decorated facades with the conspicuous insignia of the former owner an object-immanent reference to the Habsburg past and thus exhibited the monarchial traditions and values of the era of Francis Joseph significantly. As part of the remedial measures after a bomb damage, in 1948 the aristocratic, by Archduke Albert initiated, historicist facade structuring along with all decorations was cut off, many facade figures demolished and the Hapsburg crest emblems plunged to the ground. Since in addition the old ramp also had been cancelled and the main entrance of the bastion level had been moved down to the second basement storey at street level, ended the presence of the old Archduke's palace after more than 200 years. At the reopening of the "Albertina Graphic Collection" in 1952, the former Hapsburg Palais of splendour presented itself as one of his identity robbed, formally trivial, soulless room shell, whose successful republicanization an oversized and also unproportional eagle above the new main entrance to the Augustinian road symbolized. The emocratic throw of monuments had wiped out the Hapsburg palace from the urban appeareance, whereby in the perception only existed a nondescript, nameless and ahistorical building that henceforth served the lodging and presentation of world-famous graphic collection of the Albertina. The condition was not changed by the decision to the refurbishment because there were only planned collection specific extensions, but no restoration of the palace.
Image: The palace after the Second World War with simplified facades, the rudiment of the Danubiusbrunnens (well) and the new staircase up to the Augustinerbastei
This paradigm shift corresponded to a blatant reversal of the historical circumstances, as the travel guides and travel books for kk Residence and imperial capital of Vienna dedicated itself primarily with the magnificent, aristocratic palace on the Augustinerbastei with the sumptuously fitted out reception rooms and mentioned the collection kept there - if at all - only in passing. Only with the repositioning of the Albertina in 2000 under the direction of Klaus Albrecht Schröder, the palace was within the meaning and in fulfillment of the Fideikommiss of Archduke Charles in 1826 again met with the high regard, from which could result a further inseparable bond between the magnificent mansions and the world-famous collection. In view of the knowing about politically motivated errors and omissions of the past, the facades should get back their noble, historicist designing, the staterooms regain their glamorous, prestigious appearance and culturally unique equippment be repurchased. From this presumption, eventually grew the full commitment to revise the history of redemption and the return of the stately palace in the public consciousness.
Image: The restored suburb facade of the Palais Albertina suburb
The smoothed palace facades were returned to their original condition and present themselves today - with the exception of the not anymore reconstructed Attica figures - again with the historicist decoration and layout elements that Archduke Albrecht had given after the razing of the Augustinerbastei in 1865 in order. The neoclassical interiors, today called after the former inhabitants "Habsburg Staterooms", receiving a meticulous and detailed restoration taking place at the premises of originality and authenticity, got back their venerable and sumptuous appearance. From the world wide scattered historical pieces of equipment have been bought back 70 properties or could be returned through permanent loan to its original location, by which to the visitors is made experiencable again that atmosphere in 1919 the state rooms of the last Habsburg owner Archduke Frederick had owned. The for the first time in 80 years public accessible "Habsburg State Rooms" at the Palais Albertina enable now again as eloquent testimony to our Habsburg past and as a unique cultural heritage fundamental and essential insights into the Austrian cultural history. With the relocation of the main entrance to the level of the Augustinerbastei the recollection to this so valuable Austrian Cultural Heritage formally and functionally came to completion. The vision of the restoration and recovery of the grand palace was a pillar on which the new Albertina should arise again, the other embody the four large newly built exhibition halls, which allow for the first time in the history of the Albertina, to exhibit the collection throughout its encyclopedic breadh under optimal conservation conditions.
Image: The new entrance area of the Albertina
64 meter long shed roof. Hans Hollein.
The palace presents itself now in its appearance in the historicist style of the Ringstrassenära, almost as if nothing had happened in the meantime. But will the wheel of time should not, cannot and must not be turned back, so that the double standards of the "Albertina Palace" said museum - on the one hand Habsburg grandeur palaces and other modern museum for the arts of graphics - should be symbolized by a modern character: The in 2003 by Hans Hollein designed far into the Albertina square cantilevering, elegant floating flying roof. 64 meters long, it symbolizes in the form of a dynamic wedge the accelerated urban spatial connectivity and public access to the palace. It advertises the major changes in the interior as well as the huge underground extensions of the repositioned "Albertina".
Christian Benedictine
Art historian with research interests History of Architecture, building industry of the Hapsburgs, Hofburg and Zeremonialwissenschaft (ceremonial sciences). Since 1990 he works in the architecture collection of the Albertina. Since 2000 he supervises as director of the newly founded department "Staterooms" the restoration and furnishing of the state rooms and the restoration of the facades and explores the history of the palace and its inhabitants.
A smattering of images from last night's gig at Sticky Mike's Frog Bar in Brighton. On stage were my colleagues Sam, Jonny, Matt and Tom as "Deaf from Behind" and the bands Neko and Ragweed.
Ragweed's front man, Tom, was certainly very animated and dynamic on stage - captured here with a long exposure with a burst of slow sync flash and intentional camera movement to create the light trails.
From Tuesday night's Stereophonics gig at the Brighton Centre. A non-stop no nonsense wave of music - excellent lighting effects too.I had a sense of deja vu - afterwards I worked out I sat in the exact same seat when I saw them 10 years ago!
I've chosen a number of photographs on various themes that reflect aspects of my life and concerns. As yet I've not started to put together galleries on photographs of architecture and work closely related to my own photography. I hope you will enjoy some of these sets, there are a wide range of styles and techniques. I was sorry not to include some photographs I liked because their gallery function was not available.
Antología de Relatos de Espanto y Terror 31.
Anthology of Stories of Horror and Terror 31.
Includes: El Aprendiz de Mago (Apprentice Magician) by E. Hoffmann Price.
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The University of Greenwich is a public university located in London and Kent, United Kingdom. Previous names include Woolwich Polytechnic and Thames Polytechnic.
The university's main campus is at the Old Royal Naval College, which along with its Avery Hill campus, is located in the Royal Borough of Greenwich. Greenwich also has a satellite campus in Medway, Kent, as part of a shared campus. The university's range of subjects includes architecture, business, computing, mathematics, education, engineering, humanities, maritime studies, natural sciences, pharmacy and social sciences. Greenwich's alumni include two Nobel laureates: Abiy Ahmed and Charles K. Kao. It received a Silver rating in the UK government's Teaching Excellence Framework.
The university dates back to 1891, when Woolwich Polytechnic, the second-oldest polytechnic in the United Kingdom, opened in Woolwich. It was founded by Frank Didden, supported by and following the principles of Quintin Hogg, and opened to students in October 1891. Like Hogg's pioneering venture in London's Regent Street, it initially combined education with social and religious functions.
In 1894 it focused on an educational role, concentrating on higher technical education appropriate to its location close to Woolwich Dockyard and the Royal Arsenal; William Anderson, director-general of the Ordnance Factories, was a trustee and later a member of the board of governors. Its premises were also used for day schools – the first Woolwich Polytechnic School was established in 1897.
In 1970, Woolwich Polytechnic merged with part of Hammersmith College of Art and Building to form Thames Polytechnic. In the following years, Dartford College (1976), Avery Hill College of Education (1985), Garnett College (1987) and parts of Goldsmiths College and the City of London College (1988) were incorporated.[9]
In 1992, Thames Polytechnic was granted university status by the Major government (together with various other polytechnics) and renamed the University of Greenwich in 1993. On 1 January 1993, the Thames College of Health Care Studies, itself a merger of three local nursing and midwifery training schools, officially merged with the newly designated University of Greenwich, becoming a full faculty of the university.
Formerly a UK government research agency, the Natural Resources Institute (NRI) was incorporated into the university in 1996.
In 2001, the university gave up its historic main campus in the Bathway Quarter in Woolwich, relocating to its current main campus in Greenwich.
Greenwich Campus is located mainly in the Old Royal Naval College, into which it moved in the 1990s when the premises were sold by the Royal Navy.
The campus is home to the Business School and the Faculty of Liberal Arts and Sciences. The campus also includes university's Greenwich Maritime Institute, a specialist maritime management, policy and history teaching and research institute. The Old Royal Naval College also hosts "The Painted Hall", which was painted in the 18th century by Sir James Thornhill, which covers over 40,000 square feet of surface in 200 painting of kings, queens and mythological creatures.
The campus has a large library at Stockwell Street which houses an extensive collection of books and journals, language labs and a 300-PC computing facility. Other facilities include specialist computer laboratories including one at Dreadnought centre, a TV studio and editing suites. The Stephen Lawrence Gallery at the Stockwell Street building, showcases the work of contemporary artists and is linked to the School of Design.
The Avery Hill Campus comprises two sites, Mansion and Southwood. Both are situated in the 86-acre Avery Hill Park in the Royal Borough of Greenwich, south-east London.
The campus is home to the Faculty of Education & Health. Facilities include computer laboratories, a library and a TV studio, as well as a sports and teaching centre with a sports hall and 220-seat lecture theatre. Southwood site also has clinical skills laboratories. These replicate NHS wards, enabling trainee health professionals to gain hands-on experience. The village complex provides student accommodation, a general shop and a launderette. The Dome, in the centre of the complex, houses a food outlet and gym. Rugby, football, indoor pitches, netball and tennis courts, and a dance studio are on Avery Hill campus.
The facility, which was built by Wimpey Construction under a PFI contract, was completed in 1996.
The Winter Garden, the centrepiece of the Mansion site, has fallen into neglect and is on Historic England's 'At Risk' Register. A campaign to restore the Winter Garden is putting pressure on the university and Greenwich Council to ensure its future.
The Medway Campus is located on a former Royal Navy shorebase (called HMS Pembroke) opened in 1903 at Chatham Maritime, Kent.
The Faculty of Engineering and Science is based here, as is the Natural Resources Institute, a centre for research, consultancy and education in natural and human resources. It is also the home of Medway School of Pharmacy, a joint school operated by the Universities of Greenwich and Kent. The Faculty of Education & Health offers a number of its programmes at Medway. Facilities include laboratories, workshops, a computer-aided design studio and a training dispensary.
The Drill Hall Library is a learning resource centre with a library, computers, study areas and teaching rooms. Social facilities include a sports hall, bar, gym and outdoor tennis courts. The university is a member of Universities at Medway, a partnership of educational establishments at Chatham Maritime that is developing the area as a major higher education centre in the Medway region.
Greenwich Campus is near 74-hectare Greenwich Park, home to the Royal Observatory, Greenwich. The Stockwell Street Building opened in 2014 and is now home to the campus library, film and TV studios, and state-of-the-art editing suites. In 2015, it was shortlisted for the Stirling Prize for excellence in architecture.
The Dreadnought Building is a central hub for the Greenwich Campus, with further teaching and social spaces.
The Student Village at Avery Hill Campus provides accommodation for around 1,000 students. On-site facilities include a café, canteen, shop, launderette, bicycle parking, and a gym.
Medway Campus has 350 rooms across five halls of residence dedicated to student accommodation.
Greenwich Students' Union is the university's students' union. In October 2019, the GSU Student Assembly voted to ask the university to declare a climate emergency and for the university and union sustainability strategies to consult with students in creating them. This call to action aimed to speed up the university's efforts at becoming carbon neutral.
At the Medway campus in Kent there is a partnership between the University of Greenwich Students' Union, Canterbury Christ Church and University of Kent Union on the Medway campus. Greenwich Students' Union has been leading the partnership since July 2021 and manages The Hub space, previously The Student Hub when it was looked after by GK Unions – the Greenwich & Kent Students' Unions Together (once the Universities at Medway Students Association, UMSA).
Greenwich Students' Union delivers at Avery Hill, Greenwich and Medway campus.
Greenwich research seeks to influence and enhance health, education, science, engineering, computing and social policy, and attracts international agencies, government departments and global corporations (for example, Pfizer, GlaxoSmithKline, BAE Systems, Airbus, GE Aviation and Merck Consumer Health) from over 50 countries. Significant areas of research and consultancy include landscape architecture, employment relations, fire safety, natural resources, tourism and hospitality, social network analysis, education, training, educational leadership and public services.
Examples of research
The university's Natural Resources Institute has developed an artificial cow that attracts and kills the tsetse fly. This was recognised by a Universities UK survey in 2009 as one of the ten most important discoveries to be made in a UK university over the past 60 years.
The Fire Safety Engineering Group, part of the School of Computing & Mathematical Sciences, is a world leader in computational fire engineering, including expertise in aircraft, building, ship and rail evacuation and fire modelling. It has developed airEXODUS, a leading evacuation model in the aviation industry.
A University of Greenwich research team helped restore the Cutty Sark after it was badly damaged by fire.
Researchers working on 19 sustainable development and agriculture projects in India helped the university to win the 2010 Times Higher Education Award for Outstanding International Strategy.
Two University of Greenwich scientists have developed a technology which converts contaminated land and industrial waste into harmless pebbles, capturing large amounts of carbon dioxide at the same time.
The Greenwich Maritime Institute makes internationally recognised contributions to research in maritime history and economics, such as its exploration of the governance of the River Thames since the 1960s and the effects this has had on the economic development of adjacent communities.
The university has had many famous movie productions that were filmed on campus, one example of a movie is the classic 2013 Marvel movie Thor: Dark World
Rankings
Rankings
National rankings
Complete (2024)110
Guardian (2024)116
Times / Sunday Times (2024)105
Global rankings
ARWU (2023)601–700
QS (2024)671–680
THE (2024)501–600
The university was ranked 94 out of 121 UK institutions according to The Guardian University Guide 2022 league table. For 2023, the University of Greenwich was ranked 60 according to Times Higher education (THE). Moreover, University of Greenwich ranked first in London for Events, Tourism and Hospitality by the Guardian’s 2023 university rankings. Subjects taught at Greenwich have seen rises in the Guardian university league tables for 2022: Chemistry was at 10, up 10 places since 2021. Forensic Science (9), Criminology (10), Mechanical Engineering (12), and Education (48) also moved up significantly.
In Center for World University Rankings World University Rankings 2020–21 – University of Greenwich was ranked 76 in the UK. In 2022, University of Greenwich was ranked in the 750-800 range globally by QS World University Rankings.
In the Times Higher Education (THE) Impact Rankings 2020, Greenwich performed well in several categories:
Responsible Consumption and Production (24th)
Life on Land (66th)
Reduced Inequalities (68th)
Climate Action (75th)
Partnership for the Goals (77th)
Awards
In 2012, the university was rated as the greenest in the UK by People & Planet Green League Table. In 2019, it was ranked 14 in UK, and third in London. The University has gained many national awards, including four Queen's Anniversary Prizes, nine Times Higher Education Awards and two Guardian University Awards.
In 2019, the university's Natural Resources Institute was awarded a Queen's Anniversary Prize for its research in pest management and control to combat human and animal diseases in the UK and internationally; in 2015 it won a prize for work on the cassava crop in Africa.
In 2023, the university has been classified as Gold in Teaching Excellence Framework (TEF) of Higher Education.
Cafeteria workers' dispute
In 2019, the university's main cafeteria was operated by BaxterStorey, which paid its workers £9.25 per hour without contractual sick pay. After a chef had collapsed on his way home from a shift during a typical 80-hour week, all workers joined UVW union. After four strike days in October 2019, and protests disrupting the annual graduation ceremony and a board meeting, Greenwich University announced in early January 2020 that all outsourced cafe workers, cleaners and security guards would receive the London living wage of £10.55, in addition to the same sick pay and annual leave as university staff.
Partnership with Charlton Athletic
In 2018, the University of Greenwich started a partnership with Charlton Athletic F.C.
Notable alumni
Abiy Ahmed is Prime Minister of Ethiopia and a Nobel Peace prize winner
Sir Charles Kao was one of the distinguished alumni at UOG
Demitu Hambisa Bonsa
Prominent alumni of the university and its predecessor organisations include Nobel Laureate Charles Kao, who was awarded the Nobel Prize in Physics in 2009 for his work on transmission of light in fibre optics, and Abiy Ahmed, who won the 2019 Nobel Peace Prize. In June 2021, representatives from multiple countries called for the award of the Nobel Peace Prize to Abiy to be re-considered because of the war crimes committed in Tigray. Two British government ministers, Richard Marsh and Gareth Thomas, are also graduates. A more extensive list is given below.
Abiy Ahmed, Prime Minister of Ethiopia and Nobel Peace prize winner
Jamie 'JME' Adenuga, MC
Bola Agbaje, playwright
Helen Bailey, writer
Natasha Bedingfield, pop singer (did not graduate)
John Behr, theologian
Malorie Blackman, children's author
Demitu Hambisa Bonsa, Ethiopian government minister
John Boyega, actor, best known for Star Wars: The Force Awakens
Sheila Bromberg, musician
Liam Brown, author
Campbell Christie, chairman of Falkirk F.C.
Terry Christian, radio and television presenter
Mark Daly, Irish senator
Siobhan Dowd, writer (A Swift Pure Cry)
Sarah Eberle, garden designer
Jenni Fagan, author
Leo Fortune-West, professional footballer
Sarah Gillespie, singer-songwriter
Pippa Guard, actress
Andrey Guryev (born 1982), Russian entrepreneur
Gareth Hale, comedian
Patrick Harrington, politician in the National Front (1979–1989) and currently Third Way (UK) think tank; general secretary of Solidarity – The Union for British Workers
Rachael Heyhoe-Flint, cricketer
Roy Hodgson, England and Premier League football manager
Dermot Hudson, left-wing political activist
Brian Jacks, 1972 Summer Olympics bronze medallist in Judo
Mark Jackson, musician (VNV Nation)
Charles K. Kao, Nobel Prize winning scientist
Graham Kendrick, Christian worship leader
Sammy Lee, IVF specialist
Pablo Daniel Magee, writer, journalist and playwright
Richard Marsh, Baron Marsh, politician
Rui Moreira, Portuguese politician and businessman; mayor of Porto
Chinenye Ochuba, former Most Beautiful Girl in Nigeria
Sarah Ockwell-Smith, childcare author
Joy Onumajuru, model and philanthropist
Norman Pace, comedian
Ann Packer, 1964 Summer Olympics gold medallist
Lara Pulver, Olivier Award-nominated dancer and actress
Richard Pybus, cricket coach
George Rose, businessman
Dave Rowntree, musician (Blur)
Etienne Schneider, Deputy Prime Minister of Luxembourg
Peter Skinner, MEP
Aramazd Stepanian, playwright
William G. Stewart, TV presenter (Fifteen to One)
Nina Stibbe, author
Adelle Stripe, author
Gareth Thomas, politician
Ewen Whitaker, lunar astronomer (alumnus of Woolwich Polytechnic)
Joel Willans, author and copywriter of works in Finland.
Pisa - Schiefer Turm von Pisa
The Leaning Tower of Pisa (Italian: torre pendente di Pisa), or simply, the Tower of Pisa (torre di Pisa [ˈtorre di ˈpiːza; ˈpiːsa], is the campanile, or freestanding bell tower, of Pisa Cathedral. It is known for its nearly four-degree lean, the result of an unstable foundation. The tower is one of three structures in the Pisa's Cathedral Square (Piazza del Duomo), which includes the cathedral and Pisa Baptistry.
The height of the tower is 55.86 metres (183 feet 3 inches) from the ground on the low side and 56.67 m (185 ft 11 in) on the high side. The width of the walls at the base is 2.44 m (8 ft 0 in). Its weight is estimated at 14,500 tonnes (16,000 short tons). The tower has 296 or 294 steps; the seventh floor has two fewer steps on the north-facing staircase.
The tower began to lean during construction in the 12th century, due to soft ground which could not properly support the structure's weight. It worsened through the completion of construction in the 14th century. By 1990, the tilt had reached 5.5 degrees. The structure was stabilized by remedial work between 1993 and 2001, which reduced the tilt to 3.97 degrees.
Architect
There has been controversy surrounding the identity of the architect of the Leaning Tower of Pisa. For many years, the design was attributed to Guglielmo and Bonanno Pisano, a well-known 12th-century resident artist of Pisa, known for his bronze casting, particularly in the Pisa Duomo. Pisano left Pisa in 1185 for Monreale, Sicily, only to come back and die in his home town. A piece of cast bearing his name was discovered at the foot of the tower in 1820, but this may be related to the bronze door in the façade of the cathedral that was destroyed in 1595. A 2001 study seems to indicate Diotisalvi was the original architect, due to the time of construction and affinity with other Diotisalvi works, notably the bell tower of San Nicola and the Baptistery, both in Pisa.
Construction
Construction of the tower occurred in three stages over 199 years. On 5 January 1172, Donna Berta di Bernardo, a widow and resident of the house of dell'Opera di Santa Maria, bequeathed sixty soldi to the Opera Campanilis petrarum Sancte Marie. The sum was then used toward the purchase of a few stones which still form the base of the bell tower. On 9 August 1173, the foundations of the tower were laid. Work on the ground floor of the white marble campanile began on 14 August of the same year during a period of military success and prosperity. This ground floor is a blind arcade articulated by engaged columns with classical Corinthian capitals. Nearly four centuries later Giorgio Vasari wrote: "Guglielmo, according to what is being said, in the year 1174, together with sculptor Bonanno, laid the foundations of the bell tower of the cathedral in Pisa".
The tower began to sink after construction had progressed to the second floor in 1178. This was due to a mere three-metre foundation, set in weak, unstable subsoil, a design that was flawed from the beginning. Construction was subsequently halted for the better part of a century, as the Republic of Pisa was almost continually engaged in battles with Genoa, Lucca, and Florence. This allowed time for the underlying soil to settle. Otherwise, the tower would almost certainly have toppled. On 27 December 1233, the worker Benenato, son of Gerardo Bottici, oversaw the continuation of the tower's construction.
On 23 February 1260, Guido Speziale, son of Giovanni Pisano, was elected to oversee the building of the tower. On 12 April 1264, the master builder Giovanni di Simone, architect of the Camposanto, and 23 workers went to the mountains close to Pisa to cut marble. The cut stones were given to Rainaldo Speziale, worker of St. Francesco. In 1272, construction resumed under Di Simone. In an effort to compensate for the tilt, the engineers built upper floors with one side taller than the other. Because of this, the tower is curved. Construction was halted again in 1284 when the Pisans were defeated by the Genoese in the Battle of Meloria.
The seventh floor was completed in 1319. The bell-chamber was finally added in 1372. It was built by Tommaso di Andrea Pisano, who succeeded in harmonizing the Gothic elements of the belfry with the Romanesque style of the tower. There are seven bells, one for each note of the musical major scale. The largest one was installed in 1655.
History following construction
Between 1589 and 1592, Galileo Galilei, who lived in Pisa at the time, is said to have dropped two cannonballs of different masses from the tower to demonstrate that their speed of descent was independent of their mass, in keeping with the law of free fall. The primary source for this is the biography Racconto istorico della vita di Galileo Galilei (Historical Account of the Life of Galileo Galilei), written by Galileo's pupil and secretary Vincenzo Viviani in 1654, but only published in 1717, long after his death.
During World War II, the Allies suspected that the Germans were using the tower as an observation post. Leon Weckstein, a U.S. Army sergeant sent to confirm the presence of German troops in the tower, was impressed by the beauty of the cathedral and its campanile, and thus refrained from ordering an artillery strike, sparing it from destruction.
Numerous efforts have been made to restore the tower to a vertical orientation or at least keep it from falling over. Most of these efforts failed; some worsened the tilt. On 27 February 1964, the government of Italy requested aid in preventing the tower from toppling. It was, however, considered important to retain the current tilt, due to the role that this element played in promoting the tourism industry of Pisa.
Starting in 1993, 870 tonnes of lead counterweights were added, which straightened the tower slightly.
The tower and the neighbouring cathedral, baptistery, and cemetery are included in the Piazza del Duomo UNESCO World Heritage Site, which was declared in 1987.
The tower was closed to the public on 7 January 1990, after more than two decades of stabilisation studies and spurred by the abrupt collapse of the Civic Tower of Pavia in 1989. The bells were removed to relieve some weight, and cables were cinched around the third level and anchored several hundred meters away. Apartments and houses in the path of a potential fall of the tower were vacated for safety. The selected method for preventing the collapse of the tower was to slightly reduce its tilt to a safer angle by removing 38 cubic metres (1,342 cubic feet) of soil from underneath the raised end. The tower's tilt was reduced by 45 centimetres (17+1⁄2 inches), returning to its 1838 position. After a decade of corrective reconstruction and stabilization efforts, the tower was reopened to the public on 15 December 2001, and was declared stable for at least another 300 years. In total, 70 metric tons (77 short tons) of soil were removed.
After a phase (1990–2001) of structural strengthening, the tower has been undergoing gradual surface restoration to repair visible damage, mostly corrosion and blackening. These are particularly pronounced due to the tower's age and its exposure to wind and rain. In May 2008, engineers announced that the tower had been stabilized such that it had stopped moving for the first time in its history. They stated that it would be stable for at least 200 years.
Earthquake survival
At least four strong earthquakes have hit the region since 1280, but the apparently vulnerable tower survived. The reason was not understood until a research group of 16 engineers investigated. The researchers concluded that the tower was able to withstand the tremors because of dynamic soil-structure interaction (DSSI): the height and stiffness of the tower, together with the softness of the foundation soil, influences the vibrational characteristics of the structure in such a way that the tower does not resonate with earthquake ground motion. The same soft soil that caused the leaning and brought the tower to the verge of collapse helped it survive.
Technical information
Elevation of Piazza del Duomo: about 2 metres (6 feet, DMS)
Height from the ground floor: 55.863 m (183 ft 3+5⁄16 in),[37] 8 stories
Height from the foundation floor: 58.36 m (191 ft 5+1⁄2 in)
Outer diameter of base: 15.484 m (50 ft 9+5⁄8 in)
Inner diameter of base: 7.368 m (24 ft 2+1⁄16 in)
Angle of slant: 3.97 degrees[40] or 3.9 m (12 ft 10 in) from the vertical
Weight: 14,700 metric tons (16,200 short tons)
Thickness of walls at the base: 2.44 m (8 ft 0 in)
Total number of bells: 7, tuned to musical scale, clockwise:
1st bell: L'Assunta, cast in 1654 by Giovanni Pietro Orlandi, weight 3,620 kg (7,981 lb)
2nd bell: Il Crocifisso, cast in 1572 by Vincenzo Possenti, weight 2,462 kg (5,428 lb)
3rd bell: San Ranieri, cast in 1719–1721 by Giovanni Andrea Moreni, weight 1,448 kg (3,192 lb)
4th bell: La Terza (1st small one), cast in 1473, weight 300 kg (661 lb)
5th bell: La Pasquereccia or La Giustizia, cast in 1262 by Lotteringo, weight 1,014 kg (2,235 lb)
6th bell: Il Vespruccio (2nd small one), cast in the 14th century and again in 1501 by Nicola di Jacopo, weight 1,000 kg (2,205 lb)
7th bell: Dal Pozzo, cast in 1606 and again in 2004, weight 652 kg (1,437 lb)
Number of steps to the top: 296
About the 5th bell: The name Pasquareccia comes from Easter, because it used to ring on Easter day. However, this bell is older than the bell-chamber itself, and comes from the tower Vergata in Palazzo Pretorio in Pisa, where it was called La Giustizia (The Justice). The bell was tolled to announce executions of criminals and traitors, including Count Ugolino in 1289. A new bell was installed in the bell tower at the end of the 18th century to replace the broken Pasquareccia.
The circular shape and great height of the campanile were unusual for their time, and the crowning belfry is stylistically distinct from the rest of the construction. This belfry incorporates a 14 cm (5+1⁄2 in) correction for the inclined axis below. The siting of the campanile within the Piazza del Duomo diverges from the axial alignment of the cathedral and baptistery of the Piazza del Duomo.
Guinness World Records
Two German churches have challenged the tower's status as the world's most lopsided building: the 15th-century square Leaning Tower of Suurhusen and the 14th-century bell tower in the town of Bad Frankenhausen. Guinness World Records measured the Pisa and Suurhusen towers, finding the former's tilt to be 3.97 degrees. In June 2010, Guinness World Records certified the Capital Gate building in Abu Dhabi, UAE as the "World's Furthest Leaning Man-made Tower"; it has an 18-degree slope, almost five times more than the Tower of Pisa, but was deliberately engineered to slant. The Leaning Tower of Wanaka in New Zealand, also deliberately built, leans at 53 degrees to the ground.
(Wikipedia)
Der Schiefe Turm von Pisa (italienisch Torre pendente di Pisa) ist das wohl bekannteste geneigte Gebäude der Welt und Wahrzeichen der Stadt Pisa in Italien.
Der Turm war als freistehender Glockenturm (Campanile) für den Dom in Pisa geplant. 12 Jahre nach der Grundsteinlegung am 9. August 1173, im Jahr 1185, als der Bau bei der dritten Etage angelangt war, begann sich der Turmstumpf in Richtung Südosten zu neigen. Daraufhin ruhte der Bau rund 100 Jahre. Die nächsten vier Stockwerke wurden dann mit einem geringeren Neigungswinkel als dem bereits bestehenden gebaut, um die Schieflage auszugleichen. Danach musste der Bau nochmals unterbrochen werden, bis 1372 auch die Glockenstube vollendet war.
Der Grund für seine Schieflage liegt in dem Untergrund aus lehmigem Morast und Sand, der sich unter dem Gewicht verformt. Neuesten Ausgrabungen zufolge steht der Turm am Rande einer ehemaligen Insel direkt neben einem antiken, zur Bauzeit bereits versandeten Hafenbecken. Die Schieflage des Turms beträgt nach dem Ende der Sanierungsarbeiten rund vier Grad, entsprechend einer Auslenkung an der Spitze von 3,9 m (bei rund 55,8 m Höhe). Im Inneren des Turmes hängt ein Pendel, das oben in der Mitte befestigt ist und durch die Schieflage unten beinahe die Seitenwand berührt.
Der Legende nach hat der aus Pisa stammende Galileo Galilei bei Fallversuchen vom Turm die Fallgesetze entdeckt.
Im Jahre 1987 wurde das Ensemble auf der Piazza del Duomo aus dem Turm, dem Dom, dem Baptisterium und dem Camposanto von der UNESCO zum Weltkulturerbe erklärt.
Architektur
Der 56 Meter hohe und 12 Meter durchmessende Campanile besteht aus 14.500 Tonnen weißen Carrara-Marmors und hat sieben Glocken, die aber längere Zeit wegen der Einsturzgefahr nicht läuten durften. Er sollte der Höhepunkt der ganzen Anlage der Piazza dei Miracoli sein. Er unterscheidet sich von den üblichen quadratischen Türmen Mittelitaliens und steht in einem großen Gegensatz zu den spitz zulaufenden Türmen des nördlichen Europa. Er ruht auf einem spiralförmigen Fundament aus 700 m³ Bruchstein und Mörtel. Neben dem Eingang sind Monat und Jahr des Baubeginns eingemeißelt: August 1173. In Urkunden wird jedoch stets 1174 genannt, denn für die Pisaner begann nach damaligem Kalender das neue Jahr bereits am 25. März. Giorgio Vasari bezeichnete Bonanno Pisano und einen gewissen Guglielmo als ursprüngliche Architekten des Turms.
Der Campanile hatte – außer dass er die Glocken tragen sollte – noch eine andere Funktion. Bei äußerer Gefahr flüchtete damals der Klerus in den Turm. Maueröffnungen und -vorsprünge im Zylinderschacht machten es möglich, bei Bedarf in jedem Stockwerk Gebälk und Fußböden einzuziehen.
Jedes Stockwerk hat eine Tür hinaus auf die Säulengalerie, die aus jeweils 30 Säulen besteht. Auf der Südseite führen oben sechs Stufen zur Glockenstube hinauf, auf der Nordseite nur vier. Die Treppe zur obersten Aussichtsterrasse soll Brunelleschi inspiriert haben, einen ähnlichen Aufgang zur Laterne auf der Kuppel des Doms in Florenz zu bauen.
Vom 7. Januar 1990 an musste der 14.500 Tonnen schwere Turm für Besucher gesperrt werden, da die Schräglage zu gefährlich wurde. Es gab eine weltweite Aufforderung an Baustatiker, die besten Lösungen zur Stabilisierung auszuarbeiten und einzureichen.
Nach 13-jährigen Sanierungsmaßnahmen, bei denen der Turm wieder um 44 Zentimeter aufgerichtet wurde, ist er seit Dezember 2001 wieder für Touristen geöffnet. Besucher können gegen Entgelt den Turm in Gruppen von maximal 40 Besuchern für eine Dauer von 15 Minuten besteigen.
Der Schiefe Turm von Pisa ist nicht das schiefste Gebäude bzw. der schiefste Turm der Welt, wie häufig vermutet wird. Dennoch gehört er zu den schiefsten Bauwerken, die – aufrecht geplant – unabsichtlich in eine Schieflage geraten sind.
Glocken
Die sieben Kirchenglocken des Domes werden aus statischer Vorsicht nur noch mittels innenliegender elektromagnetischer Schlaghämmer angeschlagen, und zwar mittags um 12 Uhr und jeweils vor den Messen.
Zuvor wurden die Glocken entsprechend ihrer Namen liturgisch eingesetzt, so etwa die Terza zur Terz, der dritten Stunde des liturgischen Tages, also um 9 Uhr vormittags, oder die Vespruccio zur Vesper, 18 Uhr. Das Läuten erfolgte von Hand; an Festtagen wurden die Glocken voll – a slancio – ausgeschwungen.
Die kleinste Glocke von 1501, Vespruccio genannt, hat eine sehr schlanke, zuckerhutartige Form. Die Glocke Del Pozzo ist ein originalgetreuer Nachguss der Vorgängerin, 1606 von Nicolaus Castellum gegossen.
Sanierungsmaßnahmen
Versuche im Mittelalter, den Bau durch besondere Baumaßnahmen wie geneigte Böden sowie dünnere und leichtere Mauern auf der überhängenden Seite zu retten, zeigten keine ausreichende Wirkung, so dass von den ursprünglich geplanten 100 Metern Höhe nur 54 Meter gebaut wurden.
Seit dem Beginn exakter Messungen 1911 nahm die Neigung stetig zu, und die Rate der Zunahme verdoppelte sich von den 1930er-Jahren bis 1990. In diesem Jahr betrug die jährliche Zunahme der Neigung 6 Bogensekunden. Außerdem zeigte die Vermessung, dass es sich um eine Rotationsbewegung handelte, wobei das Zentrum des Kreises in Höhe des Bodens der ersten Galerie senkrecht über dem Mittelpunkt des Turms auf Bodenebene liegt, der selbst keine vertikale Bewegung ausführte. Bei zwei heftigen Starkregenereignissen konnte 1995 eine Neigungszunahme in der Größenordnung einer Bogensekunde in wenigen Stunden festgestellt werden. Daraus wurde geschlossen, dass die Ursache nicht – wie üblicherweise angenommen – im Kriechen der weichen marinen Tonschicht (Horizont B ab einer Tiefe von etwa 10 m bis zu einer Tiefe von 40 m, wo Horizont C mit dichtem marinen Sand beginnt) lag, sondern an dem darüberliegenden Horizont A (Sand, sandige und tonige Schluffe), in der regelmäßig im September bis Dezember auftretende Unwetter mit heftigen Niederschlägen eine verstärkte Rotationsbewegung auslösten.
Seit der vorübergehenden Schließung 1990 waren diverse Sanierungsmaßnahmen unternommen worden. Im Mai 1992 wurde der Campanile mit Stahlreifen im zweiten Geschoss gesichert, da sich dort gefährliche Risse im tragenden Marmor gezeigt hatten. Insgesamt wurden 18 dieser Reifen angebracht. Zusätzlich wurden im Juli 1993 im Fundament 600 Tonnen Bleibarren als Gegengewicht auf der Nordseite eingelagert. Dadurch konnte die Schieflage des Turmes 1993 um eine Bogenminute verringert werden. 1995 wurden weitere Sanierungsmaßnahmen (Bodenvereisung und Stahlkabel-Verankerung) durchgeführt, da man die Bleigewichte als störend empfand. In der Folge erhöhte sich dabei allerdings die Neigung. Daraufhin wurde die höhere Seite des Fundaments an seinem Vorsprung außen am Turm im September 1995 erneut, diesmal mit 900 Tonnen Bleibarren, beschwert (siehe Bild), was die Neigung stoppte.
Ein Komitee internationaler Fachleute, das über die Sanierungsmaßnahmen des Turmes befinden sollte (1990 bis 2001 unter Leitung von Michele Jamiolkowski), konnte sich auf keine bestimmten Maßnahmen festlegen und wurde deshalb zum Ende 1996 von der italienischen Regierung aufgelöst. Nach dem großen Erdbeben vom September 1997 wurde das Komitee jedoch wieder eingesetzt. Man einigte sich im Herbst 1998 mehrheitlich auf eine neue Maßnahme zur Sanierung des Campanile, die sogenannte Bodenextraktions-Methode (geplant von John Burland nach einer Idee des Ingenieurs Fernando Terracina aus dem Jahr 1962). Dazu wurden im folgenden Jahr schräge Löcher in den Boden (Tiefe rund 4 bis 5 m, innerhalb von Horizont A) unter dem nördlichen Teil des Turmes gebohrt, so dass etwa 50 m³ Material entfernt wurde. Das Erdreich sackte langsam nach, schließlich auch der Boden des Turmes, und der ganze Turm richtete sich zunehmend nach Norden auf. Die Gesamtneigung des Turmes wurde von 5,5 Grad vor dem Beginn der Sanierungsarbeiten (um 1990) auf etwa vier Grad verringert. Damit ist der Turm voraussichtlich für die nächsten 300 Jahre gesichert. Nach dem Abschluss der Sanierungsmaßnahmen wurde der Turm am 15. Dezember 2001 wieder zur Besichtigung freigegeben.
Zur Sicherung während dieser Arbeiten wurde der Turm 1998 mit zwei starken Stahlseilen von 103 Metern Länge so befestigt, dass er nicht durch unerwartete Bewegungen einstürzen konnte.
Bei Bauarbeiten zur Sicherung des Gebäudes ist eine alte Römerstraße entdeckt worden, die noch in alten Plänen verzeichnet war, außerdem ein mittelalterliches Grab samt vollständigem Skelett.
(Wikipedia)
Roan Mountain, Tennessee ....which includes the world's largest natural rhododendron garden
Have a great week :-)
Roan Mountain is the highpoint of the Roan-Unaka Range of the Southern Appalachian Mountains, located in the Southeastern United States. The mountain is clad in one of the thickest stands of coniferous forest in the southern Appalachians, the world's largest natural rhododendron garden, and the longest stretch of grassy bald in the Appalachian range.[2] The Cherokee National Forest and Pisgah National Forest converge atop the mountain, with Roan Mountain State Park located near its northern base. The Appalachian Trail crosses most of the Roan's crest. The Roan High Knob Shelter is the highest backcountry shelter on the entire 2,174-mile (3,499 km) trail.[3]
Roan Mountain comprises the greater part of the Roan Highlands, a 20-mile (32 km) massif stretching from Big Rock Creek in the west to U.S. Route 19 in the east. Most of this massif lies along the Tennessee-North Carolina border, between Carter County and Mitchell County. ... from Wikipedia
Artworks include (left to right)
Antonio Rossellino
(Italian, 1427–1478)
Bust of the Christ Child, ca. 1460–70
Marble, with nineteenth-century metal halo
Purchased by Pierpont Morgan, 1906; AZ036
Pietro Vannucci, called Perugino
(Italian, Città della Pieve ca. 1450–1523 Fontignano)
Madonna and Saints Adoring the Christ Child
Tempera on wood
Purchased by Pierpont Morgan, 1911; AZ066
Attributed to Desiderio da Settignano
(Italian, 1428–1464)
Bust of a Florentine Woman, Perhaps Marietta Strozzi, ca. 1460
Marble
Purchased by Pierpont Morgan, 1908; AZ021
Follower of Donatello
(Italian, 1386/87–1466)
Standing Virgin and Child, ca. 1470
Terra-cotta bas-relief with polychrome and gilding
Purchased by Pierpont Morgan, 1904; AZ067
Stemmed Cup with Two Handles
Italy (Deruta), sixteenth century
Majolica
Purchased by Pierpont Morgan, 1906; AZ016
Antoine-Louis Barye
(French, 1796–1875)
Candelabrum with Figures of Juno, Minerva, and Venus; Chimeras; the Three Graces, model ca. 1840, cast post-1875
Purchased by Pierpont Morgan, 1908; AZ063
BLACK KITE :
The Black Kite (Milvus migrans) is a medium-sized bird of prey in the family Accipitridae, which also includes many other diurnal raptors. Unlike others of the group, they are opportunistic hunters and are more likely to scavenge. They spend a lot of time soaring and gliding in thermals in search of food. Their angled wing and distinctive forked tail make them easy to identify. This kite is widely distributed through the temperate and tropical parts of Eurasia and parts of Australasia and Oceania, with the temperate region populations tending to be migratory. Several subspecies are recognized and formerly had their own English names. The European populations are small, but the South Asian population is very large.
Description
The Black Kite can be distinguished from the Red Kite by its slightly smaller size, less forked tail, visible in flight and generally dark plumage without any rufous. The sexes are alike. The upper plumage is brown but the head and neck tend to be paler. The patch behind the eye appears darker. The outer flight feathers are black and the feathers have dark cross bars and are mottled at the base. The lower parts of the body are pale brown, becoming lighter towards the chin. The body feathers have dark shafts giving it a streaked appearance. The cere and gape are yellow but the bill is black (unlike in the Yellow-billed Kite). The legs are yellow and the claws are black. They have a distinctive shrill whistle followed by a rapid whinnying call.
Distribution
The species is found in Europe, Asia, Africa and Australia. The temperate populations of this kite tend to be migratory while the tropical ones are resident. European and central Asian birds (subspecies M. m. milvus and Black-eared Kite M. m. lineatus, respectively) are migratory, moving to the tropics in winter, but races in warmer regions such as the Indian M. m. govinda(Pariah Kite), or the Australasian M. m. affinis (Fork-tailed Kite), are resident. In some areas such as in the United Kingdom, the Black Kite occurs only as a wanderer on migration. These birds are usually of the nominate race, but in November 2006 a juvenile of the eastern lineatus, not previously recorded in western Europe, was found in Lincolnshire.
The species is not found in the Indonesian archipelago between the South East Asian mainland and the Wallace Line. Vagrants, most likely of the Black-eared Kite, on occasion range far into the Pacific, out to the Hawaiian islands.
In India, the population of M. m. govinda is particularly large especially in areas of high human population. Here the birds avoid heavily forested regions. A survey in 1967 in the 150 square kilometres of the city of New Delhi produced an estimate of about 2200 pairs or roughly 15 per square kilometer.
Food and Foraging
Black Kites are most often seen gliding and soaring on thermals as they search for food. The flight is buoyant and the bird glides with ease, changing directions easily. They will swoop down with their legs lowered to snatch small live prey, fish, household refuse and carrion, for which behaviour they are known in British military slang as the shite-hawk. They are opportunist hunters and have been known to take birds, bats and rodents.[ They are attracted to smoke and fires, where they seek escaping prey. This behaviour has led to Australian native beliefs that kites spread fires by picking up burning twigs and dropping them on dry grass. The Indian populations are well adapted to living in cities and are found in densely populated areas. Large numbers may be seen soaring in thermals over cities. In some places they will readily swoop and snatch food held by humans. Black Kites in Spain prey on nestling waterfowl especially during summer to feed their young. Predation of nests of other pairs of Black Kites has also been noted. Kites have also been seen to tear and carry away the nests of Baya Weavers in an attempt to obtain eggs or chicks.
Flocking and roosting
In winter, kites form large communal roosts. Flocks may fly about before settling at the roost. When migrating, the Black Kite has a greater propensity to form large flocks than other migratory raptors, particularly prior to making a crossing across water. In India, the subspecies govindashows large seasonal fluctuations with the highest numbers seen from July to October, after the Monsoons, and it has been suggested that they make local movements in response to high rainfall.
Breeding
The breeding season of Black Kites in India begins in winter, the young birds fledging before the monsoons. The nest is a rough platform of twigs and rags placed in a tree. Nest sites may be reused in subsequent years. European birds breed in summer. Birds in the Italian Alps tended to build their nest close to water in steep cliffs or tall trees. Nest orientation may be related to wind and rainfall. The nests may sometimes be decorated with bright materials such as white plastic and a study in Spain suggests that they may have a role in signalling to keep away other kites. After pairing, the male frequently copulates with the female. Unguarded females may be approached by other males, and extra pair copulations are frequent. Males returning from a foraging trip will frequently copulate on return, as this increases the chances of his sperm fertilizing the eggs rather than a different male. Both the male and female take part in nest building, incubation and care of chicks. The typical clutch size is 2 or sometimes 3 eggs. The incubation period varies from 30–34 days. Chicks of the Indian population stayed at the nest for nearly two months. Chicks hatched later in European populations appeared to fledge faster. The care of young by the parents also rapidly decreased with the need for adults to migrate. Siblings show aggression to each other and often the weaker chick may be killed, but parent birds were found to preferentially feed the smaller chicks in experimentally altered nests. Newly hatched young have down (prepennae) which are sepia on the back and black around the eye and buff on the head, neck and underparts. This is replaced by brownish gray second down (preplumulae). After 9 to 12 days the second down appears on the whole body except the top of the head. Body feathers begin to appear after 18 to 22 days. The feathers on the head become noticeable from the 24th to 29th day. The nestlings initially feed on food fallen at the bottom of the nest and begin to tear flesh after 33–39 days. They are able to stand on their legs after 17–19 days and begin flapping their wings after 27–31 days. After 50 days they begin to move to branches next to the nest. Birds are able to breed after their second year. Parent birds guard their nest and will dive aggressively at intruders. Humans who intrude the nest appear to be recognized by birds and singled out for dive attacks.
Mortality factors
Black-eared Kites in Japan were found to accumulate nearly 70% of mercury accumulated from polluted food in the feathers, thus excreting it in the moult process. Black Kites often perch on electric wires and are frequent victims of electrocution. Their habit of swooping to pick up dead rodents or other roadkill leads to collisions with vehicles. Instances of mass poisoning as a result of feeding on poisoned voles in agricultural fields have been noted. They are also a major nuisance at some airports, where their size makes them a significant birdstrike hazard.
Like most bird species, they have parasites, several species of endoparasitic trematodes are known and some Digenea species that are transmitted via fishes.
Birds with abnormal development of a secondary upper mandible have been recorded in govindaand lineatus.
PHOTOGRAPHY : KAUSHIK SINGHA ROY
This is a photograph from the start of the 6th annual Kinnegad 5KM Road Race and Fun Run 2015 which was held in the town of Kinnegad, Co. Westmeath, Ireland on Wednesday 8th July 2015 at 20:00. This race has firmly estbalished itself on the local race calender and yet again the race got wonderful support from local clubs and runners. The race is flat and fast and takes runners on traffic free route which includes 3KM on the local road 'Boreen Bradach'. The finish is on the famous main street of Kinnegad in front of Harry's Hotel. Over 200 people took part and the results by Premier Timing Systems are available here [www.premiertimingsystems.ie/]. Our full set of photographs from tonight's race is available here www.flickr.com/photos/peterm7/sets/72157653300652864
The race is organised by Coralstown Kinnegad GAA Club with proceeds from the race going towards the development of the club.
USING OUR PHOTOGRAPHS - A QUICK GUIDE AND ANSWERS TO YOUR QUESTIONS
Can I use these photographs directly from Flickr on my social media account(s)?
Yes - of course you can! Flickr provides several ways to share this and other photographs in this Flickr set. You can share directly to: email, Facebook, Pinterest, Twitter, Tumblr, LiveJournal, and Wordpress and Blogger blog sites. Your mobile, tablet, or desktop device will also offer you several different options for sharing this photo page on your social media outlets.
BUT..... Wait there a minute....
We take these photographs as a hobby and as a contribution to the running community in Ireland. We do not charge for our photographs. Our only "cost" is that we request that if you are using these images: (1) on social media sites such as Facebook, Tumblr, Pinterest, Twitter,LinkedIn, Google+, VK.com, Vine, Meetup, Tagged, Ask.fm,etc or (2) other websites, blogs, web multimedia, commercial/promotional material that you must provide a link back to our Flickr page to attribute us or acknowledge us as the original photographers.
This also extends to the use of these images for Facebook profile pictures. In these cases please make a separate wall or blog post with a link to our Flickr page. If you do not know how this should be done for Facebook or other social media please email us and we will be happy to help suggest how to link to us.
I want to download these pictures to my computer or device?
You can download this photographic image here directly to your computer or device. This version is the low resolution web-quality image. How to download will vary slight from device to device and from browser to browser. Have a look for a down-arrow symbol or the link to 'View/Download' all sizes. When you click on either of these you will be presented with the option to download the image. Remember just doing a right-click and "save target as" will not work on Flickr.
I want get full resolution, print-quality, copies of these photographs?
If you just need these photographs for online usage then they can be used directly once you respect their Creative Commons license and provide a link back to our Flickr set if you use them. For offline usage and printing all of the photographs posted here on this Flickr set are available free, at no cost, at full image resolution.
Please email petermooney78 AT gmail DOT com with the links to the photographs you would like to obtain a full resolution copy of. We also ask race organisers, media, etc to ask for permission before use of our images for flyers, posters, etc. We reserve the right to refuse a request.
In summary please remember when requesting photographs from us - If you are using the photographs online all we ask is for you to provide a link back to our Flickr set or Flickr pages. You will find the link above clearly outlined in the description text which accompanies this photograph. Taking these photographs and preparing them for online posting takes a significant effort and time. We are not posting photographs to Flickr for commercial reasons. If you really like what we do please spread the link around your social media, send us an email, leave a comment beside the photographs, send us a Flickr email, etc. If you are using the photographs in newspapers or magazines we ask that you mention where the original photograph came from.
I would like to contribute something for your photograph(s)?
Many people offer payment for our photographs. As stated above we do not charge for these photographs. We take these photographs as our contribution to the running community in Ireland. If you feel that the photograph(s) you request are good enough that you would consider paying for their purchase from other photographic providers or in other circumstances we would suggest that you can provide a donation to any of the great charities in Ireland who do work for Cancer Care or Cancer Research in Ireland.
Let's get a bit technical: We use Creative Commons Licensing for these photographs
We use the Creative Commons Attribution-ShareAlike License for all our photographs here in this photograph set. What does this mean in reality?
The explaination is very simple.
Attribution- anyone using our photographs gives us an appropriate credit for it. This ensures that people aren't taking our photographs and passing them off as their own. This usually just mean putting a link to our photographs somewhere on your website, blog, or Facebook where other people can see it.
ShareAlike – anyone can use these photographs, and make changes if they like, or incorporate them into a bigger project, but they must make those changes available back to the community under the same terms.
Above all what Creative Commons aims to do is to encourage creative sharing. See some examples of Creative Commons photographs on Flickr: www.flickr.com/creativecommons/
I ran in the race - but my photograph doesn't appear here in your Flickr set! What gives?
As mentioned above we take these photographs as a hobby and as a voluntary contribution to the running community in Ireland. Very often we have actually ran in the same race and then switched to photographer mode after we finished the race. Consequently, we feel that we have no obligations to capture a photograph of every participant in the race. However, we do try our very best to capture as many participants as possible. But this is sometimes not possible for a variety of reasons:
►You were hidden behind another participant as you passed our camera
►Weather or lighting conditions meant that we had some photographs with blurry content which we did not upload to our Flickr set
►There were too many people - some races attract thousands of participants and as amateur photographs we cannot hope to capture photographs of everyone
►We simply missed you - sorry about that - we did our best!
You can email us petermooney78 AT gmail DOT com to enquire if we have a photograph of you which didn't make the final Flickr selection for the race. But we cannot promise that there will be photograph there. As alternatives we advise you to contact the race organisers to enquire if there were (1) other photographs taking photographs at the race event or if (2) there were professional commercial sports photographers taking photographs which might have some photographs of you available for purchase. You might find some links for further information above.
Don't like your photograph here?
That's OK! We understand!
If, for any reason, you are not happy or comfortable with your picture appearing here in this photoset on Flickr then please email us at petermooney78 AT gmail DOT com and we will remove it as soon as possible. We give careful consideration to each photograph before uploading.
I want to tell people about these great photographs!
Great! Thank you! The best link to spread the word around is probably http://www.flickr.com/peterm7/sets
Mudeford was originally a small fishing village in the borough of Christchurch, Dorset southern England, lying at the entrance to Christchurch Harbour. The River Mude ( which starts from Poors Common in Bransgore, Hampshire and Bure Brook ( which starts from Nea Meadows in Highcliffe, Dorset ) flow into the harbour there. In recent times the boundaries of Mudeford have expanded and include modern housing. About 4000 people now live in the area giving a population density of roughly 24 persons per hectare. Mudeford includes two woodland areas (known as Mudeford Woods and Peregrine Woods), a recreation ground on the north side of Stanpit (used to play cricket since the 19th century, probably as far back as the 1860's) and All Saints Church ( built in 1869 as a gift by Mortimer Ricardo, who lived at Bure Homage House ).
The village is home to both Mudeford Infants School and Mudeford Junior School. Mudeford Quay was constructed in the late 1940. Before this, The Haven, as it was then known was surrounded by sloping beaches. The Run then was much wider than it is now and the area was subject to terrible erosion. So much so that Christchurch Council purchased the whole area in 1945. Five years later the area had been raised and reinforced with steel piles and concrete.
Today the quay which consists of The Haven Inn public house, several ex-fisherman's cottages and a large car park is still used by local fishing boats as well as being a base for many water sports. A RNLI inshore lifeboat station is located on the quay. In 1809, a troopship carrying 100 soldiers returning from the Peninsular War, sank in Christchurch Bay. The whole complement was saved by fishermen from the village. A specially built lifeboat was stationed at Mudeford from 1802, privately owned and manned by the local fisherman. It was subsumed by the RNLI in 1962 and in June 1963 a new inflatable boat was delivered. Between 1963 and 1995, the Mudeford Lifeboat was launched 766 times and rescued 308 people.
The Mudeford ferry operates between the Quay and Mudeford Sandbank on Hengistbury Head. The ferry was until the 1960's operated by rowing boats with payment being at the discretion of the passenger. Mudeford Quay is at the entrance to the Harbour known as ~ The Run. The area was historically much involved in smuggling and the site in 1784 of The Battle of Mudeford. George III is recorded as having visited Mudeford in 1801 and using a bathing machine.
Stanpit Marsh is situated on the north side of Christchurch Harbour, just below the confluence of the rivers Avon and Stour. The 65 hectare site has an unusual combination of habitats including salt marsh with creeks and salt pans, reed beds, freshwater marsh, gravel estuarine banks and sandy scrub. It was designated as a Local Nature Reserve in 1964 and in 1986 as a Site of Special Scientific Interest. The Marsh is home to over 300 species of plants, 14 of which are nationally rare and endangered.
Tutton’s Well:- Many Christchurch residents may be unaware that the Borough contains the last remaining natural geological erupting mineral spring within a public open space in East Dorset. The ancient Tutton’s Well can be found in Stanpit, near the Stanpit Recreation car park. The water of the well was recognised as having unusual purity with medicinal values as it contains a wide range of important minerals. In medieval times it was transported around the country as a cure and known as The Christchurch Elixir. The traditional annual pilgrimage to the Priory included the healing benefits of this spring water from the monks. In July 2009 the Council’s Planning Control Committee agreed that the Friends of Tutton's Well could restore ancient features to the Tutton's Well site. These will include:
1) restoring the quay wall at Stanpit Creek (from which fishermen used to launch their fishing boats)
2) restoring the Dipping Place - this will allow the original branch of the spring to emerge
3) restoring a working crank pump to the Well
4) erecting a notice board to give a historical perspective.
The restoration of the Tutton's Well features is due to the generous patronage of Tom Tutton without whom this valuable local history would be lost to memory.
Bosnia and Herzegovina, sometimes known as Bosnia-Herzegovina and informally as Bosnia, is a country in Southeast Europe. Situated on the Balkan Peninsula, it borders Serbia to the east, Montenegro to the southeast, and Croatia to the north and southwest. In the south it has a 20-kilometre-long (12-mile) coast on the Adriatic Sea. Bosnia has a moderate continental climate with hot summers and cold, snowy winters. In the central and eastern regions, the geography is mountainous, in the northwest it is moderately hilly, and in the northeast it is predominantly flat. Herzegovina, the smaller, southern region, has a Mediterranean climate and is mostly mountainous. Sarajevo is the capital and the largest city.
The area has been inhabited since at least the Upper Paleolithic, but evidence suggests that during the Neolithic age, permanent human settlements were established, including those that belonged to the Butmir, Kakanj, and Vučedol cultures. After the arrival of the first Indo-Europeans, the area was populated by several Illyrian and Celtic civilizations. The ancestors of the South Slavic peoples that populate the area today arrived during the 6th through the 9th century. In the 12th century, the Banate of Bosnia was established; by the 14th century, this had evolved into the Kingdom of Bosnia. In the mid-15th century, it was annexed into the Ottoman Empire, under whose rule it remained until the late 19th century; the Ottomans brought Islam to the region. From the late 19th century until World War I, the country was annexed into the Austro-Hungarian monarchy. In the interwar period, Bosnia and Herzegovina was part of the Kingdom of Yugoslavia. After World War II, it was granted full republic status in the newly formed Socialist Federal Republic of Yugoslavia. In 1992, following the breakup of Yugoslavia, the republic proclaimed independence. This was followed by the Bosnian War, which lasted until late 1995 and ended with the signing of the Dayton Agreement.
The country is home to three main ethnic groups: Bosniaks are the largest group, Serbs the second-largest, and Croats the third-largest. Minorities include Jews, Roma, Albanians, Montenegrins, Ukrainians and Turks. Bosnia and Herzegovina has a bicameral legislature and a presidency made up of one member from each of the three major ethnic groups. However, the central government's power is highly limited, as the country is largely decentralized. It comprises two autonomous entities—the Federation of Bosnia and Herzegovina and Republika Srpska—and a third unit, the Brčko District, governed by its own local government.
Bosnia and Herzegovina is a developing country. Its economy is dominated by industry and agriculture, followed by tourism and the service sector. Tourism has increased significantly in recent years. The country has a social security and universal healthcare system, and primary and secondary education is free. Bosnia and Herzegovina is an EU candidate country and has also been a candidate for NATO membership since April 2010.
The exhibition resources include six posters that you can use in a classroom, dorm, office, for presentations, or in other ways. The posters are in PDF form. To download a poster PDF, click on the one you want and either print it yourself or take the PDF to a copy shop/printer and have a larger size or color version made. Using regular printer paper works fine.
Each poster relates to a section of the web exhibition: EveryBody (overview page), Disability and History, People, Place, Technology, Citizens. Each poster comes in English or Spanish and color or black& white (with grey scale adjusted so it will print clearly). Every poster includes the exhibition and section titles, web address, acknowledgment of our funder-- the Nathan Cummings Foundation, and a summary caption. The images on the posters are all pulled from the exhibition and the caption presents a main idea related to each topic.
The posters are available on the online exhibition website in PDF format in both black and white as well as English and Spanish. There's even a large poster that you can print in tiles. everybody.si.edu/posters
The Detroit International Riverfront includes a 5½-mile (8.8 km) promenade called the River Walk which is to extend from the Ambassador Bridge to Belle Isle. The path is located directly on the river, sometimes bridging it. The path is 62 feet (18¾ m) wide in most places, with separate lanes for pedestrian and wheeled (such as bicycles or inline skate) traffic. Pavilions, fishing piers and benches are located at intervals along the path.
The east riverfront promenade connects an area known as Rivertown. It extends along the east riverfront area from the Cobo Center convention and exhibit facility to the Belle Isle State Park bridge and includes the Renaissance Center, GM Plaza and Promenade, William G. Milliken State Park and Harbor, Stroh River Place, Chene Park, Mt Elliott Park and Gabriel Richard Park. The river walk is designed to supplement new retail and residential development, and includes the newly renovated historic Alden Park Towers. Architect Eric J. Hill aided in its design.
The first 3.5 miles (5.6 km) of continuous riverfront promenade and two of the four planned pavilions opened to the public on June 6, 2007. Rivard Plaza located at the foot of Rivard Street features a covered seating, a carousel, concessions and bike rentals. Richard Plaza located in Gabriel Richard Park features covered seating, concessions and a butterfly garden. The River Walk is continuous from Joe Louis Arena to Milliken State Park with unfinished sections between the state park and River Place. From River Place the River Walk is then continuous through Mt Elliott Park to the former site of the Uniroyal Tire factory west of Belle Isle.
en.wikipedia.org/wiki/Detroit_International_Riverfront#Ri...
en.wikipedia.org/wiki/Wikipedia:Text_of_Creative_Commons_...
Faversham’s Magna Carta
Copies of this confirmation of Magna Carta granted in 1300, which includes the whole text of Magna Carta, were sent to many towns throughout the country. At the foot of this copy it is stated in Latin that it is for the barons of the Port of Faversham. Originally granted by King John 1215, Faversham’s version is a confirmation of the re-issue of 1225.
1300 Magna Carta.
Parchment, c. 59 × 44 (+32) cms. Decorated initial ‘E’. Great seal of Edward I on a replaced parchment tag.
Tann, Royal Charters of Faversham, pp. 102-111.
Translation
Edward by the grace of God king of England, Lord of Ireland and Duke of Aquitaine sends greeting to his archbishops, bishops, abbots, priors, earls, barons, sheriffs, reeves, ministers and all bailiffs and faithful people. We have inspected the charter of the lord Henry, our father, king of England (Henry III 1216-1272) about the liberties of England in these words:
Henry by the grace of God king of England, Duke of Normandy, Aquitaine and Count of Anjou sends greeting to his archbishops, bishops, earls, barons, sheriffs, reeves, ministers and all faithful people who will inspect the present charter. You may know that we by the instigation of God and for the salvation of our souls and the souls of our ancestors and descendants by our spontaneous and good will have, for the elevation of the Holy church and the bettering of our kingdom, given and granted to the archbishops, bishops, priors, earls, barons and ministers of our kingdom these liberties as are written below to be observed in our kingdom of England in perpetuity. Firstly we have conceded to God and we, by this our present charter, confirm for ourselves and for our heirs in perpetuity that the English church may be free and may hold all rights freely, fully and its liberties unquestioned; we have also granted and have given to all free men of our kingdom on behalf of ourself and of our heirs in perpetuity that they may have and hold the liberties as written below, by them and their heirs of us and our heirs in perpetuity. If any person of our earls or barons or of any other tenants who hold of us in chief through knight service may die and after his death and his heir shall be of full age and he owes relief, he may receive his inheritance through the old relief, that is to say an heir or the heirs of an earl by a hundred pounds for the entire Earldom, an heir or the heirs of a baron by a hundred marks for the full Barony, the heir or heirs by a hundred shillings for a full knights fee at the most and who has held less may give in accordance with the ancient custom of the fees. If however the heir of anyone of any such status should have been under age, the lord may not have custody of him nor of his land before he has taken his homage and afterwards such an heir who shall have been in custody, shall, when he has come of age, that is at twenty one years, receive his inheritance without relief and without a fine. Moreover that if he should have become a knight while he has been in custody, even so the land may remain in the keeping of his lords to the end of the aforesaid term. The guardian of the land of an heir of this nature, who has been under age, may not take anything from the heir’s land unless reasonable profits of that land. He ought to make report to us and if he, during his time of guardianship shall cause damage or commit waste then we will take it from him to be emended and the land may be committed to two trusted and honest men. And if we have given or sold the guardianship of the land to anyone of such nature and he then has caused damage or waste he shall loose that guardianship and it be handed over to two trusted and honest men of that fee who similarly may answer to us just as is aforesaid. However the guardian of the land has to accept a certain responsibility for the land in this manner: he will maintain the buildings, parks, fish ponds, stanks, mills and all things pertaining to that land out of the profits of the same land and when the heir shall come of full age he shall return his land completely stocked with ploughs and all other things in full just as he received it. All these things are to be observed concerning the custody of the lands of archbishops, bishops, abbots, priors, churches and vacant dignitaries which pertain to us, except when the guardianship in this manner ought to come to us. The heirs shall marry without disparagement, a widow at once after her husband’s death and she may have her marriage allowance and her inheritance without obstacle and may not give anything for her dowry nor for her marriage portion for the inheritance; that is any inheritance which she, the same widow and her husband held on the day of her husband’s death and she may remain in her husband’s capital messuage for forty days after her husband’s death, within which days her dowry may be assigned to her, unless it shall have been already assigned to her or unless that residence should be a castle and if she should depart from such castle, a suitable house may be provided at once for her in which she may honourably remain until her dowry be assigned to her, as it aforesaid and meanwhile she may have a reasonable maintenance grant from the community. However a third part of all her husband’s land may be assigned to her for her dowry which was hers during his life, unless she had been provided with less dowry at the church entrance. No widow may be pressurised to get married while she has wished to live without a husband. Then so that she may give assurance that she will not marry without our assent if she has held from us or without her lord’s assent if she has held from another. Indeed neither we, nor our bailiffs will seize any land or rent for any debt when certain present chattels of the debtor are sufficient to pay the debt and the debtor himself made be prepared to make satisfaction, nor shall the sureties of the same debtor be distrained when the chief debtor himself has sufficient for the payment of his own debt and if the chief debtor should default in payment of the debt, not having the funds to make repayment or being reluctant to make payment when he is able, the sureties for the debt may be responsible and if they should wish they may have the debtor’s lands and rents until he makes satisfaction to them about the debt which they have paid for him previously, unless the chief debtor has shown that he is quit towards his sureties. The city of London may have all is ancient liberties and customs; in addition we wish and concede that all other cities and boroughs and towns and the barons of the Cinque Ports and all ports may have all the liberties as their free customs. No one may be distrained to make more service for a knight’s fee nor for any other free tenement than that which is owing. The common pleas may not follow our court but shall be held in another particular place. Recognizances of Nova Disseisina and of Morte Antecessorum shall not be taken unless in their own counties. We, or if we should be out of the kingdom our chief justiciary, shall send our justiciaries into every county whatsoever once in a year, where, with the knights of the shires they may take the aforesaid assizes and those things which at his coming in the county cannot be terminated through our aforesaid justiciaries at the two assizes which were taken, shall be terminated by the same men elsewhere in their itinerary and those matters which by the same men could not be terminated on account of difficulty of other articles may be referred to the justiciaries of the Bench. The assizes of Ultima Presentacione are always taken before the justiciaries of the Bench and to be terminated there. A free man may not be amerced for a minor offence except according to the manner of the same man’s offence and for a more serious offence according to the extent of his delinquency, saving to the consideration of his status and a merchant in the same way according to his merchandise and a villein of another, rather than of ours, shall be amerced in the same way according to his weregeld should he happen to be placed into our mercy and none of the aforesaid amercements shall be imposed unless through the oath of trusted and law-abiding men of the neighbourhood and knights and barons shall not be amerced except through their peers and not unless according to the manner of the offence. No ecclesiastical person shall be amerced according to the quantity of his benefice but according to the quantity of his lay fee and according to the nature of his offence nor shall any villein or free man be distrained to build bridges at the waterways unless they had been obliged to do so from ancient times and by right. No defences shall be made for any river banks apart from those which had been made as defences in the time of king Henry our grandfather throughout the same places and under the same terms, just as they were accustomed to do in his time. No sheriff, constable, coroner or any other of our bailiffs may hold pleas of our crown. If any person holding a lay free of us shall have died and our sheriff or bailiff shall show our letters patent concerning our summons about the debt which shows what he owes to us, it may then be lawful for the sheriff or our bailiff to impound and evaluate all the deceased person’s goods and chattels found in that lay fee to the extent of that debt assessed by the valuation of trusted men. Thence nothing may be removed from there until the debt to us which was clearly shown shall be paid and the residue may be left to the executors in accordance with the deceased person’s will and if nothing may be owed to us by him and all his chattels shall yield to the deceased, saving to the wife and children of the same in reasonable share. No constable or a bailiff of his may take the corn or other chattels of anyone who is not of the town where the castle is situated unless he immediately pays money for them, or then he can have respite by the wish of the vendor. If however he is of that same town he may pay the price within forty days. No constable may distrain any knight to give him money for castle guard if he shall have been willing to do this in his own person or if for some good reason he is not able to perform this service through another trusted man; in addition, if we have led or sent him into the army, he may be exempt from service in accordance with the time during which through us he was in the army because of the fee for which he has done service in the host. No sheriff or our bailiff or any other person shall take the horses or carts of anyone to make a carriage unless he shall make the payment laid down in ancient statutes, that is to say ten pence per day for one cart with two horses and fourteen pence per day for one cart with three horses. No cart of the demesne of any ecclesiastical person or knight or of any other lord shall be taken by our bailiffs neither shall we, our bailiffs or anyone else take wood belonging to anyone else for our castles or for any other of our works unless by permission of the person to whom the wood belongs. We will not hold the lands of those persons convicted of felony longer than one year and one day and then those lands shall be returned to the lord of the fees. All fish kidells shall forthwith be removed from the Thames and Medway and throughout the whole of England unless upon the sea coast. The writ called Precipe in future shall not be granted to anyone of any free tenement, thence a free man may loose his court. There shall be one measure of wine throughout our whole kingdom and one measure of beer and one measure of corn, that is to say the quarter of London and one width of dyed cloth, of russets and halberjects, that is two ells within the selvedges. Concerning weights, these shall be the same as the measures. In future nothing may be given or taken from him who seeks the writ of the inquisition Concerning life and limbs but it shall be freely conceded and not denied. If anyone may hold of us in fee farm or socage or burgage and shall hold land from another by military service we will not have the custody of either his heir nor lands which he holds of another because of that fee -farm, socage or burgage, unless the fee farm owes that same man military service. We will not have custody of the heir or lands of anyone who holds from any other person lands by military service by reason of petty serjeantry which he holds of us by service of giving daggers or arrows or other similar things to us. Forthwith no bailiff shall place any man to his open law, not to an open oath upon his own simple affirmation without faithful witnesses brought for the purpose. No free man be taken or imprisoned nor dispossessed of his free tenement nor of his liberties or free customs nor outlawed nor exiled nor in any way brought to destruction nor shall we go upon him nor condemn him except through the lawful judgement of his peers or through the law of the land. We will not sell to anyone, nor will we not deny nor delay to anyone either right or justice. All merchants, unless they have received public prohibition, shall have safe and secure conduct to go from and come into England and to remain and to travel throughout England both by land and by water to buy and sell with no unjust exactions, in accordance with the ancient and right customs, except in time of war and if they should be from the country with which we are at war and such merchants are found in our land at the beginning of the war, they shall be apprehended with no loss to their persons or to their goods until it is made known to us or to our chief justiciary how the merchants of our land who may be found in that land which is at war with us are used and if our men were safe there, then those others shall be safe in our land. If anyone has held of another escheat, as of the honour of Wallingford, Boulogne, Nottingham, Lancaster or other escheats which are in our hands and which might be baronies and has died, his heir shall not give any relief nor perform any other service to us other than he may make to a baron, if that might be in a baron’s hands and we will hold it in the same manner by which the baron held it, nor by reason of such a barony or escheat will we have any escheat or custody of any of our men unless he who held the barony or escheat held otherwise of us in chief. In future no free man shall give or sell any more of his land but except that from the residue of his land he may be able to make the service owing to the lord of the fee which pertains to that fee. All the patrons of abbeys which have charters of the kings of England concerning the advowson or the ancient tenure or possessions may hold custody of them while they shall have been vacant just is they ought to have and just as is decreed above. No one shall be arrested or imprisoned by the appeal of a woman for the death of any man other than her husband. Henceforth no county court may be held except from month to month, and where the greater term was accustomed to be it may be greater, neither shall any sheriff or his bailiff make his turn throughout the hundred except on two occasions in a year and not unless in the due and accustomed place, that is to say once after Easter and again after the feast of Michaelmas and the view of frank pledge shall be then made at the same Michaelmas term with no obstacle, thus moreover that everyone may have his liberties which he had or was accustomed to have in the time of king Henry our grandfather or which things he has since acquired. However the view of frank pledge may be so done that our peace may be held and that the tything may be fully kept just as it was accustomed to be and that the sheriff may seek no perquisites and that he may be content with such as the sheriff was accustomed to have when he made his view at the time of king Henry our grandfather, nor in the future may it be lawful for any man to give his land to a religious house and to take that land to hold from the same house nor may it be lawful for a religious house to accept land of any man and to lease that land to him from whom it was received. Forthwith if anyone has so granted land to a religious house and upon this is convicted, his gift shall immediately be curtailed and that land returned to the lord of that fee. Forthwith scutage may be taken [as was customary] in the time of our grandfather king Henry and saving to the archbishops, bishops, abbots, priors, Templars, Hospitallers, earls, barons and all other persons both ecclesiastical and secular all the liberties and free customs which they first had. However all men of our kingdom, both clergy and laity shall observe all the customs and the aforesaid liberties [hole in MS which we have granted] in as much as pertains to us towards them in the way that these pertain towards them. However for this grant and concession of those liberties and other things contained in our charter concerning the liberties of the Forest the archbishops, bishops, abbots, priors, earls, barons and all people of our kingdom have given us a fifteenth part of all their moveable goods. We have granted also to the same people on our behalf and that of our heirs that neither we nor our heirs may request anything through which the liberties as contained in this charter may be violated or questioned and if any persons [may presume to commit such action] such may be worthless and set at nought. These are the witnesses: The lord S archbishop of Canterbury, E bishop of London, the bishops, J. Bath. P Winchester. H, Lincoln. R. Salisbury. W. Rochester, W.Worcester, J. Ely. H. Hereford. R. Chichester. W. Exeter, the abbot of Bury St Edmunds. The abbot of [hole], the abbot of Battle, the abbot of St Augustine’s Canterbury, the abbot of Evesham, the abbot of Westminster, the abbot of Peterborough, the abbot of Reading, the abbot of Abingdon, the abbot of Malmesbury, the abbot of Winchcombe, the abbot of Hythe, the abbot of Chertsey, the abbot of Shirbourne. The abbot of [hole] the abbot of Aylesbury. the abbot of Middleton., the abbot of Selby, the abbot of Cirencester, Hubert de Burgh our justiciar, H. earl of Chester and Lincoln, W. earl of Salisbury. W. earl Warenne. Gilbert de Clare earl of Gloucester and Hereford, W. de Ferrars earl of Derby, W de Mandeville earl of Essex, Hugh de Bigod earl of Norfolk, W. earl of Albermarle, H earl of Hereford. J Constable of Chester, R. de Ros, R son of Walter, R de Veteri Ponte, W. de Bruer. R. de Montfichet. P. fitz Herbert, W. de Aubeny son of Gresly, J de Munmue. J. Fitzalan, H de Mortimer, W de Beauchamp, W. de St John, P. de Malo lacu, Brian de Isham, Thomas de Multon, R. de Argentenn, G de Nevill, W. Manduit, J de Ballivi and others. Given at Westminster on the eleventh day of February in the ninth year of our reign, 1224/5. We however, having ratified the aforesaid grants and concessions freely concede and confirm them on behalf of ourself and of our heirs and renew them by the tenor of the present writings, desiring and granting for ourselves and our heirs that the aforesaid charter may be observed in all and each of its articles firmly and also unquestioned in perpetuity, if any articles contained in the same charter shall not previously have been observed. These are the witnesses: the venerable fathers * Robert archbishop of Canterbury, primate of all England, and bishops Anthony of Durham, Robert of London. Robert of Ely, Thomas of Exeter, Walter of Coventry and Lichfield, Simon of Salisbury, J (sic) Thomas of Rochester, John of Norwich and John of Llandaff, John elect of Lincoln, John de Warenne Earl of Surrey, Thomas Earl of Lancaster, Roger le Bygod Earl of Norfolk and Marshall of England, Henry de Lacy Earl of Lincoln, Ralph de Monte Hermern Earl of Gloucester and Hertford, Humphrey de Bohun Earl of Hereford and Essex, Guy de Beauchamp Earl of Warwick, Richard fitz Alan Earl of Arundel, Reginald de Grey, John de Hastings, Henry de Percy, Hugh le Despenser, Hugh de Veer, Robert de Tateshale, Hugh Bardolp, Hugh de Courteneye, John de Seagrave, Henry de Grey, William de Ros de Helmesleye, Alan la Zusche, Robert de Tony, Robert de Monte Alto, William de Breous, Thomas [hole]nall, John de Engaygne, Peter Corbet, William de Leyburn, William de Latymer, Walter de Beauchamp, steward of our lodgings, Walter de Huntercumbe and others. Given by our hand at Westminster on the twenty eighth day of March in the twenty eighth year of our reign. * Robert Winchelsey archbishop of Canterbury 1293-1313 Anthony Bek bishop of Durham 1283-1311 Robert Gravesend bishop of London 1280-1303 Robert de Walpole bishop of Ely1299-1302 Thomas de Bitton bishop of Exeter 1291-1307 Walter de Langeton bishop of Coventry and Lichfield 1296-1321 Simon of Ghent bishop of Salisbury 1297-1315 Thomas de Wouldham bishop of Rochester 1291-1317 John Salmon bishop of Norwich 1299-1325 John de Dalderby bishop elect of Lincoln 1300-1320. Elected 15th January 1300, consecrated 12 June 1300.
Written on fold of charter: For the Barons of the port of Faversham. Examined through Master Edmund of London
Includes the site of the re-assembled Crystal Palace, opened 1854 and destroyed by fire in 1936. Visible on this not especially clear day (and on the full size of this pic) are the pylons of the QE2 bridge at Dartford - about 23 km / 14.4 miles away by Google Map measuring. They are just left of the tower block to centre-left.
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A blog post that includes these photos lives here: likeafishinwater.com/2016/04/29/pilgrimage-to-uji-for-hib...
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Cedar Fire operations include helicopter release of water where needed during the Cedar Fire in the Sequoia National Forest near Posey, CA, on Sunday, August 22, 2016. The hose below the helicopter allows water tanks to be refilled while hovering low over bodies of water, in this case a pond near the Balance Rock community in Tulare County. USDA Photo by Lance Cheung.
For more information please see:
@usda
@forestservice
Video The Heart of a Firefighter youtu.be/QxJFIfkOQLY